Bøger udgivet af Monacelli Press

As one of Miami’s most influential architects, Rene Gonzalez revolutionizes the way luxury buildings are equipped for climate change. Tactile, experiential, and holistic, the work of his namesake office demonstrates a belief in the inseparable connection between nature and architecture, creating spaces that are memorable and timeless. Surveying fourteen residential, commercial, and cultural projects in Florida, marking the first phase of his career, Rene Gonzalez Architects: Not Lost in Translation illustrates Gonzalez’s ability to distill the essence of place, distinguishing his work both in his home state of Florida and in the global landscape of contemporary architecture. Projects featured in the book include three Alchemist boutiques, the first of which won the 2011 National AIA Institute Honor Award; the Cisneros Fontanals Art Foundation, whose one million glass mosaic tiles create the illusion of a jungle oasis on the exterior; the eighteen-story GLASS Residential Tower in Miami Beach; the “pocket sanctuary” that is vegan restaurant Plant Food + Wine; and the North Beach Oceanfront Center, which serves as an inviting gathering ground to the North Miami Beach community.   Gonzalez is especially attuned to environmental issues that are affecting the world, and which will drastically alter design practice in the coming years. RGA is receiving widespread attention for its efforts to respond to these emerging conditions, and these projects reveal Gonzalez’s commitment to embrace and celebrate the environment, seizing the opportunity to enhance our future.   Rene Gonzalez Architects: Not Lost in Translation is a deeply personal book that illustrates Gonzalez’s fascination with the world that surrounds him. Featuring a conversation with Gonzalez’s colleagues Tod Williams and Billie Tsien, essays by journalists Caroline Roux and Beth Dunlop, as well as his own photographs of Miami’s vernacular architecture, this book documents Gonzalez’s progressive and responsive architecture that is of its place yet universally resonant.

Seasoned garden writers Susan Lowry and Nancy Berner, along with leading landscape photographer Marion Brenner, tour more than thirty-five private gardens in the San Francisco Bay Area, illuminating the unrivalled beauty of Northern California—the breadth of the sky, the quality of the light, the sparkle of the Bay, the shapes of the hills—that has beckoned landscape designers and gardeners for generations.   Organized geographically—starting with the San Francisco Peninsula, moving north into San Francisco itself, crossing the Bay into Berkeley and Oakland, and finishing in Napa, Sonoma, and Marin—Private Gardens of the Bay Area encompasses an extraordinary range of micro-climates that foster the cultivation of an equally extraordinary range of plants. The kaleidoscope of vigorous plants from five continents bursting out of an Oakland front yard is one kind of garden, the clean-lined contemporary composition of drought-tolerant natives and gravel is another, and the garden tucked into the mountain landscape of oaks, manzanitas, and ceanothus is yet another.   This fascinating tour includes gardens such as Green Gables, where the 1911 terraced design by Greene & Greene is meticulously preserved; Big Swing, with a world-renowned collection of salvias; a vertical garden on a vertiginous site in San Francisco by Surfacedesign; and a romantic landscape of lawns, perennial beds, and stately oaks owned by noted collectors and gallerists Gretchen and John Berggruen. Lowry and Berner describe the goals of each garden owner and the principles behind the designs.

Art and dogs come together in this richly illustrated, in-depth guide to creating charming portraits of dogs big and small.How to Draw Dogs and Puppies continues a rich tradition of dogs in art. In this step-by-step guide to drawing over 100 different breeds and mixed breeds of dogs and puppies in pencil and pen-and-ink, best-selling author J. C. Amberlyn combines her love of dogs with her beautiful, detailed drawing style. Organized around the American Kennel Club (AKC) dog breed categories and covering many of the most popular breeds as well as the beloved mutt and puppies, the book includes 40 easy-to-follow step-by-step instructions for drawing a wide range of dogs in many poses and a variety of expressions. J. C. includes basic information on art materials and the fundamental mechanics of drawing so that even beginners will feel confident and successful as they learn to produce highly detailed, lifelike drawings of their favorite best friends. This definitive guide includes in-depth instruction on: · ART MATERIALS AND DRAWING BASICS · DOG ANATOMY; POSES; COATS AND COLORS; EXPRESSIONS · PUPPIES · HERDING GROUP · SPORTING GROUP · NON-SPORTING GROUP · TERRIER GROUP · WORKING GROUP · TOY GROUP · NON-AKC BREEDS AND MIXED BREEDS

