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The Maimonides Review of Philosophy and Religion is an annual collection of double-blind peer-reviewed articles that seeks to provide a broad international arena for an intellectual exchange of ideas between the disciplines of philosophy, theology, religion, cultural history, and literature and to showcase their multifarious junctures within the framework of Jewish studies. Contributions to the Review place special thematic emphasis on scepticism within Jewish thought and its links to other religious traditions and secular worldviews. The Review is interested in the tension at the heart of matters of reason and faith, rationalism and mysticism, theory and practice, narrativity and normativity, doubt and dogma.

The contributors to the volume explore the relationship of the virtues to Richard Hooker's ontology, to questions of justification by faith, how righteousness is appropriated by the Christian, how the virtues relate to his polemical context, what he takes from both Scripture and his theological forbearers, and how he demonstrates the virtues in his own literary persona. Contributors include: Benjamin Crosby, Paul Dominiak, Daniel Eppley, André A. Gazal, Daniel F. Graves, Dan Kemp, Scott N. Kindred-Barnes, W.J. Torrance Kirby, W. Bradford Littlejohn, Arthur Stephen McGrade, W. David Neelands, and John K. Stafford.

Work, Ideology, and Film under Socialism in Romania examines the cinematic architecture of work imaginary as developed through films produced between 1960 and 1989. This book provides rich insight into the intimate configuration of cinematic thinking of work and displays of this form of social life, with focus on the relationship between conceived and lived ideology of work during socialist modernization, on the relationship between individuals and political power in the (reflexive) experiences, and contexts of work.

Step into the lives of extraordinary women leaders in this groundbreaking volume. This compelling collection presents autoethnographies of twenty-five women leaders in English Language Teaching (ELT) from around the world. Grounded in key leadership theories and ELT research, these narratives examine the intersectionality of gender, race, culture, and transnational experiences in shaping leadership identities. Authors candidly share their triumphs and challenges, inspiring readers to embrace their own leadership potential and effect change in their communities and beyond. By articulating the personal, institutional and global complexities, the narratives inform our understanding of how ELT teachers navigate the path to leadership. Contributors are: Tasha Austin, Lena Barrantes-Elizondo, Kisha Bryan, Quanisha Charles, May F. Chung, Ayanna Cooper, Tanya Cowie, Taslim Damji, Darlyne de Haan, Su Yin Khor, Sarah Henderson Lee, Gloria Park, Ana-Marija Petrunic, Doaa Rashed, Kate Mastruserio Reynolds, Teri Rose Dominica Roh, Mary Romney-Schaab, Amira Salama, Cristina Sánchez-Martín, Xatli Stox, Debra Suarez, Shannon Tanghe, Lan Wang-Hiles, Marie Webb and Amea Wilbur.

Before the invention of synthetic sponges, divers culled the seabeds of the Aegean for animal sponges or "sea gold" to supply global demand, while risking paralysis or death from decompression disease. This is a study of sponge diving and the impact of the industry on the inhabitants of Kalymnos and Mediterranean. It is a record of the 10,000 divers who died, the 20,000 who were paralysed between 1886 and 1910, and the women who were there to sustain them when they returned home.

Step into the lives of extraordinary women leaders in this groundbreaking volume. This compelling collection presents autoethnographies of twenty-five women leaders in English Language Teaching (ELT) from around the world. Grounded in key leadership theories and ELT research, these narratives examine the intersectionality of gender, race, culture, and transnational experiences in shaping leadership identities. Authors candidly share their triumphs and challenges, inspiring readers to embrace their own leadership potential and effect change in their communities and beyond. By articulating the personal, institutional and global complexities, the narratives inform our understanding of how ELT teachers navigate the path to leadership. Contributors are: Tasha Austin, Lena Barrantes-Elizondo, Kisha Bryan, Quanisha Charles, May F. Chung, Ayanna Cooper, Tanya Cowie, Taslim Damji, Darlyne de Haan, Su Yin Khor, Sarah Henderson Lee, Gloria Park, Ana-Marija Petrunic, Doaa Rashed, Kate Mastruserio Reynolds, Teri Rose Dominica Roh, Mary Romney-Schaab, Amira Salama, Cristina Sánchez-Martín, Xatli Stox, Debra Suarez, Shannon Tanghe, Lan Wang-Hiles, Marie Webb and Amea Wilbur.

