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This publication presents 139 drawings and three prints from a recently rediscovered portion of the Koenigs Collection--one of the world's most important pre-war private collections of drawings, assembled in 1920-1930 by the Haarlem-based art collector Franz Koenigs (1881-1941). In 1940, part of the collection fell into the hands of German occupiers, and after WWII ended, they were taken by the Red Army as spoils, and were eventually rediscovered in the Pushkin Museum in Moscow in 1993. The 142 images reproduced here (50 of which have never before been published) have now been reunited with the greater part of the Koenigs Collection. Includes works by old masters: Jost Amman, Sebald Beham, Lucas Cranach, Hans Holbein the Elder and the Younger, Hans Baldung Grien, Adam Elsheimer, Wolf Huber, Augustin Hirschvogel and others. In his introduction, Dr. Albert Elen, Senior Curator of Prints and Drawings at Museum Boijmans Van Beuningen, describes the history of the Koenigs Collection and highlights some of the masterpieces.
This first monograph on the painter Charlotte Schleiffert explores her provocative, raw, large-scale works. Inspired by the harshness of life, Schleiffert places humankind in the spotlight, revealing emotion, sexual difference, love, power and violence. Whether the result is stimulating or discomforting is up to the viewer.
Shine revels in the happy sheen, presenting wishful fantasies and visions of the future by 18 contemporary artists whose work offers different gleams of optimism. Reflecting the desire to transcend the conflicts of life, to give an extra sheen to matter-of-fact reality are artists like Paul Cox, Martin Creed, Christian Jankowski, Liza Lou, Tracey Moffatt, Walter De Maria, Fiona Tan and Fred Tomaselli. Their work glows with a zest for life and a belief in the meaningfulness of life. But beyond the visual, Shine is also a written quest to discover the ideals of the twenty-first century. Wilma Sütö's Dreaming with Eyes Open discusses the works of art included; Bas Heijne presents the case for a revolution in our way of looking, for a gaze that first of all manifests itself as receptive; and philosopher Michel Onfray seeks to unravel the question: where is happiness?
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