Cities are where solutions to the twenty-first century’s key challenges—addressing inequality, fostering political participation, responding to climate change—will be tested. And as cities adapt to new developments in technology, infrastructure, public space, transportation, and housing, so too must urban practices and our understanding of how to effect positive change evolve. In Citymakers, Cassim Shepard—2019 Guggenheim Fellow for Architecture, Planning, and Design—offers a vivid survey of how urbanism today is no longer the domain of just planners, politicians, and power brokers removed from the effects of their decisions, but an array of citizens working at the vanguard of increasingly diverse practices, from community gardeners to architects to housing advocates.   Drawing on six years as the editor of Urban Omnibus, one of the leading publications charting innovations in urban practice (launched in 2009 by The Architectural League of New York), Shepard explores a broad variety of projects in New York, a city at the forefront of experimental and practical research: a constructed wetland in Staten Island, a workforce development and technology program in Red Hook, Brooklyn, a public art installation in a Bronx housing project, a housing advocacy initiative in Jackson Heights, Queens. These and a wide variety of other examples in Citymakers comprise a cross-disciplinary, from-the-ground-up approach that encourage better choices for cities of the future.   By blending intimate portraits of individuals and projects with incisive social analysis, Citymakers reports from the front lines of urban practice with up-to-the-minute examples and arguments that reframe our understanding of urbanism. With original photography by Alex Fradkin, the book fuses the rich visual and graphic sensibility of architectural publishing with the informative readability of sophisticated, long-format journalism. Revising traditional notions of urban intervention and providing new directions for the next generation of citizen-practitioners, Citymakers is a lasting document of the perspectives driving cities today, and tomorrow.

The Well-Dressed Window: Curtains at Winterthur is a unique compendium of design and textile history and an invaluable resource for designers and homeowners alike.   Today Henry Francis du Pont, the force behind the transformation of Winterthur from a family house to the premier museum of American decorative arts, is recognized, along with Henry Davis Sleeper and Elsie de Wolfe, as one of the early leaders of interior design in this country.   Working with architects, curators, and antiques dealers, du Pont created some 175 room settings within the house. He assembled his rooms using architectural elements from historic houses along the East Coast and filled them with an extraordinary collection of American furniture and decorative arts. Du Pont’s unique talent was his ability to arrange historically related objects in a beautiful way, in settings that enhanced their shape and form through the choice of color, textiles, and style.   Du Pont paid particular attention to the design of the curtains, and The Well-Dressed Window surveys his achievement, explaining how the fabrics were selected as well as their relationship to the architecture and other decorative elements in the rooms. Forty rooms are presented, each specially photographed to show the overall space in addition to details of fabric and trim. A series of stereoviews taken in the 1930s as well as other period photographs reveal the evolution of the window treatments and upholstery over nearly sixty years. Of particular interest is du Pont’s seasonal changing of the curtains, which were rotated throughout the year as the lighting and colors in the surrounding garden shifted.

Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world's most intriguing destinations. When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture, and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave, the permanent installations called "among the largest and most beautiful in the world," and the austerely beautiful high-desert landscape. In keeping with Judd's site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to this setting-the sky, its light and sense of isolation-some that even predate Judd's arrival. Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef's modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums-with Judd's Fort D. A. Russell works always visible from her second-story sun porch. Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess-salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures, industrial warehouses are redesigned after the area's white-cube galleries to create space for private or personally created art collections, and other materials are suggested by the land itself: walls are made of adobe bricks or rammed earth to form sculptural courtyards, or, in one remarkable instance, a mix of mud and brick plastered with local soils, cactus mucilage, horse manure, and straw.

Thirteen exquisite houses create a portrait of life in one of America's most exclusive coastal destinations, along the beaches of Martha's Vineyard and Cape Cod. Hutker Architects, led by founding principal Mark A. Hutker, has designed more than three hundred houses along the New England shore. A member of the close community on Martha's Vineyard since his arrival in 1985, Hutker has become an expert at interpreting the ideal lifestyles of his clients within the respected traditions and restrictive codes of the beautiful but fragile environment. In their design and construction, these houses honor the vernacular traditions of craft and indigenous materials, are deeply respectful of the cherished landscape, and demonstrate a lively range of solutions to building on the bluffs and dunes that line the shores of the Vineyard and Cape Cod. A working organic farm fulfills a family's dream of simpler values; a luxurious renovation saves the best of an antique shingle cottage while transforming it for contemporary family life and a raised structure clad in naturally weathered boards combines the legacy of midcentury regional modern architecture with Cape Cod's maritime tradition. The firm is committed to the principle "Build once, well," looking to the historic architecture of the region and the inherited experience of its carpenters and craftspeople as inspiration for contemporary design. The result is an architecture that is at once adaptable and livable, yet enduring, efficient, inevitable, and appropriate. The houses sit lightly on the land, deferring to their surroundings, often built as a series of modest pavilions linked by passages or grouped to enclose an outdoor space. Creative design solutions-a light-filled gallery running the full length of a house, a continuous wall of sliding glass doors-make houses both open to views, but protective in a storm. Specially commissioned photography captures the craftsmanship and the settings of the houses, from dramatic bluffs overlooking the sea to secluded coves and rolling meadows filled with wildflowers, creating a unique portrait of Cape Cod and Martha's Vineyard.

