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You go through life convinced you're going to get diabetes like your old man and one day you choke to death on chicken gristle, and the autopsy shows your blood sugars were perfect.The seventeen stories in Elaine McCluskey's latest collection, Rafael Has Pretty Eyes, follow characters who have reached a four-way stop in life; some are deciding whether to follow the signs or defy them; others find a sinkhole forming beneath their feet.A former fast-talking, big-bucks radio host now lives as a divorced payday loaner working in a strip mall; a football wide receiver at a small Canadian university works the night shift as a bouncer while recovering from his third concussion; a well-liked city councilor is arrested on a packed bus. As one character puts it, life is just one extended series of anecdotes strung together until they kill you.Set in the Maritimes but transcending regional boundaries, McCluskey's stories are experimental, sometimes provocative, and often about those living on the margins. Smart, compassionate and unsparing, Rafael Has Pretty Eyes explores the absurdity and interconnectedness of a life adrift.

"'My parents were slaves in New York State. My master's sons-in-law . . . came into the garden where my sister and I were playing among the currant bushes, tied their handkerchiefs over our mouths, carried us to a vessel, put us in the hold, and sailed up the river. I know not how far nor how long -- it was dark there all the time.' These words, recorded by Benjamin Drew in 1855, provide Sophia Burthen's account of her arrival as an enslaved person into what is now Canada sometime in the late 18th century. In It Was Dark There All the Time, writer and curator Andrew Hunter builds on the testimony of Drew's interview to piece together Burthen's life, while reckoning with the legacy of whiteness and colonialism in the recording of her story. In so doing, Hunter demonstrates the role that the slave trade played in pre-Confederation Canada and its continuing impact on contemporary Canadian society. Evocatively written with sharp, incisive observations and illustrated with archival images and contemporary works of art, It Was Dark There All the Time offers a necessary correction to the prevailing perception of Canada as a place unsullied by slavery and its legacy."--

A universe inhabited by the deprivations of war, personal reinventions, and the tensions between old-world parents and new-world children from Journey Prize-nominee Philip Huynh.

"The Big One and what we can do to get ready for it. Mention the word earthquake and most people think of California. But while the Golden State shakes on a regular basis, Washington State, Oregon, and British Columbia are located in a zone that can produce the world's biggest earthquakes and tsunamis. In the eastern part of the continent, small cities and large, from Ottawa to Montrâeal to New York City, sit in active earthquake zones. In fact, more than 100-million North Americans live in active seismic zones, many of whom do not realize the risk to their community. For more than a decade, Gregor Craigie interviewed scientists, engineers, and emergency planners about earthquakes, disaster response, and resilience. He has also collected vivid first-hand accounts from people who have survived deadly earthquakes. His fascinating and deeply researched book dives headfirst into explaining the science behind The Big One--and asks what we can do now to prepare ourselves for events geologists say aren't a matter of if, but when."--

Finalist, Raymond Souster AwardIn this timely and powerful debut, Síle Englert explores what it is to feel othered in a world where everything is connected. Moving through time and memory -- from childhood to motherhood, from historical figures and events to the precarious environment of the Anthropocene -- Englert's voice brims with grief while still holding space for whimsy.Juxtaposing unlikely metaphors and inchoate memories, these poems wander a timeline where Amelia Earhart's bones call out from the past, an abandoned department store mannequin keeps an eye on the future, and spacecraft sing to each other through the dark: "we are only what we remember." Unearthing objects beautiful and bizarre, The Lost Time Accidents challenges the reader's perceptions, finding empathy for the lost, the broken, and the overlooked.

Film is the art form of our times. It has formed the background of our lives, informed visual arts practices, and formed our culture's stories, its memory.Moments of Perception is a landmark book. The first history of twentieth and early-twenty-first-century Canadian experimental filmmaking, it maps avant-garde film across the country from the 1950s to the present day, including its contradictions and complexities.Experimental film is political in its very existence, critical of the status quo by definition. In Canada, some of the country's best-known artists took up the moving image as a form of artistic expression, allowing them to explore explicitly political themes. Mike Hoolboom's exposure of the horror of AIDS, Josephine Massarella's concern for the environment, and Joyce Wieland's satiric look at US patriotism are just a few examples of work that contributed to social movements and provided a means to explore issues of race and gender and 2SLGBTQ+ and Indigenous identities.Featuring a major essay on the history of the movement by Michael Zryd and profiles of key filmmakers by Stephen Broomer and editors Jim Shedden and Barbara Sternberg, Moments of Perception offers a fresh perspective on the ever-evolving history of Canada's experimental film and moving image media arts.

