Bøger udgivet af Glagoslav Publications B.V.

The polyglot Igor Klekh is an extraordinarily erudite and accomplished Russian writer, journalist, and translator, whose formative years were spent in Western Ukraine, mostly in Ivano-Frankivsk and in the multi-cultural city of Lviv where he had access to the literature of East-Central Europe. He currently resides in Moscow. His complex prose style has been compared to that of Jorge Luis Borges and Bruno Schulz, whose novellas he was among the first to translate from Polish into Russian. He has authored seven books of prose, essays, translations, and literary criticism and has been a frequent contributor to the best Russian literary journals including Novyi mir, Znamya, and Druzhba narodov. His works have earned numerous prizes including the Alfred C. Toepfer Pushkin Prize (1993), the Yury Kazakov Prize (2000) for Best Short Story, and the October Magazine Prize (2000) for his book on the artist Sergei Sherstiuk. His works have been nominated for the Russian version of the Booker Prize twice (1995 and 2012). Adventures in the Slavic Kitchen: A Book of Essays with Recipes is a cultural study of the role food plays in the formation and expression of a nation's character. It focuses primarily on the Russian and Ukrainian kitchens but discusses them in the context of international food practices. His prose works have been published in English translation under the title A Land the Size of Binoculars (2004) by Northwestern University Press.

The Investigator is set in Soviet Ukraine in the early 1950s. With Stalin at the helm, the post-war Soviet Union is struggling to rebuild and to heal the nation of its multiple wounds. Plots and conspiracies abound and challenges to socialist values, real and imagined, proliferate. A young woman is murdered in a typical Soviet town. In the spirit of the era everyone is a suspect. The investigator of the title sets out to solve the crime. A former intelligence officer who seeks to embody the ideals of the young Soviet Union, he introduces the reader to a polyphony of alternative voices that, together with his own, weave the unique fabric of this striking novel.

"God hath denied me that angelic measure / Without which no man sees in me the poet," writes Zygmunt Krasi¿ski in one of his most recognisable lyrics. Yet while it may be true that his lyric output cannot rival in quality the verses of the other two great Polish Romantics, Adam Mickiewicz and Juliusz S¿owacki, Krasi¿ski's dramatic muse gives no ground to any other.The Glagoslav edition of the Dramatic Works of Zygmunt Krasi¿ski provides the English reader, for the first time, with all of Krasi¿ski's plays in the translation of Charles S. Kraszewski. These include the sweeping costume drama Irydion, in which the author sets forth the grievances of his occupied nation through the fable of an uprising of Greeks and barbarians against the dissipated emperor Heliogabalus, and, of course, the monumental drama on which his international fame rests: the Undivine Comedy.A cosmic play, which defies simple description, the Undivine Comedy is both a de-masking of the Byronic ideal of the poet, whose nefarious, and selfish devotion to the ideal has evil consequences for real human beings, and a prophetic warning of the fratricidal class warfare that was to roil the first decades of the twentieth century. The Undivine Comedy is intriguing in the way that the author presents both sides of this question - the republican and that of the ancien régime - with sympathy and understanding. It is also striking how - in 1830 - the author foresaw the problems of the 1930s.As Czes¿aw Mi¿osz once put it, Krasi¿ski was insightfully commenting on Marxism while Karl Marx was still in high school. The Dramatic Works of Zygmunt Krasi¿ski also include the unfinished play 1846, which hints at how the author would have handled a work meant for the traditional stage, and the Unfinished Poem - the Dantean "prequel" to the Undivine Comedy, on which Krasi¿ski was working at his death.This book was published with the support of the Hanna and Zdzislaw Broncel Charitable Trust.Translated from the Polish and introduced by Charles S. Kraszewski.This book was published with the support of the Hanna and Zdzislaw Broncel Charitable Trust.Publishers Maxim Hodak & Max Mendor.

