Bøger udgivet af Red Hen Press

A fateful incident at an antiwar protest pits sister against sister in this family saga about the longstanding cost of commitment.In August of 1968, Rosa and Esther-sisters with matching red star tattoos-march together through downtown Detroit to protest the war in Vietnam. When a bloodied teenager reports that mounted police are beating protestors a few blocks away, the young women hurry to offer assistance. But their attempt to stop the violence has devastating consequences that will alter the course of both of their lives.When the sisters are arrested, Rosa sees an opportunity to protest the war in court. With an infant daughter to protect, Esther will do anything to avoid prison-even testify against Rosa. Estranged for decades, their family story takes a new turn when their daughters finally meet. Told from multiple points of view and through the sisters' never-mailed letters, Her Sister's Tattoo explores the thorny intersection of family loyalty and political conviction.

This debut poetry collection "e;gives poignant testimony to the sorrow, rage, and piercing clarity of grief"e;-an Alice James Book Award finalist (Tracy K. Smith).In her intimately compelling debut collection Moon Jar, Didi Jackson explores the life-altering and heart-rending loss of her husband to suicide. While grief never fully subsides, Jackson allows herself to rediscover love as she contends with the haunting grip of human trauma. With precision and grace, these affirmative poems exhibit an admirable devotion to self-healing that is metamorphic and cathartic.Turning to biblical narratives as well as seminal works of art by the likes of Hildegard of Bingen, Pablo Picasso, Sappho, Mark Rothko, Kazimir Malevich, Hieronymus Bosch, and Frederic Chopin, Jackson orchestrates a tableau of conversations around human suffering, the natural world, and impermanence. And like the Korean porcelain moon jar, these poems mark and celebrate the imperfection of existence.

Don't Go Crazy Without Me tells the tragicomic coming of age story of a girl who grew up under the magnetic spell of her outrageously eccentric father.

"e;Brilliant . . . Rooted in the shifting California landscape, this elegiac yet hopeful book is . . . dedicated to grieving the world as we know it."e; -Ada Limon, author of The CarryingThis collection of poems traces literal and metaphoric fault lines-rifts between past and present, childhood and adulthood, what is and what was. Circling Tess Taylor's hometown-an ordinary California suburb lying along the Hayward fault-these poems unearth strata that include a Spanish land grant, a bloody land grab, gun violence, valley girls, strip malls, redwood trees, and the painful history of Japanese internment.Taylor's ambitious and masterful poems read her home state's historic violence against our world's current unsteadinesses-mass eviction, housing crises, deportation, inequality. They also ponder what it means to try to bring up children along these rifts. What emerges is a powerful core sample of America at the brink-equally tuned to maternal and to geologic time. At once sorrowful and furious, tender and fierce, Rift Zone is startlingly observant, relentlessly curious-a fearsome tremor of a book."e;Taylor vividly and memorably renders the complexities of an America of violence and rifts."e; -Publishers Weekly"e;Unearthing and sifting the seismic layers of her own East Bay locale, she's created a haunting American elegy."e; -Jonathan Lethem, author of The Feral Detective

Against the backdrop of the rising commercial fishing industry in an Alaska Native village, Under Nushagak Bluff is a powerful mid-century tale of women, love, loss, resilience, and the unexpected strength found in storytelling.

From former Missouri Poet Laureate William Trowbridge comes the full and final seriocomic saga of over-the-hill superhero Oldguy and his Quixotic misadventures, with comic book art by Tim Mayer.

The stories in The Girl with Two Left Breasts focus on a new generation of African-Americans, who, having had access to the education their parents could only dream of, now face the challenges of living in an insane postmodern world. Readers will encounter stories shaped and styled for the new millennium as image and metaphor are taffy-stretched and virtually collapsed in order to depict how, at this unique juncture barely beyond our century¿s turn, cultures, genders, and points of view collide as characters struggle with issues of race, identity, sex and addiction in an unforgiving urban milieu. Publisher Fiction Collective 2 calls Glenn¿s work ¿An important new voice speaking to us throughout the stories in an array of vivid, unusual tongues, all of them full of intellect, passion and poetry. Moreover, the collection strikes one as having been written by someone whose literary sensibility is already fully formed.¿ This is fiction that is sometimes darkly humorous or humorously dark, deftly sidestepping facile categorization and often, like a koan, unfolding with a lyrical sort of dissonance.

Douglas uses poetry to explore the personal and professional struggles of soul legend Donny Hathaway.