In this book, WU Hong deconstructs the prevailing theory of a 100-year Buddhist artistic lag between Asuka Japan and the Chinese mainland. She proposes to radically re-date Asuka statues, such as the famous Hōryūji Kondō Shaka Triad. The new dating opens up possibilities for revising our perceptions of early Japanese history and interchange in East Asia, while also allowing a fresh account of Asuka statuary to emerge. Proceeding from the revised chronology and emphasizing local processes, this new account brings the growth of Asuka Buddhism into clearer vision and elaborates on heretofore unknown historical details for an enriched understanding of this critical period of East Asian history.

This book represents the first ever systematic philosophical study of Marsilio Ficino's Commentary on Plotinus' 'Enneads' (first published in Florence, 1492), this work of Ficino being arguably as definitive for the Florentine thinker's later work as the Platonic Theology was for his earlier. Publication of the present study uniquely illuminates the extent to which Plotinus had always been the crucial influence over Ficino's revolutionary projects of introducing Platonic thought based on original Greek sources to western Europe, correcting certain features of late medieval and Renaissance Aristotelianism, and laying the foundations of a new Christian Platonism. The study can be read both as an independent introduction to Ficino's later philosophy and as the complement to the first modern edition and translation of the Commentary on the Enneads itself also by Stephen Gersh (I Tatti Renaissance Library, 2017).

The Ungraspable as a Philosophical Problem provides an analysis of the ungraspable--of that which cannot be grasped by the mind or the senses. When referring to the ungraspable in sensible reality, we often speak of the "untouchable," the "invisible," the "inaudible," and the "untastable." In the abstract realm, we speak of the "non-conceptual," the "ineffable," the "unsayable." These are the modalities of the ungraspable that are explored in this study. They have been considered absolute by some thinkers, a claim that I critically assess. My central claim is that the absoluteness of these modalities is linked to a desire to grasp, which is characterized by the desire for exactitude, for the proper, and for domination. First, I examine the role of the hand in phenomenology, more precisely in Martin Heidegger's philosophy, in order to further define the notion of the ungraspable. I then analyze Emmanuel Levinas's early works, which offer an account of the ungraspability of nature (the there is). I then turn to Jacques Derrida, who has proved that otherness is not only human but also animal and theoretical, but who devotes little space to the otherness of the more-than-human, or inorganic objects. Finally, I examine the otherness of so-called inorganic or more-than-living objects (natural objects and artifacts), demonstrating its importance to our current situation.

Between 1238 and 1239, the notorious Jewish convert Nicholas Donin persuaded Pope Gregory IX to condemn the Talmud, prompting European kings to intervene. Only King Louis IX of France agreed to a public disputation in 1240, subjecting the Talmud to scrutiny. Prominent Jewish and Christian figures debated Jesus in the Talmud. The Talmud was condemned between 1241 and 1242, but the Church of Paris, responding to Jewish pleas, allowed an appeal. Scholars were commissioned to translate portions of the Talmud, resulting in two anthologies titled Extractiones de Talmud--the first translation of this work. Still, this did not save the Talmud from burning.

Using an interdisciplinary approach to the problem of the self, this study focuses on a gap left by previous philosophers. This shortcoming is related to the nature of the self to commit errors that become part of the identity of the self. These errors stain the self and make "I" what it is. This study shines light on the self that will give a reader a more balanced understanding of it. Fictional literature will be invoked to illustrated features of the self associated with errors. The book is divided into two sections: a review of selected theories of the self and a reconsideration of the self and errors producing being.

The Freudian Exodus redefines the traumatic experience that Freud argued was the origin of Judaic monotheism, the murder of Moses. Focusing instead on the Babylonian Exile, the study explores a series of topics understood as the aftershocks of that cultural trauma. Among these are the nature of anti-Semitism, Christianity's vexed relationship to Judaism, the fantasmatic status of subjectivity, the cultural function of Torah, and Freud's escape at the end of his life from Nazi controlled Austria. The in-depth analysis of these topics aims for a new understanding of psychoanalysis, conceived more as a philosophy than as a mode of therapy.

