Bøger udgivet af Penn State University Press

Originally published by Myriad Editions.

In this graphic novel, the author documents his reconciliation with his father, dying of emphysema, as he cares for him in hospice.

A collection of essays exploring the variety and complexity of biblical interpretation and practice among early awakened Protestants, providing insight into the history of the Bible and the entangled religious cultures of the eighteenth-century North Atlantic world.

The Revenge Of God is a translation of the best-selling book, LaRevanche de Dieu, Gilles Keel, one of Europe's leading authorities on Islamic societies, offers a compelling account of the resurgence of religious belief in the modern world.

In The Impossible Craft, Scott Donaldson explores the rocky territory of literary biography, the most difficult that biographers try to navigate. Writers are accustomed to controlling the narrative, and notoriously opposed to allowing intruders on their turf. They make bonfires of their papers, encourage others to destroy correspondence, write their own autobiographies, and appoint family or friends to protect their reputations as official biographers. Thomas Hardy went so far as to compose his own life story to be published after his death, while falsely assigning authorship to his widow. After a brief background sketch of the history of biography from Greco-Roman times to the present, Donaldson recounts his experiences in writing biographies of a broad range of twentieth-century American writers: Ernest Hemingway, F. Scott Fitzgerald, John Cheever, Archibald MacLeish, Edwin Arlington Robinson, Winfield Townley Scott, and Charlie Fenton. Donaldson provides readers with a highly readable insiders' introduction to literary biography. He suggests how to conduct interviews, and what not to do during the process. He offers sound advice about how closely biographers should identify with their subjects. He examines the ethical obligations of the biographer, who must aim for the truth without unduly or unnecessarily causing discomfort or worse to survivors. He shows us why and how misinformation comes into existence and tends to persist over time. He describes ';the mythical ideal biographer,' an imaginary creature of universal intelligence and myriad talents beyond the reach of any single human being. And he suggests how its very impossibility makes the goal of writing a biography that captures the personality of an author a challenge well worth pursuing.

This volume presents an editied version of Thomas Reid's "Essays on the Intellectual Powers of Man" (1785), together with evidence relating to the original text's composition.

While emphasising discursive and historical dimensions of democracy, the resources available in the history of rhetorical theory and practice tend to be ignored. This book aims to resurrect this history and show how attention to rhetoric can help lead to a better understanding of the strengths and limitations of theories of deliberative democracy.

Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the realist method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and props, of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen strategy in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By supertext Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.

Drawing on more than two hundred interviews, the author examines the political, structural, ideological and personal factors that allowed many Latin American women to escape from the constraints of their traditional roles and led some to participate in guerrilla activities.