Orlando White explores language from a Dine (Navajo) perspective. One idea that interests him, inspires him to think and write, is the idea of the English language as a forgotten language. Imagine if we as a people, all people in the United States, are speaking an Indigenous language rather than English; that the English language e

Suicide Hotline Hold Music is a collection of poems (mostly short ones) and poetry comics (poorly-drawn mostly-text sometimes-funny things). A human pretends to be a machine in order to provide comfort anonymously. We are made to consider the epic meaning of middle school pantsing. Hearts are broken and mended. Children play with My Little Robot Pony. A troll keeps a food diary. Everyone's hair has a sound effect.

Based on the true story of Sarah Ellen Gibson, the sixth woman to arrive in Fairbanks, Alaska, in the gold rush of 1903, this novel in poems incorporates a wide variety of style-persona, narrative, and lyric poems, as well as historical photographs and documents-to tell Gibson's story. Through these poems, the reader is offered the chance to try on the dusty, mining-town overcoat of Gibson's life.

In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory.

In 1964, Chuck Rosenthal was a thirteen year old boy whose dream was to make his grade school basketball team. Never Let Me Go tells the true story of how a college professor who coached grade school basketball as a hobby became the man who held that dream in his hands; became Rosenthal's coach and his mentor; how he made Rosenthal his student, his confidant, and eventually his sexual partner, and how that teenager, trapped in the cycle of loyalty, betrayal, denial, secrecy and abuse, found the inner resources to escape and take the first steps toward adulthood.

This book-length poem chronicles a family's experience from the 1950s through the 1990s. The 1950s section was selected by Donald Hall for inclusion in the Best American Poetry series.The poet's first full-length collection, Quiet Money's New Edition consists almost exclusively of longer narrative poems, including the title poem about a bootlegger/pilot who flew the Atlantic solo before Charles Lindbergh. This piece is often cited as one of the most important poems of the 1980s and the movement to revive storytelling in verse.

Spontaneous combustion occurs when Bill, a forty-year-old barista and a failed poet, meets James, a disabled factory worker and a daddy hunk, at an OctoBear Dance.For six months they share weekends of incredible passion at James's house up north in the country. Winter has never seemed hotter in their flannel sheets. But on the first day of spring James abruptly informs Bill over the phone that it's not going to work out and hangs up. No further explanation: just the static of silence.Feeling haunted like Djuna Barnes while she wrote her novel Nightwood in the 1930s, Bill searches for answers in his recollections of James and others who'd departed too early from his life. When he does discover why James left, the answer comes from a mysterious stranger with secrets of his own.

Since her early poems, Katharine Coles has been known as a poet who isn't afraid to tackle big subjects that occupy the intersections of art and science, including how we know what is true (if we do). Driven by her insatiable curiosity and relying on a use of form and elision so deft it amounts to sleight-of-hand, Coles brings these big questions into small spaces in her seventh book, Wayward, moving the reader at mind-speed through brief meditations on love, marriage, and family; the permeable boundaries of the self; death; and perception. Though her subjects are deeply serious, Coles' primary tools for addressing them include her wry wit and agile intelligence, which, taking nothing for granted, she deploys to examine our basic assumptions about the world and our experience within it. As always, Coles here uses technical skill to move her thinking in new directionsmany of them at once.

A packet of letters discovered in the frame of an eighteenth-century Chinese painting starts a search in western Alaska for a remarkable orchid.

Through the creaking of bedazzled branches and the soft rustle of jeweled leaves, deciduous qween explores the queer world all around ushow we, like our environment, wear and shed different identities in our performance as human, as drag queen, as ancient tree. This collection reveals in the natural world those ephemeral moments which reflect our own truths and confront our fear of death, of loneliness, and of failure. With an air of Southern Gothic mysticism, the poet reflects on a childhood spent in Houston's bayous, an adolescence rife with curiosity and shame, and a young adulthood marred by the loss of his mother. How do our bodies and minds find equilibrium as we learn to let go, yet long to remember? The title poem, ';deciduous qween, IV,' binds the collection in a five-part sequence, pondering those things that are lost in the seasons of our lives: teeth, antlers, body, shape, and leaf. And it's those sharp edges of loss and the scars they leave behind that linger here, like bark stripped from a swaying willow, or a family bereft of its matriarch.

In the 1950s, a group of brash young British writers coalesced into a controversial poetic and critical movement known simply as the Movement. In the 1980s, a group of brash young American writers coalesced into an equally controversial poetic and critical movement known as New Formalism. Especially since the British coalition known as The Movement was short-lived, surviving less than a decade, few people could have predicted that it would have an impact that was both far-reaching and long-lasting. This groundbreaking new study shows that the Movement lives on, in a very real way, in New Formalist poetics and poetry.

