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A GLOBE AND MAIL BEST BOOK OF 2022A reclamation of female rage and a horrifyingly deformed Bildungsroman.Frances is quiet and reclusive, so much so that her upstairs roommates sometimes forget she exists. Isolated in the basement, and on the brink of graduating from university, Frances herself starts to question the realities of her own existence. She cant remember there being a lock on the door at the top of the basement stairsand yet, when she turns the knob, the door wont open. She cant tell the difference between her childhood memories, which bloom like flowers in the dark basement, and herdreams. Worse still, she cant ignore the very real tapping sound nowcominginsistently, violentlythreatening to break through her bedroom wall.With the thematic considerations of Mary Shelley and Shirley Jacksons work, and in the style of Herta Mller and Daisy Johnson, Tearis both a horrifyingly deformed Bildungsroman and a bristling reclamation of female rage. Blurring the real and the imagined, this lyric debut novel unflinchingly engages with contemporary feminist issues and explores the detrimental effects of false narratives, gaslighting, and manipulation on young women.

A novel from the dark heart of early twentieth-century Alberta, featuring a new introduction by Dr. Lily Cho. A bully cattle rancher upends the lives of everyone he encounters and a pandemic makes those lives even more precarious. A full century after its first publication, Cattle remains a story of brutality. A curious Canadian mixture of Hardy and Steinbeck,Cattle is built on the deep contradictions of a settler ideology, asking readers to not look away from the many modes of violence bound up in Canadian history. Our Throwback books also give back: a percentage of each book's sales will be donated to a designated Canadian cultural organization. Royalties from sales of Cattle benefit Central Alberta Women's Emergency Shelter.

Prince Edward County is no longer an "up-and-coming" wine region in Canada, having garnered international acclaim for its wineries. Oenophiles across the world should be interested in this book.Prince Edward County is a day trip from upstate New York and an attractive vacation destination for travellers from the northeastern US.

An off-beat examination of the denials that underpin extractive capitalism. From the cratered lake of Chennai, India to the environmental racism of Neon Genesis Evangelion‿s Tokyo-3, Sunny Ways oscillates between images of environmental collapse and resistance. Standing waist deep in the massive tailing ponds of Alberta‿s Tar Sands, Sunny Ways wades through the tangled complicities of climate catastrophe. In the process, the book grapples with the failure of political hope and the intransigence of climate change denialism. Fitzpatrick channels his experiences growing up in the big sky economic pragmatism of Calgary, where oil pays the rent and puts food on the table, into an essayistic pair of long poems that echo the ecological poetics of writers like Rita Wong, Stephen Collis, and Juliana Spahr.

A collection that careens from Ancient Greece to the Klondike Gold Rush, for readers of A. S. Byatt and Margaret Atwood. “It is the part that is missing that I am drawn to, that I try to pin down. My gaze is always divided by what is here and what is no longer here. That, for me, is where the deepest pleasure lies, where the sweet overcomes the bitter."A couple coping with a recent loss are tasked with taking stock of a late biology enthusiast‿s hoard. A support worker dedicated to rehabilitating young women suffering from, among other things, a certain unexpected effect of the climate apocalypse faces a truth that shatters the illusion separating her work and her personal life. An archaeologist formerly working in Syria struggles with her decision to flee from unrest, while the people she has left behind face an uncertain fate. In Jennifer Falkner‿s richly imagined first collection, past and present glancingly converge, making the familiar outlines of myth, history, and everyday life seem suddenly strange. With spare, elegant prose, Falkner introduces the reader to those whose narratives are written in the language of empty space. Above Discovery is a stunning debut collection from an author to watch.

