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I can think of no other writer who can better express the ine able sense of being born into the working poor before moving through di erent genres of living-hired factory hand, engineer, professor, poet, then back to hired academic hand-as he searches for a sense of the real through genres of writing-memoir, ction, poetry, criticism. Samuel Taylor's Hollywood Adventure is as engrossing as any written lived experience, only more so: a meditation on what it is not to be a Hollywood celebrity, war hero, or anyone of note, but a human trying to make it, and trying to make sense of "it" as a writer who can look back and see how much of our lives are composed by the constraints of storytelling we and our societies create. Samuel Taylor's Hollywood Adventure begins with poetics, but ends as philosophy.-STEVE TOMASULA, author of VAS: An Opera in Flatland and Once Human: Stories
THE FOREWORD BLUESWesli Court said I should write a book,A bunch of blues-enough to fill a book,And he'd design the cover. I said, "Look,If you'll write half of them, then I will chooseA ball-point pen, a felt-tip-I will chooseTo join you in a modicum of blues."And that's the reason, Reader, we are here-You, Wes and me-we three assembled hereAmong these turning leaves yellow and sere.We hope you'll think the words we write are fine,Our writing bold and dark, but our wordage fine . . . ,At least we hope you'll like the cover design.Envoy EpilogueGo, little book of sorrows, cares and woes,But Wesli's gone. Where? Only goodness knows.
Gay Talese and Pete Hamill discuss the life and legacy of Frank Sinatra. "Like his hero, Jay Gatsby, Sinatra 'believed in the green light, the orgiastic future that year by year recedes before us.' It was that longing for a lost future that so permeated his music and life that gave it an essential quality of longing, loss, and nostalgia."
OThis unique and remarkable catalogue may well represent the cornerstone of a long-needed Italian-American Archive, the entry point to the social, political, and literary micro-history of one of the largest migrations in modern times.ONPeter Carravetta, Alfonse M. D'Amato Professor of Italian and Italian American Studies, SUNY at Stony Brook.
Literary Nonfiction. Italian & Italian American Studies. History. Through contemporary culture and the philosophical lens of Pier Paolo Pasolini and Antonio Gramsci, Pasquale Verdicchio examines trends in nationalistic ideologies, immigrant culture, displacement, and Italian studies.
Fiction. At the beginning of the 20th century, as Ernest Hemingway, F. Scott Fitzgerald, and Gertrude Stein were on the rise to prominence, sealing America's literary status around the world, a crop of writers began to publish and offer insight into the often overlooked and disregarded corners of society. Labeled ethnic or immigrant, their work was marginalized, relegated to limited audiences where it would remain available to minimal exposure or otherwise lost to history and the passage of time. With our re-publication of MISS ROLLINS IN LOVE, we hope to rescue one such title from the bottomless pit of history. Garibaldi LaPolla along with Pietro di Donato and John Fante form the canon of the great Italian American novelists from the era. And in this novel, he tells the story of a young teacher, Amy Rollins, her orphan student, Donato Contini, and the complexities of the education system, teacher-student relationships, and the implications of romance and passion in the classroom.
Literary Nonfiction. History. Translated from the Italian by Sian Gibby. This collection of letters, diaries, and memoirs offers readers personal accounts of the realities of the war. We are taken beyond the grandiosity of war propaganda into the daily lives of soldiers fighting in the trenches.
Contributors to this work include Carmine di Biase, Giuseppe Antonio Camerino, Simone Castaldi, Elena Coda, Lois C. Dubin, Sylvie Duvernoy, Elvio Guagnini, Kay Bea Jones, Russell Scott Valentino, and Cristina Perissinotto.
Poetry. Joseph V. Ricapito is a professor of Spanish, Italian, and Comparative Literature at Louisiana State University and holds the Joseph S. Yenni Distinguished Chair for the Department of Italian Studies. He holds degrees from Brooklyn College, CUNY, University of Iowa, and a PhD in Romance Languages from the University of California at Los Angeles. He is the author of FLORENTINE STREETS AND OTHER POEMS, published by Bordighera and recently published his first novel, Fratelli: A Novel, with AuthorHouse of Bloomington, Indiana.
Mormino presents an overview of the history of Italians in Florida, creditingthe Italian-Americans with the state's growth and development.
"Federico F." is a semi-fictional novel that chronicles the last nine months of Italian film director Federico Fellini's life, from January to October 1993. Angelucci reveals how creatively Fellini treated personal events, as if they were screenplay ideas to be developed.
Talarico's poetry bridges the gap between the scientific approach to life andthat advocated by the humanities.
