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The devolution of the Sullivan Institute, from psychoanalytic organization to insular, radical cult.In the middle of the Ozzie and Harriet 1950s, the birth control pill was introduced and a maverick psychoanalytic institute, the Sullivan Institute for Research in Psychoanalysis, opened its doors in New York City. Its founders, Saul Newton and Jane Pearce, wanted to start a revolution, one grounded in ideals of creative expression, sexual liberation, and freedom from the expectations of society, and the revolution, they felt, needed to begin at home. Dismantling the nuclear family-and monogamous marriage-would free people from the repressive forces of their parents. In its first two decades, the movement attracted many brilliant, creative people as patients: the painter Jackson Pollock and a swarm of other abstract expressionist artists, the famed art critic Clement Greenberg, the singer Judy Collins, and the dancer Lucinda Childs. In the 1960s, the group evolved into an urban commune of three or four hundred people, with patients living with other patients, leading creative, polyamorous lives.But by the mid-1970s, under the leadership of Saul Newton, the Institute had devolved from a radical communal experiment into an insular cult, with therapists controlling virtually every aspect of their patients' lives, from where they lived and the work they did to how often they saw their sexual partners and their children. Although the group was highly secretive during its lifetime and even after its dissolution in 1991, the noted journalist Alexander Stille has succeeded in reconstructing the inner life of a parallel world hidden in plain sight in the middle of Manhattan. Through countless interviews and personal papers, The Sullivanians reveals the nearly unbelievable story of a fallen utopia.

Jamaica Kincaid's first garden in Vermont was a square plot in the middle of her front lawn. There, to the consternation of more experienced gardener friends, she planted only seeds of flowers she liked best. In My Garden (Book):, she gathers all that she loves about gardening and plants, and examines it in the same spirit: generously, passionately, and with sharp, idiosyncratic discrimination. Kincaid's affections are matched in intensity only by her dislikes. She loves spring and summer but cannot bring herself to love winter, for it hides the garden. She adores the rhododendron 'Jane Grant,' and appreciates ordinary Blue Lake string beans, but abhors the Asiatic lily and dreams of ways to trap small plant-eating animals. She also examines the idea of the garden on Antigua, where she grew up and where one of her favorite school subjects was botany, and she considers the implications of the English idea of the garden in colonized countries. On a trip to the Chelsea Flower Show, she visits historic English gardens on English soil. My Garden (Book): is an intimate, playful, and penetrating book on gardens, the plants that fill them, and the gardeners who tend them.

A Must-Read at The New York Times, NPR, Los Angeles Times, Vulture, The Boston Globe, Shondaland, St. Louis Post-Dispatch, Chicago Review of Books, Essence, Literary Hub, The Millions, The Root"Exhilarating . . . Brinkley is a writer whose versatility knows no boundaries . . . A gift of the highest quality." -Mateo Askaripour, The New York Times Book ReviewFrom National Book Award finalist Jamel Brinkley, Witness is an elegant, insistent narrative of actions taken and not taken.What does it mean to really see the world around you-to bear witness? And what does it cost us, both to see and not to see?In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters-from children to grandmothers to ghosts-live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city.In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust-doctors, employers, siblings-too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

The boldly original, dramatic intertwined story of Catherine de' Medici, Elisabeth de Valois, and Mary, Queen of Scots-three queens exercising power in a world dominated by men.Orphaned from infancy, Catherine de' Medici endured a tumultuous childhood. Married to the French king, she was widowed by forty, only to become the power behind the French throne during a period of intense civil strife. In 1546, Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later, Catherine welcomed to her nursery the beguiling young Mary Queen of Scots, who would later become her daughter-in-law.Together, Catherine, Elisabeth, and Mary lived through the sea changes that transformed sixteenth-century Europe, a time of expanding empires, religious discord, and populist revolt, as concepts of nationhood began to emerge and ideas of sovereignty inched closer to absolutism. They would learn that to rule as a queen was to wage a constant war against the deeply entrenched misogyny of their time.Following the intertwined stories of the three women from girlhood through young adulthood, Leah Redmond Chang's Young Queens paints a picture of a world in which a woman could wield power at the highest level yet remain at the mercy of the state, her body serving as the currency of empire and dynasty, sacrificed to the will of husband, family, kingdom.

