Bøger udgivet af Cork University Press

This is a ground-breaking book filling a void in the study of the history of Ireland's diplomatic relations with Argentina/Latin America from the nineteenth to the twenty first century while, at same time, enhancing our understanding of the contribution Irish emigrants made to their new home through the post 1916 Rising period, the rise and fall of Juan Domingo Perón and his chaotic return in 1973, followed by the sinister, dark days of the civilian military dictatorship between 1976 and 1983 which ended in its collapse following defeat to the British in the Falklands/Malvinas war which the volume explores in detail.

This is the first English translation of an important seventeenth-century contention between two Irish clerics. The detail uncovered reveals much about Gaelic-Irish culture and society at this turbulent period in Irish history. The two clerics, Antonius Bruodinus and Thomas Carve, present an image of Ireland that was split between native Gaelic and Old-English culture and the influence of these two cultures on competing views about Ireland's past.

Hailed in the Irish Times as a 'great Irish novelist', Neil Jordan is, in the words of Fintan O'Toole, 'a peculiarly emblematic figure of cultural change'. Yet, extraordinarily, such critical acclaim has come about without detailed scholarly engagement with Jordan's most sustained interrogation of Ireland and notions of Irishness: his fiction. Neil Jordan: Works for the page fills this gap in contemporary Irish literary criticism, and, while Jordan's filmmaking is often discussed, the focus here is on his published work: his early volume of short fiction, his many novels, and several of his uncollected stories. The result is a work which will enhance understanding of contemporary Irish cultural studies while also suggesting future directions for the criticism of other artists operating in multiple creative disciplines. Examination of Neil Jordan's changing relationship to modern Irish history through novels such as The Past (1980) and Sunrise with Sea Monster (1994), and exploration of the manner by which he represents the War of Independence, the Civil War, the 'Emergency' (World War II), the 1960s, 1980s, and the present day. Detailed analysis of Neil Jordan's integration of the fantastic into his fiction, most obviously in The Dream of a Beast (1983), but also reframing the later novels such as Shade (2005) and Carnivalesque (2017) as more ambitious and speculative works than they were initially received as. Discussion of Neil Jordan's uncollected stories about the filmmaking process, how his work in prose relates to his work in cinema, and how it is impossible to ignore his writings any longer.The significance of this book lies in its discussion of what kind of artist Neil Jordan really is, which is not necessarily the kind of artist that Irish Studies currently perceives him to be. He is neither just an Oscar-winning filmmaker nor a European novelist of the first rank, he is both, and the comprehensive introduction to the literary author provided by Neil Jordan: Works for the Page has been carefully structured to appeal to those familiar with only the filmmaker. This engaging study examines how, in a forty-year writing career, Jordan has engaged with and expanded upon many core concerns of Irish literature: the struggle to define oneself against the weight of history, both political and artistic; the quest to understand the nation's violent efforts to transcend and process its colonial past.

An exceptional collection of original scholarship on the historical Irish Atlantic by leading scholars of modern Ireland and Irish-America. Topics including The Great Famine, the Boston Irish, 1916-era nationalism, and Northern Ireland's Troubles shed new light on the enduring historical theme of Irish identity on both sides of the Atlantic.

This collection of essays is the first full-length critical study of Walter Macken. Written by some of the foremost scholars in Irish Fiction and Theatre Studies and experts from the Macken archive at the University of Wuppertal, this volume provides ample reason for rediscovering Macken as one of the most fascinating voices of mid-twentieth century Ireland.

This book argues that we have got it wrong in the West in our pursuit of what we consider to be 'self': an autonomous, self-driven, entrepreneurial entity, always on, always positive and always improving. This is a neoliberal self, a being stripped of the social. In a radical critique, this book argues that this is a deeply harmful view and is the source of much of our suffering. More, through what is called the 'therapy culture', life hacks and self-improvement programmes, we have learned to endlessly dig deeper into this view to try and 'fix' ourselves, resulting in increased suffering. The book suggests that we need a conceptual jail-break from this view and that Zen Buddhism, in its clear-sighted and penetrating critique and its different account of a self, holds out the possibility of both our liberation and of a kinder world. It offers a way of evaluating our current preoccupations with happiness, success and mental health from a view that 'self' and 'other' are not separate. Understanding and acting on this is the key to human flourishing. Written for the general reader, the book assumes no prior knowledge of either neoliberalism or of Buddhist thought. All it requires is a willingness to let go of some preconceived ideas and a curiosity about a different way of being.

