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A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE AND PAPERBACK ROW"[Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . In 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer from the Dance. Now, at almost eighty years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time." -Colm Tóibín, The New York Times Book Review"It's rare to find fiction that takes this kind of dying of the light as its subject and doesn't make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran's characters are chasing-as well as the darkness that inevitably comes for them, and us." -Mark Athitakis, Los Angeles TimesOne of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse.The Kingdom of Sand is a poignant tale of desire and dread-Andrew Holleran's first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents-during the height of the AIDS epidemic-and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town.At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl's health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking.Holleran's first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran's considerable gifts; it's an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

A short book about the challenges to liberalism from the right and the left by the bestselling author of The Origins of Political OrderClassical liberalism is in a state of crisis. Developed in the wake of Europe's wars over religion and nationalism, liberalism is a system for governing diverse societies that is grounded in fundamental principles of equality and the rule of law. It emphasizes the rights of individuals to pursue their own forms of happiness free from encroachment by government.It's no secret that liberalism hasn't always lived up to its own ideals. In the United States, many have long been denied equality before the law, excluded from the category of full human beings worthy of universal rights. Only recently has this definition expanded to include, to varying degrees, women, African Americans, LGBTQ+ people, and other historically marginalized groups. As the renowned political philosopher Francis Fukuyama shows in Liberalism and Its Discontents, the principles of liberalism have also, in recent decades, been pushed to new extremes by both the right and the left: neoliberals have made a cult of economic freedom, and progressives have focused on identity over human universality as central to their political vision. The result, Fukuyama argues, has been a fracturing of our civil society and increasing peril to our democracy.In this succinct, clear account of our current political discontents, Fukuyama offers an essential defense of a revitalized liberalism for the twenty-first century.

A hilariously filthy tale of sex, crime, and family dysfunction from the brilliantly twisted mind of John Waters, the legendary filmmaker and bestselling author of Mr. Know-It-All.Marsha Sprinkle: Suitcase thief. Scammer. Master of disguise. Dogs and children hate her. Her own family wants her dead. She's smart, she's desperate, she's disturbed, and she's on the run with a big chip on her shoulder. They call her Liarmouth-until one insane man makes her tell the truth.Liarmouth, the first novel by John Waters, is a perfectly perverted "feel-bad romance," and the reader will thrill to hop aboard this delirious road trip of riotous revenge.

One of Esquire's best books of spring 2022An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York).How and when do artists and athletes know that their careers are coming to an end? What if the end comes early in a writer's life? How to keep going even as the ability to do so diminishes? In this ingeniously structured investigation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, musicians, and sports stars who've mattered to him throughout his life. With playful charm and penetrating intelligence, he considers Friedrich Nietzsche's breakdown in Turin, Bob Dylan's reinventions of old songs, J.M.W. Turner's proto-abstract paintings of blazing light, Jean Rhys's late-life resurgence, and John Coltrane's final works.Ranging from Burning Man to Beethoven, from Eve Babitz to William Basinski, and from Annie Dillard to Giorgio de Chirico, Dyer's study of last things is also a book about how to go on living with art and beauty-and the sudden rejuvenation offered by books, films, and music discovered late in life. Praised by Kathryn Schulz as "one of our greatest living critics, not of the arts but of life itself," and by Tom Bissell as "perhaps the most bafflingly great writer at work in the English language today," Dyer has now blended criticism, memoir, and badinage of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer's passions and the perfect introduction to his sly and joyous work.

The Letters of Thom Gunn presents the first complete portrait of the private life, reflections, and relationships of a maverick figure in the history of British and American poetry"I write about love, I write about friendship," remarked Thom Gunn. "I find that they are absolutely intertwined." These core values permeate his correspondence with friends, family, lovers, and fellow poets, and they shed new light on "one of the most singular and compelling poets in English during the past half-century" (Hugh Haughton, The Times Literary Supplement).The Letters of Thom Gunn, edited by August Kleinzahler, Michael Nott, and Clive Wilmer, reveals the evolution of Gunn's work and illuminates the fascinating life that informed his poems: his struggle to come to terms with his mother's suicide; settling in San Francisco and his complex relationship with England; his changing relationship with his life partner, Mike Kitay; the LSD trips that led to his celebrated collection Moly (1971); and the deaths of friends from AIDS that inspired the powerful, unsparing elegies of The Man with Night Sweats (1992).

