Bøger udgivet af Red Hen Press

A poet hailed as "stunning" reveals a fierce and sensual intelligence in a meditation about farming, reproducing, and what it means to try to forge a relationship with the earth.

This book-length poem by the current Poet Laureate of Michigan's Upper Peninsula, Andrea Scarpino, asks the reader to sit with and inside the body's many losses, to grow comfortable and restless in its vagaries, and to acknowledge the myriad ways the body shapes and informs our lives. Incorporating found poetry, including from her own medical records, and the ash and willow tree as mythological figures, Scarpino writes with lyric intensity from a place of resistance and questioning as she tries to describe, understand, and record chronic pain as a growing epidemic.

a slice from the cake made of air processes the physical and mental trauma of abortion coupled with the desires for sexual and emotional love against a backdrop of contemporary culture-with all the sexualization that comes with race, gender, and landscape. From front to back the book is wound through with a single poem whose language is permuted, translated, and retranslated (from English to English) as it cycles around abortion, both asking "what artifact / do I resemble" and stating "small love / small / you failed it / in person." The poems directly confront the sexual self ("This isn't a real orgasm, a real patellar fatigue") and take up the thesis abstract as a malleable form for interrogating the inevitable intersections and overlaps of brains and bodies. Sexy and volatile, a slice from the cake made of air winds over and through itself, with no conclusions or solutions for the mess of living in the world.

A parade of characters and voices, these poems stumble along the playful and pained pathways of our days. This is a book of honest feeling. This book believes in the sacred exchange of a smile. Father, Child, Water wants to make you laugh, wants to surprise you with sorrow, and certainly wants to remind you that you are alive.

Both daring and exacting, Torn from the Sun, journeys through the ensnarements of mortality. The poems' meditations, rendered in supple language and form, invite us to step along with the likes of Miyamoto Musashi, John Coltrane, Walter Benjamin, Jorge Luis Borges, and Vincent Van Gogh, as they fly and fall through labyrinthine paths of life. Torn from the Sun weaves mosaic steps that stir the ashes of rebirth, recognizing that these bewildering, narrow corridors are not a prison for death, but rather a space for interior discovery. Traced in this poetry is a way out and it is the way in.

Ron Carlson is a master of the contemporary short story. In The Blue Box, he extends that mastery to the short short story, offering us a captivating glimpse of a writer at play. With that voice of his-sharp, sensitive, and wry, brimming with good humor-Carlson inhabits one standby after another of the American pop landscape, past and present: monster flicks, action heroes, unsupervised teenagers, blogging. Coming in for special scrutiny is the world of education, in hilarious send-ups of recommendation letters, teacher evaluations, style guides, and a MOOC. Whimsical, wistful, and gently surreal, The Blue Box delights in life's unending absurdities, and reminds us not to take anything-especially ourselves-too seriously.

2014 OMAHA READS SELECTION2016 ONE BOOK, ONE NEBRASKA WINNERStuart, Nebraska is a long way from the battlefields of Western Europe, but it is not immune to the horrors of the first Great War for Peace. Like all communities, it has lost sons and daughters to the fighting, with many more giving themselves over to the hatred only war can engender.Set in 1918 in the farm country at the heart of America, The Meaning of Names is the story of an ordinary woman trying to raise a family during extraordinary times. Estranged from her parents because she married against their will, confronted with violence and prejudice against her people, and caught up in the midst of the worst plague the world has ever seen, Gerda Vogel, an American of German descent, must find the strength to keep her family safe from the effects of a war that threatens to consume the whole world.

"Jodi Johnson writes like an Angel in love with the world. She knows the risk of being alive and alert, and makes every encounter a perilous discovery. For Johnson a horseback ride is an interior journey illuminated by the stunning accuracy of her vision."¿Benjamin Saltman"Feeding the Animals is a first book of poems filled with surprising graceful turns. The landscape of the poems teem with animals-birds horses-real creatures who are also figures in a personal mythology emboldened by the author¿s passion, recorded with a keen observer¿s eye. This felicitous combination of passion and accuracy yields, in poem after poem, an arresting new voice."¿Carol Muske"I love the thing-richness of these poems: a chalk horse¿s white spine, a red beet-stem, a mattress cover swimming with mermaids. In poems as elegant as dressage, as intuitive as a bareback ride, Jodi Johnson¿s language renews the world- the troubling beauty that takes our hearts."¿Angela Ball, Mississippi Review