The architects Cross & Cross shaped the streetscape and skyline of New York City in the 1920s and 1930s with Upper East Side townhouses and apartment buildings, the RCA Victor Building, and Tiffany's flagship store on 57th Street. Working through a period of American history that saw dramatic change, from luxurious apartment buildings during the economic boom of the 1920s, to federal commissions during the Depression, the brothers John and Eliot Cross were masters of their craft. Well-connected society men who also showed remarkable foresight in business, Cross & Cross supported their practice with a partnered real estate firm and played a vital role in residential developments like Sutton Place along the East River. Cross & Cross oversaw the development of handsome clubs and houses throughout New York City, including the Links Club and the Upper East Side houses of Lewis Spencer Morris and George Whitney. They designed country houses in exclusive residential pockets outside New York-the Southampton estate of Winterthur founder Henry Francis du Pont; houses on the North Shore of Long Island, and in Greenwich, Connecticut; the childhood home of Sister Parish in Far Hills, New Jersey; and the Shelburne, Vermont home of J. Watson and Electra Webb. In this first book to collect the achievements of Cross & Cross, Peter Pennoyer and Anne Walker present a comprehensive monograph of the firm's work, with more than 300 illustrations both historic and new and a catalogue raisonné of their projects.

History is the lens through which Robert A.M. Stern and his fifteen design partners envision an architecture for today.Robert A.M. Stern Architects: Buildings and Projects 2010-2014 is the seventh volume in a series that encompasses the breadth of the firm's work since Stern's earliest projects in the mid-1960s. Emphasizing the output of the office over the past five years, this volume covers the most globalized period of practice so far.Featuring profiles of well over 100 designs built domestically and abroad, Robert A.M. Stern Architects: Buildings and Projects 2010-2014 includes significant projects in Asia, from China to India. In the United States the firm's educational, cultural, commercial, religious, and residential work continues to broaden its exploration of traditional and contemporary architectural expression.This volume presents the firm's continued influence on campuses across the United States, reflecting the position that education holds in its ethic, with new additions to Drexel University in Philadelphia, Wake Forest University in Winston-Salem, North Carolina, and University of Colorado Boulder. The office also remains key to the ongoing development of its home in New York City, with new residential towers on the High Line and in Greenwich Village.

Contemporary Follies showcases outstanding examples of contemporary design that address our place in nature. Emerging from the Enlightenment spirit of Jean-Jacques Rousseau and Thomas Jefferson, the English picturesque folly, and the forest retreats of Scandinavian modernists, these projects inspire contemplation and creativity in their spatial energy and alliance with the environment. The book features fifty structures, including work by internationally recognized firms such as Arata Isozaki & Associates, Heatherwick Studios, Patkau Architects, Steven Ehrlich Architects, TEN Arquitectos as well as innovative young studios in all parts of the world: Norway, United Kingdom, Austria, Chile, Germany, Ecuador, Finland, Taiwan, Spain, Canada, Netherlands, United States, Czech Republic, France, and Switzerland.International in scope and focused on design excellence, this collection of exquisite buildings will appeal to all who yearn for a place of their own, a retreat in which to regroup and reprioritize. Together these small structures are the contemporary interpretation of the folly, the small building nestled in the landscape, a place apart.

Both a landscape designer and a public artist, Ken Smith produces designs that range in scale from small public installations to vast parks. He is known for inventive and imaginative gardens and landscapes, some of which use little or no natural plant material. His projects include public, commercial, and private work: urban parks, streetscapes, plazas, gardens, public art commissions, memorials, museums and institutions, urban development and multiuse projects, restoration of modern-era landscapes, waterfront planning and design, and residential projects. Among Smith’s best-known projects are the MoMA Roof Garden, consisting of white gravel, recycled black rubber, crushed glass, sculptural stones, and artificial boxwood plants in a camouflage pattern; the Elevated Acre, a one-acre urban plaza with a sloping topography of planted dunes and an elevated view of New York Harbor; and Orange County Great Park, California, a redevelopment of a Marine Corps air station to include a 2.5-mile canyon, 20-acre lake, cultural terrace, botanical gardens, great lawn, performing arts venue, veterans memorial, aircraft museum, sports park, nature preserve, and wildlife corridor.