Living with Motor Neurone Disease: A complete guide is designed to guide the reader through this complex progressive neurodegenerative condition that attacks the motor neurones, or nerves, in the brain and spinal cord.

Eoin MacNeill (1867-1945) was a founding figure in the Gaelic League, the Irish Volunteers, and the government of Ireland. As Professor of Early (including Mediaeval) History at University College Dublin was also one of the foremost Irish historians of his generation.

Irish Women Poets Rediscovered is a ground-breaking collection of original essays which brings to new recognition the lives and work of seventeen remarkable Irish women poets spanning the eighteenth to the twentieth centuries.

There was no native tradition of theatre in Irish. Thus, language revivalists were forced to develop the genre ex nihilo if there was to be a Gaelic drama that was not entirely made up of translations. The earliest efforts to do so at the beginning of the 20th century were predictably clumsy at best, and truly dreadful at worst. Yet by the 1950s, a handful of Gaelic playwrights were producing plays in Irish worthy of comparison not only with those by their Irish contemporaries working in English but also with drama being produced elsewhere in Europe as well as in North America. Obviously, Gaelic drama transitioned with surprising speed from what one early critic called 'the Ralph Royster Doyster Stage' to this new level of sophistication. This book argues that this transition was facilitated by the achievements of a handful of playwrights - Piaras Beaslai, Gearoid O Lochlainn, Leon O Broin, Seamus de Bhilmot, and Walter Macken - who between 1910 and 1950 wrote worthwhile new plays that dealt with subjects and themes of contemporary interest to Irish-speaking audiences, in the process challenging their fellow dramatists, introducing Gaelic actors to new developments and styles in world theatre, and educating Gaelic audiences to demand more from theatre in Irish than a night out or a chance to demonstrate their loyalty to the revivalist cause.This book, which discusses in some detail all of the extant plays by these five transitional playwrights, fills a gap in our knowledge of theatre in Irish (and indeed of theatre in Ireland in general), in the process providing clearer context for the appreciation of the work of their successors, playwrights who continue to produce first-rate work in Irish right to the present day.

People living in Ireland do not expect to encounter a tornado. But, why not? They have been part of the Irish climate and have tracked across the land for hundreds of years. Indeed, during the last three decades they have visited every county in Ireland. This book traces how for centuries there was not the vocabulary to record them in a way we would recognise them today. In retrieving these records new insights emerge into both the written historical record and phrases used in our contemporary accounts. It introduces those conditions in Ireland favourable for tornadoes and waterspouts. Being localised phenomena they are ill suited for capture by the meteorological network, which was designed for quite different purposes. Instead, building a database for recent years has been achieved from reports by numerous weather enthusiasts, followed by site investigations to confirm and characterise them. Many such case studies are presented from all over Ireland. Today, increasing attention is being placed upon severe weather events and their impacts. A chronology for recent decades shows that tornadoes in Ireland occur every year and may occur in any season, but no one year is typical. In addition, the vulnerability of people, built structures and aspects of the environment are explored. Potentially, they are vulnerable at any time of year and anywhere in Ireland. Finally, international comparisons show that the experience in Ireland is not so dissimilar to elsewhere. In particular, comparisons are made with data for the USA and the rest of Europe.

This book is the first to explore the archaeology of female monasticism in medieval Ireland, primarily from the twelfth to the sixteenth centuries.

Sources in Irish Art 2: A Reader is an anthology of literary and critical sources for the study of visual art and Ireland. It is a completely new version of the 2000 publication, Sources in Irish Art with an additional editor, brand new texts with the historical range stretching from the seventeenth to the twenty-first centuries.

Dublin's Natural History Museum is a uniquely preserved sliver of the past, an intact example of a nineteenth-century natural science collection. This book is the first detailed exploration of its early history, showing how and why it came into being, and what it meant in nineteenth-century Irish culture.

