Bøger udgivet af Columbia University Press

Offers insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States. This book contains articles such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns' documentary "Jazz".

Examines the sustainability of hunting as practiced by rural peoples. This book provides a viewpoint on the ecological and human aspects of this hunting. It examines the effects of hunting on wildlife in tropical forests. It looks at the importance of hunting to local communities and looks at institutional challenges of resource management.

Written for English-language readers, this Taoist book of religious and philosophical Chinese writings explores the centrality of Wang's commentaries in Chinese thought, the position of the Tao-te Ching in East Asian tradition, and Wang's short life and the era in which he lived.

Drawing on examples from literature, politics, philosophy, and additional pieces of art, this book reveals surprising parallels between the people's political representation and their aesthetic representation.

These poems -- more than a hundred haiku, several tanka, and three kanshi -- are arranged chronologically within each genre, revealing the development of Masaoka Shiki's (1867-1902) art and the seamless way in which he wove his life and illness into his poetry. Watson's introduction deftly explores the course of Shiki's life and places him in relation to Japanese history, literature and thought.

Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections-"e;Theory,"e; "e;The City,"e; "e;Streets,"e; and "e;Signs"e;-the novel reimagines Victoria through maps and other historical documents and artifacts, mixing real-world scenarios with purely imaginary people and events while incorporating anecdotes and actual and fictional social commentary and critique.Much like the quasi-fictional adventures in map-reading and remapping explored by Paul Auster, Jorge Luis Borges, and Italo Calvino, Dung Kai-cheung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing a history. It best exemplifies the author's versatility and experimentation, along with China's rapidly evolving literary culture, by blending fiction, nonfiction, and poetry in a story about succeeding and failing to recapture the things we lose. Playing with a variety of styles and subjects, Dung Kai-cheung inventively engages with the fate of Hong Kong since its British "e;handover"e; in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.

Dating back to the eighth century C.E., the Platform Sutra of the Sixth Patriarch is a foundational text of Chan/Zen Buddhism that reveals much about the early evolution of Chinese Chan and the ideological origins of Japanese Zen and Korean Son. Purported to be the recorded words of the famed Huineng, who was understood to be the Sixth Patriarch of Chan and the father of all later Chan/Zen Buddhism, the Platform Sutra illuminates fundamental Chan Buddhist principles in an expressive sermon that describes how Huineng overcame great personal and ideological challenges to uphold the exalted lineage of the enlightened Chan patriarchs while realizing the ultimate Buddhist truth of the original, pure nature of all sentient beings.Huineng seems to reject meditation, the value of good karma, and the worship of the buddhas, conferring instead a set of "e;formless precepts"e; on his audience, marked by embedded notes in the text. In his central message, an inherent, perfect buddha nature stands as the original true condition of all sentient beings, which people of all backgrounds can experience for themselves. Philip Yampolsky's masterful translation contains extensive explanatory notes and an edited, amended version of the Chinese text. His introduction critically considers the background and historical setting of the work and locates Huineng's place within the history and legends of Chan Buddhism. This new edition features a foreword by Morten Schlutter further situating the Platform Sutra within recent historical research and textual evidence, and an updated glossary that includes the modern pinyin system of transcription.

Classical Japanese: A Grammar is a comprehensive, and practical guide to classical Japanese. It includes detailed explanations of basic grammar and explains how classical Japanese is related to modern Japanese. This companion volume includes exercise answers and tables.

Now in its second edition, The Classic Hundred Poems presents the most anthologized poems in the English language in chronological order. Complete with detailed, informative notes; bibliographic information on poems and poets; a glossary of terms; and author, title, and first line indexes, The Classic Hundred Poems is a treasured resource for students, teachers, and poetry enthusiasts.

A collection of English-language readings on Japan. Containing materials on history, society, politics, education, philosophy, and religion, this text features an introduction to Japanese civilization. It also covers the Tokugawa period to 1868 and addresses the spread of neo-Confucianism and Buddhism and the encounters of Japan and the West.

A collection of English-language readings on Japan. Containing materials on history, society, politics, education, philosophy, and religion, this book features an introduction to Japanese civilization. It covers the Tokugawa period to 1868 and addresses the spread of neo-Confucianism and Buddhism and the initial encounters of Japan and the West.

