Bøger udgivet af Granta Magazine

The year 1989, annus mirabilis, was the most important year in Europe since the end of World War Two. After 1989, Europe changed irreversibly, for better or worse. This special issue of Granta focuses on this crucial moment and projects itself into the possible future outcomes.

Ian Hamilton is a poet and biographer. He is also a Tottenham Hotspur supporter - and a Gazza fan. This collection includes his account of the story of Gazza: at play, on show, in the press, in pain, in distress - of Gazza more sinned against than sinning. Also in this issue: Jonathan Raban: On Flooded Mississippi; Ethan Canin: J.D. Salinger's Heir Apparent?; Nick Hornby: On Teenage Sex; Timothy Garton Ash: With Erich Hoenecker; Michael Ignatieff: On The Era of the Warlord; and Marking the 75th Anniversary of Armistice Day, Steve Pyke's chilling World War I portraits.

A story becomes a story once it has an ending, and there is no ending more powerful than death. But what of death itself? Here, fourteen writers and photographers set out to look at it: John Gregory Dunne, Adam Mars-Jones, Mary McCarthy, Edmund White, Louise Erdrich, Michael Ignatieff, John Treherne, and eerie death faces by photographer Rudolph Schäfer.

Martin Amis's tale of Nicola Six, a girl who's been trouble all her life. Plus: 'Gibraltar', Ian Jack's award-winning investigation into the Death on the Rock, Raymond Carver, Tess Gallagher, Todd McEwen, John Berger, Angela Carter, and Don DeLillo.

From Nobel laureates to debut novelists, international translations to investigative journalism, each issue of Granta turns the attention of the world's best writers on to one aspect of the way we live now. This winter issue will feature Fatima Bhutto on her dog Coco, Andrew McMillan on the Goosebumps series, as well as non-fiction by Chris Dennis and Jacob Dlamini and fiction by Debbie Urbanski and Julie Hecht.

Published four times a year, Granta is respected around the world for its mix of outstanding contemporary writing, art and photography.This summer issue of Granta features fiction by Jesse Ball, Eva Freeman, Okwiri Oduor, Tao Lin, Adam O'Fallon Price, Vanessa Onwuemezi, Kathryn Scanlan and Diane Williams. Granta 156: Interiors includes poetry by Kaveh Akbar, Sasha Debvec-McKenny, Gboyega Odubanjo and Nick Laird, as well as memoir by Chris Dennis, Debra Gwartney, Sandra Newman and Ruchir Joshi. With photography by Robbie Lawrence, introduced by Colin Herd, and Kaitlin Maxwell, introduced by Lynne Tillman.

'After so many years of feeling that some Event was due, that something vast must surely happen, something vast happened. Is happening.' from 'Spring' by China MiévilleThis issue reflects on confinement, escape and paying attention, as writers and artists respond to the pandemic.Four times a year, Britain's most prestigious literary magazine brings you the best new fiction, reportage, memoir, poetry and photography from around the world.

Four times a year, Britain's most prestigious literary magazine brings you the best new fiction, reportage, memoir, poetry and photography from around the world. From Nobel laureates to debut novelists, international translations to investigative journalism, each issue of Granta turns the attention of the world's best writers on to one aspect of the way we live now. Granta does not have a political or literary manifesto, but it does have a belief in the power and urgency of the story and its supreme ability to describe, illuminate and make real.This winter issue includes reportage from Oliver Bullough in the Cayman Islands/Joseph Zárate in the Amazon/and John Ryle on global conservationist struggles over white rhinos. Plus, new fiction from Jason Ockert.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.Granta 149: New Europe includes essays by Elif Shafak, UKON, Andrew Miller, Will Atkins, Lara Feigel, Katherine Angel, Michael Hofmann, Joseph Koerner, Tom McCarthy and many more. It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.

When people predicate their politics only on what they feel and can no longer be swayed by expertise, reason or facts, what results would seem the most unfeeling sort of politics. Rage, resentment, hysteria, guilt, shame, all figure highly in our conflicted times, as does the intemperate adoration of popular figures. A Pandora's box of furies has opened up. But if it's too late now to put those furies back, might anything else be done with them? This issue of Granta looks at the ways we feel politically - and asks whether it's possible to feel any other way. Adam Phillips analyses politics in the consulting room, Roxane Gay considers 'unfeeling', Peter Pomerantsev unearths his data profile to conduct sentiment analysis, Margie Orford explores shame in South Africa, Joff Winterhart graphically imagines road rage, Pankaj Mishra reflects on bodily decadence, Josh Cohen inspects his own apathy, Yvonne Adhiambo Owuor witnesses devastation, David Baddiel probes the outrage of life online. With new fiction from Olga Tokarczuk, Ben Markovits, Deborah Levy, Hanif Kureishi and new poetry from Nick Laird and Alissa Quart.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography, and art. This volume contains works by Andrew O'Hagan, Elif Shafak, Adam Foulds, and others.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.