Conceptualized as a tool to expand creativity, questioning, and experimentation in arts research, Disruption and Convergences: Generating New Conversations through Arts Research offers timely narratives, musings, and descriptions of experimental and scholarly practice that ignite new creative considerations for graduate students and aspiring arts research practitioners. The book features a collection of practice-based research projects for which the experiential unfolding leads to unexpected outcomes. In its openness and generativity, this mode of questioning removes the need for conclusive findings. Prominent threads that emerged from the collection encompass collaboration and interconnectedness, disputed and shared spaces, and transformation through storytelling. Contributors to the book address ways of knowing that complicate familiar categories, learning with and listening to the fragile, the provisional, and heralding unthought futurity. Disruption and Convergences offers a scholarly and artistic exchange through dialogues between contributors and invites artful and multisensorial expressions, imaginative experimentations, poetic and critical propositions that carry the voices of creators at different stages in their research careers. This form of publication is itself an international symposium of sorts, and therefore an opportunity for readers to engage in wide-ranging approaches to making, writing, and arts thinking. Contributors are: Cathy Adams, Jelena Aleksic, Carolina Bergonzoni, Rébecca Bourgault, Rachel Epp Buller, Aurora Del Rio, Christine D'Onofrio, Hannah L. Drake, Emese Hall, Damali Ibrek, Rabeya Jalil, Estée Klar, Linda E. Kourkoulis, David LeRue, Stephanie Loveless, Katri Naukkarinen, Yolanda M. Manora, Rachel Payne, Patti Pente, Nicole Rallis, Roni Raviv, Catherine M. Roach, Catherine Rosamond, Myrtle Sodhi and Alex Wexler.

Conceptualized as a tool to expand creativity, questioning, and experimentation in arts research, Disruption and Convergences: Generating New Conversations through Arts Research offers timely narratives, musings, and descriptions of experimental and scholarly practice that ignite new creative considerations for graduate students and aspiring arts research practitioners. The book features a collection of practice-based research projects for which the experiential unfolding leads to unexpected outcomes. In its openness and generativity, this mode of questioning removes the need for conclusive findings. Prominent threads that emerged from the collection encompass collaboration and interconnectedness, disputed and shared spaces, and transformation through storytelling. Contributors to the book address ways of knowing that complicate familiar categories, learning with and listening to the fragile, the provisional, and heralding unthought futurity. Disruption and Convergences offers a scholarly and artistic exchange through dialogues between contributors and invites artful and multisensorial expressions, imaginative experimentations, poetic and critical propositions that carry the voices of creators at different stages in their research careers. This form of publication is itself an international symposium of sorts, and therefore an opportunity for readers to engage in wide-ranging approaches to making, writing, and arts thinking. Contributors are: Cathy Adams, Jelena Aleksic, Carolina Bergonzoni, Rébecca Bourgault, Rachel Epp Buller, Aurora Del Rio, Christine D'Onofrio, Hannah L. Drake, Emese Hall, Damali Ibrek, Rabeya Jalil, Estée Klar, Linda E. Kourkoulis, David LeRue, Stephanie Loveless, Katri Naukkarinen, Yolanda M. Manora, Rachel Payne, Patti Pente, Nicole Rallis, Roni Raviv, Catherine M. Roach, Catherine Rosamond, Myrtle Sodhi and Alex Wexler.

Global Catholicism: Between Disruption and Encounter examines a worldwide religious institution that has been more globally extensive than truly globalized. It explores the world historical and theological meaning of de-Europeanization with church data uniquely presented by world regions. Readers get an in-depth look at the institutional and theological capacity and limits of the cosmopolitan reality of today's Catholic Church. Its integrated perspective, grounded in cultural and political history together with an ecclesiology of post-Vatican II Catholicism, offers a new way to approach today's emerging post-colonial, inter-cultural Global Catholicism as centuries-old trajectories are disrupted and pressing new realities demand original responses.

Today, the majority of the world's Christian population lives in the Global South. Knowledge of their history is therefore indispensable. This textbook offers a compact and vivid overview of the history of Christianity in Asia, Africa and Latin America since 1450, focussing on diversity and interdependence, local actors and global effects. Maps, illustrations and numerous photos as well as continuous references to easily accessible source texts support the reader's own reading and its use in various forms of academic teaching.