LONGLISTED FOR THE BOOKER PRIZE"Luminous." -Jonathan Myerson, The Guardian"Vivid, thought-provoking." -Malcolm Forbes, Star TribuneIn 1979, as violence erupts all over Ireland, two outsiders travel to a small island off the west coast in search of their own answers, despite what it may cost the islanders.It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by currach, though boats with engines are available and he doesn't much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create. He doesn't know that a Frenchman follows close behind. Jean-Pierre Masson has visited the island for many years, studying the language of those who make it their home. He is fiercely protective of their isolation, deems it essential to exploring his theories of language preservation and identity.But the people who live on this rock-three miles long and half a mile wide-have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them-from great-grandmother Bean Uí Fhloinn, to widowed Mairéad, to fifteen-year-old James, who is determined to avoid the life of a fisherman-will wrestle with their values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around.An expertly woven portrait of character and place, a stirring investigation into yearning to find one's way, and an unflinchingly political critique of the long, seething cost of imperialism, Audrey Magee's The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance. A MOST ANTICIPATED BOOK of 2022 at Glamour, W, Nylon, Fortune, Literary Hub, The Millions, and more!One night in New York City's Chinatown, a woman is at a reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into an ex-boyfriend. And then another. And . . . another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger. The recently engaged Lola must contend not only with the viability of her current relationship but with the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult. Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.

Will Jawando's My Seven Black Fathers tells a deeply affirmative story of hope and respect for men of color at a time when Black men are routinely stigmatized."Will Jawando's account of mentorship, service, and healing lays waste to the racist stereotype of the absent Black father. By arguing that Black fathers are not just found in individual families, but are indeed the treasure of entire Black communities, Will makes the case for a bold idea: that Black men can counter racist ideas and policies by virtue of their presence in the lives of Black boys and young men. This is a story we need to hear." -Ibram X. Kendi, New York Times bestselling author of How to Be an AntiracistAs a boy growing up outside DC, Will, who went by his Nigerian name, Yemi, was shunted from school to school, never quite fitting in. He was a Black kid with a divorced white mother, a frayed relationship with his biological father, and teachers who scolded him for being disruptive. Eventually, he became close to Kalfani, a kid he looked up to on the basketball court. Years after he got the call telling him that Kalfani was dead, another victim of gun violence, Will looks back on the relationships he had with a series of extraordinary mentors who enabled him to thrive.Among them were Mr. Williams, the rare Black male grade school teacher, who found a way to bolster Will's self-esteem; Jay Fletcher, the openly gay colleague of his mother's who got him off junk food and took him to his first play; Wayne Holmes, the high school coach and chorus director who saw him through a crushing disappointment; Deen Sanwoola, the businessman who helped him bridge the gap between his American upbringing and his Nigerian heritage, eventually leading to a dramatic reconciliation with his biological father; and President Barack Obama, who made Will his associate director of public engagement at the White House-and invited him to play basketball on more than one occasion. Without the influence of these men, Will knows he would not be who he is today: a civil rights and education policy attorney, a civic leader, a husband, and a father.Drawing on Will's inspiring personal story, My Seven Black Fathers offers a transformative way for Black men to shape the next generation.

A captivating memoir of one woman's long journey to late transition, as the trans community emerges alongside her."[An] achingly beautiful memoir." -Manuel Betancourt, The New York Times Book Review"A universal and profound meditation on the price of authenticity." -Jennifer Finney Boylan, author of She's Not There and Good BoyLong before Laverne Cox appeared on the cover of Time, far removed from drag and ballroom culture, there were countless trans women living and dying as men, most of whom didn't even know they were trans. Diana Goetsch's This Body I Wore chronicles one woman's long journey to coming out, a path that runs parallel to the emergence of the trans community over the past several decades."How can you spend your life face-to-face with an essential fact about yourself and still not see it?" This is a question often asked of trans people, and a question that Goetsch, an award-winning poet and essayist, addresses with the power and complexity of lived reality. She brings us into her childhood, her time as a dynamic and beloved teacher at New York City's Stuyvesant High School, and her plunge into the city's crossdressing subculture in the 1980s and '90s. Under cover of night, crossdressers risked their jobs and their safety to give expression to urges they could neither control nor understand. Many would become late transitioners, the Cinderellas of the trans community largely ignored by history.Goetsch has written not a transition memoir, but rather a full account of a trans life, one both unusually public and closeted. All too often trans lives are reduced to before-and-after photos, but what if that before photo lasted fifty years?

