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SCDA celebrates the acclaimed firm's extensive portfolio of work across the globe - from Singapore and China to the United States.
Growing up, almost every kid dreams of finding buried treasure. That dream slowly fades with age as they realize that Blackbeard never visited their backyard. For some, the search for treasure continues in their adult lives in other ways. Metal detectors and shovels may be replaced with online searches and library visits, but the thrill of the hunt is still alive, ever driving the quest forward.Lost Danish Treasure tells the tale of two stories: 1) the history of Finn Juhl's iconic Chieftain Chair and a long-forgotten painting that preceded it, and 2) the individual connections to this design by a small group of collector researchers. Although starting in different eras and timelines, the two accounts start to intertwine over the course of the book, with the research efforts of today helping to unravel the mysteries of the past. As each chapter unfolds, more and more clues are revealed that slowly weave the storylines closer together--until the summer of 2021, when both accounts collided after Lot 242 popped up in an auction house in Chicago. The result of the subsequent analysis sheds new light about the origins and identity of the very first Chieftain Chair.
AI Sapien unveils a paradigm-shifting vision of artificial intelligence (AI) and the future of architecture by merging cutting-edge AI art with insightful dialogues and poems set to Bach's Goldberg Variations. This mixed media approach explores the future of architecture and its relation to these ontologically mysterious machines starting to simulate sentience. Presenting a future where AI and habitat are inextricably linked, this book reveals new insight into AI's enigmatic "Black Box."
There are no books that focus on the unique artistic characteristics of the Venetian facade and its potential relevance to contemporary architectural and urban issues, as this book intends. This book is about architecture. It is not about history, although a bit of history is necessary to set the context. It is not about theory, although, again, a bit is necessary to connect the facade with urbanism. It is also not about structure and technology. And, most definitely, it is not about the plan. All of these topics are well-covered elsewhere. This book is about the facade. It explores the art and typology of the Venetian facade, not only as a high point of architectural literacy and achievement, but as a potentially useful contemporary stimulant.
Issue 20 of LA+ journal brings you the results of our fifth international design ideas competition. LA+ EXOTIQUE asked entrants to redesign the forecourt of the Museum of Natural History in Paris. The Museum--founded in 1793--sits within the Jardin des Plantes grounds, which include themed gardens, a zoo, and fve themed galleries. In addition to its collections, the Museum is an active research institution studying the evolution of life on this planet. LA+ EXOTIQUE will showcase the award-winning designs and a comprehensive Salon des Refusés. The issue will also feature an essay by LA+ creative director Catherine Seavitt and interviews with jurors Julia Czerniak, Sonja Dümpelmann, Catherine Mosbach, Signe Nielsen, and Marcel Wilson.
GREATNESS: Diverse Designers of Architecture is a compelling exploration of the contributions of diverse architects to the field of architecture. This book delves into the essence of various architectural typologies, including residential, institutional, and master planning, through the lens of designers from varied backgrounds. It highlights the historical evolution of these typologies and their impact on urban planning and architecture, reflecting a wide range of lifestyles, cultures, and socio-economic backgrounds. The book addresses the darker aspects of architectural history, such as housing injustice and redlining, while also celebrating the healing power of design in fostering community well-being and environmental sustainability. It emphasizes the importance of community-centric approaches in residential design and the role of architecture in shaping equitable and sustainable environments. Featuring global projects, the book showcases how architects and designers worldwide address unique challenges and opportunities, enriching our understanding of architecture's role in shaping human lives. GREATNESS: Diverse Designers of Architecture is a call to action for architects and designers to create inclusive, sustainable, and responsive environments that foster community, dignity, and a sense of belonging for all.
Readers will buy this book because they're intrigued by the sketches. They'll read it because it's a compelling story of lighthouse roadtrips with sidebars introducing a wealth of lighthouse information. This is a history of lighthouse building on the Great Lakes. Roadtrip sojourns introduce about 140 lighthouse sketches. Captions explain each lighthouse story and drawings introduce even more captioned lighthouses. Sidebars present a wealth of information explaining how lighthouses and their components work as well as the lighthouse establishment itself and other support services. An epilogue contains thumbnail sketches of lighthouses from around the world. In all about 400 sketches, maps, and diagrams illustrate the book.