Poetry. "Emanuel di Pasquale writes with reverence and wonder, like some Adam first laying eyes on beast and tree, bestowing names upon them...I find di Pasquale an astonishing and delightful poet, a visionary miraculously set down in New Jersey, and a true original" -- X.J. Kennedy.
Poetry. European American Studies. "LOOKING FOR COVER is Maria Fama at her best. Her poetry is a lyrical invitation to a world that is richly and sensuously detailed, where everything is honored-most notably the timelessness of the ancestors and our own lives as we revisit ourselves"-Janet Mason. A graduate of Temple University, Maria Fama is the author of four other books and has been published in numerous literary journals and anthologies. Maria Fama is the recipient of numerous awards, including the Aniello Lauri Award for Creative Writing (2002 and 2005), the 1994 Dream Images Poetry Award, and the Amy Tritsch Needle Award for Poetry, in 2006.
Poetry. Anyone who knows anything about poetry written in English between the two World Wars knows the name Carnevali, but almost no on knows the words of the wonderful work he wrote, as he only published one book in his lifetime, A Hurried Man (1925). To this day Carnevali remains an almost mythological figure. He and his work resist categorization as he had a conflictual relationship with so many things: Modernism, America, and Italy among them. He believed that he "belonged to the nineteenth century more than to any other, perhaps entirely, insanely to the nineteenth century." The poems published here--the poems originally published in A Hurried Man--are a triumph: they take us from New York to Chicago and his illness and then to his return to Italy and those painful years in a hospital room. "Job Junior," one of his essays, has been included here as a preface to his work; it provides an understanding of his poetics.
Cultural Writing. SHIFTING BORDERS, NEGOTIATING PLACES is a compilation of papers presented at the international conference on cultural studies held at the University of Rome "La Sapienza" in 2000 and indicate some of the many directions scholars working in cultural studies have taken. Presented in both English and Italian (without translation), these papers present investigations sparked by European political and economic unification, globalization, and the place of cultural studies in apprehending and theorizing transnational change. Cultural studies may have taken hold in Italy later than it did in Great Britian and North America, but Italian academia now includes both many enthusiastic practitioners and a committed audience, as the diverse proceedings of this intellectually satisfying conference indicate.
Poetry. Goerge Guida's first collection of poems, LOW ITALIAN, shows that he ..".is a comic genius who is writing some of the funniest, most successfully satiric poems about Italian American behavior and culture, and by extension, ethnicity in general. His work has the self-assurance of a master: his voice can be assertive, ironic, self-reflexive, harlequinesque, self-depricating, and noble, all the time remaining spontaneous, unified, and faithful to its own unique vision"--John Paul Russo, Co-Editor of the ITALIAN AMERICANA.
Cultural Writing. The three essays in this volume originate from a symposium held at Florida Atlantic University, dedicated to the integration of the Advanced Placement exam within the teaching of Italian language and culture. Special emphasis was placed upon Italian-American culture, as shown in the essays included in INTRODUCING ITALIAN AMERICANA: "From the Old Country to the Old Neighborhood: Creating Italian American Literature," by Fred Gardaphe, State University of New York at Stony Brook; "From Italy to the New World: Italian Writers in the United States," by Paolo A Giordano, University of Central Florida; and "Italian Americans and the Movies," by Anthony Julian Tamburri, Queens College/CUNY. Each essay is offered in both English and Italian.
Cultural Writing. Multicultural Studies. Few places in the United States provide the goldmine of diversity found in South Florida, and what better place to look at race relations--past and present--from a variety of cultural perspectives. The Race and Change Project has produced an impressive oral history archive, housed at the African American Research Library and Cultural Center in Fort Lauderdale, which features over 100 interviews with Blacks, Whites, and immigrants all talking about their race relations experiences before and after the Civil Rights Act of 1964. A multi-ethnic group of students at Florida Atlantic University in Boca Raton, Florida, most not even born then, were challenged to confront these historical accounts and explore their own generational experiences aroudn race in thoughtful, mindful, candid, creative ways. The result is this collection. It features 22 writers who blend their personal stories with the voices of archival oral histories, weaving a rich tapestry of memories into a dialogue on differences that is sure to spark more discussion.
Fiction. Fred Misurella's collection of stories, Lies to Live By, tells the complex, and sometimes secret truth about what it is to be alive in these complicated times. THe eight stories in this collection are deep in their understanding and widely varied in their subject matter. Misurella writes in the clearest, precise prose, and has as his special strength the joining of shining intelligence with deep emotion. LIES TO LIVE BY deserves a wide readership and serious attention,"-Kent Haruf. "All of Misurells's finely-drawn characters are "crossing a bridge, preparing to pass through the doors of a new time zone." Their journey from old-world neighborhoods into more modern times makes for delightful reading" -Rita Ciresi.
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