An intimate portrait of a legendary generation of artists, writers, activists, and dreamers who created a utopia on the shores of Cape Cod during the first half of the twentieth centuryTheir names are iconic: Eugene O'Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius-the list goes on and on. Scorning the devastation that industrialization had wrought on the nation's workforce and culture in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beachfronts of Cape Cod. They began as progressives but soon turned to socialism, then communism. They founded theaters, periodicals, and art schools. They formed editorial boards that met in beach shacks and performed radical new plays in a shanty on the docks, where they could see the ocean through cracks in the floor. They welcomed the tremendous wave of talent fleeing Europe in the 1930s. At the end of their era, in the 1960s, as the postwar economy boomed, they took shelter in liberalism when the anticapitalist movement fragmented into other causes. John Taylor "Ike" Williams, who married into the Cape's artistic world and has spent half a century talking about and walking along its shores with these cultural and political luminaries, renders the twisting lives and careers of a generation of staggering American thinkers and creators. The Shores of Bohemia records a great set of shifts in American culture and the ideas and arguments fueled by drink, infidelity, and competition that made for a fifty-year conversation among intellectual leaders and creative revolutionaries. Together they found a community as they created some of the great works of the American Century. This is their story. Welcome to the party!

Winner of the Pacific Northwest Book Award."A nuanced mediation on love, identity, and belonging. This story of survival radiates with resilience and hope." -Publishers Weekly (starred review)"This openhearted memoir . . . opens the door to include queer descendants of war survivors into the growing American library of love." -Sarah Schulman, author of Let the Record ShowWhen Putsata Reang was eleven months old, her family fled war-torn Cambodia, spending twenty-three days on an overcrowded navy vessel before finding sanctuary at an American naval base in the Philippines. Holding what appeared to be a lifeless baby, Ma resisted the captain's orders to throw her bundle overboard. Instead, on landing, Ma rushed her baby into the arms of American military nurses and doctors, who saved the child's life. "I had hope, just a little, you were still alive," Ma would tell Putsata in an oft-repeated story that became family legend.Over the years, Putsata lives to please Ma and make her proud, hustling to repay her life debt by becoming the consummate good Cambodian daughter, working steadfastly by Ma's side in the berry fields each summer and eventually building a successful career as an award-winning journalist. But Putsata's adoration and efforts are no match for Ma's expectations. When Putsata comes out to Ma in her twenties, Ma tells her it's just a phase. When Putsata fails to bring home a Khmer boyfriend, it's because she's not trying hard enough. When, at the age of forty, Putsata tells Ma she is finally getting married-to a woman-it breaks their bond in two.In her startling memoir, Putsata Reang explores the long legacy of inherited trauma and the crushing weight of cultural and filial duty. With rare clarity and lyric wisdom, Ma and Me is a stunning, deeply moving memoir about love, debt, and duty.

From the author of the New York Times-bestselling Four Thousand Weeks, a totally original approach to self-help: success through failure, calm through embracing anxiety.Self-help books don't seem to work. Few of the many advantages of modern life seem capable of lifting our collective mood. Wealth-even if you can get it-doesn't necessarily lead to happiness. Romance, family life, and work often bring as much stress as joy. We can't even agree on what "happiness" means. So are we engaged in a futile pursuit? Or are we just going about it the wrong way? Looking both east and west, in bulletins from the past and from far afield, Oliver Burkeman introduces us to an unusual group of people who share a single, surprising way of thinking about life. Whether experimental psychologists, terrorism experts, Buddhists, hardheaded business consultants, Greek philosophers, or modern-day gurus, they argue that in our personal lives, and in society at large, it's our constant effort to be happy that is making us miserable. And that there is an alternative path to happiness and success that involves embracing failure, pessimism, insecurity, and uncertainty-the very things we spend our lives trying to avoid. Thought-provoking, counterintuitive, and ultimately uplifting, The Antidote is the intelligent person's guide to understanding the much-misunderstood idea of happiness.