This culmination of a life of poetry, art, and social justice "e;has the freshness of an opening argument and the majesty of a man's last words"e; (Molly Peacock, author of The Analyst).Like paperweights, his lyrics are both small and hefty. His subjects range from race relations to trees, from secrets to parenthood, from ideas of god to kissing, from sons and mothers to fate, and of course, to poetry itself. Never afraid of the big questions of why human beings are alive, and what hope and justice are for, Louis-Dreyfus could take decades to finish a poem. A perfectionist, a thinker, and always inspired by visual art, he fought with himself over how to say what he wanted to say best. Like the French-Uruguayan businessman poet Jules Supervielle, whom Louis-Dreyfus translated, he felt the tug of the financial world against the pull of the lyricism of poetry, and the division marked his life and sparked ideas for his finest poems. As the heart condition that seized him made it absolutely imperative, finishing Letters Written and Not Sent literally became a life-or-death matter. This is the book that he wished to send into the world."e;There's rock-bottom integrity, a dignified modesty, and a quizzical, persistent quest for meaning in this collection. It's a final bequest to the living from an intensely generous man."e; -Rosanna Warren, author of So Forth: Poems"e;The poems of William Louis-Dreyfus testify to an inner life of great richness, but one that freely slipped across the border of the self into the world beyond . . . a fine collection of his work, and it is good to have it at last."e; -Charles Martin, author of Future Perfect

These poems are about ';the moment inside the body / when joy is not born as much as it is made out of anything / the rest of the world doesn't want.' Using land and South Texas's flora and fauna as references, these poems explore aloneness and manhood as articulations of want, asking the reader to ';take a moan by the hand, see what good it does.' Thematically, these poems address loss after transformative experiences, admitting to a reader, ';All night I might fathom taking back / something precious / that somehow, / long ago, or not so long ago, I don't know, / ripped off, / yanked from bone, / sloughed off like a husk.' These poems are about getting to know one's body after being distanced from it, of recognizing a queer brown body inextricably belonging to lineages of loss, and then realizing that some new body has emerged from where the old parts were lost, or taken, as in the final sequence of four poems, ';Lechuza Sketches,' where the speaker manifests the Tex-Mexican folkloric figure of a lechuza, the human-owl hybrid said to inhabit parts of South Texas and the Northern Mexican border. In the end, this is a collection of poems about more deeply engaging with one's queerness, one's brownness, and understanding that there are parts inside us we never knew existed, or as the Lechuza Sketches speaker offers, ';In the world, some part of us is often / unseen / & not glorious. / But what if we are? / Glorious. Seen.'

A novel of male friendship and forbidden love in post-WWII Appalachia: "e;A pitch-perfect exploration of the terrors and pleasures of American adolescence."e; -David Pratt, author of Bob the BookIn The Falls of the Wyona, four friends growing up on the banks of a wild Appalachian river just after World War II discover, almost at the same time, the dangerous, alluring Falls and the perils of their own maturing hearts.Seen through the eyes of his best friend Arden, football hero Vince falls in love with the new kid, Glen. But they have no context for their feelings-and the next few years of high school become a tense, though sometimes funny, artifice of concealment.The winner of Red Hen's Quill Prize and an INDIES Silver Award for LGBTQ+ Fiction from Foreword Reviews, The Falls of the Wyona is a moving, powerful novel imbued with the magical atmosphere of Appalachian culture.

"e;The most original piece of travel writing about the Antarctic region I have read in years . . . Bradfield is a literary tour guide in the best sense."e; -Elizabeth Leane, author of Antarctica in Fiction: Imaginative Narratives of the Far SouthA poet and a naturalist, Elizabeth Bradfield documents and examines her work as a guide on ships in Antarctica through poetry, prose, and photographs, offering an incisive insider's vision that challenges traditional tropes of The Last Continent.Inspired by haibun, a stylistic form of Japanese poetry invented by seventeenth-century poet Matsuo Basho to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, "e;pure"e; landscapes, and tourism's service economy. Antarctica was the focus of Bradfield's Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world's most iconic wild places.Like having a poet's behind-the-scenes tour of a natural history museum . . . the exquisite landscape and wildlife come into vivid view; so does the gutsy work and responsibility of being a naturalist guide."e; -Alison Hawthorne Deming, author of Zoologies: On Animals and the Human Spirit