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Gerald Lampert Memorial Award finalist Mikko Harvey's second collection takes readers into a kaleidoscopic world that is and is not the world we know.

The final word from one of Canada's greatest cultural critics and music writers.In the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it-everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada's first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions.Tragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays-on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, the Band, Neil Diamond, and others-are here. Accompanying these new essays is a collection of some of the best writing of Goddard's career-ranging from interviews with B.B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, One Foot on the Platform represents more than fifty years of thought and writing by one of Canada's foremost cultural critics.

The water slurps my shoulders, torso, and back in a big, wet kiss, bending my image into an ironic clone of the truth. I bow to its dominance and let it break me open. The water alone will have me.Watched obsessively by her guru-like coach, a nameless swimmer battles the element of water in a gruelling physical regimen. Outside of training, she floats loose in waters murky, salty, and chlorinated, engaging in aimless self-destruction, restraint looming just beyond her drifting hand. Incrementally, swimming is killing her; the pool is killing her. Hovering always nearby is a prickly vulture, waiting to feed on the swimmer's remains ...Intense and immersive, Kiss the Undertow is a psychologically gripping account of endurance pushed to extremes.

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2024 Griffin Poetry Prize.Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

A genre-bending collection of dramatic monologues shining a light on the anxious, self-directed gaze that defines contemporary consciousness.Borrowing stylistic elements from the prose poem, faux memoir, online diatribe, and philosophical investigation, the twenty-five dramatic monologues in Spencer Gordon's genre-bending collection shine a light on the anxious, self-directed gaze that defines contemporary consciousness. CEOs lose their obscene wealth in lurid hellrealms; an aspiring writer reassembles a personal history out of fragments from the 2000s; police cadets receive a curious crash course in transduction and ethics; the Great Pacific Garbage Patch and Deepwater Horizon oil spill reveal the immanent sublime.Ranging from ironic and furious to pleading and melancholic, Gordon's speakers exist in a world of social media think pieces, hot takes and take downs, fake news and distorted facts, steeped in pop culture and its discontents. They are real people, intimate as kin. But they're also pseudonyms, ghosts, and playbacks, echoing from insubstantial handles drifting on the web. They lie and lurk and love online, channelling the morphemes of digital language and filtering the concerns of self, performance, digital identity, and complicity through the irreverence, non-rationality, and surprising beauty of Zen.

Award-winning author Christina Myers navigates the uncharted territory of midlife in a time of rapid social, cultural, and environmental change.Modern midlife is finding oneself halfway home but without any reliable maps for the route ahead. With wit and warmth, these personal essays move from a first bra to first hot flashes to consider the lessons we learn through media and culture--and from each other--about bodies, sexuality, fatphobia, gender roles, and what we should want in life. Christina Myers explores the ways that beauty standards and cultural expectations around femininity have shaped our identities and how we might shed those going forward; the power of friendships and the value of having other women to learn from; the anxiety of moving through motherhood into menopause in a time of global environmental crisis and political upheaval; and the uncertainty of how this stage of life should unfold, as old systems shift and crumble. Though our maps for midlife are never identical, we discover familiar paths and common landmarks in each other's stories; these essays remind us there are others on this trail with us, just behind or just ahead, out of sight. We are not alone.

A young woman's coming-of-age through a toxic relationship, isolation, and betrayal-set against the stark landscape of the far northMillicent is a shy twenty-four-year-old reporter who moves to Whitehorse to work for a failing daily newspaper. With winter looming and the Yukon descending into darkness, Millicent begins a relationship with Pascal, an eccentric and charming middle-aged filmmaker who lives on a converted school bus in a Walmart parking lot. What begins as a romantic adventure soon turns toxic, and Millicent finds herself struggling not to lose herself and her voice.Events come to a head at Thaw di Gras, a celebration in faraway Dawson City marking the return of light to the north. It's here, in a frontier mining town filled with drunken tourists, eclectic locals, and sparkling burlesque dancers, that Millicent must choose between staying with Pascal or finally standing up to her abuser.In the style of Ottessa Moshfegh's honest exploration of dysfunctional relationships, and with the warmth and energy of Heather O'Neill, Rabbit Rabbit Rabbit illuminates what it's like to be young, impulsive, and in love in one of the harshest environments in the world.

In May 1997, eighteen-year-old Laura McPherson left her house for a run and didn't return ... Twenty years later, a reporter arrives in the small town of Griffiths to write an article about the unsolved murder of Laura McPherson. He is the most recent in a long line of journalists, podcasters, and amateur sleuths seeking new insights into what really happened to Laura. Laura's younger brother, David, a repressed and stuck thirty-something, is dealing with the recent death of his mother when the reporter comes knocking. The last surviving family member, David has lived a sheltered life, protected from the prying eyes of the media by his mother. But David cannot escape the past forever, and soon finds himself confronting the lasting impact of his sister's death. As David learns more about his sister and the history of Griffiths, his eyes are opened to the casual violence, misogyny, and racism that lurk just below the surface of his seemingly placid community. Provocative and haunting, Not That Kind of Place is a literary anti-mystery, a compelling exploration of our obsession with true-crime stories and the devastating effects of systemic violence on our most vulnerable populations.