Bøger udgivet af House of Anansi Press Ltd ,Canada

"A poet and journalist looks back on a remarkable journey from Turkey to Nepal in 1978, when the region was on the brink of massive transformation. In the spring of 1978, at age twenty-two, Mark Abley put aside his studies at Oxford and set off with a friend on a three-month trek across the celebrated Hippie Trail -- a sprawling route between Europe and South Asia, peppered with Western bohemians and vagabonds. It was a time when the Shah of Iran still reigned supreme, Afghanistan lay at peace, and city streets from Turkey to India teemed with unrest. Within a year, many of the places he visited would become inaccessible to foreign travellers. Drawing from the tattered notebooks he filled as a youthful wanderer, Abley brings his kaleidoscope of experiences back to life with vivid detail: dancing in a Turkish disco, clambering across a glacier in Kashmir, travelling by train among Baluchi tribesmen who smuggled kitchen appliances over international borders. He also reflects on the impact of the Hippie Trail and the illusions of those who journeyed along it. The lively immediacy of Abley's journals combined with the measured wisdom of his mature, contemporary voice provides rich insight, bringing vibrant witness and historical perspective to this beautifully written portrait of a region during a time of irrevocable change."--

"The fourth and final installment in Ian Hamilton's exhilarating Ava Lee spin-off series The Lost Decades of Uncle Chow Tung. Following a diagnosis of terminal cancer, Uncle begins preparing for his inevitable death. As he sets his affairs in order, he recalls the moments in his life that meant the most to him -- including his first encounter with the talented forensic accountant Ava Lee and the origins of their life-changing partnership."--

"Brilliant, jubilant insights into the glory and anguish of life from one of the world's most treasured Indigenous creators. Trickster is zany, ridiculous. The ultimate, over-the-top, madcap lunatic. Here to remind us that the reason for existence is to have one blast of a time, to laugh ourselves to death. Ever the trickster, Tomson Highway brings his signature irreverence to an exploration of five themes central to the human condition: language, creation, sex and gender, humour, and death. A comparative analysis of Christian, Classical, and Cree mythologies reveals how they have given form and substance to Western thought, life, and culture. Yet Indigenous mythologies provide unique, timeless solutions to our modern problems. Tomson Highway offers generous personal anecdotes, including of his beloved accordion-playing father, and plentiful Trickster stories as guides through such crises as climate change, economic disparity, racial intolerance, and all-out unhappiness. Laughter is medicine. Within the endless circle of life in Indigenous mythologies, the Earth is a garden of joy unlimited. A world we must protect as the birthright of future generations. Laugh with the legendary Tomson Highway as he illuminates a healing, hilarious way forward."--

This long-awaited final novel in the bestselling Grazia dei Rossi Trilogy follows Grazia dei Rossi's only son, Danilo del Medigo, as he returns to the Republic of Venice at the height of Christendom's persecution of the Jews.April, 1536. Danilo del Medigo arrives incognito in Venice from Istanbul, with two assassins hot on his trail. Western civilization is in crisis. Jews and "New Christians" - people whose families had converted from Judaism - are threatened with expulsion, imprisonment, and death. Danilo seeks refuge in the Venetian Ghetto, and promptly falls in love with the beautiful Miriamne Hazan. But soon Danilo is blackmailed into becoming a spy for Venice, which means he must abandon Miriamne in order to save her. The only safe place is hiding in plain sight, so embeds himself within an itinerant group of actors travelling the Italian countryside. With assassins close behind, Danilo, together with a cast of libertines, courtesans, and fellow spies, witnesses the agony of the Renaissance: Protestants warring with Catholics, the Inquisition threatening everyone, and the Ottoman Empire poised to invade the heart of Europe. As fear and panic spread throughout the Jewish communities of Italy, a promise of a new lifeline emerges, and Danilo may be the only one who can ensure it.

