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‘Even the memories of memory are fading. It has been decades since this all began.’In Jen Webb’s hands, the prose poem is a fluid medium, alive with sharp glints and subtle eddies, and never uncontrolled... though it is a deceptive calm, nudged just beneath the surface by the force of the unsaid.— Philip Gross
Matt Hetherington's new collection highlights his very unique way of breaking the world at large into subtle architectures of mystery and wonder. Hetherington is fascinated by finding the universal in the particular and the sublime in the vulgar, and wrapping it up in tight little packages of observation and feeling.
A new collection of poetry from the author of Transit.'no matter how deep within we travel there is still more to find—so that a tree can be a universe, an ocean a drop, and our planet an atom'
Through a concise analysis of interviews with 76 poets from around the world, Dr Monica Carroll and Distinguished Professor Jen Webb investigate the context of poetic excellence. The book examines these poets’ formativemoments, the role that key individuals and institutions play in their lives, and how they locate themselves within communities. The result is a fascinating picture of the rich context within which poetic creativity takes place.
Each reading of your palm a different roadverging from soil and forking into possibilitiesin a wild and foreign oceanno vaster than the line it makes with the skyIn The Many Uses of Mint Ravi Shankar resuscitates old poetic traditions while breathing new forms into life; he translates the ancients and collaborates with living artists and writers; and he peers through spirit at the secrets of the luminous universe. His work, over time, proves that by partaking of formalism, philosophical inquiry, musicality and play, language's wet clay can be shaped into artifacts of exceeding beauty and lasting resonance.
Ten contemporary women poets from Japan translated by a group of poets and translators.The aim of this project has been to translate or transform poems originally written in Japanese into poems that live and breathe as poems in English.Poetry from:ARAI TAKAKOISHIKAWA ITSUKOITO HIROMIHIRATA TOSHIKOKAWAGUCHI HARUMIKONO SATOKOMISAKI TAKAKOMISUMI MIZUKINAKAMURA SACHIKOYAMASAKI KAYOKO
In this debut collection, Judith Wright Poetry Prize winner, K A Nelson surveys a life lived in inland Australia. Inlandia traces the inner self, recording discoveries as she feels the place out and comes to an understanding of what 'place' means. Nelson's direct poetry makes us think again about what keeps us returning, physically and in memory, to the terrains and people who occupy our shared history.
1962. Menzies was in power, Whitlam was deputy Opposition Leader, and the cold war was in full swing. Canberra was steadily transforming froma town in a paddoc to a city with a lake. This is a year in the life of the building that held all the action: Old Parliament House. One of the outcomes of a collaborative project between poet Melinda Smith and artist Caren Florance, this poetic work is an exercise in re-voicing the past and placing it in conversation with the present.
Cavorting with Time is a series of poems about female ageing and mortality. Jacqui Malins shares them here as a work in progress, a script that will develop and mature over time, gathering notes and annotations with each new presentation. She has performed variations of it solo, with musical accompaniment, and now it performs on the page. In this sequence of poems, Jacqui Malins negotiates andrenegotiates her relationship with time and its effects on the bodyand mind. Time is a complex presence: variously a musician, adance partner, a tattooist, an adversary to be gripped and wrestled,the turner of a cosmic crankhandle, a pair of cupped hands waitingto catch us at the end of consciousness, and more. Malins bearsclear-eyed and nuanced witness to the ravages and caresses of ourconstant companion, 'Time, our sister' while gazing calmly at'Death, who walks with her.' An experience you will not forget.Melinda SmithWinner, 2014 Prime Minister's Literary Award for Poetry
Tract is the third anthology of prose poems from the Prose Poetry Project, a group of overtwenty poets from across Australia, Singapore, and the UK who collaborate on writing inthis fl uid form. This anthology features two sequences of prose poems: one characterisedby the single moment; the other refl ecting longer durations. Placed on opposing pages,the conversation between the two echoes the vibrant and enduring poetic practice ofthis group.
In Owen Bullock’s second haiku sequence with Recent Work Press, he explores the wisdom garnered from his period as a care worker for the elderly in New Zealand. These haiku display the riches of Bullock’s keen sense of observation married with his ability to get to the essence of any subject with his deft use of this most precise of Japanese forms.
Owen Bullock's haiku sequence Urban Haiku delivers a world with deft subtlety and cutting precision. Each of these poems builds on the last to deliver a strong sense of place and of people. Urban Haiku has an eye for the absurdities of contemporary life, as well as its quieter, less noticed moments.
Pulse is the second anthology of prose poems from the Prose Poetry Project, a group of over twenty poets from across Australia and the UK who collaborate on writing this most undecidable of forms. This anthology features two long sequences of prose poems, selected to resonate images, themes, ideas and connections. What develops is an immersive, multi-vocal reading experience that speaks to not only the collaborative nature of the project but to prose poetry's capacity to surprise and delight.
Written as an experiment in a weekend and inspired by a paratext from Clarice Lispector, 'Notes to the Reader' is a collection of twenty-one calls to readers from books and authors long forgotten.
Miranda Lello's debut collection of poetry is a deeply felt and often playful reflection on the liminal moments of contemporary life. Influenced by poets such as Walt Whitman, Gerard Manly Hopkins and Sylvia Plath, Lello's keen eye searches out the possibilities of new worlds as they exist in the everyday moments of work, of journeys, of love, and of living. This is a collection written on the body and mind and invested in the possibility of poetry to make us feel.
In this essay Professor Ronald Schleifer makes the case that the humanities train us in systematic attention to experience – and in particular, attention to linguistic and narrative knowledge – and he shows how this kind of attention can change the fundamental quality andoutcome of interactions in the domainof medicine.
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