From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling.Gage Chandler is descended from kings. That's what his mother always told him when he was a child. Years later, he is a true crime writer, with one grisly success-and a movie adaptation-to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell-his closest childhood friend lived there, once upon a time. He begins his research into the murders with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected-back into his own work and what it means, back to the very core of what he does and who he is.Devil House is John Darnielle's most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.

From the eminent and award-winning historian Robert A. Gross comes his long-awaited, immersive journey through Concord in the age of Emerson and Thoreau, The Transcendentalists and Their World.One of The Wall Street Journal's 10 Best Books of 2021Why Concord? How did a small and seemingly quiet village in the hinterlands of Boston become, by popular reckoning, the birthplace of two revolutions-the American War of Independence that began with shots fired by the local Minutemen, and the American Renaissance of literature and thought that began with the Transcendentalists' challenge to established pieties? In The Transcendentalists and Their World, the distinguished historian Robert A. Gross gives a rich and beautifully detailed account of the town that Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, and the Alcotts called home. Their Concord, he shows, was primed for revolt, and was hardly a sleepy, bucolic place fit only for poets and philosophers.The Transcendentalists and their neighbors lived in an age of transformation. A place of more than two thousand souls in the antebellum era, Concord was a community in ferment, one whose small, ordered society, founded by Puritans and defended by Minutemen, was dramatically unsettled by the expansive forces of capitalism and democracy while the town became more tightly integrated with the wider world. These changes posed a challenge to a society built on inherited institutions and involuntary associations as citizens placed a new premium on autonomy and choice. Concord was ripe for Emerson and Thoreau.The Transcendentalists and Their World is both an intimate journey into the life of a town and a searching cultural study of major American writers as they plumbed the reaches of the universe for spiritual truths-and took stock of the rapidly changing contours of their surroundings. It shows us familiar literary figures alongside their neighbors-white and Black, devout and blasphemous, and situated at every level of the social order-and it reveals how this common life in Concord entered powerfully into their works. No American community has been recovered so richly and located so meaningfully within the larger American story.

Dispatches from the front lines of American culture by the great humoristIan Frazier, the two-time winner of the Thurber Prize for American Humor, has gathered his insights on the most urgent issues of today in Cranial Fracking. From musings on climate change (what did Al Gore say at his colloquium on the rising temperatures in Hell?) to the state of culture (what do you do when you're afflicted with Loss of Funding?) to Texas (what should we do with Texas?), he has all the answers. Or, at the very least, a lot of questions.Frazier is endlessly curious and perpetually delighted, and seeing the absurdity of the world through his eyes is irresistible. Once more, the author of Hogs Wild and Travels in Siberia has struck oil.

The true story of Guatemala's political turmoil of the 1950s as only a master of fiction can tell itGuatemala, 1954. The military coup perpetrated by Carlos Castillo Armas and supported by the CIA topples the democratic government of Jacobo Árbenz. Behind this violent act is a lie that will have drastic consequences for the entire region: the accusation by the Eisenhower administration, determined to protect American commercial interests in Central America, that Árbenz encouraged the spread of Soviet Communism in the Americas.Harsh Times is a story of international conspiracies and conflicting interests in the time of the Cold War, echoes of which still reverberate today. In this thrilling novel, the Nobel laureate Mario Vargas Llosa invents vivid characters who go to the heart of the dilemmas of Guatemala's history in a deeply textured blending of fact and fiction that is his alone. Not since The Feast of the Goat, his classic novel about the downfall of the Trujillo regime in the Dominican Republic, has Vargas Llosa combined political intrigue and suspense so compellingly.

