Bøger udgivet af Peter Kingsley

An anthology that accompanies Culturescapes 2023 Sahara, the 17th edition of the Swiss multidisciplinary festival. Sahara: A Thousand Paths Into the Future is devoted to the ideas, images, poetics, politics, fictions, and movements of this vast desert and its myriad voices. Focused on the cultural productions, lines of political and aesthetic thought, and multiple epistemologies and cosmologies of the Sahara, and the accompanying Sahel, this book understands the region as both an ancient space of connection and circulation--from its northern to southern shores, its dunes and volcanic mountains, to its lusher savannahs--and as a contemporary site of exchange between strikingly singular societies and communities on all sides of the desert, that aspect of the Sahara most often imaged and imagined. If the Sahara is habitually narrated as a space of radical heat and intense light, and of barren-like emptiness, this anthology approaches the region with a decolonial lens that privileges the Saharan communities and nonhuman entities who live within all aspects of its circadian rhythms, including the constructive opacity of the desert night. The violence of enlightenment and its imperialisms have often been practiced under the glare of some narcotic sun--the imaginaries of coloniality still do--yet in the desert, it was the elaborating darkness of its night skies, with their spectral constellations, that often directed caravans on their historical routes. They still do. Thus the thinkers, artists, poets, choreographers, composers, activists, elders, novelists, historians, and translators whose voices and sensibilities score and structure this anthology create a more full-spectrum and polyphonic sense of what the Sahara means, in all its waves and forms. Sahara: A Thousand Paths Into the Future indicates a prismatic space of cultures, ecologies, knowledges, conflicts, languages, lights, and relations. That is, of numerous pasts and possible futures. Contributors>Copublished with Culturescapes

The story of Helen Khal and the artists who altered the course of modern and contemporary art in the Middle East and beyond. Helen Khal: Gallery One and Beirut in the 1960s is a reflective exhibition catalogue, part archive, as well as a living testament to the late Helen Khal (1923-2009). A polymath, artist, educator, and writer, Khal was also the cofounder of Gallery One, the first modern and contemporary art gallery in Lebanon, which opened its doors to the public in Beirut in 1963. This catalogue follows an exhibition initiated by Carla Chammas and curated by Chammas and Rachel Dedman as part of Home Works 8: A Forum on Cultural Practices, which opened its doors at the Sursock Museum, Beirut in October 2019. The exhibition, like the catalogue, detailed Helen's life and practice as a catalytic lens through which to explore the work of a group of artists whom she was close to, in life and in art, including: Chafic Abboud, Yvette Achkar, Etel Adnan, Huguette Caland, Simone Fattal, Farid Haddad, Helen Khal, Saloua Raouda Choucair, Aref El Rayess, and Dorothy Salhab-Kazemi. From here, the publication seeks to address the exhibition's themes of love, sex, and motherhood, the relationship between visual art and the literary landscape of 1960s and 1970s Beirut, and the galleries and studios in which public collaborations and private kinships were forged. Taking an intimate approach to a fabled period, Helen Khal: Gallery One and Beirut in the 1960s unfolds a rich picture of the friendships, connections, modes of exchange, common concerns, and differing approaches of some of the best-known and least-remembered artists of the mid-twentieth century in Lebanon. Copublished by artPost21

A new vision for activist curatorial practice. In Pidginization as Curatorial Method: Messing with Languages and Praxes, renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the thinking, writing, and rhythmic beat of musicians, philosophers, linguists, poets, and novelists, Ndikung offers a new vision for activist curatorial practice and beyond. This is the third volume of the series Thoughts on Curating, edited by Steven Henry Madoff.

The applied research project from University of Arts and Design, Karlsruhe, and resulting publication, The Archive as a Productive Space of Conflict examines archival practice and its spatial repercussions in an open conversation among over 80 artists, architects, writers, theorists, educators, designers and others. What are the spaces involved in making archives productive? Conventional archives tend to define themselves through content-specific accumulation of matter, subscribing to an existing order. The structure of archives has not evolved in response to its cumulative model. A productive archive would offer an open framework which actively transforms itself, thus allowing for the constant production of new and surprising relationships and new perspectives on archival practice. Contributions by Stuart Bailey, Bless, Beatriz Colomina, Cline Condorelli, Armin Linke, Dexter Sinister, Nav Haq, Nikolaus Hirsch, Christoph Keller, Hans Ulrich Obrist, Walid Raad and Alice Rawsthorn.