Experimental blending of visual poetry and traditional verse.Visual / experimental poetry by a woman in a field dominated by men.Timely discussions of personhood, belonging, human rights, ancestry, our relationship with / working with the land.By interrogating and plundering the Canadian Charter of Rights and Freedoms, this work forms a feminist interrogation of patriarchal, colonial, and legal scripts of being and personhood.A poetic wrestling with foundational nation-state documents in North America, similar to Tracy K. Smith’s poem “Declaration” (Wade in the Water, Graywolf)  and the United States’ Declaration of Independence.Siklosi asks what humans can stand to learn from listening to the trees talk to one another, from tapping into the languages under our feet and above our heads. Readers are certainly interested in this topic in both fiction and nonfiction, as evidenced by the massive success of books ranging from Finding the Mother Tree and The Hidden Life of Trees to The Overstory and Greenwood.Exploration of the rich history of women's handicraft as a feminist poetic praxis.  Ecocritical and feminist in tone, and with a healthy dollop of social justice, Selvage would appeal to anyone interested in poetry that blurs boundaries across different genres and formats, those who enjoy some politics with their poetry, as well as those who enjoy poems about nature and our precarious place within it.

An A-to-Z compendium that finds the wonder in information overload.The Truth About Facts makes intimate the seeming noise of information and facts by using the tradition of the alphabet book to get back to basics: to make room for wonder, devotion, and a reinvigorated role for poetry in both quick and methodological thought. Vautour leads his readers on an info-drenched, abecedarian jaunt that is both tongue-in-cheek and unquestionably earnest. Ranging from topics as assorted as Brazil Nuts and Juggling to meditations on Rememoration and the Zodiac, The Truth About Facts moves between the surety of aphorism and the anxieties of critique."If, like me, you find yourself randomly clicking through Wikipedia articles late into the night, you will love this delightful ramble through the facts."--Sachiko Murakami

An experiment in hybrid and versatility of voice, these texts stutter around the slipperiness of language and the transience of desire.The first section is an exercise in paradox wherein language as medium breaks free of signification and desire, knowing very well that language is inextricable from desire. The second section concedes that language may be inescapable yet its borders and meanings must and can be moveable, so that through the decomposition of what has been said or written the new may sustain itself on the dregs of the past. The third section is a burlesque reflection on the kaleidoscopic incarnations of Eros as it passes through assorted personalities and neuroses, that is, a chorus of anonymous men, all in various states of confusion about love. Each man is but a different face on the ten-thousand-sided-dice of the same drive wherein gender stereotypes are inflated to show their contours, exposing romantic desire as it is: essential, absurd, random, hideous, and blind.

Literary Nonfiction. LGBT Studies. Disability Studies. Women's Studies. Winner of the 2015 Evelyn Richardson Non-fiction Award. This is a sex book. It's a book about having sex by yourself, with one person, or with twenty people if everyone is down. It's about saying words like cunt, fuck, and come. But it's also about the things we don't talk about-the mystery, the expectations, and the bullshit that can go along with sex. Kaleigh Trace--disabled, queer, sex educator--chronicles her journey from ignorance to bliss as she shamelessly discusses her sexual exploits, bodily negotiations and attempts at adulthood, sparing none of the details and assuming you are not polite company.

Easy Peasy assumes nothing, but ass you me severything! Part instruction manual for the comfortably literate, part picture book for the uncommitted spectator, these poems insist upon the simple beautiful error of words and the imaginative potential of miscommunion! If you enjoy spending time outdoors, eating chocolate bars, watching movies, drinking tea with friends, avoiding death, taking baths and understanding the world, then this book most definitely is not for your!

In Generator, poet, musician and performance artist Ian Goodman explores the parameters of bardic cybernetics and robot love. Morphing forms of digital interface with traditional poetic structures, Goodman creates new media out of archaic lyric artifacts. Generator invites us to see the world through the reality-twisted lens of Goodman's eye-pod goggle. The result is a poetics of sensitive observation for the seriously insane. Pretend robots develop fatal crushes on novella-collaborators through lavalife.com, pretend poets seduce potential lovers by imagining poetry out of existence, seagulls suffer from jet-fuel envy, and a comet-girl's sneeze sends "a tsunami/ of dust bunnies towards Mercury." Whether generating interplanetary ballads, cyber chat-room conversation poems or spam-filtered versions of Pale Fire, Goodman's fearless approach to formal experimentation makes the world strange for us again. Ian Goodman is the 21st century's answer to the Martian school of poetry.

