Bøger udgivet af Pogo Press

The Basis of Belief tells the story of the University of Minnesota s unofficial educational agenda. Steven Keillor considers selected controversies that have been energetically debated by educators, administrators, and students for over a century at the University. Keillor describes the clash between an experimental, scientific basis for knowledge and a reliance on testimony, as in stories and first-hand accounts. Which means of obtaining knowledge was best? Which direction should a university take in influencing and promoting one or the other? These arguments concern the place in the University curriculum and student life of such matters as science, religion, psychology, literature, evolution, American Studies, academic freedom, and loyalty, as well as less scholarly activities, such as student protests and strikes. Keillor carefully draws upon diaries, letters, published accounts, and interviews to assess how religion affected these subjects in academic life.

North Star Rising traces the impact Minnesota’s politicians have had on national politics, from its first territorial governor, Alexander Ramsey, to Vice Presidents Hubert Humphrey and Walter Mondale. Filled with colorful, little-known anecdotes and unusual historical connections, North Star Rising is a highly readable, often humorous, frequently surprising account of how the nation came to take notice of this northern Midwestern state. The book concludes with a look at recent Minnesota political figures as well as a peek at some of the rising stars of the DFL, Republican, and Independence parties. It depicts Minnesota’s political involvement on the national stage from the state’s infancy to its hosting of the Republican National Convention in 2008.

Storm surges and flood tides regularly attack the coastal barrier islands of Bangladesh, then surge inland. Tibetan mountain rivers laden with snow and glacial melt and accelerate downhill. These waters flood the villages, croplands, and animal habitat in Bangladesh. They spread death, destruction and disease. This first novel is about vulnerability to these forces of nature which create loss of dignity, minimal health care, and economic deprivation for the people. The story begins on a stage of despair. A veneer of phony opulence covers the abject poverty of the people. But one person, a medical doctor from Bangladesh, has seen enough. His skills enable him to diagnose these problems of his country. His focus is health care yet his search for solutions and remedies leads him into un-chartered international waters. There he finds assistance, colleagues, love, faith and success.

During World War I, soldiers in the American Expeditionary Force rarely fought in the newly developed tank, and those who did manned British and French tanks since American models did not become available until after the war. Harris joined the Tank Corps because it was considered the elite unit of the ground forces and had a certain amount of romance connected with it. Initially assigned as a driving instructor, he later saw action at the St. Mihiel salient and on the Meuse-Argonne front. This book, which offers an extensive preface, summarizing Harris''s life before, during, and after the war, along with some penetrating insights into his character, collects 46 letters he wrote home while in service. As they show, Harris saw war as a game not unlike the football games he played in his youth. Although he spent only 18 months in Europe, he looked upon it as a bold adventure, surviving the bad periods and enjoying the better moments. He returned from war apparently unscathed in both body and mind. The letters provide an entertaining if hardly probing portrayal of World War I from a tank officer''s point of view.

The general consensus (never proven) seems to be that there is more theatrical activity per capita in the Twin Cities are than anywhere else in the nation, New York included. This book therefore, is a humble attempt to make reader''s a bit more aware of Minnesota''s theatrical heritage. The material is arranged in four chronological divisions: Part One takes us from the soldier shows at old Fort Snelling to 1883 when not one but two Grand Opera Houses were constructed. Part Two ends with 1933, the date when Buzz Bainbridge gave up his theatre to become mayor. Part Three covers the thirty year interval between the demise of the Bainbridge Players and the opening of The Guthrie, while Part Four is concerned with the explosion of activity that immediately preceded and followed the opening of The Gutherie. This title has been selected as a Bernard Hewitt Award Nominee for outstanding Research in Theatre History.