Bøger udgivet af Invisible Publishing

A guide to the music and multifaceted career of Canadian artists and songwriters Tegan and Sara.Through interviews with Tegan and Sara, their collaborators, journalists, and fans, this book explores the multifaceted career of one of musics most celebrated sister duos, from their start as Neil Youngs protgs to Canadian indie-rock purveyors and, making their riskiest transformation yet, into mainstream pop breakouts.Coming up as grunge-loving musicians in the late '90s and early 2000s, Tegan and Sara found themselves awkwardly pushed into categories that didnt quite fit: a novelty twin sister folk act when they wanted to be taken seriously; pop when they wanted to be indie rock; and sellouts when they finally made their bid for mainstream success. As young, queer musicians who didnt see anyone else like themselves growing up (in a time where Internet access hadnt yet formed global spaces and communities for LGBTQ+ people), Tegan and Saras path to pop stardom was filled with familiar hurdles, but no clear instructions on how to navigate things like homophobic press, niche queer audiences that wanted to claim them, or sexism at every turn.Its a journey with ups and downs, but Tegan and Saras perseverancealongside a music industry and journalism world thats had to learn to confront its own biaseshas helped create a musical world today that more readily accepts and embraces queer voices. Featuring continuous sonic transformations, Tegan and Saras story is essential to Canadian music history.

A historical portrait of one woman's quest for happiness amid a lifetime of bad men. There Are Victories is a proto-feminist, anti-Bildungsroman that explores the intersections of misogyny, class, religion, and prejudice within upper class Anglo-Montreal and New York City society before, during, and after WWI. Originally published in 1933, There Are Victories takes up the catastrophe of the home front and the ways in which the life--and happiness--of the novel's protagonist, Ruth Courtney, is continually undermined by the bad behaviour of men. This new edition features a foreword by Scotiabank Giller Prize winner Johanna Skibsrud.

A funny and sweet--but not saccharine--jaunt through the back alleys of queer love.Intimate, nostalgic, and surprising, the poems in I Can Hear You, Can You Hear Me? spark connections that alter trajectory and carry lasting resonance. Encounters across phone lines, over drinks, through walkie-talkies, and unspoken recognitions between queer bodies fill this collection with explorations of what it means to be seen.The micro-narratives in I Can Hear You, Can You Hear Me? both celebrate and grieve the connections they illuminate. Nolan Natasha's poetry is plainspoken but lyrical, sweet but frank, nostalgic but unromanticized, combining the atmosphere of Eileen Myles with the musical insight of Helen Humphreys. These poems bring an unflinching examination and a keen sense of humour to moments of human connection and self-exploration."Nolan Natasha's writing is so clear-eyed, funny, tender, and absorbing. I love these poems and this sparkling debut."--Zoe Whittall

In a Mist explores longing, loss and isolation. This debut collection of short stories examines the lives of socially isolated individuals with obsessive interests and desires. These lonely protagonists find solace in emotionally evocative forms of cultural expression such as early jazz, classic cinema and renaissance motets. The transcendent potential of music is a recurring theme of this collection.

THRESH: to beat mechanically, to drub to whip. Thresh is a sensual linguistic trip through the daily violence of affluence. Voyeuristic and punishing the language in this collection addresses the unlikely mechanistic rumblings of the sex doll factory floor; the progress of the Stations of the Cross; and the intricacies and polarities of female purification. Each poem lovingly hammers, pounds, teases and scratches at the fallacies of control and ownership. "ready? flail."

In this collaborative omnibus-style fiction project, four writers navigate the protean concept of the “bargain” in novella-length stories. The lives of a biographer surveying the career of a “haunted” literary figure, a lovelorn journalist entering into a diabolic covenant, a tourist attempting to stay sober through her holiday travels, and a doctor’s complicity in a colonial scandal, stand side to side within this macro-narrative of interlocking themes.These horror-inflected offerings of existential dread, tainted pasts, and uncertain futures serve as an unbalancing reminder that there is always a high price to pay for the corruption of the soul.