We build fountains--those vibrant symbols of life and physical embodiments of beauty--to mark and celebrate our favored places. This act is an honor to all, and like listening to music, it is understood on an intuitive level. We also build fountains to commemorate life. Water is the basis for, and the symbol of, life. Many fountains are articulated to recognize some person, institution, or idea. Those particular recognitions are fused with water's deeper symbolism to convey everlastingness to the identities being celebrated. Fountain Safari places on the shelf a sharply focused, comprehensive, useful, entertaining, and hopefully lasting survey aimed to provide a panoramic portrait of the fountain class of artistic endeavor. The material attends especially to the aesthetics of water expression by examining numerous esteemed examples. In the process, a sketch is roughed out of the evolution of fountains over some two millennia and across several cultures. Ultimately, the work attempts to deepen the understanding and appreciation of water features by identifying and clarifying their most essential aesthetic qualities. Fountain Safari is written for design professionals, architects, landscape architects, urban designers, planners, students of the arts or the built environment--and everyone else interested in the engaging, one-of-a-kind subject of fountains.
Bridges as Structural Art features twenty-five bridges designed by Miguel Rosales and his firm Rosales + Partners, Inc.The firm is characterized by a unique combination of architectural sensitivity, engineering knowledge, and communication skills that allows it to create iconic, cost-effective and technically innovative bridges. These transformational bridges have become a source of pride in the areas in which they have been built and tangible expressions of the art of bridge design.
Design Research for Uncertain Futures assembles a diverse group of thinkers and makers, and thinking-through-makers, to situate design research as a form of knowledge generation that is complementary to science, and especially needed now, given changing climates and uncertain futures. Our model of design research envisions a distinct and powerful role for design researchers to work confidently with uncertainty and to skillfully negotiate contested futures as part of creating more equitable and resilient worlds. Using the tools of design research, knowledge is built through an iterative process of questioning, probing, proposing, building, testing, analyzing and revising. The climate crises that are challenging our collective survival demands--indeed, provokes--bold partnerships among the curious and committed to align creativity, analytic rigor and the plurality of values in the broader contexts of uncertainty and experimentation.
This Shooting for the Stars book is a celebration of timeless design. In its 248 colorful pages, there are countless award-winning, successful design programs and projects which have stood the test of time. Over six decades of global corporate clients (like AT&T and DuPont) to smaller not-for-profit organizations (like F.I.T. and Third Street Music School); Huge budgets to tiny, but all with strong concepts and enduring design solutions. Each design example is dated so one can appreciate the longevity of the work. In addition, the book contains many stories of how the projects evolved, some in unique and surprising ways. i.e.: NASA where we presented only a single Logo solution, but with multiple supporting applications; Or this author being stranded after a presentation in Saudi Arabia, with a full lock-down of airspace. Other stories have a decided teaching role and offer counterpoint to the diverse design presentations. There is also much about Danne's design leadership and service, a commitment which goes well beyond his own practice, for the good of all. Simply put, it's an animated long view of our graphic [visual] design profession, its history and evolution.
Rustic Architecture in America 1887-1940 is a history of a series of misunderstood masterpieces, the log-based architecture that emerged in the Adirondacks and the National Parks between 1890 and 1935. It is a history of how both form and technology of construction were determined by the tourist industry and the railroads who built the buildings and the social and environmental damage caused by the larger process of which they were a part. Many of these buildings were constructional shams driven by romantic pretenses, but there is also in the best of this architecture something truly original. It is also a history of how the rustic aesthetic transcended glib, mythic romanticism to produce a truly original architecture, how the unique conditions of the West merged craft with the industrial, of how its designers drew on the landscape of the West in combination with the European traditions of the rustic to create an original architecture and a unique way of building. Forty buildings are examined in detail. The text and the numerous original drawings unfold the story how the work was actually constructed in relation to its many enduring myths.
Like many small residential practices Cohen & Hacker Architects have made a career of doing house additions.In a practice spanning almost forty years they have evolved strategies for making additions that represent both a theoretical and philosophical position about altering older buildings. They believe that recycling existing houses, retrofitting them to meet new energy standards, preserving their embodied energy as well as their cultural significance is the most sustainable way to practice architecture.The projects included in this book seamlessly and often invisibly extend the fabric of an existing house. Cohen & Hacker's remodeled architectural interiors while respectful of the character and scale of the existing house, transform these spaces with ideas taken from modern design, creating spatially open floor plans with traditional details based on the existing architecture.To help illustrate what Cohen & Hacker describe as transformation, this book contains before and after floor plans and often exterior elevation drawings for every project. Almost every residential addition project and remodeling includes photos of new kitchens and bathrooms, a staple typical of small residential practices. From the largest to the smallest project the same care and attention to detail characterizes their work.
