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Lawrence's landmark series on African American migration in context.
Deborah Wye is the Chief Curator Emerita of Prints and Illustrated Books at The Museum of Modern Art, New York. Jerry Gorovoy is the president of The Easton Foundation, and was Bourgeois¿ long-time assistant. Felix Harlan, a printer in the New York-based workshop, Harlan & Weaver, collaborated with the artist from 1989 until the last year of her life. Benjamin Shiff is the director of Osiris, with whom Bourgeois published many important print projects.
One of three books in a new series from MoMA that focuses on the greats in modern dance.
One of three books in a new series from MoMA that focuses on the greats in modern dance.
Published in conjunction with the first large-scale retrospective of Picabiäs work in the United States since 1970, Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction is a sweeping survey of the artist¿s profoundly innovative and influential career.
Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York. Fatinha Ramos is an award-winning illustrator and visual artist originally from Portugal. She is based in Antwerp, Belgium.
One of the least well-known aspects of Albers's achievement is arguably one of his most inventive: a series of more than 70 collages made with his own photographs from his time at the Bauhaus.
This third volume in the children's series showcases famous photographs from around the world in a tender reflection on weather, seasons, perspective and memory.
Using the unparalleled photography collection of The Museum of Modern Art, this volume charts the history of modern photography from the 1920s to 1960.
A children's book on Degas's paintings, pastels and prints, inspiring children to make their own art about the people and places around them.
A collection of images and texts that deal with the idea of visual memory, shared visual knowledge and the interwoven texture of imagined and remembered sounds and images. It also explores the relationship between film and psychoanalysis, and the way these systems of thought have affected the idea of individual biography.
A children¿s book that brings to life a creative and inspiring female counterpart to Young Frank, Architect.
Beginning in 2009, The Museum of Modern Art offered a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris' seminal work The American Cinema, which developed on the idea of 'auteur theory' first discussed by the critics of Cahiers du Cinéma in the 1950s, the series presented cinematic works from MoMA's expansive collection with particular focus on the role of the director as artistic author. For the five years that the series was presented, film curator Charles Silver wrote a concise post to accompany each screening. These texts described the place of each film in the oeuvre of its director as well as its significance to wilder film history. Following the end of the series' long run, the Museum has collected these posts for publication, bringing together Silver's insightful and often humorous readings of the series' films into a single volume. This volume is an invaluable guide to key directors and works of cinema as well as an excellent introduction to auteur theory.
Accompanies first major, all-inclusive, retrospective of the work of Joaquín Torres-García in the US since the 1970s.
The first book to highlight MoMA¿s incredible photography collection.
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