Bøger udgivet af Hong Kong University Press

Uses stories of life under Hong Kong's strict pandemic restrictions to inspire mental health awareness. The COVID-19 pandemic was a global crisis that affected millions of lives and brought mental health challenges to the forefront. In Hong Kong, the situation was worsened by uniquely strict COVID-19 regulations, quarantine measures, and travel restrictions. The mental health issues associated with the pandemic did not end with the lifting of the mask mandate. On the contrary, the repercussions are only just beginning to surface and their impact will be felt for years to come. This eye-opening book shares the stories of ordinary Hongkongers who faced extraordinary challenges during the pandemic. Through a blend of first-person accounts, psychological insights, and hard data, it offers a compelling and accessible exploration of the toll that the COVID-19 pandemic has taken on mental health in Hong Kong. However, Pandemic Minds is not only a chronicle of suffering--it is also a guide to healing and hope. It offers practical advice on how to overcome the mental health issues caused by the pandemic, and how to build resilience and well-being. It reveals the lessons that can be learned from Hong Kong's experience, and how they can help individuals and policymakers around the world.

A necessary guide to responsible journalism in a challenging media landscape. This concise and authoritative work offers the latest guidance on journalism ethics for students and media professionals and will help empower news consumers to make informed decisions about the trustworthiness of their sources of information. It offers advice on all aspects of journalism ethics including accuracy and seeking the truth, representation of women, LGBTQ coverage, climate change, mental health, use of images, conflict reporting, elections, and how to use artificial intelligence. The author brings a unique perspective and depth of knowledge to the complex challenges facing journalists and news consumers in this era of fake news, disinformation, and artificial intelligence.

Insight into the Qing dynasty's policies towards Muslims and Christians traveling to East Asia. Redefining Heresy and Tolerance demonstrates how the political philosophies of toleration developed in the context of late Imperial China were different from the theories that emerged in the West during their time. Focusing on religious policy in the Qing Empire, Hung attempts to clarify the Qing toleration policies and the reasoning behind them. He also demonstrates how the Qing government prevented Confucian bureaucrats from interfering in the religious life of Christians and Muslims, and how the Confucians' understanding of "religion" was reshaped in the period.

Chronicles the life of a professor who dedicated her career to improving medical education and healthcare in Hong Kong. In Rosie Young: A Lifetime of Selfless Service, Moira Chan-Yeung presents a brief history of professor Young's remarkable career in medical education and administration at the University of Hong Kong (HKU) and her wide-ranging public service to the community over many decades. As the first female dean of HKU's Faculty of Medicine, her career was deeply intertwined with the socio-economic development of Hong Kong. After she retired from HKU, she continued to serve HKU and the community until the present. This book illustrates her many contributions to the development of medical education in Hong Kong and the university administration at HKU. Young's extensive public service in the field of medicine also helped improve primary care, hospital care, and public health in Hong Kong. In short, this book provides a valuable record of a female giant in medical history and documents her selfless and enduring service to the HKU community and Hong Kong society.

A new edition of the textbook for Hong Kong contract law students. This fourth edition of Contract Law in Hong Kong is the most comprehensive contemporary textbook on Hong Kong contract law written primarily for law students. The sixteen chapters of the book cover all basic contract concepts in a reader-friendly style and make ample use of case illustrations, including over 200 new cases since the third edition. The book deals with the core areas of contract law. The new legislative rules, such as the Contract Ordinance regarding the rights of third parties, have also been covered. The first two chapters introduce the major themes and explain the multiple sources of law in Hong Kong. The subsequent thirteen chapters cover the formation of a valid contract, its contents, "vitiating" elements, the consequences of illegality, the termination of contracts, and remedies for breach of contract. The book concludes with an explanation of the doctrine of privity and the legislative reform of the operation of privity in Hong Kong. Particular attention is given to what makes Hong Kong law different from other common law jurisdictions, and to the continuing significance of English case law in Hong Kong.