A slim, heart-wrenching, and rousing new book from the leading feminist writer Jacqueline Rose.In early 2020, when the COVID-19 pandemic began to infiltrate public consciousness, sales of The Plague, the classic novel by French philosopher Albert Camus, skyrocketed. At the same time, the virus's toll surged exponentially. Amid the harrowing loss, many sensed a glimmer of possibility-the potential for radical empathy wrought by shared experience-even as the death-dealing divisions of class, race, gender, and citizenship were underscored like never before. We have been through a time of 'living death' when, for millions across the globe, untold horror has seemed to infiltrate the very air we breathe.Jacqueline Rose's trenchant new book unravels recent history via the lives and works of three extraordinary thinkers-Albert Camus, Sigmund Freud, and Simone Weil, each one afflicted by catastrophe. Their politics and private griefs, the depth of their understanding, fling open a window into our present crises. Rose, one of the most insightful thinkers on politics and psychoanalysis alike, has written a story of unusual range, spanning World War II to Russia's invasion of Ukraine, surging domestic violence to emboldened anti-racist protest, the Spanish influenza to Omicron, Boris Johnson's deranged optimism to Vladimir Putin's megalomania. The Plague: Living Death In Our Times enacts a psychic reckoning for our moment and for the future to be forged in its aftermath.

The history of NOW-its organization, trials, and revolutionary mission-told through the work of three members.In the summer of 1966, crammed into a D.C. hotel suite, twenty-eight women devised a revolutionary plan. Betty Friedan, the well-known author of The Feminine Mystique, and Pauli Murray, a lawyer at the front lines of the civil rights movement, had called this renegade meeting from attendees at the annual conference of state women's commissions. Fed up with waiting for government action and trying to work with a broken system, they laid out a vision for an organization to unite all women and fight for their rights. Alternately skeptical and energized, they debated the idea late into the night. In less than twenty-four hours, the National Organization for Women was born.In The Women of NOW, the historian Katherine Turk chronicles the growth and enduring influence of this foundational group through three lesser-known members who became leaders: Aileen Hernandez, a federal official of Jamaican American heritage; Mary Jean Collins, a working-class union organizer and Chicago Catholic; and Patricia Hill Burnett, a Michigan Republican, artist, and former beauty queen. From its bold inception through the tumultuous training ground of the 1970s, NOW's feminism flooded the nation, permanently shifted American culture and politics, and clashed with conservative forces, presaging our fractured national landscape. These women built an organization that was radical in its time but flexible and expansive enough to become a mainstream fixture. This is the story of how they built it-and built it to last.Includes 16 pages of black-and-white images

An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn't recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother-setting him on a quest to find his real brother, who is dying.In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, and riddles that will lead to the truth.This is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man's stubborn quest to find refuge-in this world and in the world that lies beyond it.

A new book by the Pulitzer Prize-winning writer about the twenty-first-century Latino experience and identity.In Our Migrant Souls, the Pulitzer Prize-winning writer Héctor Tobar delivers a definitive and personal exploration of what it means to be Latino in the United States right now."Latino" is the most open-ended and loosely defined of the major race categories in the United States, and also one of the most rapidly growing. Composed as a direct address to the young people who identify or have been classified as "Latino," Our Migrant Souls is the first account of the historical and social forces that define Latino identity.Taking on the impacts of colonialism, public policy, immigration, media, and pop culture, Our Migrant Souls decodes the meaning of "Latino" as a racial and ethnic identity in the modern United States, and gives voice to the anger and the hopes of young Latino people who have seen Latinidad transformed into hateful tropes and who have faced insult and division-a story as old as this country itself.Tobar translates his experience as not only a journalist and novelist but also a mentor, a leader, and an educator. He interweaves his own story, and that of his parents' migration to the United States from Guatemala, into his account of his journey across the country to uncover something expansive, inspiring, true, and alive about the meaning of "Latino" in the twenty-first century.

"Open Throat is what fiction should be." -The New York Times Book ReviewOne of Elle's Best Summer Books of 2023, and one of i-D's Fiction to be Excited for in 2023. Named a Most Anticipated Book by The New York Times, Vanity Fair, BuzzFeed, The Boston Globe, Nylon, Alta, Shondaland, Chicago Review of Books, The Philadelphia Inquirer, and Literary Hub.A lonely, lovable, queer mountain lion narrates this star-making fever dream of a novel.A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity's foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call "ellay." As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?Henry Hoke's Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.

