Bøger udgivet af Harvard University Press

Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Egan analyzes Su's literary and artistic work against the background of eleventhcentury developments within Buddhist and Confucian thought and Su's dogged disagreement with the New Policies of Wang Anshi. Egan explicates Su's views on governance, the classics, and Buddhism; and he describes Su's social-welfare initiatives, arrest for disloyalty, and exiles. Finding a key to the richness of Su's artistic activities in his vacillation on the significance of aesthetic pursuits, Egan explores Su's shi and ci poetry and Su's promotion of painting and calligraphy, looking specially at the problem of subjectivity. In a concluding chapter, he reconsiders Su's role as a founder of the wenren ("literati") and challenges the conventional understanding of both Su and the Northern Song wenren generally.

Descriptions of animal sacrifice in Homer offer us some of the most detailed accounts of this attempt at communication between man and gods. What is the significance of these scenes within the framework of the Iliad? This book explores the structural and thematic importance of animal sacrifice as an expression of the quarrel between Akhilleus and Agamemnon through the differing perspectives of the primary narrative and character speech. In the Iliad, animal sacrifice is incorporated into the primary narrative to bolster the royal authority of Agamemnon and further emphasize Akhilleus' isolation. The sacrifices embedded in character speech express frustration with the failure of reciprocity and the inability of sacrifice to influence the course of human events.

This text describes how the traumatic experience of five survivors of the Holocaust has been transmitted from one generation to the next. Genia spent two years in Auschwitz; Ze'ev fought with the Partisans; Olga hid in the Aryan section of Warsaw; Anya fled to Russia; and Laura lived in Libya under the Italian fascist regime. All five emigrated to Israel and started families there.

One of the most horrific innovations of the twentieth century was the deliberate strategy of total warfare--the obliteration of entire civilian populations. The first and in many ways the most striking use of this extreme measure came nearly 70 years ago when the ancient Basque hilltop town of Guernica was destroyed by the bombs of the German Condor. Ian Patterson begins with a graphic account of what happened in Guernica on April 26, 1937, and its place in the course of the Spanish Civil War. This event focused the spotlight of media attention on the town of Guernica, and established Picasso's painting as the most famous modern image of the horrors of war. Yet Picasso's Guernica was only one of a huge number of cultural artifacts--paintings, films, novels, poems, plays--to explore the idea of indiscriminate death from the air. From the Blitz to Hiroshima to the destruction of the World Trade Center to daily carnage in Darfur and Iraq, war has been increasingly directed against civilians, who constitute an ever larger proportion of its casualties. Patterson explores how modern men and women respond to the threat of new warfare with new capacities for imagining aggression and death. An unflinching history of the locationless terror that so many people feel today, Guernica and Total War will engage anyone interested in the survival of cultures amid the disasters of war.

Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of text, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through to the 13th century.

When the American reporter Henry Morton Stanley stepped out of the jungle in 1871 and doffed his pith helmet to the Scottish missionary-explorer Dr. David Livingstone, his greeting was to take on mythological proportions. But do any of us really know what his words meant at the time--and what they have come to mean since? Far from meeting in a remote thicket in "Darkest Africa," Stanley met Livingstone in the middle of a thriving Muslim community. The news of their encounter was transmitted around the globe, and Livingstone instantly became one of the world's first international celebrities. This book shows how urgently a handshake between a Briton and an American was needed to heal the rift between the two countries after the American Civil War. It uncovers for the first time the journeys that Livingstone's African servants made around Britain after his death, and it makes a case for Stanley's immense influence on the idea of the modern at the dawn of the twentieth century. Drawing on films, children's books, games, songs, cartoons, and TV shows, this book reveals the many ways our culture has remembered Stanley's phrase, while tracking the birth of an Anglo-American Christian imperialism that still sets the world agenda today. Dr. Livingstone, I Presume? is a story of conflict and paradox that also takes us into the extraordinary history of British engagement with Africa. Clare Pettitt shows both the bleakest side of imperialism and the strange afterlife of a historical event in popular mythmaking and music hall jokes.