Winner, New Brunswick Book Award (Poetry)Finalist, J.M. Abraham Atlantic Poetry AwardLeaving a drawer open in hereis like leaving your fly undone is like letting a scab hang off a healing wound.In Myself A Paperclip, Finlay sketches the internal self and the external whir of the psychiatric ward, laying bare its daily rhythms. Memories, musings, echoes, and meditations on stigma coalesce: quarters dispensed into a payphone to listen to the stunned silence of a partner; Splenda packets and rice pudding hoarded in dresser drawers; counting back from ten as electrodes connect with the temple.Deeply personal and reflective, Myself A Paperclip confronts abuse and experiences with debilitating mental illnesses, therapies, and hospitalizations, all shaped into the remarkable form of a serial long poem.

On 27 June 1918, the Llandovery Castle, a Canadian hospital ship returning to England, was sunk by a German U-boat in contravention of international law. Two hundred and thirty-four crew members died, including fourteen nursing sisters. It was the most significant Canadian naval disaster of the First World War. Anna Stamers, a thirty-year-old nursing sister from Saint John, was on the ship. Now, her story will finally be told. In this well-researched volume, Dianne Kelly explores Stamers's childhood and nursing education in Saint John; her decision to enlist and her transition to military nursing; her service during the war in field hospitals in both England and France; and her final posting aboard HMHS Llandovery Castle. This vivid reconstruction of Stamers's life is both an illuminating biography of a young woman's experience of war and an important examination of the role nursing sisters played during the Great War. Asleep in the Deep is volume 28 of the New Brunswick Military Heritage Series.

Finalist, New Brunswick Book Award (Fiction) and Alistair MacLeod Prize for Short FictionA striking original, deftly humorous collection of stories that considers the quest for truth: how we come to it or alternatively avoid it.A fervently comic debut, The Running Trees leads readers into a series of conversations -- through phonelines, acts in a play, and a rewound recording of a police interrogation -- to reveal characters in fumbling bouts of brutality, reflection, isolation, and love.The relationship between two siblings disintegrates after one asks the other for the pen; a professor and his former student get drinks years after a "romantic" encounter; a book club meets only to find that they have wildly different opinions about a new memoir about their town; and a long-haired feline contemplates existence and consciousness while his cohabitant licks his own butthole.Whimsical, unconventional, humorous, and always pitch-perfect, The Running Trees explores how we desperately try to communicate with each other amid the gaps in meaning we create.

From the author of the bestselling Waterfalls of Nova Scotia.Benoit Lalonde travels to the bountiful sights of Nova Scotia's most fabled island in Waterfalls of Cape Breton Island.What Cape Breton Island lacks in size, it makes up for in the number, diversity, and sheer drama of its waterfalls. Bringing together one hundred of the Island's greatest waterfalls and hidden gems from the Fleur de Lys, Marconi, Bras d'Or Ceilidh, and Cabot trails, this new guide explores iconic and little-known falls from all parts of the Island, including Uisge Bàn Falls and the tallest waterfall in Nova Scotia, Rocky Brook Falls. And yes, each entry includes useful information on the hiking distance to each waterfall, the best seasons to visit, the source, and the height of the fall itself.Complimented by gorgeous colour photographs, full-colour maps, and bonus features, Waterfalls of Cape Breton Island is an invaluable reference for explorers and outdoor enthusiasts.

Catalogue of an exhibition held at the Art Gallery of Ontario from January 2021.

Winner, George Borden Writing for Change AwardOne of Indigo's Best Books of 2021 So FarRehtaeh Parsons was a gifted teenager with boundless curiosity and a love for family, science, and the natural world. But her life was derailed when she went to a friend's house for a sleepover and the two of them dropped by at a neighbour's house, where a group of boys were having a party.The next day, one of the boys circulated a photo on social media: it showed Rehtaeh half naked, with a boy up against her. She had no recollection of what had happened. For 17 months, Rehtaeh was shamed from one school to the next. Bullied by her peers, she was scorned by their parents and her community. No charges were laid by the RCMP.In comfortable, suburban Nova Scotia, Rehtaeh spiralled into depression. Failed by her school, the police, and the mental health system, Rehtaeh attempted suicide on April 4, 2013. She died three days later.But her story didn't die with her. Rehtaeh's death shone a searing light on attitudes toward issues of consent and sexual assault. It also led to legislation on cyberbullying, a review of mental health services for teens, and an overhaul of how Canadian schools deal with cyber exploitation.My Daughter Rehtaeh Parsons offers an unsparing look at Rehtaeh's story, the social forces that enable and perpetuate violence and misogyny among teenagers, and parental love in the midst of horrendous loss.

