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Winner of the 2017 Toronto Theatre Critics Award for Best New Canadian PlayWinner of three Dora Mavor Moore AwardsStage Award for Best Performance, 2017 Edinburgh Festival FringeMouthpiece follows one woman, for one day, as she tries to find her voice. Two performers express the inner conflict that exists within a modern woman's head: the push and pull, the past and the present, the progress and the regression. Interweaving a cappella harmony, dissonance, text, and physicality, Mouthpiece is a harrowing, humorous, and heart-wrenching journey into the female psyche.
Juxtaposing the seemingly benign names of dead white men that litter our geographies with the details of their so-called discoveries and conquests, Dead White Men turns ideas of exploration, finding and keeping back on themselves. Engaging with European exploration and scientific texts from the 15th to the 19th centuries, this book reexamines histories many would like to forget.
Notes on desire, reproduction, and grief, and how feminism doesn't support women struggling to have children.
A citizen's guide to making the big city a place where we can afford to live.
Forty years after Michel Foucault’s Discipline and Punish, The Inspection House beguilingly explores the surveillance that defines modern life.
How do we build cities where we aren't just living within the same urban space, but living together?
Mad Long Emotion wants to talk flora to fauna like you. It talks by dancing, as bumblebees do. In its dances, loosestrife shoos humans away, green carnations flirt with handsome men beyond the shade, and "e;dogbanes though dead bloom."e; Meanwhile, in better-discerned motion, numerous species both spiny and spineless prove invasive, from Great Lake lampreys to hydraulic triceratopses. But they're just looking for better homes. The book concludes with a long poem about distance, desire and the difficulty of combining the two.Lend this book your eyes and nose; mouth its contents to your house plants. The poetry of Mad Long Emotion wants to live forever, and you can make that happen with your face.
The story of how Toronto became a music mecca. From Yonge Street to Yorkville to Queen West to College, the neighbourhoods that housed Toronto's music scenes. Featuring Syrinx, Rough Trade, Martha and the Muffins, Fifth Column, Shadowy Men on a Shadowy Planet, Rheostatics, Ghetto Concept, LAL, Broken Social Scene, and more! 'Jonny Dovercourt, a tireless force in Toronto's music scene, offers the widest-ranging view out there on how an Anglo-Saxon backwater terrified of people going to bars on Sundays transforms itself into a multicultural metropolis that raises up more than its share of beloved artists, from indie to hip-hop to the unclassifiable. His unique approach is to zoom in on the rooms where it's happened - the live venues that come and too frequently go - as well as on the people who've devoted their lives and labours to collective creativity in a city that sometimes seems like it'd rather stick to banking. For locals, fans, and urban arts denizens anywhere, the essential Any Night of the Week is full of inspiration, discoveries, and cautionary tales.' - Carl Wilson, Slate music critic and author of Let's Talk About Love: A Journey to the End of Taste, one of Billboard's '100 Greatest Music Books of All Time' 'Toronto has long been one of North America's great music cities, but hasn't got the same credit as L.A., Memphis, Nashville, and others. This book will go a long way towards proving Toronto's place in the music universe.' - Alan Cross, host, the Ongoing History of New Music 'The sweaty, thunderous exhilaration of being in a packed club, in collective thrall to a killer band, extends across generations, platforms, and genre preferences. With this essential book, Jonny has created something that's not just a time capsule, but a time machine.' - Sarah Liss, author of Army of Lovers
In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie.An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive” and forge ahead on his own.In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream."S. D. Chrostowska's The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift's Gulliver's Travels and Samuel Butler's Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future." —Douglas Glover
Rachel is a young single mother living with her son, Tristan, on a lake that borders the unchannelled north remote, nearly inhospitable. She does what she has to do to keep them alive. But soon, and unexpectedly, Tristan will have to live alone, his youth unprotected and rough. The wild, open place that is all he knows will be overrun by strangers strangers inhabiting the lodge that has replaced his home, strangers who make him fight, talk, and even love, when he doesn't want to. Ravenous and unrelenting, Shot-Blue is a book of first love and first loss.
Inspired by true events, Crawlspace is a darkly comedic tale that moves past "e;cautionary"e; as it snakes through the brutal battleground of real estate, decorative twig orbs, and the state of the human soul.All the Little Animals I Have Eaten explores questions surrounding existence, death and salvation through the perspectives of the ghosts of brilliant authors, vertebrates, and unexpected voices.
Dashiell Hammett, Samuel Beckett, and Charlie Chaplin intersect in this contemplative and funny detective novel.
Incarnations showcases twenty years of Janieta Eyre's uniquely performative portraits deconstructing what it means to be a thinker, woman, and subject.
