Bøger udgivet af Guernica Editions,Canada

Like his three siblings, 32-year-old Alfredo Freddy Flowers Falconi has led two lives: the idyllic one before The Incident -- his mother's 1984 death -- and the complicated one afterward. He was just eight-years-old when his father abandoned the family, and nine when his oldest brother, Small Carm, covered up the circumstances of Rosa Falconi's demise to keep the family's honour intact. Twenty-three years later, that lie has become a black hole: hidden at the centre of all of their lives, it's supremely powerful force that, when uncovered by Freddy, threatens to tear them apart. Set against the backdrop of the Falconi family's shuttered tractor showroom on Toronto's pulsating and ethnically diverse Spadina Avenue, Falconi's Tractor explores the Italo-Canadian experience, Catholicism, family dynamics, the fall of a family business, infidelity, and mental health--all with a red Falconi tractor and a Ferrari sports car as bookends to the action.

Dead Voices is a collection of stories that are both seriously realistic and comically whimsical. They have everything from superheroes who get sick on words, to the appearance of dead playwrights, to the visit of saints and sinners from the past, to a hot stove discussion on hockey and love. They?re about the modern mind-set and its technological marvels and the older attention to character and virtue.

Meet the Garneau boys, triplets from small-town Ontario. Daniel the "eldest" is gay, and moves to Toronto with his best friend Karen to attend university. Eventually, he meets David, a bike mechanic whose Catholic Italian mother talks to her dead husbands. Their chemistry is immediate, but Daniel is still drawn to his ex-boyfriend Marcus, a performance artist whose grandfather was a book-burning Nazi. A Boy at the Edge of the World is a rollicking dramedy that explores the compulsive and (ultimately) universal human pursuit of intimacy, sex, and love.

In math for couples, we re-visit the past to discover our place in the contemporary world. A long-dead father watches his daughter work on her Mac, a woman converses with a photo of her young self. Adele Graf leads us on a journey that is rich and hopeful, evoking powerful nostalgia even if we've never been to the places described. When a -rusted sign swings,- we hear it squeak. Playful and Intimate, these poems release us back to our current lives, where we feel restored.

The poems, arranged chronologically, give an impressionistic account of the poet as an immigrant, in quest of her inner voice and her core self, in the new land. They reveal intense isolation, despite engagement with the so-called political, religious, and cultural disparities between the two countries. The poems tell the story of how the speaker comes closer to her roots by leaving her country behind. They reveal her concern about the Middle East; the negative associations with her country, Iran; her preoccupation with the possibility of reconciliation between the three Abrahamic religions; her concerns about her family back home, and her newly found friends and lover. For the persona in these poems, the political is personal.

This story follows three generations of a Vietnamese family as they struggle through major events of the 20th century. From the War of Independence against the French colonial power to the Vietnam War, the novel depicts a family's resilience in the face of tragedy, as told through the voice of a young girl attempting to understand family scandals within an historical context. At the novel's core is the death from AIDS in the early 1980s of the narrator's half French, half Vietnamese cousin Daniel, a beautiful rebel who is stricken down following a summer escapade in Provincetown. His family of three generations of physicians cannot bear to call the disease by its true name. Daniel dies alone in his Montreal hospital room.

No Safeguards, the first book in a trilogy, follows Jay's life from age six to twenty-six - and to a lesser extent that of his brother Paul. We witness the destructive impact of fundamentalist Christian beliefs on his mother and father, opposition to those beliefs by the boys' grandmother and each boy's very different response to their parents' religiosity. This is especially poignant after they leave their grandmother's comfortable home in St Vincent to join their mother in Montreal. The revelation that both boys are gay adds to their sense of oppression and divides them from their mother, whose views on the subject are shaped by the church and the theology of the Torah.

Writing Poetry to Save Your Life combines Gillan's personal story about her journey as a writer with her suggestions for writers at all stages of development. The voice in this book is the voice of a friend who sits with you in a warm kitchen sipping espresso or a cup of herbal tea, while offering support and encouragement. It is designed to help you find the stories you have to tell and the words to tell them. It is based on the belief that when you find the courage to explore your memories, you will find the source for evocative writing. Writing Poetry to Save Your Life is a book about the writing process rather than about the craft of writing. It can be used in classrooms, by writer's groups, or by an individual while writing at home or in a coffee shop. This book will encourage you to write, and in the process, will give you confidence, help you overcome writer's block, and silence the critical voice of the being Gillan calls ?The Crow.? It will jumpstart your creativity, giving you permission to use the power of words to save your life.

In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century.