Dans Témoignage et littérature d'après Auschwitz, Fransiska Louwagie offre des études critiques provenant de deux centres de gravité de la littérature de la Shoah et des camps nazis: les oeuvres des témoins-survivants et celles des générations suivantes. Le livre explore les oeuvres d'écrivains majeurs et parfois moins connus, comme celles de Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun et Imre Kertész, d'une part, et celles de Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow et Michel Kichka, de l'autre. En consacrant à chaque auteur une étude critique approfondie, Fransiska Louwagie fait pleinement droit à l'individualité des oeuvres, tout en dégageant des perspectives transversales sur les questions éthiques et esthétiques qui sous-tendent le témoignage et la littérature d'après Auschwitz. In Témoignage et littérature d'après Auschwitz, Fransiska Louwagie brings together two key areas of Holocaust literature, offering a rich analysis of both testimony and second generation writing. The book explores the works of major and sometimes lesser-known writers such as Robert Antelme, André Schwarz-Bart, Piotr Rawicz, Jorge Semprun, Imre Kertész, Georges Perec, Raymond Federman, Gérard Wajcman, Henri Raczymow and Michel Kichka. By devoting an in-depth critical study to each of these writers, the book draws out the individual specificity of their works, while also developing broader insights into the ethical and aesthetic questions that underlie acts of witnessing and writing 'after Auschwitz'.

Why does the Gospel of Mark make specific and repeated reference to the compassion of Jesus in the miracle stories? This volume discusses the function that compassion has in the Markan characterization of Jesus, particularly in how the terminology employed depicts Jesus as entering the suffering of others. In doing so, it underscores how this portrayal is exceptional among the stories of miracle workers in ancient Greco-Roman and Jewish literature. In Mark, this compassion toward the suffering other is a central feature of the kingdom of God, an attribute the Markan audience is challenged to emulate.

This book is about the articulation of ethics in the Qurʾān and the tafsīr tradition. Based on an examination of several apparently problematic Qurʾānic narrative pericopes and how the exegetes grappled with them, the book demonstrates that the moral world of the Qurʾān is polyvalent and non-linear, owing, above all, to its intrinsic ethical antinomies and textual ambiguities. That is, the book contends that paradox and uncertainty are both constituents of the Qurʾān's ethical architectonics, and that through these constituents the Qurʾān charts a system of ethics that seeks to tread in the midst of a non-ideal world rife with uncertainty. The book also argues that the tafsīr tradition tends to erode the hermeneutical openness of the Qurʾān and, thereby, limits the Qurʾān's ethical potential. The book, thus, advances our understanding of Qurʾānic ethics and contributes to the field of tafsīr studies and to the scholarship on Qurʾānic hermeneutics.

Ce volume interroge les conditions de l'interprétation des textes littéraires, à la lumière des propositions de Stanley Fish sur L'autorité des communautés interprétatives (1980): leurs présupposés, leurs compétences et croyances, conditionnent l'activité herméneutique, interrogée ici par des spécialistes de littérature française, espagnole ou comparée. Réfléchir au fonctionnement concret de telles communautés - création, renouvellement, adhésion, dissidence, relation concurrentielle entre communautés, volonté d'imposer une interprétation... -, amène à envisager des implications en termes de libre arbitre et d'individualité essentielles pour nos disciplines, et à repenser les relations entre texte, auteur et lecteurs, parfois en opposant des objections nouvelles aux postulats de Fish, parfois en proposant des alternatives.

Irish Quaker biographers have focused on ministers, the influential and wealthy; many biographies are also unstructured and selective, leaving gaps in the narrative. The current work uses the life and family of John Boles (1661-1731), a Quaker stalwart for 50 years, as a case study for the biographer, introducing the major sources and showing how they can be deployed to 'resurrect' the contributions of the anonymous Quaker majority. As the biography is developed, information is explored and analyzed to construct reliable genealogical charts; information is culled from Friends' records to document the contributions and failures of family members in the context of their Quaker meetings; land records are consulted to measure and assess their gradual accumulation of wealth and the historical context is discussed as a backdrop to their evolving socio-economic status - all topics essential for comprehensive Quaker biographies and family histories.

- Reconstructs the lives of enslaved women and men, showing how they contributed to medieval Yemen's society, economy and politics - Provides detailed information on slave trading between East Africa and Yemen in the 13th century - Highlights the gendered nature of slavery by analyzing the complex social identities and positions of eunuchs (castrated slaves) and concubines (female slaves used by their owners for sex) - Includes a study of the Najahids (1021-1158 CE), a little-known Yemeni dynasty founded by Ethiopian slaves - Adds historical depth to current debates on social and racial hierarchies in modern Yemen

This monograph spotlights women writers' contributions to the philosophy of German Romanticism. Dorothea Mendelssohn Veit Schlegel, Rahel Levin Varnhagen, Karoline von Günderrode, and Bettina Brentano von Arnim suggested a new vision for an emancipated community of women that develops through philosophical discourse of Progressive Universal Poetry. Their personal, fictionalized, and literary letters reinvent and retheorize the Romantic notions of sociability, symphilosophy, and sympoetry, as theorized by men, and retheorize the concepts of love. They provided a model for shaping intellectual and cultural life in the modern world while challenging rigid dichotomies of classs, gender, and ethnicity.