WINNER OF THE 2022 WRITERS' TRUST BALSILLIE PRIZE FOR PUBLIC POLICYIs the smart city the utopia weve been waiting for?The promise of the so-called smart city has been at the forefront of urban planning and development since the early 2010s, and the tech industry that supplies smart city software and hardware is now worth hundreds of billions a year.But the ideas and approaches underpinning smart city tech raise tough and important questions about the future of urban communities, surveillance, automation, and public participation. The smart city era, moreover, belongs firmly in a longer historical narrative about cities one defined by utopian ideologies, architectural visions, and technological fantasies.Smart streetlights, water and air quality tracking, autonomous vehicles: with examples from all over the world, including New York, Los Angeles, Boston, Portland, and Chicago, Dream States unpacks the world of smart city tech, but also situates this important shift in city-building into a broader story about why we still dream about perfect places.John Lorincs incisive analysis in Dream States reminds us that the search for urban utopia is not new. Throughout the book, Lorinc underscores the fact that a gamut of urban innovations from smart city megaprojects to e-government to pandemic preparedness tools only provide promise when scrutinized together with the political, economic, social, and physical complexities of urban life. Shauna Brail, University of TorontoDream States: Smart Cities, Technology, and the Pursuit of Urban Utopias takes us on a fascinating journey across world cities to show how technology has shaped them in the past and how smart city technology will reshape them in the future. This book is essential reading for policy makers, researchers, and practitioners interested in understanding the opportunities and challenges of smart city technology and what it means for city building. Enid Slack, University of Toronto School of CitiesUtopia may be the oldest grift in the city-building business, but Dream States shows that technology is a timeless tool for turning the most ordinary of urban dreams clean air and water, safe streets, and decent homes into reality. As digital dilettantes try to sell us on a software overhaul, John Lorinc provides us an indispensable and flawless guide to the must-haves and never-agains of the smart city. Anthony Townsend, Urbanist in Residence, Cornell Tech, author of Smart Cities
LAMBDA LITERARY OCTOBER'S MOST ANTICIPATED LGBTQIA+ LITERATURETHE GLOBE AND MAIL TOP 30 CANADIAN BOOKS TO READ IN 2023A novel about Berlin: a city for artists and libertines, a perfect place to find love and madness. When he tired of Toronto's insular scene, art critic Martin Heather fled to Berlin, where he tried to sleep his way through the entire population of gay men. And then he met Alexandar, who began to tutor Martin in increasingly violent sex - and in love. Pervatory is a series of journal entries about Martin and Alexandar's relationship. But interjections from the present, where Martin has been institutionalized, suggest that the hints we get of his increasing instability and obsession with the idea that his apartment is haunted by an evil spirit may have led to something dire ...RM Vaughan was an astute art critic, a dazzling poet, and an important queer activist. His untimely death in October 2020 was a tremendous loss to the queer and literary communities. This novel is what he left for us. "Pervatory is RM Vaughan's perverse Valentine to Berlin. It is sexy, funny, often elegant, and a fitting elegiac punctuation mark to his incredible body of work. Given the way he left us, it is as devastating as it is exhilarating." - journalist and Lambda Award-winning author Matthew Hays"RM Vaughan was a promiscuous pansy, a louche moralist, a lonely heart, but most importantly, he was a writer, an irritating, idiosyncratic, incisive writer. This country, with its mawkish, mediocre literary culture, didn't know what to do with him. Pervatory is his final affront." - Derek McCormack, author of Castle Faggot"Brilliant, funny, propulsive." - Zoe Whittall, author of The Best Kind of People
Anas Barbeau-Lavalette never knew her grandmother Suzanne, an artist who abandoned her husband and children in her youth and never looked back. The Escape Artist is a fictionalized account of Suzannes life over 85 years, taking readers through Qubecs Quiet Revolution and the American civil rights movement, offering a portrait of a volatile woman on the margins of history.
From the author of The Baudelaire Fractal, a poetry classic, with new workIn 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau's Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R's Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson's ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself."e;Robertson has quietly but surely emerged as one of our most exciting and prolific philosophers-I mean poets. Interested in architecture, weather systems, fashion, autobiography, gender, the classics, and just about everything else, she manages to irradiate her subjects with calm, wit, and astonishing beauty. Robertson's style is both on splendid display and under fierce interrogation in her latest book, R's Boat."e; Kenyon Review"e;In R's Boat, Robertson has penned a post-conceptual, post-lyric, relentlessly self-examining performance of memory and sincerity that manages, remarkably, to be both theoretically concerned and deeply emotive."e; Harvard Review"e;R's Boat grapples with form, the constraint of language and tradition, and the challenge to avoid anything that might exist as template. The poems examine feminism, discourse, the body, and poetry itself through sumptuous, seductive language."e; American Poets
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