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The second part of a four-volume work which aims to make available the most important of Cornelius Vermeule's journal contributions over the last fifty years.
Professor Otto Demus's work on Byzantine art represents one of the great original contributions to the subject made in this century.
The central theme of the articles reproduced in these two volumes is the role of the visual arts and architecture in the cultural interaction between medieval societies, Christian and Muslim, in the eastern Mediterranean.
Since turning to the field of Jewish art over twenty years ago, Vivian Mann has concentrated on investigating Jewish ceremonial art within the dual contexts of Jewish law, and the history of decorative arts in general, including the ceremonial art made for the Church and the Mosque.
A pupil of Andre Grabar, Tania Velmans has worked for over thirty years on the art of the Byzantine empire and its wider diffusion throughout the neighbouring Slavic lands. This volume makes available sixteen of the author's studies divided into four sections.
These eight papers by Professor Martindale represent his major studies on the history of secular painting in medieval and early Renaissance Italy. Written over fifteen years, they focus attention on the evidence for secular decoration in this period.
A collection of Ioannis Spatharkis' influential papers, some published here for the first time, on illuminated manuscripts from the era of Iconoclasm and the Macedonian Renaissance in the 8th and 9th centuries through to the Palaeogian period in the 14th and 15th centuries. Other papers examine iconographical themes and the wall paintings of Crete.
Viktor Nikitich Lazarev was one of the founders of the Russian school of art history, and a major figure in the study of Byzantine and early Russian art. Immensely productive, he combined teaching, museum work and scholarship throughout a long and eventful life.
Written over the course of a quarter century, the nineteen essays reprinted in this volume reflect a continuing belief in the seriousness and complexity of the relationship between pictures and texts in medieval art.
The work of J. B. Ward-Perkins on Roman architecture spanned fifty years, and his numerous published papers covered almost every aspect of the subject. This selection of sixteen studies focuses mainly on the provinces, particularly the North African cities.
This reprint of Richard Brilliant's papers document the development of his ideas concerning Roman art and its links with Greek art. Divided into three sections, the papers discuss portraiture, the methods by which Roman artists adapted earlier models and the symbolic structures and characteristics of Roman art.
The eighteen studies reprinted in this volume have appeared in leading British and European bibliographical journals during the last thirty years.
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting.
This volume brings together for the first time Rosemary Cramp's seminal studies on Anglo-Saxon crosses and sculptural fragments. The papers are principally concerned with the kingdom of Northumbria but the essays also trace the influence of Northumbria's culture and iconography across Anglo-Saxon England.
This collection contains 22 of George Zarnecki's studies, produced within the last 12 years, which provide a guide to recent research on English Romanesque sculpture.
This volume brings together John Oates' studies on English printing, and the collection at Cambridge University Library, to which he devoted his career. It contains fifteen studies on English printing between the filteenth and the eighteenth centuries, and eleven studies on the collection of Cambridge University Library.
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