In a new book entitled The Irish Soccer Split, Cormac Moore provides the most comprehensives analysis on the reasons why we have division in soccer in Ireland today unlike in sports such as rugby and cricket. Soccer in Ireland was governed for the whole island from 1880 until 1921 under the auspices of the Irish Football Association (IFA). The Leinster Football Association seceded from the parent body in 1921 and formed the Football Association of Ireland (FAI). Although politics played its part in fomenting the rupture, a power struggle was at the heart of the split in Irish soccer. Utilising an extensive array of primary sources and contemporary newspaper reports, Moore shows that the main reason why soccer became and remained divided in Ireland was due to Leinster's refusal to being governed from Belfast. It was felt the IFA was biased towards teams from Belfast, it rarely chose Dublin over Belfast as a venue for internationals and the IFA council and its sub-committees were dominated by representatives from the North-East. Once soccer was divided, genuine attempts were made in the 1920s and early 1930s to bring about a fair settlement. They all broke down as the IFA was unwilling to concede too much control to the nascent body and the FAI was opposed to accept anything other than total quality on everything to do with soccer on the island.The book recounts the FAI's attempts to gain international recognition from the British associations and FIFA in the early 1920s, attempts that were far more fruitful with the latter body than the former bodies who stood steadfastly by the IFA. The FAI was unable to secure any international fixture against England, Scotland or Wales until 1946, when an FAI-selected international team played England for the first time. The book also compares soccer to most of the other major sports who remained or became united after partition and analyses why soccer took such a different course.No serious attempts were made from 1932 to the 1970s to bring about a settlement between the IFA and FAI. As Northern Ireland was engulfed in the Troubles, a series of conferences were held to heal the division between the two bodies, prompted by international stars such as George Best who wanted one international team for Ireland at the very least. For the first time, the story of these efforts, carried out against the backdrop of violence in Northern Ireland, is revealed.

Rewriting Our Stories: Education, empowerment and well-being harnesses the therapeutic power of storytelling to convert feelings of fear and powerlessness into affirmative life narratives. Rather than seeing fear as an outcome, we can view it as a feeling in the moment largely governed by narratives. Many of our fears are stories we tell ourselves, even if they are largely fictional and rooted in sociocultural belief systems. The result is that we often feel helpless in the face of those fears. This transformational book considers a potent antidote: by recognising our recurring negative stories, we can rewrite and transform them to achieve greater empowerment and well-being in our lives. Storytelling is an antidote to fear. Narrative theory has inspired an exciting and effective array of professional practices over the years - in education, therapy, healthcare, organizational development and beyond. With clarity, wisdom, and care, Derek Gladwin now makes the riches of a narrative perspective available for the practice of everyday life. We should all be grateful - Kenneth Gergen, PhD, social psychologist, president of The Taos Institute, and author of An Invitation to Social Construction and Relational Being: Beyond Self and Community. Throughout human existence, no matter where our place of origin or when in history, storytelling shapes our societies, influencing personal, sociocultural, educational, and public discourses that impact how we live. Creating and communicating the language of stories - to ourselves and others - enhances our innate voices and can empower us to engage in greater empathy, compassion, and possibility. Intended for educators, leaders, therapists, mental health professionals, change management, or youth organisations, as well as the general public, Derek Gladwin offers practical and positive tools for everyone to re-author their lives.Dr Derek Gladwin, Assistant Professor in Language & Literacy Education at University of British Columbia, has authored books on narrative, media, and eco-literacy, including Contentious Terrains and Ecological Exile. He also supports individuals and groups with narrative coaching.

The creation of Fianna Fail in 1926 marked a new era in Irish politics wherein an evolved version of Irish republicanism, suited to operate in the Irish Free State, entered the political arena. Fianna Fail was indeed a political organisation, but it was also a nationalist project, intent on creating a wide-reaching electorate and shaping Ireland's political discourse. De Valera's party defied the moribund direction of Irish republicanism, reversing the trend to the extent that the movement ultimately triumphed with the passage of the 1937 Bunreacht na hEireann (Constitution of Ireland) and the Eire Confirmation Bill of 1938. Ireland's New Traditionalists situates Fianna Fail's nationalist republican project within a broader European context by analysing the republican aesthetic through the lens of gender theory as well as situating Ireland within the context of interwar Europe. This analytical approach reveals that Fianna Fail-the party that 'made' the modern Irish Republic-spent a great deal of time and energy in building a national discourse rooted in a male/female binary that served to 'correct' short term crises and long-term traumas by fabricating versions of an idealised Irish Feminine and Masculine that served to embody the party's vision of a traditionalist, yet modern Ireland.