In The Vegan, Andrew Lipstein challenges our notions of virtue with a brilliant tale of guilt, greed, and how far we'll go to be good.Herschel Caine is a soon-to-be master of the universe. His hedge fund, built on the miracle of machine learning, is inches away from systematically extracting obscene profits from the market. His SoHo offices (shoes optional, therapy required) have been fine-tuned to reel in curious investors.But on the night of May 12, at his elegant Cobble Hill townhouse, he has something else on his mind-the dinner party he and his wife have devised to woo their new A-list neighbors. When the evening fizzles, Herschel indulges in a devilish prank that goes horrifically awry, plunging him into a tailspin of guilt and regret. As Herschel's tightly constructed world starts to unravel, he clings to the moral clarity he finds in the last place he'd expect: a sudden connection with a neighborhood dog.A wildly inventive, reality-bending trip, The Vegan holds a mirror up to its reader and poses a question only a hedge fund manager could ask: Is purity a convertible asset? The more Herschel disavows his original sin, and the more it threatens to be revealed, the more it becomes something else entirely-a way into a forgotten world of animals, nature, and life beyond words.

"This is a book that will be a sharp pleasure to reread years from now, when it will bring back, like a falcon in the sky of memory, a whole world that is currently jetting and jazzing its way somewhere or other." -NewsweekTom Wolfe raised the banner for his high-octane brand of New Journalism with The Kandy-Kolored Tangerine-Flake Streamline Baby, his first book of essays, which collects stories from corners of 1960s America that few had described before. With a thrilling flair for detail, Wolfe creates an indelible portrait of the era-from the burgeoning ersatz glamor of Las Vegas, to the hot-rodding world of car customizers, to a close-up look at the working lives of New York City doormen.These essays are a testament to Wolfe's unparalleled ability to capture the zeitgeist on the page, bringing it to life with colorful and unusual characters and an inimitable ear for a new kind of American idiom. The force and depth of his writing endures even sixty years after his debut, reaffirming, yet again, his role as a foundational figure in the development of a truly American school of language and journalism.

From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."

THE NEW YORK TIMES BESTSELLERWomen in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities-famous, anonymous, religious, secular, married, single, young, old-on the subject of clothing, and how the garments we put on every day define and shape our lives.It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations.Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women's style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

Kincaid gathers a sparkling selection of new and beloved poetry and prose about each author's favorite flora. The passion for gardening and the passion for words come together in this inspired anthology, a collection of essays and poems on topics as diverse as beans and roses, by writers who garden and gardeners who write.Among the contributors are Daniel Hinkley on hellebores; Marina Warner, who remembers the Guinée rose; and Henri Cole, with the poems "Bearded Irises" and "Peonies." Ian Frazier pulls weeds in "Memories of a Press-Gang Gardener," and Michael Pollan defends a gothic cousin of the sunflower in "Consider the Castor Bean"; Ken Druse stalks the sexy jack-in-the-pulpit, and Elaine Scarry contemplates steep slopes of columbine. Most of the pieces are new, but Colette, Katharine S. White, William Carlos Williams, and several other old favorites also make appearances.Jamaica Kincaid, the much admired writer and a passionate gardener herself, has assembled this diverse crew and provides a spirited introduction. A wonderful gift for green thumbs, My Favorite Plant is a happy collection of fresh takes on old friends.

"An essential account of America's greatest sculptor . . . [A] magnum opus." -Marjorie Perloff, The Times Literary SupplementThe landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position-Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him "the greatest sculptor this country has produced." Michael Brenson's David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works-among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as "salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things." This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.

