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A series of drawings of medieval buildings in Stamford, made in the 1730s by William Stukeley, provide important new evidence for the history of the town, while documents demonstrate the contemporary vitality.
A fresh perspective on conflict and peace-making that highlights the cosmologies and invisible entities that state, society and religious authorities draw on to claim or reclaim legitimacy and control.
This study takes the sword beyond its functional role as a tool for killing, considering it as a cultural artifact , and the broader meaning and significance it had to its bearer.
Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field.
Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women.This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such asThe Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films' production, distribution, and reception, this bookopens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion,both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio.
Documents recording the interrogation of sixteen women and the nature of their unusual spiritual practices, now available in a full edition and, for the first time, a full English translation.
A timely and important examination of the environmental crises, investigating their biophysical, political, economic, and socio-cultural aspects, that reveals why previous conservation efforts failed.
A fascinating story of the rise of individualism in the formerly German Western Territories of Poland after World War II and how this new culture powered Poland's democratic-capitalist development.
Examines portrayals of plants and landscapes in recent German novels and films, addressing the contemporary forms of racism, nationalism, and social and ecological injustice that they expose.
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