Bøger udgivet af Ohio State University Press

Ordinary Pleasures offers a new theory of narrative in its uncovering of how conversations and comic exchanges between lovers in stories create an intimacy and happiness of the everyday. Drawing on a diverse body of theory (from sociolinguistics to philosophy to literary criticism) and reading an unexpectedly eclectic group of texts (works by Shakespeare and Tolstoy appear beside Casablanca and I Love Lucy), Kay Young explores how narrative couples play together, struggle together, and return to one another to experience what it means to be in a relationship over time.

From award-winning author Barrie Jean Borich comes Apocalypse, Darling, a narrative, lyric exploration of the clash between old and new. Set in the steel mill regions of Chicago and in Northwest Indiana, the story centers on Borich''s return to a decimated landscape for a misbegotten wedding in which her spouse''s father marries his high school sweetheart. The book is a lilting journey into an ill-fated moment, where families attempt to find communion in tense gathering spaces and across their most formative disappointments. Borich tells the story of the industrial heartland that produced the steel that made American cities, but also one of the most toxic environmental sites in the world.  As concise as a poem and as sweeping as an epic novel, Apocalypse, Darling explores the intersection of American traditional and self-invented social identities and the destruction and re-greening of industrial cityscapes. Borich asks: can toxic landscapes actually be remediated and can patriarchal fathers ever really be forgiven? In a political climate where Borich is forced to daily re-enter the toxic wastelands she thought she''d long left behind, Apocalypse, Darling is an urgent collision of broken spaces, dysfunctional affections, and the reach toward familial and environmental repair. 

A novella in verse, Radioapocrypha envisions what would have happened if Jesus Christ had arrived for the first time not in Palestine two thousand years ago but in a subdivision in Maryland in 1989, the year Depeche Mode released "Personal Jesus." In this suburban retelling of the gospel, Jesus is a hunky post-punk high school chemistry teacher and the disciples are a twelve-member garage band. The story unfolds as recorded testimony and overheard teachings, a series of alternating lyric poems, prose poems, and parables that engage the social, sexual, and racial tensions of an era. Told from the point of view of the Magdalen character, named Maren-and drawing from the Gnostic text known as the Gospel of Mary as well as other scriptural sources-these poems sample widely from popular music and 1980s culture to recast and revivify a gritty, surreal, crackpot story of loners, losers, and lovers.