This is the first book that explores the relationship between the United States and Japan in terms of the competition for industrial raw materials. With startling consistency, their responses to similar problems appear to stem from each country's history and culture, almost as if the country had no choice but to pursue the policy selected. Vernon suggests that in this field of policy, political leaders are prisoners of their national environment more than anyone--including the leaders themselves--has been prepared to recognize. Examining in turn the world markets in oil, aluminum, copper, and steel, Vernon shows how Japan has learned to cope with its have-not status, using flexible and inventive national policies designed to help industries acquire what they need. The United States, on the other hand, lacking an explicit and consistent national policy, is torn between protecting domestic producers of these resources and trying to develop dependable sources of supplies abroad. The result is a haphazard and unstable raw-materials policy. This unique commingling of political and economic analysis will appeal not only to scholars of international relations, domestic political behavior, and commodity markets but also to the informed layman who wishes to understand what is likely to happen as two economic superpowers range the world to satisfy their appetites for raw materials.

England's 17th-century colonial empire in North America and the Caribbean was created by migration. This migration is captured in the London port register of 1635, the largest port register for any single year in the colonial period and unique in its record of migration to America and to the European continent. This work analyzes the 7500 people who travelled from London in that year, recreating individual careers, exploring colonial societies at a time of emerging viability and delineating a world sustained and defined by migration.

Cats is 'dogs', and rabbits is 'dogs', and so's parrots; but this 'ere 'tortis' is a insect, a porter explains to an astonished traveler in a 19th-century Punch cartoon. Railways were not the only British institution to schematize the world. This book aims to capture the fervor of the Victorian age for classifying and categorizing every new specimen, plant or animal, that British explorers and soldiers and sailors brought home. As she depicts a whole complex of competing groups deploying rival schemes and nomenclatures, Harriet Ritvo shows us a society drawing and redrawing its own boundaries and ultimately identifying itself.

The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In early Buddhist literature and art, the Buddha s perfect physique and sexual prowess are important components of his legend as the world s ultimate man. He is both the scholarly, religiously inclined brahman and the warrior ruler who excels in martial arts, athletic pursuits, and sexual exploits. The Buddha effortlessly performs these dual roles, combining his society s norms for ideal manhood and creating a powerful image taken up by later followers in promoting their tradition in a hotly contested religious marketplace. In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship. The book focuses on the figure of the Buddha and his monastic followers to show how they were constructed as paragons of masculinity, whose powerful bodies and compelling sexuality attracted women, elicited admiration from men, and convinced skeptics of their spiritual attainments."

More than a literary study, this book is an analysis of sexual attitudes and practices in the Romantic period, and a contribution to the history and theory of feminism. Shelley is shown to have anticipated in many ways the work of modern students of human sexual behavior. He was strikingly ahead of his time in his attitude toward women: his ideal of love postulated the equality of the sexes, and his theory of psychosexual identification, like mated to like, extended the feminist ideology of his mother-in-law, Mary Wollstonecraft. Moreover, in his own person and practice he came close to the androgynous ideal of the modern woman's movement. In exploring the many aspects of his subject, Brown compares Shelley with his contemporaries, particularly Byron, and draws upon extensive research into the laws, ideas, and practices of the period.

This richly suggestive book examines the common bonds of thought and shared manner of expression that unite Jewish writers working in America, Eastern Europe, and Israel. Murray Baumgarten shows how Jewish traditions are reflected in the themes and narrative style of a diverse group of writers, including Saul Bellow, Henry Roth, Sholom Aleichen, Isaac Babel, and S.Y. Agnon. Baumgarten finds in these writers a distinctive and symbolic use of the urban scene arid style of life--whether the city is Brooklyn, Chicago, Vienna, Warsaw, Odessa, or Jerusalem. He examines the pariah stance, and the different kinds of tension between freedom from communal ties and the pull of traditional culture. He demonstrates how Yiddish can flavor and inflect the syntax, how scripture can permeate the thinking and narrative devices, in writers of various nationalities.

When the BBC ran a poll in 2001 to name the greatest Briton, Alfred, a ninth-century monarch, was the only king to make the top 20. Also the only English sovereign to be called "the Great," Alfred used to be remembered as much through folklore as through his accomplishments. Horspool sees Alfred as inextricably linked to the legends and stories that surround him, and rather than attempting to separate the myth from the "reality," he explores how both came together to provide a historical figure that was all things to all men. This book offers a vivid picture of Alfred's England, but also of the way that history is written, and how much myth has had to do with that.

Mark McGurl explores the connections between fiction and higher education in the United States by demonstrating how much literature comes to us mediated by writing programs.

