Bøger udgivet af Grove Press / Atlantic Monthly Press

In A Certain Curve of Horn, veteran journalist John Frederick Walker tells the story of one of the most revered and endangered of the regal beasts of Africa: the giant sable antelope of Angola, a majestic, coal-black quadruped with breathtaking curved horns over five feet long. It is an enthralling and tragic tale of exploration and adventure, politics and war, the brutal realities of life in Africa today and the bitter choices of conflicting conservation strategies.A Certain Curve of Horn traces the sable''s emergence as a highly sought-after natural history prize before the First World War, and follows its struggle to survive in a war zone fought over by the troops of half a dozen nations, and its transformation into a political symbol and conservation icon. As he follows the trail of this mysterious animal, Walker interweaves the stories of the adventurers, scientists, and warriors who have come under the thrall of the beast, and how their actions would shape the fate of the giant sable antelope and the history of the war-torn nation that is its only home.

With Little Savage, Emily Fragos delivers a magnificent collection in the American tradition of Robert Lowell and Elizabeth Bishop. With clean, strongly wrought lines she builds poems that are elegant and powerful. Marie Ponsot calls the collection "remarkable." What separates Fragos from her contemporaries is her amazing ability to empathize with the characters she creates - the misfits, the artists, the children kept in a fifteenth-century school, the composer going mad. She convincingly becomes a young girl in the Venetian conservatory for the abandoned: "Sofia del violino. Once I saw myself / in a clear puddle of rain / water. My teeth are very crooked, I / know. We are none of us / startled by the other. We are all / the same. To Heaven." These moments ache with honesty, and humility, and make us wish that every sentiment expressed by Fragos could be true. Deceptively simple poems written by an unostentatiously skilled poet, Little Savage is permeated with a reverence for nature, music, myth, and dance - a veritable treasure trove of compassion and grace.

Set against the AIDS epidemic of the eighties and nineties, Self's "Dorian" is a shameless reworking of the most significant myth of shamelessness, brilliantly evoking the decade in which it was fine to stare into the abyss, so long as you were wearing two pairs of Ray-Bans.

Kenzaburo Oe is internationally recognized as one of the world's finest writers, and his achievements have received the Nobel Prize for Literature. "Somersault, the first new novel he published since winning the Nobel, departs radically from the autobiographical fiction he was known for, in a magnificent story of the charisma of leaders, the danger of zealotry, and the mystery of faith. A decade before the story opens, two men referred to as the Patron and Guide of mankind were leaders of an influential religious movement that fell apart when a group of their more radical followers plotted an act of terrorism. Now, after ten years of silence, they are ready to return to religious leadership--but old, new, and unexpected problems threaten them. As planning proceeds for the summer conference that will launch the new church in the eyes of the world, conflicts between various factions threaten to make a mockery of the church's unity--or something far more dangerous. "Somersault is an astonishing achievement that again confirms Kenzaburo Oe's place among the world's most respected writers, even as it takes his body of work in fresh and fertile directions.

A remarkable portrait of the inexpressible bond between a famous writer and his cipher of a son, this magnificent novel of startling candor is from a Nobel Prize-winning Japanese master. As the man struggles to understand his family, he must evaluate himself as he deals with parenting a disabled child.

An extraordinary collection of dynamic stories by an exciting new voice in American fiction, "Gigantic" features ten powerful stories of emotional stagnation and personal transformation, passion and violence, race and community, that are viscerally immediate in their impact and otherworldly in their scope.

"The Dressing Station" is a searing portrait of devastation on the battlefield--a haunting and elucidating look into the nature of human violence, the shattering contradictions of war, and the complicated role of medicine in this modern world.

