Bøger udgivet af Catholic University of America Press

CUA Press is proud to announce the CUA Studies in Canon Law. In conjunction with the School of Canon Law of the Catholic University of America, we are making available, both digitally and in print, more than 400 canon law dissertations from the 1920s - 1960s, many of which have long been unavailable. These volumes are rich in historical content, yet remain relevant to canon lawyers today. Topics covered include such issues as abortion, excommunication, and infertility. Several studies are devoted to marriage and the annulment process; the acquiring and disposal of church property, including the union of parishes; the role and function of priests, vicars general, bishops, and cardinals; and juridical procedures within the church. For those who seek to understand current ecclesial practices in light of established canon law, these books will be an invaluable resource

CUA Press is proud to announce the CUA Studies in Canon Law. In conjunction with the School of Canon Law of the Catholic University of America, we are making available, both digitally and in print, more than 400 canon law dissertations from the 1920s - 1960s, many of which have long been unavailable. These volumes are rich in historical content, yet remain relevant to canon lawyers today. Topics covered include such issues as abortion, excommunication, and infertility. Several studies are devoted to marriage and the annulment process; the acquiring and disposal of church property, including the union of parishes; the role and function of priests, vicars general, bishops, and cardinals; and juridical procedures within the church. For those who seek to understand current ecclesial practices in light of established canon law, these books will be an invaluable resource

WINNER of the SOUTH CENTRAL MODERN LANGUAGE ASSOCIATION PRIZE for BEST SCHOLARLY OR CRITICAL BOOK FOR 2009 Marie de France and the Poetics of Memory presents the first exhaustive treatment of the rhetorical use of description and memory in all the narrative works of the late 12th-century poet, Marie de France--the first woman to compose literary texts in French. Though she had no access to treatises devoted solely to the arts of memory that were to develop in the centuries following her own, she nonetheless exemplifies some of the same techniques that are extolled by their authors. Logan E. Whalen's insightful study begins with a discussion of Marie's literary plan in light of classical rhetoric and the art of inventio, or literary topical invention, that developed in the Middle Ages. He then demonstrates how the fifty-six-line prologue that precedes Marie de France's Lais gives an outline of her literary plan, not only for the narrative texts that follow in that particular collection, but also for the whole of her poetic corpus. Marie's use of description in the Lais shows the way in which she creates an imaginative locus that is conducive to memory through her elaborate descriptions of people, animals, places, events, and an assortment of inanimate objects. Her Fables is examined in light of the way in which scribes and illuminators of the centuries that immediately followed the composition of these texts interpreted them scripturally and iconographically. Finally, Whalen compares the structure of memory and description in the two works the Espurgatoire seint Patriz and the Vie seinte Audree--a text that has traditionally been ascribed to an anonymous author but that has recently been argued to be a fourth text by Marie de France.

The doctrine of theosis means a salvation that is the deification of the saved. The saved actually become God. This unusual doctrine lies at the heart of Nicholas of Cusa's (1401-1464) mystical metaphysics. It is here examined for the first time as a theme in its own right, along with its implications for Cusanus's doctrine of God, his theological anthropology, and his epistemology. Nancy Hudson opens her book with a historical introduction of the term ""theosis"" from its roots in the Greek fathers (Gregory of Nyssa and Maximus the Confessor) to its mature development in Pseudo-Dionysius. The two interdependent movements of divine self-manifestation and divine mystery, immanence and transcendence, are presented as the dynamic nexus out of which theosis arises. Divine self-manifestation is explored as both a prerequisite and a mode of theosis. The negative theology that results from divine mystery highlights the limitations of human reason as well as the human mind's potential for being the image of God. The Christological character of theosis is found in Nicholas of Cusa's doctrine of Christ as the Word of God, his understanding of the ascent of the intellect to divine Wisdom, and his concept of divine sonship. Nicholas of Cusa's emphasis on the intellect in salvation is controversial because it appears to privilege the mind over the body, undermine the goodness of creation, and ignore the place of repentance from sin in salvation. In short, Nicholas of Cusa's doctrine of theosis reveals the strong influence of Greek philosophy. At issue is his orthodoxy and whether he replaces Christian doctrine with Greek thought, while maintaining only the language of Christian theology. The thorough analysis of theosis in this book reveals that Nicholas of Cusa does indeed follow tradition, though it is the tradition of the Eastern church.

An engaging history of the life of Catherine McAuley, founder of the Sisters of Mercy--the Mercy congregation now numbers more than 10,000 members globally. McAuIey's life reveals much about the church and society of her day as well as her own spiritual convictions and unwavering personal service to those in need.