When the Yellow River Floods explores the relationship between environmental degradation, hydraulic engineering, and nation-building in the context of Liu E's The Travels of Lao Can. This book contributes to the field by providing a unique perspective on modern Chinese literary history that goes beyond conventional narratives that focus solely on political and cultural factors. The main areas covered include the role of water management in literary nation-building and the connections between the novel's various themes, such as river engineering, medical and political discourses, national sentiment, and landscape description. The book is targeted toward scholars and students of Chinese literature, history, and environmental studies, as well as those interested in the intersections between literature, nation-building, and environmental challenges. By offering a comprehensive and material-based analysis of The Travels of Lao Can, this book broadens the understanding of nation-building in early twentieth-century China, highlighting the impact of environmental crises and hydraulics on the formation of national literature and consciousness. The book provides a new perspective on the environmental roots of modern Chinese literature, making it an essential read for those seeking to understand the complex interplay between literature, the environment, and national identity in China.

A soothing and reflective exploration of stillness and motion through photographs. The distant rustle of a tusker emerging one morning from the forests of Nepal. The crack of the shifting expanses of ice in northern Mongolia. The swirl of mist around a lantern atop Hong Kong Island. The squeaky whistle of diving kites over the holy waters of Varanasi. Black clouds carrying sleet over the rock country of Australia. Men with their eagles on horseback singing love songs as they ride through tall grasslands. Watch with Wonder collects these and many other images in this thought-provoking book that studies stillness and reflection. From the bushlands of Australia to the frozen lakes of Mongolia to the deserts of the Middle East, Palani Mohan offers a personal look at places of silence and space, where the viewer is invited to pause, slow down, and look.

Having made documentary films screened at the most prestigious film festivals in the West, Chinese documentary filmmaker Wang Bing presents a unique case of independent filmmaking. In The Cinema of Wang Bing, Bruno Lessard examines the documentarian's most important films, focusing on the two obsessions at the heart of his oeuvre-the legacy of Maoist China in the present and the transformation of labor since China's entry into the market economy--and how the crucial figures of survivor and worker are represented on screen. Bruno Lessard argues that Wang Bing is a minjian (grassroots) intellectual whose films document the impact of Mao's Great Leap Forward on Chinese collective memory and register the repercussions of China's turn to neoliberalism on workers in the post-Reform era. Bringing together Chinese documentary studies and China studies, the author shows how Wang Bing's practice reflects the minjian ethos when documenting the survivors of the Great Famine and those who have not benefitted from China's neoliberal policies--from laid-off workers to migrant workers. The films discussed include some of Wang Bing's most celebrated works such as West of the Tracks and Dead Souls, as well as neglected documentaries such as Coal Money and Bitter Money.

Making National Heroes is an ethnography on the making of national heroes in the commemoration of the Second World War in contemporary China. Foregrounding the lived experience of men and women who participate in commemorative activities, it theorises how masculinity and nationalism entangle in recollecting war memories. Taking the line of feminist inquiry, this anthropological study develops an approach to capture the centrality of making exemplars in the realisation of hegemonic masculinities. It adds a gender perspective to studies on the exemplarist moral theory and theorises exemplary men's cross-culture significance in defining masculinities. Researchers in the fields of critical masculinity studies, anthropology, feminist methodology, China studies, and war memories may be interested in this book.

The divide between East Asia's "Blue Camp" (Nationalist Party) and "Green Camp" (Democratic Progressive Party) has stirred considerable debate about how we should remember Cold War politics in East Asia. Recently, that conversation has been focused on museums. The Landscape of Historical Memory contributes to this ongoing dialogue by analyzing not only the presence of the Blue Camp and the Green Camp in Taiwan's museums but also the state of these museums over the past three decades. The book also considers political involvement in the establishment, architectural design, and historical narratives of museums within the contexts of museums focused on archaeology, history, war, literature, ethnology, and ecosystems; martyrs' shrines; and memorial halls. By examining the political narratives that surround Taiwan's museums, The Landscape of Historical Memory offers readers a compelling exploration of how culture, history, and memory shape identities in Taiwan's postcolonial landscape, the place of museums in a neoliberal economic climate, and the politics of historical memory in an emergent democracy.

A pioneer investigation of Chinese cinema and the Chinese film industry. In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.

Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analysing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the 'Malaysian Digital Indies' (MDI) have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers, and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also assesses how the MDI movement was successful in creating a transnational cinema by displacing and deterritorialising itself from the context of the national, and illustrates how MDI functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation. Covering all these interrelated topics, Lee's book is a pioneering and comprehensive work in the study of Malaysian cinema in the recent decades.

This is the first collection of essays in English, contributed by well-known experts of Chinese literature as well as scholars of a younger generation, dedicated to the poetry of Du Fu, commonly regarded as the greatest Chinese poet. These essays are engaged in historically nuanced close reading of Du Fu's poems, both canonical and less known, from new angles and in various contexts, and discuss a series of critical issues, including the local and the imperial; the body politic and the individual body; poetry and geography; perspectives on the complicated relation of religion and literature; materiality and contemporary reception of Du Fu; poetry and visual art; and tradition and modernity. Many of the poems discussed in this book were written in the backwater town of Kuizhou, far from Du Fu's earlier residence in the capital city Chang'an, at a time when the Tang dynasty was going through devastating social and political disturbances. The authors contend that Du Fu's isolation from the elite literary establishments allowed him to become a pioneer who introduced a new order to the Chinese poetic discourse. However, his attention to details in everyday reality, his preoccupation with domestic life and the larger issues embroiled in it, his humor, and his ability to surprise tend to be obscured by the clichéd image of the "poet sage" and "poet historian"--an image this collection of essays successfully complicates.

Lens on China: Intermediate and Advanced Readings on Film for Learning Chinese is an innovative textbook that uses film to teach Mandarin Chinese. It not only provides students with a non-traditional way to learn Chinese by combining visual and textual materials, but also creates real, sociocultural and linguistic situations where students can use their acquired skills. Each lesson of the textbook focuses on one film in a highly engaging and effective way of learning. Each chapter comes with a comprehensive vocabulary list, detailed grammar explanations, and exercises in various formats. Such a design ensures a balance between basic language training in vocabulary and grammatical structure, and more advanced goals in interactive communication and in-depth reflection. Ten films are chosen to help the student achieve sociocultural knowledge that will deepen their understanding of contemporary China. Half of the films selected are light-hearted works on youth, love, and aspirations, with discussions revolving around topics such as relationships, immigration, elderly care, education, and social justice. The other half tackles more complex issues pertinent to the impact of China's economic and political reforms, as well as its fast-changing social and cultural landscape. Lens on China will become a treasured language resource to those who want to master Mandarin Chinese.

Mongolia, a vibrant democracy landlocked between Russia and China, stands on the edge of becoming Asia's next boom nation-one of the richest countries per capita in the region.Referred to as the "wolf economy" for its vast natural resources--copper, gold, and rare earth metals--today, it is also home to a growing number of cutting-edge tech startups and international lifestyle brands. Its vast steppe landscape lends itself not only to herding and tourism but also renewable energy production and filmmaking.This book is about the individuals who are fighting to strengthen the country's democracy and diversify its economy. It is about innovators aiming to realize Mongolia's promise as a hub for green energy, tech and lifestyle entrepreneurs who are shaking up traditional industries, and go-getters who have left high-flying jobs on Wall Street to return to the country they love and play their part in moving it forward.Unlocking a country's potential is never easy. But if administered well, and if corruption can be rooted out, Mongolia stands every chance of becoming Asia's next success story.Traveling across Mongolia on numerous visits, Asia correspondent and award-winning author Johan Nylander speaks to the country's leaders and innovators--not to mention a cast of digital nomads, jazz musicians, and ordinary families--and finds a nation ready to grasp a better future.

A historical study of the style and iconography of Chinese rank badges. Both utilitarian objects and examples of textile design of wondrous beauty, Chinese rank badges were developed in the Ming and Qing dynasties to indicate the bearer's station in the civil or military bureaucracies. David Hugus centers his study on their chronology and iconography, accompanying his work with beautiful color illustrations. Beginning with the earliest dynastic period to the end of the imperial period, and beyond to the present day, Hugus's analyses of the style and iconography of Chinese rank badges provide the reader with the tools to recognize the circumstances of individual badge design and to develop a basis for connoisseurship.