When ten-year-old Gabriel and his parents retire to his late grandfather’s disused cabin to wait out a pandemic, the big, dangerous world seems very far away, and Gabriel enjoys the freest summer of his young life. But tensions begin to surface, testing the family unit, and resulting in consequences that he will spend his life attempting to unravel.Spanning nearly a half-century, The Diapause is a literary-speculative-fiction novel about the near future, family, isolation, heartbreak, climate change, how we keep each other safe, and all the things we don’t know about the people we know best. Part White Fang, part Station Eleven, The Diapause is a novel about how the things we seek are often the things we didn’t know we’d lost.

“I've been waiting years for a novel like this! A funny, moving, superbly written coming-of-hooker-age story that holds nothing back. Mag is one of the best protagonists you'll never forget, and this book is filled with angels."—Casey Plett, author of A Dream of a Woman and Little FishAll Hookers Go To Heaven follows Mag: an East Coast girl raised in a conservative Christian home where she is urged to preserve her purity at all costs. Obsessed with earning a place in heaven, Mag rejects the hyper-sexual youth culture of her small town—that is, until she falls for a sophisticated, fun girl named Marlous while attending a program designed to usher young people into Evangelical Missionary work.Spiraling into shame and regret, Mag breaks away from the Church and launches herself into the world of sex for hire, attempting to shed her repressive past and become an anti-virgin--the exact opposite of what her religion raised her to be. As she hustles across continents, Mag finds her obsession has shifted. Instead of heaven, now she is focused on chasing the elusive, ever-shifting concept of financial security. In the process, she finds it harder and harder to differentiate the money she earns from her self-worth—and her own identity from that of her sex worker alter ego.

Barrack Zailaa Rima’s celebrated graphic novel trilogy, gathered together and available in English for the first time.Beirut is an intimate and poetic look at a beloved city that is at once autobiographical, documentary, and fantastic in nature. In Rima’s hands, Beirut is a labyrinth of alleyways and stories, a theater teeming with revolts, and a cenotaph to buried memories. With Rima and her family serving as our guides, and through chance encounters with incongruous figures (a librarian, a garbage collector—or the city's last storyteller), we discover a city that longs for its Golden Age even as it is transformed by neoliberal forces in the aftermath of the Civil War—an evolution whose future remains uncertain.Dreamlike, tender, and ever-attentive to the beauty of the line, Beirut offers a glimpse into Lebanon's past and present, which must be pieced together to form a whole. From the promise of the political activism of its youth in the 1950s and 1960s, to the grating difficulties of the 2015 garbage crisis and the struggle to accommodate and assimilate Palestinian refugees, this is a journey through a city, and an expedition into the idea of home, that only Rima could shepherd. No matter the detours.

Winner of the 2015 Evelyn Richardson Non-fiction AwardThis is a sex book. It’s a book about fucking yourself, fucking someone you love, fucking strangers. It’s about saying words like cunt and come, and all manner of perverse verbiage. Mostly, it’s about speaking honestly about our bodies and our vulnerability, recognizing we’re all imperfect, worthy, and desirable.In this ten year anniversary edition of Hot, Wet & Shaking, Kaleigh Trace—disabled, queer, sex therapist—chronicles her journey from ignorance to bliss as she shamelessly discusses her sexual exploits and bodily negotiations. Trace’s memoirs and essays generously welcome the reader into her world, modelling a humour and radical self acceptance that can teach us all how to talk about sex, and then some.