Chronicles the growth of the independent, workshop-based, Rambusch Decorating Company in New York, now being run by a fourth generation.
This is a clear, accurate, readable survey of the dramatic transformation of Chinese architecture from 1840 through 2020. It narrates the change from a predominantly timber-frame tradition to construction in twisted steel and ecologically sensitive local materials. The book places the buildings in historical context. Modern Chinese Architecture: 180 Years tells the dramatic story of the transformation of Chinese architecture from a predominantly modular, timber-frame, single-story building system with ceramic tile roofs of anonymous, local craftsmen to skyscrapers designed by internationally acclaimed architects, from temple markets and itinerant peddlers to megamalls, and from open air stages to auditoriums and stadiums with cutting-edge acoustics. The architectural transformation occurs as China transforms from a dynasty ruled by emperors to a republic to a people's republic, from a country in which fewer than half the male population, and perhaps 10 percent of the female population could read to at least 97% literacy, and from a population that was fewer than 5 percent to more than 60 percent urban. The development of architecture in China is explained century-by-century through five generations of architects: foreigners, China's first generation who study modern architecture abroad, their students who design in China during years of war with Japan, internal warfare, and the Cultural Revolution, the next generation who in the 1980s begin to study abroad again, and designers of this century from every continent who compete to transform the Chinese landscape. Buildings in this book are from every province. Illustrations are superior.
Hot Air is a monograph that situates and defines the hot air of the urban equator through the architecture and creative practice of Erik L'Heureux and the Office of Equatorial Intelligence.
Design research from the University of Pennsylvania Weitzman School of Design's MSD-RAS program.
Time is a factor in urban design. Projects sometimes take decades to materialize. Some never make it. This monograph features three decades of urban design projects at Johnson Fain varying in type and scale from conceptual architecture to the design for major city additions, to environmental plans for sites thousands of square kilometers in area. Some have been built; some remain in process. They represent a wide range of engagements, and all seek to address our goal to achieve "civic purpose," benefiting the city, the community and the project's sponsor.>Civic purpose--contributing to the civility of a city--is central to all our projects, public or private. Public and private sponsors may share similar views of civic purposes, yet often are motivated for different reasons--the public interest in social equity and environmental quality, and the private in engendering support for a project's entitlements. The urban design project benefits from both. Listening to stakeholder voices surrounding a project helps us understand the possibilities and the impossibilities, and to establish through involvement of all parties a sense of ownership and commitment assuring its success over time. Engaging others in conceptualizing urban design involves both the art of persuasion and the art of accepting other viewpoints, ceding credit for good ideas because our process is never about a single idea, encouraging robust discussion, concept development, and evaluation of alternatives in a collaborative process.>Across this spectrum of work, innovation is achieved both programmatically by defining the urban problem in different and interesting ways, and structurally by offering a formal framework from which participants contribute to the evolution of a plan. Our designers share a zeal for understanding how cities evolve and are committed to a principled practice that ensures they evolve in a beneficial direction for everyone.
Design for a Radically Changing World brings to light the impact of design on our everyday lives and offers innovative ways that design can help address some of the world's most pressing issues and urgent crises.
The myth of a wild, untouched landscape is persistent in American history. Imaginary wilds helped define an American identity in the early nineteenth century when Thomas Cole produced a series of masterwork paintings of American landscapes. And today the myth of imaginary wilds continues to have a major influence on attitudes toward landscape, nature, and the use of resources extracted from the earth. This book presents a series of student-designed architectural projects for a new gallery building sited within the landscape of Cedar Grove, Thomas Cole's historic home and studio in Catskill, New York. Cole's artistic legacy can be interpreted in different ways because he was concerned with landscapes and nature as both material and ideal conditions. Complexities arising from considering landscapes and nature as both real and ideal create a productive frame for exploring how architects might design buildings in relation to landscapes and nature. Throughout the book, these relationships are seen to play out in five different directions under the guidance of five different design studio instructors. The architectural projects presented here are contextualized in relation to landscape, nature, and Thomas Cole's artistic legacy in a series of essays by a distinguished group of designers and thinkers.
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