The protagonist of A Flame Out at Sea heads to the stores of the northern lakes and the White Sea in search of its present, which unexpectedly proves to be inseparable from its recent past. Against the backdrop of the powerful northern elements, the drama of a single individual in the here and now begins to seem tiny and insignificant but the tragedy of the nation irredeemably large. "The novel is a confession, a travelogue and a doorway into a great historical era."A Flame Out at Sea is about going beyond the boundaries of the big city, about overcoming the fetters of one's private and family past, leaving aside one's resentment, squashing one's pride, unclenching one's fists and turning one's life around. It is about a journey to the origins of speech, personality, courage and love made by a modern man in the harsh, sacred, nourishing and draining circumstances of the Russian North. (Valeria Pustovaya, Literary critic) Translated from the Russian by Christopher CulverPublished with support of the Russian Booker FoundationSponsored by GLOBEXBANKPublishers Maxim Hodak & Max Mendor

Strange creatures appear on the doorstep of Emilia's house, when the fourth reactor of the Chernobyl nuclear power plant explodes a few kilometers away. They remain in the town which is empty from the radiation and fear, raising the child as a Superhuman, and revealling to her the knowledge, which could change life on Earth forever. But what happens if the creatures disappear as suddenly as they appeared? What happens if the Earth desperately defends its secrets? Will Emilia build a new Babylon? When the apocalypse becomes yesterday, when the religion blesses sinners, and science - dreamers, when a miracle becomes commonplace, when birth becomes the end, and the end becomes the beginning, a new era will come.Era Emilia...

"God hath denied me that angelic measure / Without which no man sees in me the poet," writes Zygmunt Krasi¿ski in one of his most recognisable lyrics. Yet while it may be true that his lyric output cannot rival in quality the verses of the other two great Polish Romantics, Adam Mickiewicz and Juliusz S¿owacki, Krasi¿ski's dramatic muse gives no ground to any other.The Glagoslav edition of the Dramatic Works of Zygmunt Krasi¿ski provides the English reader, for the first time, with all of Krasi¿ski's plays in the translation of Charles S. Kraszewski. These include the sweeping costume drama Irydion, in which the author sets forth the grievances of his occupied nation through the fable of an uprising of Greeks and barbarians against the dissipated emperor Heliogabalus, and, of course, the monumental drama on which his international fame rests: the Undivine Comedy.A cosmic play, which defies simple description, the Undivine Comedy is both a de-masking of the Byronic ideal of the poet, whose nefarious, and selfish devotion to the ideal has evil consequences for real human beings, and a prophetic warning of the fratricidal class warfare that was to roil the first decades of the twentieth century. The Undivine Comedy is intriguing in the way that the author presents both sides of this question - the republican and that of the ancien régime - with sympathy and understanding. It is also striking how - in 1830 - the author foresaw the problems of the 1930s.As Czes¿aw Mi¿osz once put it, Krasi¿ski was insightfully commenting on Marxism while Karl Marx was still in high school. The Dramatic Works of Zygmunt Krasi¿ski also include the unfinished play 1846, which hints at how the author would have handled a work meant for the traditional stage, and the Unfinished Poem - the Dantean "prequel" to the Undivine Comedy, on which Krasi¿ski was working at his death.This book was published with the support of the Hanna and Zdzislaw Broncel Charitable Trust.

Sr¿an Srdi¿'s collection of short stories, Combustions, establishes this author's position as one of the best prose writers in Serbia and across the region. This book consists of nine stories in which the author brings the reader face to face with the seamy side of everyday life, where, somewhere in the province, hopelessness and despair of the endless Balkan transition meet one another in the most radical way. Devoid of illusions of social engagement and narrative tricks, Srdi¿ linguistically demolishes the present and its numerous platitudes, either liberal or conservative, with which we have been overwhelmed for years, to the extent that we can no longer discern the depth of the twilight zone in which we live. Srdi¿'s stories are linguistically flawless, authentic and emblematically recognizable. The ironic distance that Srdi¿ uses to talk about his characters, which are often socially marginalized and in disproportion to self-perception, combined with exquisite attention to detail, associativity and a number of intertextual references, makes this collection of short stories a genuine masterpiece, which uncompromisingly brings into light the bizarre quality of contemporary life.

