Bøger udgivet af PENGUIN GROUP

"A suite of poems that channels the legendary singer-songwriter Ritchie Valens to examine and question mid-twentieth-century conceptions of race and art, identity and desire"--

NAMED A MOST ANTICIPATED BOOK OF 2022 BY VULTURE, BUZZFEED, AND OPRAH DAILY “Manifoldly clever…brilliant… ‘Glory’ is its own vivid world, drawn from its own folklore. This is a satire with sharper teeth, angrier, and also very, very funny.” —Violet Kupersmith, The New York Times Book Review "Genius."—#1 New York Times bestselling author Jason ReynoldsNoViolet Bulawayo’s bold new novel follows the fall of the Old Horse, the long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup in November 2017 of Robert G. Mugabe, Zimbabwe’s president of nearly four decades, Glory shows a country's imploding, narrated by a chorus of animal voices that unveil the ruthlessness required to uphold the illusion of absolute power and the imagination and bulletproof optimism to overthrow it completely. By immersing readers in the daily lives of a population in upheaval, Bulawayo reveals the dazzling life force and irresistible wit that lie barely concealed beneath the surface of seemingly bleak circumstances.

A NEW YORKER BEST BOOK OF THE YEAR A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR ONE OF NPR’S “BOOKS WE LOVE”“A tender and funny story about love, family and the peculiar position of being a stepparent…[Chilean Poet] broadens the author’s scope and quite likely his international reputation.” —Los Angeles Times“Zambra [is] one of the most brilliant Latin American writers of his generation.” —The New York Review of Books  “Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own.” —Juan Vidal, NPR.org A writer of “startling talent” (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a familyAfter a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets—not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru’s research leads her into this eccentric community—another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other? In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments—sexy, absurd, painful, sweet, profound—that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships—a partner, father, stepfather, teacher, lover, writer, and friend—it is a bold and brilliant new work by one of the most important writers of our time.

One of Barack Obama's Recommended Reads for Summer “[A] brave and necessary book . . . Anyone interested in the future of liberal democracy, in the US or anywhere else, should read this book.” —Anne Applebaum“A convincing, humane, and hopeful guide to the present and future by one of our foremost democratic thinkers.” —George PackerFrom one of our sharpest political thinkers, a brilliant big-picture vision of how to bridge the bitter divides within diverse democraciesNever in history has a democracy succeeded in being both diverse and equal, treating different ethnic or religious groups fairly. And yet achieving that goal is now central to the democratic project. It is, Yascha Mounk argues, the greatest experiment of our time. Drawing on history, social psychology, and comparative politics, Mounk explains why we need to create a world in which our ascriptive identities come to matter less—not because we ignore global injustices, but because we have succeeded in addressing them.The Great Experiment is that rare book that offers both a profound understanding of an urgent problem and genuine hope for our human capacity to solve it. As Mounk contends, it is up to us and the institutions we build whether we come to see each other as strangers or compatriots. Giving up on the prospect of diverse democracies is simply not an option—and that is why we must strive to realize a more ambitious vision for the future of our societies.

An enhanced edition of Food Rules-beautifully illustrated and packed with additional food wisdomMichael Pollan's Food Rules prompted a national discussion helping to change the way Americans approach eating. This new edition illustrated by celebrated artist Maira Kalman-and expanded with a new introduction and nineteen additional food rules-marks an advance in the national dialogue that Food Rules inspired. Many of the new rules, suggested by readers, underscore the central teachings of the original Food Rules, which are that eating doesn't have to be so complicated and that food is as much about pleasure and community as it is about nutrition and health. A beautiful book to cherish and share, Food Rules guides us with humor, joy, and common sense toward a happier, healthier relationship to food.

"First published in Great Britain in 2019 by Dead Ink Books"--Title page verso.

"This collection of graphic reviews, illustrated prose, and visualized poetics addressing the last century of American poetry establishes the roots of Terrance Hayes's poetic influences and reconstructs modes of poetic engagement, demonstrating what makes a poem both move and be moving and illustrating how drawing itself can be a kind of critical, poetic discourse"--

"In a gripping story of survival set against the stark backdrop of the Antarctic Ocean, a couple shipwrecked on an island must trust each other with their lives"--

"Europe was in the throes of World War II, and when America joined the fighting, Ernie Pyle went along. Long before television beamed daily images of combat into our living rooms, Pyle's on-the-spot reporting gave the American public a firsthand view of what war was like for the boys on the front. Pyle followed the soldiers into the trenches, battlefields, field hospitals, and beleaguered cities of Europe. What he witnessed he described with a clarity, sympathy, and grit that gave the public back home an immediate sense of the foot soldier's experience. There were really two wars, John Steinbeck wrote in Time magazine: one of maps and logistics, campaigns, ballistics, divisions, and regiments, and the other a "war of the homesick, weary, funny, violent, common men who wash their socks in their helmets, complain about the food, whistle at Arab girls, or any girls for that matter, and bring themselves through as dirty a business as the world has ever seen and do it with humor and dignity and courage-and that is Ernie Pyle's war." This collection of Pyle's columns detailing the fighting in Europe in 1943-44 brings that war-and the living, and dying, moments of history-home to us once again"--

"First published in the United States of America by Doubleday & Co., 1925"--Title page verso.