They were not the Banquet Years, those anxious wartime years when poets and novelists were made to feel embarrassed by their impulse to write literature. And yet it was the attitude of those writers and critics in the 1930s and 1940s that shaped French literature - the ideas of Derrida, Foucault, de Man, Deleuze, and Ricoeur - and has so influenced literary enterprise in the English-speaking world since 1968. This literary history, the prehistory of postmodernism, is what Denis Hollier recovers in his interlocking studies of the main figures of French literary life before the age of anxiety gave way to the era of existentialist commitment.

One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.

Bombs are as old as hatred itself. But it was the twentieth century--one hundred years of incredible scientific progress and terrible war--that brought forth the Big One, the Bomb, humanity's most powerful and destructive invention. In The Bomb: A Life, Gerard DeGroot tells the story of this once unimaginable weapon that--at least since 8:16 a.m. on August 6, 1945--has haunted our dreams and threatened our existence. The Bomb has killed hundreds of thousands outright, condemned many more to lingering deaths, and made vast tracts of land unfit for life. For decades it dominated the psyches of millions, becoming a touchstone of popular culture, celebrated or decried in mass political movements, films, songs, and books. DeGroot traces the life of the Bomb from its birth in turn-of-the-century physics labs of Europe to a childhood in the New Mexico desert of the 1940s, from adolescence and early adulthood in Nagasaki and Bikini, Australia and Kazakhstan to maturity in test sites and missile silos around the globe. His book portrays the Bomb's short but significant existence in all its scope, providing us with a portrait of the times and the people--from Oppenheimer to Sakharov, Stalin to Reagan--whose legacy still shapes our world.

Under the Athenian democracy, litigants were expected to speak for themselves, though they could memorize a speech written for them. The texts of about one hundred judicial speeches of the genos dikanikon (the forensic genre) have survived, all attributed to Demosthenes or another of the ten writers of canonical status. These professionals wrote either for themselves or members of a small elite. Victor Bers argues that men too poor to afford a professionally written speech frequently spoke before judicial bodies in procedures crucial to their status, wealth, or even their lives, and that these amateur performances often manifested an unmanly yielding to emotions of anger or fear; professional speech, Bers seeks to demonstrate, was to a large degree crafted in reaction to amateur stumbling.

Devoted fans and scholars of Jane Austen--as well as skeptics--will rejoice at Tony Tanner's superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences? Tanner guides us through Austen's novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon--a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.

This volume brings together Pierre Bourdieu's highly original writings on language and on the relations among language, power, and politics. Bourdieu develops a forceful critique of traditional approaches to language, including the linguistic theories of Saussure and Chomsky and the theory of speech-acts elaborated by Austin and others. He argues that language should be viewed not only as a means of communication but also as a medium of power through which individuals pursue their own interests and display their practical competence. Drawing on the concepts that are part of his distinctive theoretical approach, Bourdieu maintains that linguistic utterances or expressions can be understood as the product of the relation between a "linguistic market" and a "linguistic habitus." When individuals use language in particular ways, they deploy their accumulated linguistic resources and implicitly adapt their words to the demands of the social field or market that is their audience. Hence every linguistic interaction, however personal or insignificant it may seem, bears the traces of the social structure that it both expresses and helps to reproduce. Bourdieu's account sheds fresh light on the ways in which linguistic usage varies according to considerations such as class and gender. It also opens up a new approach to the ways in which language is used in the domain of politics. For politics is, among other things, the arena in which words are deeds and the symbolic character of power is at stake. This volume, by one of the leading social thinkers in the world today, represents a major contribution to the study of language and power. It will be of interest to students throughout the social sciences and humanities, especially in sociology, politics, anthropology, linguistics, and literature.

Fusing the methods of comparative literature, intellectual history, and philosophical analysis, Harold Skulsky explores a motif that has fascinated storytellers since antiquity: the miraculous transformation of a character into a plant, an animal, or a different human being. The thesis of the study is that the fantasy of metamorphosis challenges the narrator and his audience to confront certain basic anxieties about the human condition: Is the mind reducible to physical properties? What constitutes personhood? How does physical form affect personal identity and continuity of the self? Testing instances in which these and related perplexities appear in literature, Skulsky systematically and provocatively interprets ten major illustrative texts drawn from diverse epochs and languages, including the works of Homer, Ovid, Apuleius, Marie de France, Dante, Donne, Spenser, Keats, Kafka, and Woolf. Through Skulsky's masterly analysis the victims of metamorphosis in narrative literature--whether werewolf, ass, beetle, swine, or tree--provide a profound insight into the complexities of human experience.