Jimmy Santiago Baca''s brilliantly received memoir, A Place to Stand, earned him the prestigious International Prize and offered a keyhole view into the brutal personal history that shaped -- and continues to inform -- his raw, incisive voice. In C-Train and Thirteen Mexicans, he trains his hallmark lyrical intensity on the dark underbelly of addiction and takes us on an unforgettable guided tour of the darkest corners of a brutal, unjust world. C-Train is a heartstopping series of episodes from the life of Dream-boy, a young man who finds himself seduced, and later enslaved, by the siren song of cocaine. Part paean to the delicious power of intoxication, part lament for those helplessly under its power, C-Train is a ride its hero, and the reader, struggle to get off. In Thirteen Mexicans, Baca writes of the Chicano community and the gulf between the American dream and American reality. In searing, elegiac vignettes he portrays the raw beauty of life in the barrio and the surreal, stomach-turning moment when people of color must confront how they are reflected in the distorted mirror of white society. Giving voice to the dispossessed and the disenfranchised, Baca illuminates the most unforgiving landscapes; yet his is a vision tempered by a searching hopefulness that brings these collections inching toward redemption. Baca''s latest achievement will confirm his place as one of the nation''s leading poets, a poet whose words "heal, inspire, and elicit the earthly response of love" (Garrett Hongo). "[Baca] writes with ... an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events." -- Denise Levertov

Chay Yew has been hailed by Time magazine as "a promising new voice in American theater." In this collection of four new plays, Yew continues to explore issues of artistic expression, self-identity, and the immigrant experience. In Red, a magical, mysterious drama set during China''s Cultural Revolution, a renowned actor stands his ground against a young revolutionary in a struggle that pits politics against free expression and one generation against another. Set in New York''s Chinatown, Scissors is a moving portrait of a weekly haircutting ritual between an elderly Chinese manservant and his Caucasian ex-employer. A Beautiful Country chronicles the turbulent history of Asians in America through the eyes of an immigrant drag queen, Miss Visa Denied. In Wonderland, a family working toward their American dream experiences dramatic and unexpected developments that threaten to shatter their hopes. Although aesthetically and tonally different from one another, Yew''s four plays evoke an epic backdrop to the dreams, loves, longings, and lives of Asians in America. "Yew ... demonstrates the ability to shock and enlighten by writing it straight. It makes for a vital evening of theatre." -- Back Stage West/Dram-Logue

From Richard Howard''s Foreword: "The burden . . . of this poet''s responsibility . . . rests on his eloquence, his way of making us see. For him, . . . the significance of an event or a place is not to be found within it, as within a nutshell, but without, enveloping the language which has generated it, as a light generates a vapor."Writing both narrative and lyric, love poem and elegy, the poems in Marc Woodworth''s debut collection, ARCADE, are alternately severe and feverish, contemplative and intimate, novelistic and hauntingly stark. ARCADE opens with a sequence entitled "The City" set in an unnamed and compellingly imagined continental metropolis between the world wars. Early poems in the sequence were featured in The Paris Review''s new writers issue and take their place here in what Frank Bidart calls a "fantasia on and hymn to the city," one that evokes the private desires and public scale of urban life where walkers disappear "in a spell of edges" and "two hearts [beat] in every chest,/ one fleshy and inert with familiarity, the other/ a shadow heart unmarred by grieving." This city-with its Weimar decadence, it''s Parisian grace-is inhabited by a poet-protagonist equipped with "the accoutrements of the Romantic," who is both guide to the beauty and brutality of this lost world and the center of the poem''s haunted, lyrical evocation of it.In other poems, Woodworth enters the grieving mind of Sophia Tolstoy as she mourns at her husband''s grave, exposes a self-mortifying erotic episode in the life of Adrian Leverkühn from Thomas Mann''s novel Doktor Faustus, and depicts the mythical German film-maker Herr Soma''s strangely generative breakdown before the making of his best film. In ARCADE, Marc Woodworth creates a rare and intimate world that is as intoxicating as it is intellectually rewarding.

An unforgettable portrait of the human struggle with mortality, this novel revolves around an aging American woman dying from cancer in a London hospital. Sliding in and out of consciousness, she rails against everything through the lens of her paranoid bigotry.