As she builds her own life anew, an Italian writer embarks on an all-consuming search for the true story of the mysterious princess H. H. Amrit Kaur of Mandi.On a sweltering day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself at a museum in Mumbai, enthralled by a 1924 photograph of a stunningly elegant Indian princess. What she reads in the picture's caption will change her life forever. This alluring Punjabi royal had supposedly sold her jewels in occupied wartime Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unreported? Almost against her will, Manera becomes drawn into the mystery of Amrit Kaur. Delving into the history of the British Raj, its durbars and society balls and jubilees, she shows us the precipitous decline of India's royal caste through the lives of extraordinary figures such as Amrit's father, the larger-than-life Maharaja Jagatjit Singh of Kapurthala; the Jewish banker Albert Kahn; and the Russian explorer Nicholas Roerich-all while pursuing the elusive Amrit Kaur's story. When she meets with the princess's eighty-year-old daughter, Manera's search takes on a new dimension, as she strives to reintroduce an orphan to a mother who disappeared in 1933, leaving behind two children, her raja husband, and a legacy of activism in India's nascent women's civil rights movement. In Search of Amrit Kaur is an engrossing detective story, a kaleidoscopic history lesson, and a moving portrait of a woman seeking personal freedom against the backdrop of a world in upheaval.

The essential, urgent coming-of-age novel by Jamaica Kincaid, a reinventor of the form.Since her first, prizewinning collection of stories, At the Bottom of the River, Jamaica Kincaid's work has been met with nothing short of amazement. The New York Times hailed her "prophetic power" and the Los Angeles Times Book Review said, "No one else seems to be writing quite this way."With Annie John, the story of a young girl coming of age in Antigua, Kincaid tore open the theme that lies at the heart of her fierce, incantatory novels: the ambivalent and essential bonds created by a mother's love. In this book, written in Kincaid's lucid, elemental style, Annie John's ambivalence is universally familiar and wrenchingly real.

The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers.When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, would never be finished. In The Wounded World, Chad L. Williams tells the dramatic story of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising account of this unpublished book lends new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a wide range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most important scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today.

"This book will be the talk of the genre. If you read one thriller this year, read this one." -Chelsea Cain, New York Times bestselling author of Heartsick Killing Eve meets Sharp Objects in this lush,savage Southern gothic thriller about twowomen: a fledgling murderer and the cophell-bent on catching her.Two hours before he vanished, Mark Dixon stole a glass of wine. That's what bartender Sophie Braam tells the cops when they question her about the customer whose mutilated body has just been found. What she doesn't tell them is that she's the one who killed him. Officer Nora Martin is new to the Bellair Police Department and is trying very hard to learn the ropes from Detective Murphy while ignoring all her male colleagues griping about a diversity hire. When she meets Sophie, they build an uneasy camaraderie over shared frustrations. As winter slides into spring and bodies start piling up, Nora begins to suspect that something's not quite right with the unnerving, enigmatic bartender. But will she be able to convince Murph, or will he keep laughing off the idea that the serial killer haunting their little town is a woman? A crackling cat-and-mouse thriller set against the verdant backdrop of small-town Virginia, Meagan Jennett's You Know Her probes the boundaries of female friendship and the deadly consequences of frustration fermenting into rage.

The final posthumous work by the coauthor of the major New York Times bestseller The Dawn of Everything.Pirates have long lived in the realm of romance and fantasy, symbolizing risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies-vibrant, imaginative experiments in self-governance and alternative social formations at the edges of the European empire.In graduate school, David Graeber conducted ethnographic field research in Madagascar for his doctoral thesis on the island's politics and history of slavery and magic. During this time, he encountered the Zana-Malata, an ethnic group of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber's final posthumous book, is the outgrowth of this early research and the culmination of ideas that he developed in his classic, bestselling works Debt and The Dawn of Everything (written with the archaeologist David Wengrow). In this lively, incisive exploration, Graeber considers how the protodemocratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. He illuminates the non-European origins of what we consider to be "Western" thought and endeavors to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future.

"Blending the humor, compassion, and absorbing family drama of first-rate memoir with expert science writing, [Sandeep Jauhar] has composed a can't-miss introduction to what has been called the Age of Alzheimer's." -Sanjay Gupta, author of Keep Sharp and World War CA deeply affecting memoir of a father's descent into dementia, and a revelatory inquiry into why the human brain degenerates with age and what we can do about it.Almost six million Americans-about one in every ten people over the age of sixty-five-have Alzheimer's disease or a related dementia, and this number is projected to more than double by 2050. What is it like to live with and amid this increasingly prevalent condition, an affliction that some fear more than death? In My Father's Brain, the distinguished physician and author Sandeep Jauhar sets his father's struggle with Alzheimer's alongside his own journey toward understanding this disease and how it might best be coped with, if not cured.In an intimate memoir rich with humor and heartbreak, Jauhar relates how his immigrant father and extended family felt, quarreled, and found their way through the dissolution of a cherished life. Along the way, he lucidly exposes what happens in the brain as we age and our memory falters, and explores everything from ancient conceptions of the mind to the most cutting-edge neurological-and bioethical-research. Throughout, My Father's Brain confronts the moral and psychological concerns that arise when family members must become caregivers, when children's and parents' roles reverse, and when we must accept unforeseen turns in our closest relationships-and in our understanding of what it is to have a self. The result is a work of essential insight into dementia, and into how scientists, caregivers, and all of us in an aging society are reckoning with the fallout.