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Feminist visual poetry that rewrites avant garde poetic history.OO: Typewriter Poems is a book of vispo (visual poetry) glosas (a Spanish poetic form that pays tribute to another poet by incorporating their lines) designed to begin to dismantle the masculinist legacy of avant-garde visual poetics. Avant-garde visual poetics has long been interested in a vanguardism designed to push the genre further using technological advances, and hidden in this vanguardism is a deeply communal, deeply feminist poetics of derivation, homage, and love.OO takes up this communal poetics. The visual poems in this collection merge analog technology (the typewriter) with digital alteration designed to look back, not forward. At once paying homage to the long history of visual poetics and critiquing the progressivist and masculinist ideals that continue to inform the genre, the poems in OO quote uncited lines from visual and concrete poems by some of the major figures of visual poetics (bpNichol, John Riddell, Bob Cobbing) as well as several under-read and understudied female visual poets (Cia Rinne, Mirella Bentivoglio, Paula Claire)."This book is a real gift to vispo, its fans and present and future practitioners."--Helen Hajnoczky, A Teacozy Is a Sometimes"Dani Spinosa's OO pushes buttons, turns keys, and swipes, steals and homages all over poetry... Extravagant, interruptive, declarative and a real kick in the eyeballs."--derek beaulieu

A howl into the void, a ghost story, and a bit of a metaphysical hellride.A misanthropic ghostwriter roams an island off the Kenyan coast. An Arizona teenager awaits the next stage in a secretive covenant. A renowned poet retraces her past amid a baffling netherworld. An international arms dealer's son drifts through time, atoning for the death of the man he loved.For readers who take their contemporary fiction with a tinge of the otherworldly, Bleeding Light is about mystical experiences, the symbolic fabric connecting us all, and desperate people seeking affirmationthrough religious, cosmic, chemical and other meansof a world beyond their own. It's a grimly funny and often trippy take on transcendence in a hypercommodified age."e;A darkly gleaming marvel. Searing, creepy and mysticalas if Don DeLillo had set out to steal Paulo Coelho's flock."e;Sean Michaels, Scotiabank Giller Prize winner and author of The Wagers

Flower and flour. Coral and choral. Lashes and luscious.Frost & Pollen is a poetry collection in two acts: "e;Bloom & Martyr"e; is a sensuous walk through a menacing garden of flowers and desire, while "e;Foliage"e; retells the Arthurian legend of Sir Gawain and the Green Knight from the point of view of the Green Knight, the mysterious figure who teases and torments Gawain. By turns earthy and lush, and punctuated by dark and unsettling undercurrents, these poems converge into an engaging yet evasive feminine exploration of nature and sexuality.

The perfect marriage of literary and speculative fiction for readers of Kazuo Ishiguro and NK Jemisin.When Freya Tanangco was ten, she dreamed of her mother's death right before it happened. That's when she realized she was a veker, someone with enhanced mental abilities and who is scorned as a result. Freya's adult life has been spent in hiding: from the troubled literary legacy created by her author father, and from the scrutiny of a society in which vekers often meet with violence.When her prophetic dreams take a dangerous turn, Freya finds herself increasingly forced to sacrifice her own anonymity-and the fragile safety that comes with it-in order to protect those around her.Interwoven with themes of Filipino Canadian and mixed-race identity, fantastical elements from Norse and Filipino mythology, and tarot card symbolism, The Quiet Is Loud is an intergenerational tale of familial love and betrayal, and what happens when we refuse to let others tell our stories for us.