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At the turn of the twentieth century, depictions of the colonized world were prevalent throughout the German metropole. Tobacco advertisements catered to the erotic gaze of imperial enthusiasts with images of Ovaherero girls, and youth magazines allowed children to escape into "exotic domains" where their imaginations could wander freely. While racist beliefs framed such narratives, the abundance of colonial imaginaries nevertheless compelled German citizens and settlers to contemplate the world beyond Europe as a part of their daily lives.An Imperial Homeland reorients our understanding of the relationship between imperial Germany and its empire in Southwest Africa (present-day Namibia). Colonialism had an especially significant effect on shared interpretations of the Heimat (home/homeland) ideal, a historically elusive perception that conveyed among Germans a sense of place through national peculiarities and local landmarks. Focusing on colonial encounters that took place between 1842 and 1915, Adam A. Blackler reveals how Africans confronted foreign rule and altered German national identity. As Blackler shows, once the façade of imperial fantasy gave way to colonial reality, German metropolitans and white settlers increasingly sought to fortify their presence in Africa using juridical and physical acts of violence, culminating in the first genocide of the twentieth century.Grounded in extensive archival research, An Imperial Homeland enriches our understanding of German identity, allowing us to see how a distant colony with diverse ecologies, peoples, and social dynamics grew into an extension of German memory and tradition. It will be of interest to German Studies scholars, particularly those interested in colonial Africa.
A collection of essays analyzing ecohorror motifs in literature, manga, film, and television, illuminating ambiguities that arise from human encounters with nonhuman nature and examining the scale and effect of ecohorror in, and of, the Anthropocene.
Ethics for Apocalyptic Times is about the role literature can play in helping readers cope with our present-day crises, including the COVID-19 pandemic, climate change, and the shift toward fascism in global politics. Using the lens of Mennonite literature and their own personal experience as a culturally Mennonite, queer, Latinx person, Daniel Shank Cruz investigates the age-old question of what literature's role in society should be, and argues that when we read literature theapoetically, we can glean a relational ethic that teaches us how to act in our difficult times.In this book, Cruz theorizes theapoetics-a feminist reading strategy that reveals the Divine via literature based on lived experiences-and extends the concept to show how it is queer, decolonial, and equally applicable to secular and religious discourse. Cruz's analysis focuses on Mennonite literature-including Sofia Samatar's short story collection Tender and Miriam Toew's novel Women Talking-but also examines a non-Mennonite text, Samuel R. Delany's novel The Mad Man, alongside practices of haiku and tarot, to show how reading theapoetically is transferable to other literary traditions.Weaving together close reading and personal narrative, this pathbreaking book makes a significant and original contribution to the field of Mennonite literary studies. Cruz's arguments will also be appreciated by literary scholars interested in queer theory and the role of literature in society.
Operating on the premise that our failure to recognize our interconnected relationship to the rest of the cosmos is the origin of planetary peril, this volume presents academic, activist, and artistic perspectives on how to inspire reflection and motivate action in order to construct alternative frameworks and establish novel solidarities for the sake of our planetary home.The selections in this volume explore ecologies of interdependence as a frame for religious, theological, and philosophical analysis and practice. Contributors examine questions of justice, climate change, race, class, gender, and coloniality and discuss alternative ways of engaging the world in all its biodiversity. Each essay, poem, reflection, and piece of art contributes to and reflects upon how to live out entangled differences toward positive global change.Constructive and practical, global and local, communal and personal, Ecological Solidarities is an innovative contribution to the discourses on relational and liberative thought and practice in religion, philosophy, and theology. It will be welcomed by scholars of World Christianity and theology as well as seminary students, activists, and laity interested in issues of justice and ecology.
The Cambodian Civil War and genocide of the late 1960s and '70s left the country and its diaspora with long-lasting trauma that continues to reverberate through the community. In this book, Briana L. Wong explores the compelling stories of Cambodian evangelicals, their process of conversion, and how their testimonials to the Christian faith helped them to make sense of and find purpose in their trauma.Based on ethnographic fieldwork with Cambodian communities in the metropolitan areas of Philadelphia, Los Angeles, Paris, and Phnom Penh, Wong examines questions of religious identity and the search for meaning within the context of transnational Cambodian evangelicalism. While the community has grown in recent decades, Christians nevertheless make up a small minority of the predominantly Buddhist diaspora. Wong explores what it is about Christianity that makes these converts willing to risk their social standing, familial bonds,and, in certain cases, physical safety in order to identify with the faith. Contributing to ongoing dialogues on conversion, reverse mission, and multiple religious belonging, this book will appeal to students and scholars of world Christianity, missiology, and the history of Christianity, as well as Southeast Asian studies, secular sociologies, and anthropologists operating within the field of religious studies.
"A multidisciplinary collection of essays exploring the interconnections and disjunctures in Asian cultural histories of scent. Examines how scent functions as a category of social and moral boundary-marking and boundary-breaching within, between, and beyond Asian societies"--
A collection of essays by scholars of eighteenth-century literature, sharing their experiences as both producers and users of explanatory annotations.
A coming-of-age graphic memoir set in the West Bank, depicting the reality of growing up in a region split by religious tensions--and sometimes violent conflict.
