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The fascinating story of a young Russian filmmaker's attempts to portray Catherine the Great, before and after the collapse of the Soviet UnionCatherine the Great's life seems to have been made for the cinema-her rise to power; her reportedly countless love affairs and wild sexual escapades; the episodes of betrayal, revenge, and even murder-there's no shortage of historical drama. But Oleg Erdmann, a young Russian filmmaker, seeks to discover and portray Catherine's essential, emotional truth, her real life beyond the rumors and façade. His first screenplay just barely makes it past the Soviet film board and is assigned to a talented director, but the resulting film fails to avoid the usual clichés. After the dissolution of the Soviet Union, as he struggles to find a place for himself in the new order, Oleg agrees to work with an old friend on a television series that becomes a quick success-as well as increasingly lurid, a far cry from his original vision. He continues to seek the real Catherine elsewhere. With A Woman Loved, Andreï Makine delivers a sweeping novel about the uses of art, the absurdity of history, and the overriding power of human love, if only it can be uncovered and allowed to flourish.
The product of a lifetime immersed in the literary, performing arts, and entertainment worlds, Lives and Letters spotlights the work, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theater, and dance, and some of the more curious iconic public figures of our times.From the world of literature, Charles Dickens, James Thurber, Judith Krantz, John Steinbeck, and Rudyard Kipling; the controversies surrounding Bruno Bettelheim and Elia Kazan; and Marjorie Kinnan Rawlings and her editor, Maxwell Perkins.From dance and theater, Isadora Duncan and Margot Fonteyn, Serge Diaghilev and George Balanchine, Sarah Bernhardt and Eleonora Duse.In Hollywood, Bing Crosby and Judy Garland, Douglas Fairbanks and Lillian Gish, Tallulah Bankhead and Katharine Hepburn, Mae West and Anna May Wong.In New York, Diana Vreeland, the Trumps, and Gottlieb's own take on the contretemps that followed his replacing William Shawn at The New Yorker.And so much more . . .
The expansive, energetic new poetry book by David Rivard, author of Sugartown and Wise PoisonYou pay as you go. Mornings at this point are either like spread sails or (more likely) spread-sheets-they fill fast. Mornings are fortunes, but as suspect as a wristwatch running in reverse. -from "Vigorish" David Rivard's new collection Otherwise Elsewhere describes the many powers-psychological and historical-that flow through people's lives in acts of faith, greed, pleasure, celebrity, gossip, and consolation. A teenage boy looking at a weathered gravestone wonders how many times he'll sign his name in his life; the forest on the move in Macbeth intersects with a blind man cured by Christ; a man coming out of a terrible dream of being lost is saved by touching his wife's hair. "For those of us who need it," one poem asserts, "instruction is everywhere." Rivard's poetry is full of unsettling humor and the careening movement of memory and imagination.
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