Winner, Melva J. Dwyer AwardHonourable Mention, Canadian Museums Association Award for Outstanding Achievement (Research)Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic -- from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman's headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.

"Andrew Hunter has looked with fresh eyes at [Colville's] paintings and made a coherent argument that Colville deserves to be understood far beyond the normal borders of the art world." -- Robert Fulford, The National Post This magnificent, best-selling volume is now available in a deluxe paper-bound edition. The original hardcover edition sold more than 15,000 copies. Colville both honours the legacy of an iconic Canadian artist and explores the contemporary reverberations of his work. Colville was known for being his own man. His paintings depict an elusive tension, a deep sense of danger, capturing moments perpetually on the edge of the unknown. A painter, printmaker, and war artist who drew his inspiration from the world around him, Colville transformed the seemingly mundane events of everyday life into archetypes of the modern condition. In this beautifully designed volume, Andrew Hunter organizes Colville thematically, incorporating interludes that explore the relationship between Colville's work and the filmmaking of Wes Anderson, Stanley Kubrick, and Sarah Polley, as well as his influence on writers such as Alice Munro and even cartoonist David Collier. The book is rounded out with more than 100 colour reproductions of Colville's paintings, spanning the entirety of his career, including Horse and Train, 1953; To Prince Edward Island, 1965; Woman in Bathtub, 1973; and Target Pistol and Man, 1980.

Finalist, A. M. Klein Prize for Poetry and Raymond Souster AwardIn tarot, the Fool represents continual beginnings, not being able to see or think past the excitement and potential of a new start. The Fool is also associated with zero -- a literal loop.Like Anne Carson writing poetry in the style of the poet alchemist Arthur Rimbaud, Jessie Jones renders her reflections with acerbic brilliance. In her debut collection, she examines the sensual, cruel, pleasing, and depraved state of being human in the twenty-first century. All pro, she's ready to stage a coup d'état.Reflective with a kind of circular logic edging toward a darker surrealism, these poems are at times comically satirical, but always grounded in fresh ethos. A pleasure of language and circumstance, where passengers on a boat peer through "a thick, absorbent mist" and the poet moves "through/the city like a bundle of kindling./ All day I wait for a bit of friction/ to transform me," The Fool sets its sights on a world riddled with panaceas designed to course-correct our lives.

Edited by Ian A.C. Dejardin and Sarah Milroy, with an introduction by Sarah Milroy.

Catalogue of two exhibitions: Future possible: art of Newfoundland & Labrador to 1949, May 12 to September 3, 2018 and Future possible: art of Newfoundland & Labrador 1949 to present, May 18 to September 22, 2019.

"The Province of Nova Scotia invested more than $6-million into renovating and restoring Government House Halifax between 2006 and 2009. The building has gone from being the most dilapidated official residence in Canada to the most modern, efficient, accessible and up-to-date. As the ceremonial home of Nova Scotians, the house is open for tours and related events. On the tenth anniversary of the restoration, this book helps to raise awareness about the history of Government House and helps encourage additional visitors. This book is rich in photographs to convey the history and purpose of Government House. The book blends the historical background and events that have shaped Government House and Nova Scotia with the present purpose and use of the building and the Office of the Lieutenant Governor. The overall focus is on the building and its life/events that have transpired there. It does not focus on any particular past or present Lieutenant Governor. Throughout the text, vignettes of former Lieutenant Governors, consorts, staff and those involved with the building of the house are included."--

"Moving the museum: indigenous & Canadian Art at the AGO documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation to nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Indigenous & Canadian Art at the AGO features the work of First Nations artists--including Carl Beam, Rebecca Belmore, and Kent Monkman--along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums. Contains a list of works at the back."--

Written by Dale Sheppard; contributions from Cynthia Carroll, and Melissa Marr.

This volume accompanies a major retrospective exhibition held at the Art Gallery of Nova Scotia from October 2020 to March 2021.

