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On the famous summit of postwar art that devolved into tragicomedyThis book presents the transcript of a conference held at the Nova Scotia College of Art and Design on October 5-6, 1970, organized by Seth Siegelaub. Attendees at the event included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, John Chamberlain, Jan Dibbets, Al Held, Robert Irwin, Mario Merz, Robert Morris, Robert Murray, The N.E. Thing Company (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow and Lawrence Weiner. The Halifax Conference was conceived as a means of bringing about a meeting of recognized artists representing diverse kinds of art from different parts of the world, in as general a situation as possible. Infamously, the conference was held in the college's boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved--technologically and ideologically--into quasi-tragicomic farce.
Nine Eyes documents screen captures taken from Google Street View. In 2007 Google began adding street views to its maps, photographs taken by a worldwide fleet of hybrid electric automobiles, each one bearing a nine-lensed camera mounted on a rooftop pole. This clothbound volume includes images from The Nine Eyes of Google Street View, an ongoing project by artist, filmmaker and essayist Jon Rafman (born 1981), whose work explores the impact of technology on consciousness. The photographs range from the beautifully symmetrical to the disturbingly violent--each, in some way, an extraordinary moment captured forever through a mapping service. Rafman's project reveals that while the world as presented by Google appears to be truthful and transparent, this way of photographing creates a cultural text like any other, a structured and structuring space whose codes and meaning the artist can assist in constructing and deciphering.
When Bas Jan Ader's boat, Ocean Wave, was found unmanned and partially submerged 150 miles off the coast of Ireland by a Spanish fishing vessel in 1976, it was taken to La Coruña for investigation. Days later, the boat was stolen and the cult of Ader, whose body was never recovered, and who was thought by many to have staged this incident, was truly cemented. In this volume, Marion van Wijk and Koos Dalstra, who spent 10 years investigating this unsolved mystery, reproduce the entire police report in facsimile. They also include many pages of eerie written documentation and transcriptions of interviews they conducted during their decade of intensive sleuthing. The report has 74 pages: it begins on April 27, 1976 and ends on February 1, 1977. It relates the history of the Ocean Wave from the discovery of the vessel to the closure of the case. This book is a reprint of the earlier edition from Veenman Publishers with additional research included.
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