Edited, translated, and introduced by Anatoly Kudryavitsky, this bilingual anthology presents Russian short poems of the last half-century. It showcases thirty poets from Russia, and displays a variety of works by authors who all come from different backgrounds.Some of them are well-known not only locally but also internationally due to festival appearances and translations into European languages; among them are Gennady Aigi, Gennady Alexeyev, Vladimir Aristov, Sergey Biryukov, Konstantin Kedrov, Igor Kholin, Viktor Krivulin, Vsevolod Nekrasov, Genrikh Sapgir, and Sergey Stratanovsky.The next Russian poetic generation also features prominently in the collection. Such poets as Tatyana Grauz, Dmitri Grigoriev, Alexander Makarov-Krotkov, Yuri Milorava, Asya Shneiderman and Alina Vitukhnovskaya are the ones Russians like to read today.This anthology shows Russia looking back at itself, and reveals the post-World-War Russian reality from the perspective of some of the best Russian creative minds. Here we find a poetry of dissent and of quiet observation, of fierce emotions, and of deep inner thoughts.

Edited, translated, and introduced by Anatoly Kudryavitsky, this bilingual anthology presents Russian short poems of the last half-century. It showcases thirty poets from Russia, and displays a variety of works by authors who all come from different backgrounds.Some of them are well-known not only locally but also internationally due to festival appearances and translations into European languages; among them are Gennady Aigi, Gennady Alexeyev, Vladimir Aristov, Sergey Biryukov, Konstantin Kedrov, Igor Kholin, Viktor Krivulin, Vsevolod Nekrasov, Genrikh Sapgir, and Sergey Stratanovsky.The next Russian poetic generation also features prominently in the collection. Such poets as Tatyana Grauz, Dmitri Grigoriev, Alexander Makarov-Krotkov, Yuri Milorava, Asya Shneiderman and Alina Vitukhnovskaya are the ones Russians like to read today.This anthology shows Russia looking back at itself, and reveals the post-World-War Russian reality from the perspective of some of the best Russian creative minds. Here we find a poetry of dissent and of quiet observation, of fierce emotions, and of deep inner thoughts.

The novel Seven Signs of the Lion is a magical journey to the city of Lviv in Western Ukraine. Part magical realism, part travelogue, part adventure novel, and part love story, it is a fragmented, hybrid work about a mysterious and mythical place. The hero of the novel Nicholas Bilanchuk is a gatherer of living souls, the unique individuals he meets over the course of his five-month stay in his ancestral homeland. These include the enigmatic Mr. Viktor, who, with one eye that always glimmers, in a dream summons him across the Atlantic Ocean to the city of lions, becoming his spiritual mentor; the genius mathematician Professor Potojbichny (a man of science with a mystical bent and whose name means "man from the other side"); the exquisite beauty Ada, whose name suggests "woman from Hades" in Ukrainian, whose being emanates irresistible sensuality, but who never lets anyone capture her beauty in a picture; the schizophrenic artist Ivan the Ghostseer, who lives in a bohemian hovel of a basement apartment and in an alcohol-induced trance paints the spirits of the city that torment him; and the curly-haired elfin Raya, whose name suggests "paradise" in Ukrainian and who becomes the primary guide and companion for Nicholas on his journey to self-realization.The hero is summoned to the land of his ancestors to find the "seven signs of the lion" in a mysterious quest. The multicultural and unique architectural aspects of the "city of lions" with its medieval old town dating back several centuries is showcased. Part cultural history, the novel deals with the legends and myths surrounding the city and its environs. Anglophone readers will be introduced to a country, a people and a culture that largely remain undiscovered for them.