This volume explores twelve house museums, created over more than two centuries, and founded across the globe. What motivates collectors to establish independent house museums instead of donating their collections to preexisting institutions? How have collectors' original intentions manifested themselves in their museums? Have founder mandates aided the survival or caused the demise of their institutions? How have house museums' collections or buildings evolved over time? Must museums reinterpret their collections to remain relevant to contemporary and diverse audiences? In seeking to answer these questions, the volume's authors share the unique stories behind the creation and evolution of these fascinating institutions, and the intriguing stories of the exceptional individuals who founded them.

"Money, money, and more money." In the eyes of early modern warlords, these were the three essential prerequisites for waging war. The transnational studies presented here describe and explain how belligerent powers did indeed rely on thriving markets where military entrepreneurs provided mercenaries, weapons, money, credit, food, expertise, and other services. In a fresh and comprehensive examination of pre-national military entrepreneurship - its actors, structures and economic logic - this volume shows how readily business relationships for supplying armies in the 17th and 18th centuries crossed territorial and confessional boundaries. By outlining and explicating early modern military entrepreneurial fields of action, this new transnational perspective transcends the limits of national historical approaches to the business of war. Contributors are Astrid Ackermann, John Condren, Jasmina Cornut, Michael Depreter, Sébastien Dupuis, Marian Füssel, Julien Grand, André Holenstein, Katrin Keller, Michael Paul Martoccio, Tim Neu, David Parrott, Alexander Querengässer, Philippe Rogger, Guy Rowlands, Benjamin Ryser, Regula Schmid, and Peter H. Wilson.

Both in our time and in the past, death was one of the most important aspects of anyone's life. The early modern period saw drastic changes in rites of death, burials and commemoration. One particularly fruitful avenue of research is not to focus on death in general, but the moment of death specifically. This volume investigates this transitionary moment between life and death. In many cases, this was a death on a deathbed, but it also included the scaffold, battlefield or death in the streets. Contributors include: Friedrich J. Becher, Benedikt Brunner, Isabel Casteels, Martin Christ, Louise Deschryver, Irene Dingel, Michaël Green, Vanessa Harding, Sigrun Haude, Vera Henkelmann, Imke Lichterfeld, Erik Seeman, Elizabeth Tingle, and Hillard von Thiessen

This commentary on Greek Lamentations is based on the Codex Vaticanus, and includes an introduction, Greek text and English translation. LamLXX presents a new interpretation of the past, creating its own conceptual idea about loss and destruction, grief and suffering. In varied vivid images, metaphors and pictures, LamLXX retells past experiences as present life, invoking conditions reminiscent of Exodus. Hope is reduced to a limited amount, suffering seems endless. Only through prophet Jeremiah's mediation, a new perspective for future life appears at the horizon. Contemporary readers, or readers of any period, may find therein representations of their own experiences in life.

The magical images and protest tools of Artemisia Gentileschi to Amanda Garcia Yates, the Oracle of LA, are revealed in this book. Art Witches have created powerful images that resonate with beauty and activism, from Italian courtrooms in the 1500s to binding spells for the Trump presidency in 2016. For the first time, this book connects the genealogy of the image of the witch from historical artists to contemporary artists. It intertwines artistic purpose with social ills and equity issues and probes how this narrative is exposed and curated in museums and memorials focused on witchcraft. The collection of images, artist interviews, and a case study of the two artists that make up Hilma's Ghost provide recognition and a new context for this important and rapidly growing art movement.

Conceived of as a dialogue with the work of poet and literary scholar Stephanos Stephanides, the book offers critical perspectives on timely questions such as identity, home, belonging, memory, translation and transculturality, reintroducing thus the crosscurrents between the poetic, the cultural and the political.

Drawing on a multitude of sources online and offline, in A Bibliography of Islamic Criminal Law, Volume 2 Olaf Köndgen offers the most extensive bibliography on Islamic criminal law ever compiled.