"Jay Ritchie's poem's veer and dare new forms to think and feel in. From sonnets to open, more diaristic armatures, Ritchie's vexed interiority scans an ever rich and deeply felt ontology that emerges from a backdrop of wit, wonder, and hopeful bewilderment before the social world and its disarmingly absurd repercussions on language. A sure-footed, mighty feat."-Ocean Vuong, author of Time is a Mother and On Earth We're Briefly GorgeousListening in Many Publics is motivated by the possibility of a future that is fulfilling, luminous, and held in common. The book expresses this vision in three long poems which are themselves composed of individual, interlinked poems. Using a circular structure that resists linear capitalist logics, fragmentation that attunes us to sound over sense, and a hybrid form that traverses both poetics and narrative, the poems speak to the necessity of articulating possible futures, of rehearsing different ways of being, and of returning to material truths, together. Plural, civic, and political, the poems locate themselves in the many publics that constitute our individual and social being, interrogate that which brings the subject into existence, and ultimately convey an open, hopeful sensibility in the face of the structures and systems they critique.

Widowhood and weirdos, online and off, NORMA is so dark it smarts.It’s a terrible freedom to linger unaccounted for.Norma is waking up and cracking up. Decades of marriage, housekeeping, and family responsibility: buried with her husband Hank. Now, she’s free, gorging on an online riot of canceled soap operas, message boards, and grocery store focus groups. Transcribing chatter for fifty cents a minute. It’s all of humanity—grim, funny, and desperate—wafting into her world, a world reeking with the funk of old fast food wrappers, cold stale recycled air, and desiccated car upholstery. And one where appropriate boundaries are suddenly slipping too, when a voice from one of her transcripts goes from virtual to IRL and just down the block.NORMA is a tart, unhinged flail into widowhood, the parasocial, and some of the more careworn corners of the internet.

The work of Tang Dynasty Classical Chinese poets such as Li Bai, Du Fu, and Wang Wei has long been celebrated in both China and internationally, and various English translations and mistranslations of their work played a pivotal but often unacknowledged role in shaping the emergence and evolution of modern Anglophone poetry. In The Lantern and the Night Moths, Chinese Canadian poet-translator Yilin Wang has selected and translated poems by five of China’s most innovative modern and contemporary poets: Fei Ming, Qiu Jin, Zhang Qiaohui, Xiao Xi, and Dai Wangshu. Their poetry expands and subverts the long lineage of Classical Chinese poetry that precedes them.Wang’s translations are featured alongside the original Chinese texts, and as well as original essays by Wang that reflect on the key themes and stylistic features of modern Sinophone poetry and on the art and craft of poetry translation. Together, these poems and essays chart the development of a myriad of modernist poetry traditions in China that parallel, diverge from, and sometimes intersect with their Anglophone and Western counterparts.

Motherhood, trauma, and familial history are woven together into a powerful collection from the award-winning author of What Became My Grieving Ceremony. Beginning with a revelation of familial sexual abuse, Building a Nest from the Bones of My People charts the impact of this revelation on the speaker. From the pain of estrangement to navigating first-time motherhood in the midst of a family crisis, Morgan explores the complexities of generational and secondary abuse, intertwined as they are with the impacts of colonization.

Longlisted for the 2023 Scotiabank Giller PrizeGlobe and Mail 100 Best Book of 2023CBC Books, Best Canadian Fiction 2023Apple Books, Best Canadian Debut 2023 and Best Book of the Month for September 2023"We all lined up for our whipping by the shouting beauty and tender traumas of life. All of us so sensitive, and now this beautiful girl, with soft brown hair that was shot with gold in the sun. Another one of us starting to stumble."Peter plays the trumpet and works in a kitchen, partying; Stasi tries to climb the corporate ladder and lands in therapy. These sensitive siblings struggle to find their place in the world, seeking intimacy and belonging - or trying to escape it.A promising audition, a lost promotion, intriguing strangers, a silent lover, and a grieving neighbour--in rich, sensual scenes and moody brilliance, The Clarion explores rituals of connection and belonging, themes of intimacy and performance, and how far we wander to find, or lose, our sense of self.Alternating between five days in Peter's life and several months of Stasi's, Dunic's debut novel captures the vague if hopeful melancholy of any generation that believes it was never "called" to something great.