Accompanies an exhibition held at the Beaverbrook Art Gallery during October 2020 and touring in 2021 and 2022.

"If you are a fan of the great outdoors and love to hike or would like to start hiking, Michael Haynes writes an invaluable trail guide. Go out and buy the book and then go explore. You will not be disappointed." -- Edwards Book BlogA fresh new edition of the bestselling guide, now with full-colour maps and images.The National Capital Region and its environs offer an extraordinary variety of hiking. And there's no better person to guide you than Michael Haynes. From the urban oasis of the Ottawa Greenbelt to the pastures and lakes of Eastern Ontario and the rugged hills and winding rivers of western Quebec, Michael Haynes offers hikers an authoritative guide to 50 of the best trails in the area: from short urban trails to full-day wilderness excursions and even a few mid-winter hikes. With each trail accompanied by a full-colour elevation map and beautifully composed photographs, this book is the perfect accompaniment for your next adventure in Ottawa, Gatineau Park, and beyond.

""So what if I left language by the pier. Metaphor's a raft," declares Andrew DuBois as he leads readers through a fractured past and present -- from "slummy memories of streets" to a "a charnelhouse (?) of possible clowns" -- defamiliarizing, critiquing, and satirizing a wide range of conversational forms in the style of Wallace Stevens and Michael Palmer. Yet, as "lives at time degenerate into victory competitions," and the poet alternates between searching for an escape from the mundane and accepting that "merely being there together is a dull catastrophe," we recognize that a formally wry, almost flippant, voice has become caught in language's web. The surfaces of the poems begin to feel like thin ice, a brittle coating over which we skate for as long as it lasts. Danger lurks here: the poet must play the puppet, not the puppeteer and we must surrender, body and soul, into language as element."--

"In this experimental long poem sequence, Alyda Faber transforms the portrait poem into runic shapes, ice shelved, sculpted, louvered on a winter shoreline. Twenty years after her mothers death, Faber untethers herself from the mother she thinks she knows with wild analogies: depicting her mother variously as King Lears Kent, a Camperdown elm, a black-capped chickadee, Neil Peart, Pope Innocent X, and a funnel spider. While embodying the passionate relationship between mother and daughter, Fabers poems also expose the thorn in the flesh, the inability of mother and daughter to give each other what they most want to give. Endlessly discovered, yet ultimately unknowable, the poets mother is complex, mystifying, and unwavering: courageous in her decision to leave all that she knew behind; bewildering in her fidelity to a damaging marriage; steadfast in her devotion to a God who is at once adamant and the source of ephemeral beauty."--

"Molly Lamb and Bruno Bobak shot to prominence as war artists during the Second World War. Marrying shortly after the end of the war, they moved first to Vancouver and then, in 1960, to Fredericton, where they settled permanently. Molly's paintings were vibrant and colourful, featuring dynamic crowd scenes and wildflowers that seem to wave on the page. In contrast, Bruno painted near-abstract cityscapes, stunning landscapes, and distorted bodies wracked with inner torment that are unique in Canadian art. In this book, acclaimed author Nathan M. Greenfield brings to light the private and public lives of two of the most important figures in 20th century Canadian art. Combining archival research with Molly's diaries and letters, interviews with friends and contemporaries, and an analysis of paintings by both artists, he develops an intimate portrait of their life and art: their critical acclaim, commercial success and a turbulent marriage that lasted over fifty years -- until Bruno's death in 2012. The biography covers Bruno and Molly's artistic output, their marriage, and their wider lives. Greenfield covers their whole lives, including discussion of their work as war artists in the second world war and their later careers."--

Incisive and intensely felt, Stewart Cole's striking debut collection reminds us that we too live in an age of anxiety, disoriented by doubt, up late and compelled to confront the unanswerable. Sirens draw us to the inevitable fact of human suffering, black-winged redbirds perch aloof above our daily commutes, sex denies and drives our hunger for fidelity, and the comet speaks before it strikes. In an unabashed celebration of intellect and a visceral engagement with our shadowy impulses, Cole's voice veers between the playful and the grave, pillow-talk and eulogy. And despite the odds, love -- private, public, and free of false sentiment -- emerges cloaked in a wit and intelligence at once elusive and warm. From the urbane and civil to the lustful and dark, the poems of Questions in Bed, in an impressive synthesis of content and contour, despict the heat-seeking of our driven days and insomniac nights.