From internationally acclaimed playwright and author Robert Lepage comes 887 ¿ an autobiographical story originally toured as a solo show. Framed by Lepage¿s attempt to memorize Michèle Lalonde¿s poem ¿Speak White,¿ 887 is an exploration of memory, culture, and community in Quebec.As the 40th anniversary of La Nuit de la poésie in Montreal approaches, playwright Robert Lepage is invited to recite Michèle Lalonde¿s seminal poem ¿Speak White¿ from memory on the special night. After agonizing hours spent attempting to memorize the piece, Lepage finds himself unable to recall a single line. In a last effort he decides to employ a mnemonic device dating back to ancient Greece called the Memory Palace ¿ a technique of imagination and association. Lepage¿s Memory Palace is 887 Murray Avenue, the apartment block where he grew up. Winding his way around the rooms of the building and the lives of the tenants therein, Lepage guides the reader through a world of recollections of 1960s Quebec, the decade that shaped the province¿s cultural and political consciousness.A mesmerizing and multifaceted glimpse into the realm of memory, 887 is a tour of culture and community in 1960s Quebec through one masterful artist¿s remarkable, boundary-defying perspective.

In his national bestselling 1988 CBC Massey Lectures, Noam Chomsky inquires into the nature of the media in a political system where the population cannot be disciplined by force and thus must be subjected to more subtle forms of ideological control. Specific cases are illustrated in detail, using the U.S. media primarily but also media in other societies. Chomsky considers how the media might be democratized (as part of the general problem of developing more democratic institutions) in order to offer citizens broader and more meaningful participation in social and political life.

Originally published by Anansi in 1971, this attractive A List edition features Northrop Frye's timeless essays on literature and painting along with a new introduction by celebrated Canadian author Lisa Moore.

A funny, intelligent, and insightful collection of essays on women and feminism from bestselling author and popular columnist Elizabeth Renzetti.

Originally published in 1967, Dave Godfrey’s debut collection features stories about hunting — in Florida, in Africa, and in northern Ontario. They are about the interplay of gun and subway, decoy and stock market, guide and draft dodger. But they are more than just stories about hunting. Death Goes Better with Coca-Cola is a powerful example of the idiosyncratic imagination of a writer who broke new ground in fiction. It is a seminal collection by one of Canada’s most influential literary figures and it is a must-read for those who want to understand Canada’s literary landscape, past and present.

“A piece of paper with writing on it is flat, but when what is written on that paper fills the mind of a reader, it takes off into the wind like a box kite on a windy day,” writes Baziju — the shared voice of poets Roo Borson and Kim Maltman. This exquisite, collaboratively written sequence of prose poems, unfolding through rich, delicate imagery, journeys through streets and gardens, houses and temples, cities and countryside, Canada and China. It is a meditation on the way we travel between places and between times, and how words and ideas travel between languages.Baziju explores the literature of China, from centuries past to the present, exploring, at the same time, the meaning of hope and of home: childhood homes, the homes we grow into, and the homes in our minds. In Lu Xun’s classic story “My Old Home,” the hero returns from a distant city to the home he left two decades earlier. Hope, he ponders, “is just like the roads of the earth. . . . [T]o begin with the earth has no roads, but where many people pass, there a road is made.”These sensual, deeply personal prose poems ponder change, loss, friendship, and belonging. In a life in which every detail has significance, the smallest observation grows, and spreads like the branches of wisteria.

In Sequence, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer’s window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton’s “convulsive beauty.” Sequence dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.

Originally published in 1998, Lynn Crosbie brought her unique voice to the forefront of Canadian poetry with this important collection of verse. Hers is a world of Shakespeare, skinheads, and centurions; and hers is a life stripped to the basics and then reconstructed with relish, every brick scrutinized meticulously. In Queen Rat her language is urban, but her soul is universal as she explores that which makes up everything.

Anne-Marie Turza’s poignant debut collection is a vibrant, imaginative meditation on quiet — in unseen cities, in secret spaces, in forgotten rooms, in our everyday life. In these delicately vibrant poems, The Quiet illuminates the private, hushed, underlying moments that discreetly pervade the human experience.