A collection of rare musical artifacts from the University of Hong Kong's Fung Ping Shan Library. Chinese Music in Print is grounded in a desire to move rare items from the University of Hong Kong's Fung Ping Shan Library from the world of music and into a context of books and images in American, British, and other Asian collections. This book views the library as a repository not of information but of artifacts and then uses these artifacts as a means for generating a scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis as reflected in Shen Cai's calligraphy and poetry. Confucianism was a crucial aspect of courtly life, and an analysis of its ritual is the book's second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favorite instrument, the qin. The final chapter ends the journey with a discussion of the legacy of generations of Europeans who have visited China and their contribution to the understanding of the erhu.

A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng's older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored "traditional Chinese music" created and promulgated from the 1920s forward-and solo zheng music in particular--is a hybrid of "Chinese essence, Western means" that essentially obscures rather than reveals tradition.

The first exhaustive English-language history and analysis of the Chinese opera genre, Kunqu. In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view of Kunqu, a 600-year-old genre of Chinese opera that has been fashionably performed inside and outside of China. The first comprehensive and scholarly book on Kunqu written in English, this book explains how and why the genre charms and signifies Chinese culture, history, and personhood. Approaching the genre from several perspectives, ranging from those of performers and producers to those of casual audiences, dedicated connoisseurs, and scholarly critics, Lam also employs a judicious blend of Chinese and international theories and methods. Herein, he establishes the significance of Kunqu not only in the sphere of Chinese music but among the cultural heritage and performing arts at a global level as well.

An extensive history of Chinese dialects. Studies in Colloquial Chinese and Its History presents cutting-edge research into issues regarding prestige colloquial languages in China in their spoken forms and as well as their relationship to written and colloquial literary forms. These include the influence of historical forms of spoken Chinese on written Chinese, the history of guanhuà and the history of báihuà, proto-dialects, and supra-regional common languages, as well as their relationship to spoken dialects. The various studies in this collection focus on the dialect groups with the most substantial written traditions, including Mandarin, Wu, Min, and Cantonese. The contributors explore the histories of these dialects in their written and spoken forms, presenting a variegated view of their history and development. This volume expands our understanding of the underlying factors in the formation of supra-regional common languages in China and the written forms to which they gave rise.

Taking the "tidal wave" of memory in the late twentieth and early twenty-first century as its starting point, this monograph explores collective memory of World War II in East Asia (1937-1945) through film. Weiss argues that Chinese, Japanese, and American remembrance of World War II is intertwined in what she terms a "memory loop," the transnational mediation and remediation of war narratives. Gender is central to this process, as the changing representation of male soldiers, political leaders, and patriarchal father figures within these narratives reveals Japanese and Chinese challenges to each other and to the perceived "foundational" American narrative of the war. This process continues to intensify due to the globally visible nature of the memory loop, which drives this cycle of transmission, translation, and reassessment.This volume is the first to bring together a collection of Chinese and Japanese war films that have received little attention in English-language literature. It also produces new readings of popular war memory in East Asia by revealing the gendered dimensions of collective remembrance in these films.

New directions for comparative research into "difficult heritage" as a concept. Frontiers of Memory in the Asia-Pacific explores the making and consumption of conflict-related heritage throughout the Asia-Pacific region. Contributing to a growing literature on the notion of heritage, this collection advances our understanding of how places of pain, shame, oppression, and trauma have been appropriated and refashioned as "heritage" in a number of societies. The authors analyze how the repackaging of difficult pasts as heritage can serve either to reinforce borders, transcend them, or even achieve both simultaneously, depending on their political agenda. The volume shows how efforts to preserve various sites of difficult heritage can involve the construction of new borders between what is commemorated and what is often deliberately obscured or forgotten. The studies presented here suggest new directions for comparative research into "difficult heritage" across Asia and beyond, applying an interdisciplinary and critical perspective that spans history, heritage studies, memory studies, urban studies, architecture, and international relations.