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Chinese Cinema - Jeff Kyong-McClain - Bog

- Identity, Power, and Globalization

Bag om Chinese Cinema

A pioneer investigation of Chinese cinema and the Chinese film industry. In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9789888528530
  • Indbinding:
  • Hardback
  • Sideantal:
  • 272
  • Udgivet:
  • 2. januar 2023
  • Størrelse:
  • 154x230x22 mm.
  • Vægt:
  • 558 g.
  • 2-4 uger.
  • 18. december 2024
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  • BLACK WEEK

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Chinese Cinema

A pioneer investigation of Chinese cinema and the Chinese film industry. In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.

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