Offers an overview of 20th-century writing from China, Taiwan, and Hong Kong. Containing stories from the colonial period in Taiwan, literature by Tibetan authors, samplings from the People's Republic of China during the Cultural Revolution, and others, this book gives an introduction to Chinese society and culture.

Distinguished philosophers, Buddhist scholars, physicists, and cognitive scientists examine the contrasts and connections between the worlds of Western science and Buddhism. Contributors, the Dalai Lama among them, assess not only the fruits of inquiry from East and West, they shed light on the underlying assumptions of these disparate world views.

The celebrated author of Gender Trouble here redefines Antigone's legacy, recovering her revolutionary significance and liberating it for a progressive feminism and sexual politics. Butler's new interpretation does nothing less than reconceptualize the incest taboo in relation to kinship-and open up the concept of kinship to cultural change.Antigone, the renowned insurgent from Sophocles's Oedipus, has long been a feminist icon of defiance. But what has remained unclear is whether she escapes from the forms of power that she opposes. Antigone proves to be a more ambivalent figure for feminism than has been acknowledged, since the form of defiance she exemplifies also leads to her death. Butler argues that Antigone represents a form of feminist and sexual agency that is fraught with risk. Moreover, Antigone shows how the constraints of normative kinship unfairly decide what will and will not be a livable life.Butler explores the meaning of Antigone, wondering what forms of kinship might have allowed her to live. Along the way, she considers the works of such philosophers as Hegel, Lacan, and Irigaray. How, she asks, would psychoanalysis have been different if it had taken Antigone-the "e;postoedipal"e; subject-rather than Oedipus as its point of departure? If the incest taboo is reconceived so that it does not mandate heterosexuality as its solution, what forms of sexual alliance and new kinship might be acknowledged as a result? The book relates the courageous deeds of Antigone to the claims made by those whose relations are still not honored as those of proper kinship, showing how a culture of normative heterosexuality obstructs our capacity to see what sexual freedom and political agency could be.

This strategy, derived from Newtonian mechanism, is embodied in reductionism: break what is complicated into simpler pieces, understand the pieces themselves, and reconstruct organisms from this understanding. In Life Itself, Robert Rosen argues that such a view is neither necessary nor sufficient to answer the question.

'Counterpoint in Composition' began life not as a book, but as a collection of examples from the literature. Dr. Salzer and Dr. Schachter assembled it to show the connections between the simple procedures of species counterpoint and the complexities of composition, an approach to counterpoint deriving from the work of Heinrich Schenker.

A collection of primary readings on the social, intellectual, and religious traditions of China, this text provides a resource for scholars and students and an introduction for general readers.

Music videos have ranged from simple tableaux of a band playing its instruments to multimillion dollar, high-concept extravaganzas. Born of a sudden expansion in new broadcast channels, music videos continue to exert an enormous influence on popular music. They help to create an artist's identity, to affect a song's mood, to determine chart success: the music video has changed our idea of the popular song.Here at last is a study that treats music video as a distinct multimedia artistic genre, different from film, television, and indeed from the songs they illuminate-and sell. Carol Vernallis describes how verbal, musical, and visual codes combine in music video to create defining representations of race, class, gender, sexuality, and performance. The book explores the complex interactions of narrative, settings, props, costumes, lyrics, and much more. Three chapters contain close analyses of important videos: Madonna's "e;Cherish,"e; Prince's "e;Gett Off,"e; and Peter Gabriel's "e;Mercy St."e;

A provocative guide to Deleuze by Deleuze, this collection traces the intellectual journey of one of the most important French philosophers and clarifies the key critical concepts in the work of this vital figure who has had an impact on aesthetics, film theory, psychoanalysis and cultural studies.

Richard John Lynn presents an English translation of the commentary on the "I Ching" written by Wang Bi (226-249), who was regarded as the chief authority on the work for some 700 years.

-- Burton Watson

An exploration into the "strange science of writing", in which the author reflects on the writing process and explores three distinct areas essential for "great" writing: the crucial role dreams play in literary inspiration; the importance of depth; and the notion of death.

The Buddhist priest Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats in his Essays, written sometime between 1330 and 1332, are all suffused with an unspoken acceptance of Buddhist beliefs.

The only English translation available of the most important first-hand account of the "Northern Crusades" in the Baltic states has finally been reprinted, with additional maps and a revised introduction by James A. Brundage. Henry's chronicle is the only surviving evidence for many episodes in the early stages of Christendom in the Eastern Baltic.