"A biography of Lydia Hamilton Smith (1813-1884), a prominent African American businesswoman in Lancaster, Pennsylvania, and the longtime housekeeper and life companion of the state's abolitionist congressman Thaddeus Stevens"--
"Examines several illustrated copies of the late medieval health guide known as the Râegime du corps, demonstrating how the manuscripts' depictions of household care highlight female-dominated expertise within the domestic sphere"--
Presents and analyzes a set of unpublished images from seventeenth- and eighteenth-century Kongo and Angola created within the Capuchin Franciscan mission to the region.
Explores buildings and public spaces in seventeenth-century Madrid as reflections of political ideas about the grandeur of the Spanish monarchy, situating monuments in the Spanish capital within a network of cities in Spain, Europe, and the Americas.
A collection of critical and creative essays exploring pataphysics, a late nineteenth-century French absurdist precursor to Dadaism, surrealism, and the Theater of the Absurd. Reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century.
Examines the origins of the Herrnhut religious community and describes its development in the context of German Pietism in the early eighteenth century.
Covers the important finds at Tall al-'Umayri, an archaeological dig site in western Jordan, in 2006. Includes a summary of the cumulative results of all excavation seasons to date, from 1984 through 2006.
A collection of essays examining the fifth-century BCE Judean community in Elephantine in southern Egypt. Provides new insights into the origin and identity of the community as well as archaeology, criminal and family law, religious life, the Bible, and the Aramaic language.
A collection of reports on Tell el-Hesi in southern Israel, containing final reports from the Joint Archaeological Expedition (1970-1983) on Field IV and Stratum IX as well as articles on terracotta animal figurines and worked beads at Hesi and animal husbandry at nearby Khirbet Summeily.
Explores the production, circulation, and survival of French luxury after the death of Louis XVI by focusing on makers of decorative art objects who had strong ties to the monarchy and how they navigated the French Revolution.
Explores the visual and cultural history of Amsterdam in the early modern era, focusing on the doolhoven: winding mazes behind pubs and taverns that featured pleasure gardens, waterworks, wax galleries, and automata.
A collection of essays examining surrealism's cultural adaptations and genealogical descendants from the 1960s through the late 1980s. Explores surrealism's interactions with radical politics, protest movements, the sexual revolution, psychedelic subcultures, and other engaged and subcultural trends around the globe.
Sorcery or Science? examines how two Sufi Muslim theologians who rose to prominence in the western Sahara Desert in the late eighteenth century, S¿di al-Mukht¿r al-Kunt¿ (d. 1811) and his son and successor, S¿di Müammad al-Kunt¿ (d. 1826), decisively influenced the development of Sufi Muslim thought in West Africa.Known as the Kunta scholars, Mukht¿r al-Kunt¿ and Müammad al-Kunt¿ were influential teachers who developed a pedagogical network of students across the Sahara. In exploring their understanding of "the realm of the unseen"-a vast, invisible world that is both surrounded and interpenetrated by the visible world-Ariela Marcus-Sells reveals how these theologians developed a set of practices that depended on knowledge of this unseen world and that allowed practitioners to manipulate the visible and invisible realms. They called these practices "the sciences of the unseen." While they acknowledged that some Muslims-particularly self-identified "white" Muslim elites-might consider these practices to be "sorcery," the Kunta scholars argued that these were legitimate Islamic practices. Marcus-Sells situates their ideas and beliefs within the historical and cultural context of the Sahara Desert, surveying the cosmology and metaphysics of the realm of the unseen and the history of magical discourses within the Hellenistic and Arabo-Islamic worlds. Erudite and innovative, this volume connects the Islamic sciences of the unseen with the reception of Hellenistic discourses of magic and proposes a new methodology for reading written devotional aids in historical context. It will be welcomed by scholars of magic and specialists in Africana religious studies, Islamic occultism, and Islamic manuscript culture.
A collection of essays examining surrealism's cultural adaptations and genealogical descendants from the 1960s through the late 1980s. Explores surrealism's interactions with radical politics, protest movements, the sexual revolution, psychedelic subcultures, and other engaged and subcultural trends around the globe.
Appearing in tandem with the publication of an authoritative text of the first edition of John Milton's Paradise Lost, these insightful essays by ten Miltonists establish the significant differences between the text, context, and effect of the poem's first edition (1667) and those of the now-standard second edition. In bringing together essays by various hands, editors Michael Lieb and John T. Shawcross seek to map what may be termed a new frontier in Milton studies, one that acknowledges the importance of what Milton himself considered to be the work of a lifetime when he offered Paradise Lost to readers in 1667.While the scholars writing here do not claim that the first edition of Milton's epic should be viewed as supplanting the second and later editions, they do seek to demonstrate the importance of coming to terms with the original ten-book edition both as a work with its own identity and value and as a source of fundamental insight into the nature of the editions that would follow in its wake. Paradise Lost cannot be fully understood without an awareness of the dynamic and ever-changing nature of the forces through which it made its first and subsequent appearances in the world at large.
This authoritative text of the first edition of John Milton's Paradise Lost transcribes the original 10-book poem, records its textual problems and numerous differences from the second edition, and discusses in critical commentary the importance of these issues.
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