A National Book Foundation "5 Under 35" Honoree"An enchanting, sparkling book about the many meanings of sisterhood." -Kristin Iversen, Refinery29Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don't), and the unexpected friends who help you find your truest selfAgatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn't with her sisters? These women, the church, have been her home. Or has she just been hiding?Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make.

The "beautifully written" (The Washington Post) first novel by Alice McDermott, National Book Award-winning author of Charming Billy and Someone.Elizabeth Connelly, editor at a New York vanity press, sells the dream of publication (admittedly, to writers of questionable talent). Stories of true emotional depth rarely cross her desk. But when a young writer named Tupper Daniels walks in, bearing an unfinished novel, Elizabeth is drawn to both the novelist and his story-a lyrical tale about a man in love with more than one woman at once. Tupper's manuscript unlocks memories of her own secretive father, who himself may have been a bigamist. As Elizabeth and Tupper search for the perfect dénouement, their affair, too, approaches a most unexpected and poignant coda.A brilliant debut from one of our most celebrated authors, A Bigamist's Daughter is "a wise, sad, witty novel about men and women, God, hope, love, illusion, and fiction itself" (Newsweek).

A collection of essays, lectures, and observations on the art of writing fiction from Alice McDermott, winner of the National Book Award and unmatched "virtuoso of language and image" (Rebecca Steinitz, The Boston Globe)What About the Baby? Some Thoughts on the Art of Fiction gathers the bestselling novelist Alice McDermott's pithiest wisdom about her chosen art, acquired over a lifetime as an acclaimed writer and teacher of writing.From technical advice ("check that your verbs aren't burdened by unnecessary hads and woulds") to setting the bar ("I expect the fiction I read to carry with it the conviction that it is written with no other incentive than that it must be written"), from the demands of readers ("they'd been given a story with a baby in it, and they damn well wanted that baby accounted for") to the foibles of public life ("I've never subscribed to the notion that a film adaptation is the final imprimatur for a work of fiction, despite how often I've been told by encouraging friends and strangers, 'Maybe they'll make a movie of your novel,' as if I'd been aiming for a screenplay all along but somehow missed the mark and wrote a novel by mistake"), McDermott muses trenchantly and delightfully about the craft of fiction.She also serves throughout as the artful conductor of a literary chorus, quoting generously from the work of other great writers (including Tolstoy, Shakespeare, Nabokov, Morrison, and Woolf ), beautifully joining her voice with theirs. These stories of lessons learned and books read, and of the terrors and the joys of what she calls "this mad pursuit," form a rich and valuable sourcebook for readers and writers alike: a deeply charming meditation on the unique gift that is literature.

David Hoon Kim's debut novel Paris Is a Party, Paris Is a Ghost is a transgressive, darkly comic novel of becoming lost and found in translation. In a strangely distorted Paris, a Japanese adoptee is haunted by the woman he once loved When Fumiko emerges after one month locked in her dorm room, she's already dead, leaving a half-smoked Marlboro Light and a cupboard of petrified food in her wake. For her boyfriend, Henrik Blatand, an aspiring translator, these remnants are like clues, propelling him forward in a search for meaning. Meanwhile, Fumiko, or perhaps her doppelgänger, reappears: in line at the Louvre, on street corners and subway platforms, and on the dissection table of a group of medical students.Henrik's inquiry expands beyond Fumiko's seclusion and death, across the absurd, entropic streets of Paris and the figures that wander them, from a jaded group of Korean expats, to an eccentric French widow, to the indelible woman whom Henrik finds sitting in his place on a train. It drives him into the shadowy corners of his past, where his adoptive Danish parents raised him in a house without mirrors. And it mounts to a charged intimacy shared with his best friend's precocious daughter, who may be haunted herself.With each successive, echoic chapter, Paris Is a Party, Paris Is a Ghost plunges readers more deeply beneath the surface of things, to the displacement, exile, grief, and desire that hide in plain sight.

Shortlisted for the James Tait Black PrizeAn electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years"Never trust the teller," wrote D. H. Lawrence, "trust the tale." Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis.Taking after Lawrence's own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence's pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries-his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan-Wilson uncovers a lesser-known Lawrence, both as a writer and as a man.Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history's most beloved and infamous writers.