The concept of global cultures such as postcolonial, hybrid, nationalism, and cosmopolitanism are common. This book aims to expose the drama played out under the guise of globalism and to present a critique of cosomopolitanism, while exploring forces acting against globalism.

Since first reported to the world in 1780, the death of Captain Cook on a Hawaiian beach the previous year has been revered, celebrated, and shrouded in mystery. Simultaneously called a hero and an antihero, a ruthless invader, and a torchbearer of the Enlightenment, Cook's reputation grew as much out of the moving story of his death as out of his adventures while he lived. In a style that is more detective story than conventional biography, Glyn Williams explores the multiple narratives of Cook's death. He reveals how the British Admiralty first attempted to censor accounts of Cook's erratic behavior and how the "authorized" version of his death--a lengthy narrative serialized in the leading publications of the day--reduced the story to the final hours of a noble leader who gave his life to save others. Williams argues that the contrary evidence of a chaotic bloody fracas on the beach at Kealakekua Bay was ignored, and that the unexplained disappearance of Cook's own journal helped the process of concealment. He believes that Cook was not entirely the man sanctified by the British public. More than two hundred years later, an explosive interplay between academic controversy and nationalist feelings has once more drawn attention to a life that has attracted praise and controversy, abhorrence and admiration. In short, Williams examines the story of Cook's progress from obscurity to fame and, eventually, to infamy--a story that, until now, has never been fully told.

Here is an analysis of Tennyson's major poetry that clarifies the poet's relationship to the artistic traditions he so extensively exploited and so radically modified. It is a portrait of Tennyson as manipulator, not mere borrower, of forms.Tennyson and Tradition traces the threads that at the same time unite Tennyson's work and tie it to the traditions the poet believed he had inherited. Pattison shows why Tennyson considered the venerable idyll form a fitting vehicle for his modern portraits--above all the Idylls of the King. Analysis of In Memoriam brings further understanding of Tennyson's poetic credo.

From an array of intellectual reference points, Stephanson (history, Rutgers U.) has written a serious assessment of this complicated, often controversial, highly respected American policymaker. A work of general significance for a wide range of contemporary issues in foreign and domestic politics a

In contrast to the large indigent population in Japan in the 1950s, very few Japanese live in poverty in the 1990s. This text explains the Japanese government's decision to respond to poverty by promoting equality as the basis for a social compromise. Deborah Milly argues that to account for why and how political actors crafted a programme that won acceptance, we must look beyond them and identify how they relied on knowledge and normative arguments.

This book examines the great contraction of 2007 2010 within the context of the neoliberal globalization that began in the early 1980s. This new phase of capitalism greatly enriched the top 5 percent of Americans, including capitalists and financial managers, but at a significant cost to the country as a whole. Declining domestic investment in manufacturing, unsustainable household debt, rising dependence on imports and financing, and the growth of a fragile and unwieldy global financial structure threaten the strength of the dollar. Unless these trends are reversed, the authors predict, the U.S. economy will face sharp decline. Summarizing a large amount of troubling data, the authors show that manufacturing has declined from 40 percent of GDP to under 10 percent in thirty years. Since consumption drives the American economy and since manufactured goods comprise the largest share of consumer purchases, clearly we will not be able to sustain the accumulating trade deficits. Rather than blame individuals, such as Greenspan or Bernanke, the authors focus on larger forces. Repairing the breach in our economy will require limits on free trade and the free international movement of capital; policies aimed at improving education, research, and infrastructure; reindustrialization; and the taxation of higher incomes."

The new classical approach to macroeconomics, which assumes that people gather and use economic information efficiently, has been the most important theoretical advance since the Keynesian revolution of the 1930s. This book surveys the major contributions of the "second generation" of proponents of the new classical approach, emphasizing real business cycle theories and applying them to a variety of phenomena. The chapters include expositions of growth theory, real models of business fluctuations, the informational role of prices, consumption, fiscal policy, rules versus discretion in monetary policy, time consistency and policy, and monetary models. Although the chapters are aimed at advanced undergraduate- and graduate-level students, they will also be of interest to researchers who are looking for a compact and original exposition of the new classical macroeconomics.