A Must-Read at The Washington Post and Oprah Daily"Steamy, smart, and hilarious." -Oprah Daily"Effervescent . . . Acerbically funny and tender . . . [A] supremely layered, emotionally and intellectually resonant novel for our time." -Lauren LeBlanc, The Boston GlobeChristine Grillo's Hestia Strikes a Match is the slyly funny story of a woman looking for love and friendship in the midst of a new American civil war.The year is 2023, and things are bad-bad, but still not as bad as they could be. Hestia Harris is forty-two, abandoned by her husband (he left to fight for the Union cause), and estranged from her parents (they're leaving for the Confederacy). Yes, the United States has collapsed into a second civil war and again it's Unionists against Confederates, children against parents, friends against friends.Hestia has left journalism (too much war reporting) for a job at a Baltimore retirement village on the Inner Harbor (lots of security). She's single and adrift, save for her coworkers and Mildred, an eighty-four-year-old, thrice-happily-married resident who gleefully supports Hestia's half-hearted but hopeful attempts to find love again in a time of chaos and disunion. She reckons with the big questions (How do we live in the midst of political collapse? How do we love people who believe terrible things?) and the little ones (How do I decorate a nonworking fireplace? Can I hook up with a mime?), all while wrestling with that simmering, roiling, occasionally boiling feeling that things are decidedly not okay, but we have to keep going, one foot in front of the other, because maybe, just maybe, we can still find the kinds of relationships that sustain a person through anything.Christine Grillo's Hestia Strikes a Match is an irreverent, incisive, laugh-out-loud interrogation of modern love of all kinds, in all its messy beauty. Equal parts wise and hilarious, it fills the heart, fortifies the spirit, and will surely help to fend off despair. In the face of the everyday wildness of our times, it asks and answers that newly constant question: How do we make a full, wonderfully ordinary life when the whole mad world is clattering down around us?

In Katy Simpson Smith's The Weeds, two women, connected across time, edge toward transgression in pursuit of their desires.A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, signed up to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own. In 1854, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren't on a boat, with a husband. But love isn't always possible. She logs 420 species. Through a list of seemingly minor plants and their uses-medical, agricultural, culinary-these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women's lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive? Lush, intoxicating, and teeming with mischief, Katy Simpson Smith's The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

"The Hollow Kind seeps into your subconscious and waits for you in your nightmares." -S. A. Cosby, bestselling author of Razorblade Tears Andy Davidson's epic horror novel about the spectacular decline of the Redfern family, haunted by an ancient evil. When Nellie Gardner learns that she has inherited a turpentine estate from her long-lost grandfather, she throws everything she can think of in her pickup and flees to Georgia with her eleven-year-old son, Max, in tow. August Redfern's "estate" is a decrepit farmhouse on a thousand acres of old pine forest, but Nellie sees it as the perfect refuge-a safe place to hide from her violent husband and the chance for a fresh start. But Max sees what his mother can't: Redfern Hill is no haven. Something lurks beneath the soil, ancient and hungry, with the power to corrupt hearts and destroy souls. And Nellie's return is about to wake it up. From the author of The Boatman's Daughter comes a jaw-dropping, terrifying novel about legacy and the nightmares hidden in family histories. Andy Davidson's The Hollow Kind is a twisted tale of cosmic horror mixed with a stunning Southern Gothic fable that will haunt you long after you turn the final page.

