Bøger udgivet af Kegedonce Press

Ceremony, community and connection - the poems of Once the Smudge is Lit carry the reader into deeply spiritual elements of Nishnaabe/Ojibwe culture. Co-written by Cole Forrest and Kelsey Borgford, the poetry of Once the Smudge is Lit highlights the Indigenous experience in post-colonial times through explorations of themes ranging from love to community. Bogford's and Forrest's verses seek to open a multidimensional window into the experience of being a contemporary Nishaabe. A profound sense of movement, connection, and continuity is emphasized by Tessa Pizzale's beautifully evocative illustrations, which include a line of smudge smoke that flows from page to page.

Set in the community of Listuguj, Gespe'gewa'gi, Nipugtug follows the journey of A'le's (Mi'gmaw for Alice), a young Mi'gmaw woman, snowshoeing through the forest. There, she meets animals, Wapus (Rabbit), Wowgwis (Fox), Tia'm (Moose), Ga'qaquj (Crow) and trees, Masgwi (Birch), Qasgusi (Cedar) who guide her through both challenging and nourishing emotions of learning her Mi'gmaw language. Grounded in her relationship with the territory, A'le's navigates memories of her language that cling to realities within and beyond her life.

Journey to the southernmost tip of the territories held by Canada. North of Middle Island opens with a collection of individual poems that capture the spirit of the relatively isolated, sparsely populated community of Pelee Island. The pieces explore contemporary Indigenous experience in the natural and built environments of the island and surrounding waters. The book concludes with an epic, "rarely true" narrative of modern-day warriors, told in traditional Anglo-Saxon style--a new Lenape myth of how Deerwoman (Ahtuhxkwe) comes to Pelee Island. The events of this epic tale are loosely based on the infamous professional wrestler and actor Rowdy Roddy Piper's time on the island and Wrestlemania XII, Piper's notorious "Backlot Brawl" with fellow wrestler Goldust (Nkuli Punkw). Follow acclaimed Moravian of the Thames First Nation poet D.A. Lockhart on this lyrical, epic journey into the unique culture and landscapes that lie just North of Middle Island.

"From the 1960s through the 1980s the Canadian Children's Aid Society engaged in a large-scale program of taking First Nations children from their families and communities and adopting them out to non-Indigenous families. This systemic abduction of untold thousands of children came to be known as the Sixties Scoop. Stories of the intergenerational disruption from loss of family and culture are shared in this collection, as are stories of strength and survivance. In Silence to Strength: Writings and Reflections on the 60s Scoop, editor Christine Miskonoodinkwe Smith gathers together contributions from seventeen Sixties Scoop survivors from across the territories of Canada. These courageous writings show there is strength in telling story, and power in ending the silences of the past."--

"Ghost Lake is a companion volume to Adler's Indigenous horror novel, Wrist"--Back cover.

Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts. This collection of oral stories presents legends of Nenaboozhoo along with other creation stories that tell of the adventures of numerous beloved animal spirits. The Trail of Nenaboozhoo is a book of art and storytelling that preserve the legends of the Anishinaabe people. Each story is accompanied by strikingly beautiful illustrations by revered Indigenous artists Isaac Murdoch and Christi Belcourt.

In 1872, dinosaur hunters become embroiled in a battle over the discovery of fossils in Northern Ontario as their excavation crews are driven mad by a bizarre and terrifying illness. Over a hundred years later, Church and his family show signs of the same monstrous affliction. As he begins to unravel his family's dark history, Church must race to protect the secrets buried deep in bones and blood. A fascinating story embracing Anishinaabe legend, culture, and language, Wrist is set in the fictional town of Sterling and Ghost Lake Reserve, and is Nathan Adler's debut novel. It is the companion volume to Ghost Lake, which won the 2021 Indigenous Voices Award in Published English Fiction.

Poetry is the raging rapids and it is the little fish which doesn't give up until the turbulent waters are behind it. Poetry is purpose, renewal and rebirth. Ancestors' Words: My Heart Speaks is all of this and offers insight into the mind of an Indigenous man who lives with severe chronic pain and who found the strength through spirituality and poetry to put a life of alcohol abuse behind him forever.

On a hot summer day, a young Anishinabe boy visits the shores of Gitchee Gumee with his mother. Nanaboozhoo, their teacher, is before them, presenting himself as a mass of land that stretches across the horizon. As they visit, Keeshig tells his mother about what he calls "the Ojibwe pterodactyls" that live with Nanaboozhoo. He talks about their hunting and what they like to eat. At the end of the story, Keeshig surprises his mom by sharing that the Ojibwe pterodactyls are indeed the thunderbirds and that they are the heartbeat of Nanaboozhoo. Keeshig's mom is so happy and grateful to hear his story and gives him a big hug, letting him know that he is her heart.

Honour Earth Mother was written in the hope that it would help restore some of the affection and reverence that the Indigenous people had for the land. For our ancestors the earth was a holy place, made so by the act of creation of the Great Mystery; it is the dwelling place of the manitous and spirits and is the repository of our grandparents' bones. It is a place of revelation that has yielded all that men and women have come to know and still has more secrets and mysteries to pass on to those who watch and listen.Honour Earth Mother is an invitation to go into the woods and meadow, mountains, valleys and seaside, to watch miracles unfold, to listen to nature's symphonies, to feel the pulse of the earth, to take in the fragrances, to taste the nectars, and to sense the awesome.

From award-winning Métis poet Marilyn Dumont comes that tongued belonging, a collection of poems which search for acceptance in language, culture, love and geographical landscapes. These poems celebrate the humour and tenacity of Indigenous women, lament the death of a mother and recall the degradation of Indigenous women, while challenging accepted ideas of love, age and femininity. that tongued belonging was the winner of the 2007 McNally Robinson Aboriginal Poetry Book of the Year Award and the Anskohk Aboriginal Book of the Year Award.