Featured on 49th Shelf's Most Anticipated: 2023 Fall Fiction Preview"Things used to be easier, but even in those carefree days, the rules were in place for a reason. And that reason is: so we can all agree. So we can all have the same standard applied across the board. So there is no special treatment, which no one should receive. This is why we need the rules."The stories in Avalanche combine humor with an earnest examination and indictment of white entitlement, guilt, shame, and disorientation in the wake of waking up to the reality of racism. Focusing on the perspective of white, cis, straight, and mostly middle-aged and middle-class characters, this collection shines a light on the obliviousness of white privilege, the violence of polite, quiet racism hiding just under the surface of mundane, everyday situations, and the anguished flailing of "well-intentioned white ladies" desperate to confirm their essential goodness at all costs. Westhead writes with compassion and empathy for both her frustrating and frustrated white protagonists and the racialized characters who encounter them, and uses humour not to comfortably distance white readers from the harmful behaviour of her self-absorbed protagonists, but to pull them in close to recognize‿and reckon with‿those familiar parts of themselves, and to become more aware of the insidious systems of white supremacy at work behind the scenes.

A GLOBE AND MAIL BEST BOOK OF 2022For readers who love Mark Haddon, Miriam Toews, and Sally RooneyPaisley Ratchford is trying to keep it together, but in eight weeks, the Toronto apartment building she lives in will be demolished. A last-ditch effort to reclaim her abandoned childhood home on Amherst Island plunges Paisley into memories of growing up in the tight-knit community, and into the obsessive compulsive disorder that has only ever offered a semblance of control. Her compulsion to count in sets of eight had little effect on thwarting bullies, her fathers bad luck, and her mothers mental illnessall of which return to haunt her.When help arrives in the form of Paisleys old classmate and tormentor Garnet Mulligan, her predicament only worsens. For a shot at a future, Paisley needs to stare down her past, including all the habits that have stopped her from thriving. At Last Countis a wise and often laugh-out-loud funny tale that proves we dont always need to believe everything our brain tells us.

For fans of Chuck Palahniuk, Joyce Carol Oates, and Karen Russell, the stories in Francine Cunninghams debut collection God Isnt Here Today ricochet between form and genre, taking readers on a dark, irreverent, yet poignant journey led by a unique and powerful new voice.Driven by desperation into moments of transformation, Cunninghams characters are presented with moments of choicesome for the better and some for the worse. A young man goes to Gods office downtown for advice; a woman discovers she is the last human on Earth; an ice cream vendor is driven insane by his trucks song; an ageing stripper uses undergarments to enact her escape plan; an incubus tires of his professional grind; and a young woman inherits a power that has survived genocide, but comes with a burden of its own.Even as they flirt with the fantastic, Cunninghams stories unfold with the innate elegance of a spring fern, reminding us of the inherent dualities in human natureand that redemption can arise where we least expect it.

A visually and lyrically beautiful debut that celebrates the landscapes we take for granted. Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining Stephen Ratcliffes attention to daily observation and formal repetition, Lyn Hejinians investigations of the linguistic structures, Larry Eigners textural sense of language and compositional space of the page, and Juliana Spahrs ethical attention to the ways we inhabit the world.

Minimalist poetry for maximalist times.Sheets: Typewriter Works extends the minimalist explorations of Cameron Anstees first collection, Book of Annotations. Prompted by receiving the Olivetti Lettera 30 typewriter that belonged to poet William Hawkins after his death in 2016, the works in this book explore how small poems operate through the freedoms and constraints of the typewriter as both a decaying machine and a mode of composition. Through engagement with writers and artists like Jiri Valoch, Barbara Caruso, Leroy Gorman, Cia Rinne, William Hawkins, Dani Spinosa, Kate Siklosi, and Norman McLaren, Sheets: Typewriter Works re-embeds the minimalist poem in the typewritten page.