This is an extensive anthology of poetry written in English by Irish women of the Romantic period, c. 1785-1835. It is a reference work and is comparable to Andrew Carpenter's Verse in English from Eighteenth-Century Ireland. It contains a critical introduction with a bibliography of original editions consulted, brief bio-critical introductions to individual authors, and extensive annotated selections from individual poets with associated apparatus.

Richard Bermann's 1913 travel book Ireland is significant in a number of ways: it represents the last comprehensive look by an external visitor at the island of Ireland before the First World War; it astutely identifies the controversies surrounding Home Rule (an interview with Sir Edward Carson is included); it takes a sober snap-shot of Irish society at the time, including mannerisms, idiosyncrasies, and contradictions; it incorporates deliberations on history and poetry, tourism, hospitality and industry, and many other things.

One of the most sought after aspects of Irish vernacular culture is traditional song. Access to earlier recordings is a way to ensure the best understanding and appreciation of earlier singers, styles and repertoires. Within Ireland this is often primarily associated with the Irish Folklore Commission and Radio Eireann. Such material was not only sought by these bodies but international recognition came about through bodies such as the BBC and individual collectors such as Alan Lomax. Such material was sought by these organisations and international recognition also came about through bodies such as the BBC. For the first time ever, a dedicated presentation of the renowned Conamara singer Colm O Caodhain is on offer encapsulating that apex of ethnographic fieldwork in Ireland.The book includes 33 audio tracks. It places Colm in the context of life in Conamara during his lifetime as a farmer and a fisherman for whom song, lore and music were the fabric of his everyday life. Colm's autobiography as collected through Seamus Ennis is available here in the original Irish with an accompanying translation. The importance of making archival material accessible is one of the primary concerns of the author as former Director of the National Folklore Collection and this publication contributes greatly to the pursuit of these aims.

Between the fifth century and the ninth, several thousand churches were founded in Ireland the premise of this book is that landscape archaeology is one of the most fruitful ways to study them.

Poetics and Polemics presents new readings of a collection of seventeenth-century polemical poems composed in Irish by authors about whom almost nothing is known, and to whom no other works are securely ascribed. The poems in the book are those edited by Cecile O'Rahilly in 1652 (Five Seventeenth-Century Political Poems), whose editions have not been challenged or superceded. In Poetics and Polemics, explication of the poems is preceeded by an introductory chapter of historical background. Each poem is assigned a full chapter in which a close reading of the poem - literary, political, and polemical - is presented. Full literal translations to English are offered in the case of each poem in Appendices.

The Coastal Atlas of Ireland is a celebration of Ireland's coastal and marine spaces. Drawing on written contributions from over 100 authors from across the island of Ireland and beyond, the Atlas takes an explicitly all-island approach; though the work has a much wider relevance and potential reader interest.

This book deals with the history of the working class in twentieth-century Ireland through a close examination of three Cork factories (Irish Steel, Sunbeam Wolsey and the Ford Marina Plant) and the men and men who worked therein. Departing from previous labour history in Ireland, this book uses a comparative factory study approach - combined with extensive oral testimony - to break new ground in Irish labour history.The book includes fresh research on the business histories of each firm through extensive archival research, expanding our knowledge of three significant Irish firms. It also draws on a vast pool of oral interviews to explore working-class community life and associational culture, trade-unionism, class awareness and the gendered aspects of working-class life in modern Ireland.

he first edition of the letters of Denis Devlin, Irish poet, translator and diplomat, this volume brings together a personal and professional correspondence that has until now been scattered across archives in Europe and North America.

This major illustrated study investigates farmhouse and cabin furniture from all over the island of Ireland.

Cancer causes one in six deaths worldwide and this cookbook takes the most recent evidence-based recommendations for cancer prevention and translated them into an easy to use cookbook

The book draws on unprecedented critical attention to the centrality of politics in Flann O'Brien's art. Focuses these inquiries onto key encounters between the body and the law, between death and the comic spirit in the author's canon.

The book revisits the roles of West, South and East Asia in the work of W.B. Yeats and revises the theoretical bases that have been applied to his use of Asia in the past.

The remarkable story of the money sent by the Choctaw to the Irish in 1847 during the Great Irish Famine is one that is often told and remembered by people in both nations.