In Bodies and Souls, Rechy paints a portrait of modern Los Angeles, "the most spiritual and physical of cities," where we meet characters like Amber, a porn superstar; Manny Gomez, a Chicano caught up in the punk-rock scene; and Dave Clinton, an aging male stripper. Epic in scope and vision, Bodies and Souls is classic Rechy.

J. Christopher Herold vigorously tells the story of the fierce Madame de Stael, revealing her courageous opposition to Napoleon, her whirlwind affairs with the great intellectuals of her day, and her idealistic rebellion against all that was cynical, tyrannical, and passionless. Germaine de Stael's father was Jacques Necker, the finance minister to Louis XVI, and her mother ran an influential literary-political salon in Paris. Always precocious, at nineteen Germaine married the Swedish ambassador to France, Eric Magnus Baron de Stael-Holstein, and in 1785 took over her mother's salon with great success. Germaine and de Stael lived most of their married life apart. She had many brilliant lovers. Talleyrand was the first, Narbonne, the minister of war, another; Benjamin Constant was her most significant and long-lasting one. She published several political and literary essays, including "A Treatise on the Influence of the Passions upon the Happiness of Individuals and of Nations," which became one of the most important documents of European Romanticism. Her bold philosophical ideas, particularly those in "On Literature," caused feverish commotion in France and were quickly noticed by Napoleon, who saw her salon as a rallying point for the opposition. He eventually exiled her from France. This winner of the 1959 National Book Award is "excellent ... detailed, full of color, movement, great names, and lively incident" -- The New York Times "Mr. Herold's full-bodied biography is clear-eyed, intelligent, and written with abundant wit and zest." -- The Atlantic Monthly

In these three novellas, Yoshimoto spins the stories of three young women bewitched into a spiritual sleep. Sly and mystical as a ghost story, with a touch of Kafkaesque surrealism, "Asleep"--now in paperback--is an enchanting book from one of the best writers in contemporary international fiction.

Her third collection of poetry, Claudia Rankine's Plot is original and enchanting, and the language, as in her acclaimed The End of the Alphabet, never ceases to startle and confront. Plot is a postmodern dialogue about pregnancy and childbirth. Liv, the expectant mother, and her husband, Erland, find themselves propelled into one of our most basic plots -- boy loves girl, girl gets pregnant. Liv's respect for life, however, makes her reluctant to bring a new life into the world. The couple's electrifying journey is charted through dreams, conversations, and reflections. A text like no other, it crosses genres, existing at times in poetry, at times in dialogue and prose, in order to arrive at new life and baby Ersatz. This stunning, avant-garde performance enacts what it means to be human, and to invest in humanity.

Acclaimed by Frank Rich as "a writer who illuminates the deepest dramas of American life with poetry and compassion," Lanford Wilson is one of the most esteemed contemporary American playwrights of our time. Nowhere is this more evident than in his latest play, "Book of Days," which has won the Best Play Award from the American Theater Critics Association. "Book of Days" is set in a small town dominated by a cheese plant, a fundamentalist church, and a community theater. When the owner of the cheese plant dies mysteriously in a hunting accident, Ruth, his bookkeeper, suspects murder. Cast as Joan of Arc in a local production of George Bernard Shaw's St. Joan, Ruth takes on the attributes of her fictional character and launches into a one-woman campaign to see justice done. In "Book of Days, " Lanford Wilson uses note-perfect language to create characters who are remarkable both for their comic turns and for their enormous depth. "Mr. Wilson's cosmic consciousness, intense moral concern, sense of human redemption and romantic effusion have climbed to a new peak." -- Alvin Klein, The New York Times; "A significant addition to the Lanford Wilson canon . . . his best work since Fifth of July . . . Book of Days manages to combine Wilson's signature character-based whimsy with an atypically strong narrative book and politically charged underpinnings." -- Chris Jones, Variety; "Book of Days is lively storytelling by one of our best playwrights." -- Lawrence DeVine, Detroit Free Press.