One of Publishers Weekly's Best Nonfiction Books of 2022 | A New York Times Book Review Editors' ChoiceThe riveting true story of America's first homegrown Muslim terror attack, the 1977 Hanafi siege of Washington, DC.On March 9, 1977, Washington, DC, came under attack. Seven men stormed the headquarters of B'nai B'rith International, quickly taking control of the venerable Jewish organization's building and holding more than a hundred employees hostage inside. A little over an hour later, three more men entered the Islamic Center of Washington, the country's biggest and most important mosque, and took hostages there. Two others subsequently penetrated the municipal government's District Building, a few hundred yards from the White House. When the gunmen there opened fire, a reporter was killed, and city councilor Marion Barry, later to become the mayor of Washington, DC, was shot in the chest. The deadly standoff brought downtown Washington to a standstill.The attackers belonged to the Hanafi movement, an African American Muslim group based in DC. Their leader was a former jazz drummer named Hamaas Abdul Khaalis, who had risen through the ranks of the Nation of Islam before feuding with the organization's mercurial chief, Elijah Muhammad, and becoming Kareem Abdul-Jabbar's spiritual authority. Like Malcolm X, Khaalis paid a price for his apostasy: in 1973, seven of his family members and followers were killed by Nation supporters in one of the District's most notorious murders. As Khaalis and the hostage takers took control of their DC targets four years later, they vowed to begin killing their hostages unless their demands were met: the federal government must turn over the killers of Khaalis's family, the boxer Muhammad Ali, and Elijah's son Wallace so that they could face true justice. They also demanded that the American premiere of Mohammad: Messenger of God-a Hollywood epic about the life of the prophet Muhammad financed and supported by the Libyan leader Muammar Gaddhafi-be canceled and the film destroyed. Shahan Mufti's American Caliph gives the first full account of the largest-ever hostage taking on American soil and of the tormented man who masterminded it. Informed by extensive archival research and hundreds of declassified FBI files, American Caliph tracks the battle for control of American Islam, the international politics of religion and oil, and the hour-to-hour drama of a city facing a homegrown terror assault. The result is a riveting true-crime story that sheds new light on the disarray of the 1970s and its ongoing reverberations.

The first biography of Shirley Hazzard, the author of The Transit of Venus and a writer of "shocking wisdom" and "intellectual thrill" (The New Yorker). Shirley Hazzard: A Writing Life tells the extraordinary story of a great modern novelist. Brigitta Olubas, Hazzard's authorized biographer, has drawn, with great subtlety and understanding, on her fiction; on an extensive archive of letters, diaries, and notebooks; and on the memories of surviving friends and colleagues to create this resonant portrait of an exceptional woman. This biography explores the distinctive times of Hazzard's life, from her youth and middle age to her widowhood and years of decline, and traces the complex and intricate processes of self-fashioning that lay beneath Hazzard's formidable, beguiling presence. Olubas shows us the places of Hazzard's life, of which she wrote with characteristic lyricism, accompanied by rare photographs from Hazzard's collection and elsewhere.Hazzard was the last of a generation of self-taught writers, devotees of a great literary tradition, and her depth of perception and expressive gifts have earned her iconic status. Olubas has brought her brilliantly alive, enhancing and deepening our understanding of the singular woman who created some of the most enduring fiction of the past sixty years. As Dwight Garner wrote in The New York Times, "Hazzard's stories feel timeless because she understands, as she writes in one of them: 'We are human beings, not rational ones.'" Here, in Shirley Hazzard, is the story of a remarkable human being.

