Bøger udgivet af Black Dog Press

This book accompanies Kent Monkman's large-scale exhibition which takes the viewer on a journey through Canada's history.

THROWN brings together essays by curators, first hand accounts by potters, archival documents, photographs and letters from the personal collections of seven highly respected potters.

Perhaps best known for hyper realistic portraits of subjects from Kate Moss to the heavily tattooed Mr. X and Zoe which take the process of portraiture beyond the photographic medium, Jason Brooks rose to prominence in the early 1990s with a generation of British artists who enjoyed wide international acclaim. In these and his recent work exploring old masterpieces and anonymous found paintings, Brooks demonstrates his interest in affirming the faith that painters retain in the medium of painting.Ranging from his iconic portraits of the 1990s, through to restless experiments with sculpture, found materials and the essence of painting as a medium, Jason Brooks: Perpetual Orgy is the first overview of the career of a singular and versatile artist. Heavily illustrated with colour images from Brooks’ rich and varied oeuvre, Perpetual Orgy offers a poetic and insightful reading of his practice from novelist, curator and critic, Michael Bracewell. Specially commissioned for this title, Bracewell has written a series of essays in response to an extended conversation with the artist and an engagement with his work spanning many years.

HEXEN 2.0 is the sequel to HEXEN 2039, which imagined new technologies for psychological warfare through investigating links between the occult and the military in relation to histories of witchcraft, the US film industry, British Intelligence agencies, Soviet brainwashing and behaviour control experiments of the US Army.

The book illustrates the breadth and diversity of the work of The Chase creative design agency. This lavish hardback with slipcase documents the agency that has consistently been one of the UK's most awarded creative consultants with numerous accolades from D&AD, Creative Review Annual, Design Week and Art Directors Club, among many others.

Eat & Art, from the people behind Lisbon's famous Can the Can restaurant, brings together some of Portugal's finest chefs and artists, using the country's canned fish industry as the source of inspiration.

Architect Kurt Ofer has formulated an utterly unique way of drawing, which gives a superior understanding of form. By following the method of "transparent drawing," you ignore an object's opacity and see beyond its surface, allowing you to draw it in a very distinct and holistic way.

A collection of essays from Colquhoun's career in architectural theory.

In his latest collection of poetry, Cliff Burns addresses the moral and spiritual dilemmas pervading modern life and the anxiety that manifests itself as we recognize the scope of the challenges confronting us. Haunting, personal and impassioned, The Algebra of Inequality intimately examines the dark places inside us, while refusing to entirely discount the healing graces of unconditional love.Cliff Burns is the author of twelve books of prose and poetry, including So Dark the Night (2010) and Righteous Blood (2016). Over the past three decades his work has appeared in publications and anthologies around the world and has been adapted and performed on radio and stage.

An intriguing series of black and white photographs documenting the construction of a pseudo prehistoric landscape that questions our sense of what is real and what it not.

Vantage explores the world's earth's manmade structures, surreal architecture, and megacities, evoking the insight and intrigue of Ryan Koopman's extensive travels as a photographer.

For 17 days in June 2016 the Luminato Festival transformed the Hearn Generating Station in the Port Lands in Toronto into the largest temporary cultural and community center in the world. This title explores how this event can be used as a blueprint for future artistic reimaginings of space.

Marlon Griffith: Symbols of Endurance covers the recent artistic practice of Trinidadian-born artist Marlon Griffith, whose work derives its form (and to an extent its process) from the performative, participatory and ephemeral characteristics that derive from the Trinidad and Tobago Carnival.

The ability to use imagination and envision future needs is crucial in art, design and architecture. Future thinking and making require imagination and capability to create narratives for near and far futures and the capacity to compose proposals to meet the imagined future needs.

Johnnie Cooper: Sunset Strip is the first monograph of the British artist's work, joining a curatorial initiative over recent decades to undertake important re-evaluations of the careers of important twentieth- and twenty-first-century artists such as Tess Jaray, William Turnbull and Cuban-born, American Minimalist artist Carmen Herrera.

Neil Gall: The Studio are a distinct body of collages made from the covers of The Studio, the influential art magazine published in London from 1893 until 1964.

Life Light Language captures a fascinating dialogue between the renowned pioneer of media poetry, telepresence and bio art Eduardo Kac, the writer and curator Bronac Ferran, and the historian and manuscript scholar Andrew Prescott.

Evergon: Lovers & Muses provides a long-awaited panoramic overview of the artist's entire body of work. Extending from the artist's early engagement with projections of the self and the appropriation of popular culture and the history of art through his sustained representations of homosexuality and the championing of gay issues.

Known for exploring and experimenting with the integration and reproduction of digital and analogue imagery, American artist Jeff Elrod combines digital design and printing techniques with traditional, manual artistry, producing unique contributions to the vernacular of contemporary painting

Who Cares?, the fourth in the Inquiries into Contemporary Sculpture series, examines issues of reception and care in contemporary sculpture.

Shelf Obsession presents the work of ground-breaking British digital-printmaker Phil Shaw.

The Domestic Plane is a meta-group exhibition in five chapters-organised by five curators, including more than 70 artists-that features tabletop objects across the fields of art and craft from the twentieth and twenty-first centuries.

Food and The Public Sphere is a survey of socially engaging public works, sculpture and objects by internationally acclaimed artists Lucy + Jorge Orta.

HFT The Gardener extends Treister's fascination with esoteric translation, the cybernetics of consciousness, and the hallucinatory aesthetics that radiate from real-world circulations of power.