New New York celebrates the newest landmarks of New York-Time Warner Center, Hearst Tower, Brooklyn Bridge Park, The High Line, and more-placing them in the context of the famous and beloved highlights of the city-Rockefeller Center, Brooklyn Bridge, Central Park, Lincoln Center, Metropolitan Museum of Art, Times Square. Award-winning photographer Jake Rajs captures these sites with remarkable color, clarity, and spirit, proclaiming the innovation of the newest of New York and this nostalgia of the old. An essay by architecture critic Philip Nobel offers a lively commentary to set the scene for Rajs's compelling visual presentation. This wide-ranging portfolio is a vibrant portrait of the energy and creativity that make New York a true world capital.

Carrot City is a collection of ideas, both conceptual and realized, that use design to enable sustainable food production, helping to reintroduce urban agriculture to our cities. Focusing on the need and desire to grow food within the city to supply food from local sources, the contributions of architecture, landscape design, and urban design are explored.Forty projects demonstrate how the production of food can lead to visually striking and artistically interesting solutions that create community and provide inhabitants with immediate access to fresh, healthful ingredients. The authors show how city planning and architecture that considers food production as a fundamental requirement of design result in more community gardens, greenhouses tucked under raised highways, edible landscapes in front yards in place of resource-devouring lawns, living walls that bring greenery into dense city blocks, and productive green roofs on schools and large apartment blocks that can be tended and harvested by students and residents alike.

Crisp hornbeam hedges lining a country drive and throwing geometric shadows on the gravel below. Decadent cascades of fragrant wisteria spilling over a stone pergola. Rustling leaves along an allée of delicate crepe myrtle trees. Waving blossoms of roses, sage, and hydrangeas-along a salty shoreline. Edmund Hollander Landscape Architects creates gardens filled with unexpected textures, colors, and sounds meant to appeal to all the senses, inviting us to truly live in the landscape. This volume presents dozens of gorgeous estate gardens throughout the Northeast, approached thematically; individual sections reveal how components such as gateways, paths, pool terraces, bosques and groves, walls, and borders contribute to lush garden rooms, windblown seaside gardens, calming meadow gardens, intricate formal gardens, and shady tracts of woodland. Over 300 color photographs of beautiful properties in the Hamptons, Connecticut, and upstate New York provide glimpses of the best garden design happening today while breaking down its ideas for the home gardener. Evocative text by New York Times and Landscape Architecture columnist Anne Raver details how the firm works to envelop visitors in landscapes that feel entirely whole: plantings near architecture create a dynamic entry progression; hardscape features that lead out into a broader garden gradually cede to more natural, living elements; pools are surrounded by gracious swaths of flowers that bloom in sequence as the season progresses to provide privacy for bathers and a sense of quiet seclusion. The ideas presented here will help owners of gardens of every size enjoy their land to the fullest.

Simplify, Connect, Expand. These principles, each fundamental to the practice of design, provide the framework for interior designer Vicente Wolf’s engaging new book. Wolf is famous for his modern and elegant style, always guided by integrity and simplicity. Lifting the Curtain on Design delves into his selected themes from myriad viewpoints: through the prism of international travel, via the detailed focus on a single project, and finally by means of the sweeping perspective of a seasoned design mind.Wolf, an inveterate voyager, leaves his New York studio once a year to immerse himself in the culture of a distant land. In this volume, illustrated entirely with his own photographs, he recounts a trip to Namibia: with its sand dunes and sunsets, this southern African country is “a landscape that has been reduced to its essence.” A journey to Papua New Guinea makes clear the connections between cultures, as well as the connections that may be fostered through skilled design. And Bhutan is a lesson in expanding horizons and experiences.It is in Wolf’s design that the essence of his three principles, suggested in his travels, is fully illuminated. In a step-by-step account of two recent interiors—a traditional apartment and an open loft—Wolf describes his initial design process, the various phases of construction, the expert selection of color palettes and furniture, and the final installation of art and decorative objects. He also explains the development of the dramatic tablescapes for which he is so well known, which balance style, form, and color with humor and ease. Finally, a dazzling presentation of Wolf’s current projects touches on grand design gestures and minute yet indispensable details. Lifting the Curtain on Design offers a glimpse into the mind of the designer at work, from inspiration through implementation to unforgettable finished room.

Since its original publication in 1978, Delirious New York has attained mythic status. Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas''s celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle -- "the culture of congestion" -- and its architecture. "Manhattan," he writes, "is the 20th century''s Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York''s history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.