One of Vanity Fair's Best Books of 2022 "Milton Gendel had the good fortune to live a wildly entertaining life in Rome-a charmed, romantic period he captured in diaries and photos. Milton had the further good fortune to have Cullen Murphy bring this vanished dolce vita to life." -Graydon Carter, coeditor of Air MailA never-before-seen treasure trove of photos and diary entries from the celebrated photographer Milton Gendel that bring Rome's midcentury heyday to life."I'm just passing through," Milton Gendel liked to say whenever anybody asked him what he was doing in Rome. Even after seven decades in the Eternal City, from his arrival as a Fulbright Scholar in 1949 until his death in 2018 at the age of ninety-nine, he refused to be pigeonholed. He was always an American-never an "expat," never an émigré-but he couldn't leave, so deep were his ties, and this dual bond left an indelible imprint on his life and art.Born in New York City to Russian immigrants, Gendel first made his way to Meyer Schapiro's classroom at Columbia University and then to Greenwich Village, where he and his friend Robert Motherwell joined the circle of surrealists around Peggy Guggenheim and André Breton. But it was Rome that earned his enduring fascination-the city supplied him with endless outlets for his curiosity, a series of dazzling apartments in palazzi, the great loves of his life, and the scores of friendships that made his story inextricably part of the city's own.Gendel did much more than just pass through, instead becoming one of Rome's foremost documentarians. He spoke Italian fluently, worked for the industrialist Adriano Olivetti, and sampled the latest currents of Italian art as a correspondent for ARTnews. And he was an artist in his own right, capturing the lives of Sicilian peasants and British royals alike on film and showing his photographs at the Roman outpost of the Marlborough Gallery. Then there were his diaries, a casement window thrown open onto a who's who of artists, writers, and socialites sojourning in the city that remained, for Gendel, the Caput Mundi: Mark Rothko, Princess Margaret, Alexander Calder, Anaïs Nin, Gore Vidal, Martha Gellhorn, Muriel Spark. His longtime home on the Isola Tiberina was the nerve center of the dolce vita generation, whose comings and goings and doings he immortalized in both words and images.Here, for the first time in print, are Gendel's diaries, together with his photographs, selected and edited by Cullen Murphy. Just Passing Through brings together the most striking artifacts of one of the past century's richest and most expansive lives, salted with wit and insight into the figures who defined an era.Includes black-and-white photographs

A real-life technological thriller about a band of eccentric misfits taking on the biggest cybersecurity threats of our time."What Michael Lewis did for baseball in Moneyball, Renee Dudley and Daniel Golden do brilliantly for the world of ransomware and hackers. Cinematic, big in scope, and meticulously reported, this book is impossible to put down." -Doug Stanton, New York Times bestselling author of In Harm's Way and Horse SoldiersScattered across the world, an elite team of code crackers is working tirelessly to thwart the defining cyber scourge of our time. You've probably never heard of them. But if you work for a school, a business, a hospital, or a municipal government, or simply cherish your digital data, you may be painfully familiar with the team's sworn enemy: ransomware. Again and again, an unlikely band of misfits, mostly self-taught and often struggling to make ends meet, have outwitted the underworld of hackers who lock computer networks and demand huge payments in return for the keys.The Ransomware Hunting Team traces the adventures of these unassuming heroes and how they have used their skills to save millions of ransomware victims from paying billions of dollars to criminals. Working tirelessly from bedrooms and back offices, and refusing payment, they've rescued those whom the often hapless FBI has been unwilling or unable to help. Foremost among them is Michael Gillespie, a cancer survivor and cat lover who got his start cracking ransomware while working at a Nerds on Call store in the town of Normal, Illinois. Other teammates include the brilliant, reclusive Fabian Wosar, a high school dropout from Germany who enjoys bantering with the attackers he foils, and his protégé, the British computer science prodigy Sarah White. Together, they have established themselves as the most effective force against an escalating global threat. This book follows them as they put their health, personal relationships, and financial security on the line to navigate the technological and moral challenges of combating digital hostage taking.Urgent, uplifting, and entertaining, Renee Dudley and Daniel Golden's The Ransomware Hunting Team is a real-life technological thriller that illuminates a dangerous new era of cybercrime.

Finalist for the 2023 Joyce Carol Oates PrizeA new collection of stories by David Means, a visionary "master of the form" (The Observer). Two nurses meet in the hospital parking lot to share a cigarette. They flirt and imagine a future together. They tell stories of patients lost and patients saved, of the darkest corners of human suffering and the luminous moments that break through, even here, in the shadow of death.In David Means's virtuosic new collection, time unfolds in unexpected ways: a single, quiet moment swells with the echoes of a widower's complicated marriage; a dachshund, given a new name and a new life by a new owner, catches the scent of the troubled man who previously abandoned her; young lovers become old; estranged couples return to their vows; and those who have died live on in perpetuity in the memories of those whom they touched. The stories in this collection-which have won the O. Henry Prize and the Pushcart Prize, and have been featured in The Best American Short Stories-confirm the promise of a writer who "believes in the power of stories to rescue and redeem people" (Max Liu, Financial Times).A revelatory meditation on trauma and catharsis, isolation and communion, Two Nurses, Smoking reflects the dislocations and anguish of our age, as well as the humanity and humor that buoy us.