In Kapusta, Moure performs this silence on the page and aloud, writing “gesture” and “voice” to explore the relation between responsibility and place, body, memory, sorrow, and sonority. Here, poetry flourishes as a book “beyond the book,” in a space of performance that starts and stops time.In Little Theatres, Erín Moure’s avatar Elisa Sampedrín first spoke about theatre and the need for smallness in order to articulate what is huge. Sampedrín, who reappears in the translation mystery O Resplandor as the translator of a language she does not speak, vanishes later in The Unmemntioable when the split in human identity that results from war and displacement is acknowledged. Now, in Kapusta, the character E. is alone, in the smallest of spaces — the bench behind her grandmother’s woodstove in Alberta. Here, E. struggles to face the largest of historical and imagined spaces — the Holocaust in Western Ukraine, and to understand her mother’s silence at the sadness of her forebears, her “salt-shaker love.”

Garth Martens’ debut, Prologue for the Age of Consequence, is about the tar sands and industrial projects of Alberta, and the men who work in them. But to describe it as such restricts the book to its physical concerns, when in fact these are poems of great philosophical ambition, and startling ethical and psychological reach

Arranged as a mother’s survival guide to her daughter, For Tamara is a touching and inventive collection of poems about surviving and thriving from the author of The Work of Days.Ostensibly intended as a document of essential practical and emotional advice, this handbook ultimately acts as a reassuring record of help and of hope. Anticipating her daughter’s needs, from basic necessities and medical care to law and order, literature, science, and family, the mother provides her daughter with the means to persist in the face of adversity, disaster, and the everyday. With profound elegance, humor, and haunting emotion, Sarah Lang reminds us that often the most necessary tool for survival is an affirmation of love at a time of loss. For Tamara confirms the deft touch and delicate power of this striking poet.

Michael Crummey’s first collection in a decade has something for everyone: Love and marriage and airport grief; how not to get laid in a Newfoundland mining town; total immersion baptism; the grand machinery of decay; migrant music and invisible crowns and mortifying engagements with babysitters; the transcendent properties of home brew. Whether charting the merciless complications of childhood, or the unpredictable consolations of middle age, these are poems of magic and ruin. Under the Keel affirms Crummey''s place as one of our necessary writers.

Originally published by Contact Press in 1962, then later by House of Anansi in 1967, and again in a revised, expanded edition in 1972, Poems for All the Annettes stands as one of the essential documents of the great Al Purdy’s career. So many beloved poems are here—"At Roblin Lake," "At the Quinte Hotel"—but also so many undiscovered gems and treasures. It is at once the perfect introduction to this remarkable poet’s work and a collection rich and deep enough to satisfy even the experienced Purdy fan. This edition reproduces the final, expanded text of the 1972 edition, and features a brilliant new introduction by poet and novelist Steven Heighton, who knew Purdy well.

Civil Elegies is Dennis Lee''s uncompromising exploration of citizenship, both Canadian and human. Eli Mandel has called Civil Elegies one of the most important contemporary books of poetry in our country. It was the winner of the Governor General''s Literary Award for Poetry in 1972. This edition features a new introduction by noted academic Nick Mount, who places this important collection in the context of Canadian literature and Lee’s career.

Testament is the summation of Dennis Lee’s decade-long exploration of the dilemma of contemporary existence. Incorporating and rethinking the work published in Un and Yesno, and featuring many completely new poems, this startling collection reminds us anew of the catastrophic reality we have made of our planet, while simultaneously insisting on a particular kind of hope for our future. Testament continues, too, Lee’s radical and inventive use of langue, shaping the familiar into the shockingly new. It is a landmark achievement, and a fitting end to one of the most ambitious projects in Canadian poetry.

Chaser is a book of poems that grows from the troubling premise that each of us lives in a state of pre-diagnosis. Our bodies are never under our control, and when illness strikes we must redraw the boundary between the well and the unwell, interacting with the world differently. In these poems, the experience of illness is applied to individuals, communities, economic systems, and travel between nations. In bracing, electric language and form, the book’s three threads — one following a group of patients and a character known as Invalid, one examining a scientist’s study of tuberculosis, and a third examining the language of manic economy — explore different notions of consumption, wellness, discovery, and growth.

A muscle's "twitch force" is a measurement of its energy potential. It's history dependent: you can forget it, but it's engraved on you where you can't see it, and all it wants to do is repeat. Scotiabank Giller Prize winner Michael Redhill's first collection of poetry in eighteen years, Twitch Force has a gnomic, satirical, and lucid intelligence. In "Ingredients," heredity's recipe is told via short-form family narrative; in "My Arrangements," a stolen laptop battery leads to an encounter with the Israeli Olympic women's beach volleyball team; while in "The Women," human beauty is parsed down to the level of chromosomes: "I'm beautiful; I have my mother's feet. The women who change into men are beautiful men who were once beautiful women."This is poetry concerned with love and its loss, despair and hard-won hope, knowledge and essential mystery, aging and timelessness. Readers are cautioned: ideas that present as self-explanatory may be closer than they appear. Twitch Force is a stunningly realized return to the form from one of Canada's bravest and most original poets.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the shortlist of the 2019 Griffin Poetry Prize. Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001 this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation.

The much-anticipated second collection from Gerald Lampert Memorial Award-winning poet Kayla Czaga, Dunk Tank is a rich, imaginative, and sometimes absurdist exploration of the landscape of the body and of adult life. In the title poem of Kayla Czaga's sophomore collection, a teenage speaker is suspended between knowledge and experience, confidently hovering before the world plunges her into adult life. Dunk Tank reimagines the body as a strange and unknowable landscape: full of cancers that "burst like blackberries," a butt that could run for prime minister of Canada, and the underworld lurking in Winona Ryder's pores. Clouds become testicles and uteri turn into goldfish, flickering and fragile, but still ultimately glowing. These poems explore the varied and strange relationships that underpin a young woman's coming of age, from inconsequential boyfriends to the friendships that rescue us from "grey daily moments." Unsure of how the world works and her part in it, Czaga forges a landscape of metaphor and gleaming, dense imagery. Dunk Tank is playful and dark, comic and disturbing.

A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid's Tale, Margaret Atwood.

Reissued for the first time in a handsome A List edition, the Governor General¿s Literary Award¿winning collection from one of Canadäs most profoundly inventive and eminent poets, featuring an introduction by award-winning poet Sonnet L¿Abbé.The poetry in the Governor General¿s Award¿winning collection Furious is charged with Erin Moure¿s characteristic energy and wit as she explores the limits of pure reason and the language of power. There is, too, a fresh and often celebratory look at love, and, in an unusual finale, ¿The Acts,¿ Moure challenges us to explore a feminist aesthetic: of thinking, of the page, of working life and the possibility of poetry.

Launching off from subjects as varied as Tinder and animal testing, Emma Healey's provocative new collection of prose poems explores the urgent themes of feminism, mental illness, sexuality, artistic practice, alienation, connection, technology, and time.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry. The 2018 edition will be edited by Ian Williams, who was previously shortlisted for the Griffin Poetry Prize himself, as well as the Robert Kroetsch Poetry Book Award.

The new collection from Governor General's Literary Award-winning poet and translator Erín Moure is a book about tenderness, and about The Good, in the face of destruction. The Elements is a family book, a thinker's biography in poetry, and a polylingual homage. Poems about and for Moure's late father - accepting his dementia as a real way of thinking "world" and "self" in a struggle against invasive powers - are braced alongside poems invoking the struggle of Galician peasants against the invasion of the armies of Napoleon. It is a book about tenderness, and about The Good, in the face of destructions. By celebrating our ability to think and to revolt, it defends the human pull toward happiness and sovereignty, toward life, toward living. "The infinitely transmissible," it says, "demands this polyvalent body."

The Sparrow is a career-spanning selection of A. F. Moritz-s internationally acclaimed poetry. Taken from more than twenty books and chapbooks published over forty-five years, The Sparrow reveals how Moritz-s dynamic, ever-exploratory work is also a vast, singular poem.