Existing at the intersection of darkness and play, the noisy, irreverent, and self-conscious poems in Interrobang take clinical "phobias" and clinical "philias" as their conceit. Each poem makes its own music, the crescendos and decrescendos born of obsessions over anxiety and lust. Encompassing a range of forms (but mostly sonnets), each piece toes the line between traditional meter and contemporary sonic play, while a tell-tale heart beats beneath the floor of the collection, constantly reminding us of our shames, fears, and the clock's unrelenting ticking. Through individual stories about love, degradation of the self, the redemptive power of genuine humility, and the refuge offered by art and language, Interrobang, winner of the 2012 A Room of Her Own Foundation To the Lighthouse Poetry Publication Prize, illustrates how even the worst-case scenario of these pathologies are, fundamentally, just extensions of the dark truths to which every one of us can relate.

Rex Wilder's second collection introduces the world to a new form, inspired by Richard Wilbur: the boomerang, a four-line nouveau haiku that aims for permanence in an evanescent world.

Golden Ghetto: How the Americans & French Fell In & Out of Love During the Cold War is an intimate, improbable story of fear and skepticism giving way to trust and friendship at a huge U.S. Air Force base in central France that, for two generations, transformed the political, economic, and social life of an occupied territory.

Ron Koertge wants to do nothing but delight. Armed with his trademark wit, he introduces readers to Little Red Riding Hood all grown up with a fondness for salsa and chips, explores the thorny relationship of Jackie Robinson and Pee Wee Reese, spies a Trojan pony and the children it bamboozles, and offers an alternate reading to the Icarus story. He meets Walt Whitman on the set of an X-rated movie, attends his gardener's funeral, and goes to his beloved race track. Seminal figures from pop mythology speak up in unexpected ways: The Beast, transformed by Beauty, hints that his new life isn't exactly what he expected. Gretel enrolls in night school, the ogre's wife from the beanstalk yarn writes a heart-rending story on her cutting board, and a group of fourth-graders on a field trip encounters Death. Occasionally setting aside free verse, there are couplets about a Bette Davis movie, a sestina about routine blood tests, a villanelle set in a topless bar, and a set of haibun that chronicles an entire day. Reverend Ike and John Lennon said, "Whatever gets you through the night." This book will do just that and carry you right on in to the next day, guaranteed.

Winner of the inaugural Letras Latinas/Red Hen Poetry Prize, Dan Vera's Speaking Wiri Wiri is a work of historical insight and wry wit, unexpectedly delightful and full of surprises as it meditates on the challenges of multiple identities, ethnicity, geographies of migration, familial displacement, popular history, and more. Everything is fair game for Vera, who finds poetry in the mundane and the monumental, the hidden lives of iconic television stars and the alternate and accidental histories of Latinos in the United States. Carmen Miranda makes an appearance, as do Captain Kirk, Vladamir Nabokov, and José Martí in a literary landscape careening lyrically between lost and found.

Ernest Hilbert's newest collection, All of You on the Good Earth, continues to explore the bizarre worlds of twenty-first century America first glimpsed in his debut, Sixty Sonnets, which X.J. Kennedy hailed as "maybe the most arresting sequence we have had since John Berryman checked out of America" and "whose dark harmonies and omnivorous intellect remind the reader of Robert Lowell's," according to Adam Kirsch.

Richard Silberg's The Horses lives in keen, tasty language, with images like searchlights, and stories, monologues, and meditations that leap to epiphany.

covet (k\u00fah-vit)v. tr.: to desire, esp. to desire eagerly, to wish for, long for. As in to covet anotherÆs belongings, the ghosts of households and fixtures, their voices or warnings. Ex: she coveted the fine table, the rich furnishings of her neighborÆs home. As in to covet the past, a lost year, a lost life or one not lived. Ex: turning the photograph of her parents over in her hand, she imagined their happiness and coveted what might have been. As in to eagerly wish for the health, well-being of one for whom responsibility is given, or a child. Ex: she coveted, above all, happiness for her sons. Or, to want that (i.e. person) which one may not have, desire to possess another. Ex: thou shalt not covet.

At the nexus of a top-secret government conspiracy to develop a doomsday-style bio-weapon, cutting edge science and ancient primal bloodlust collide when a team of ill-fated explorers unlocks the eons-old secrets of humankind's savage evolutionary past lurking miles beneath the killing cold of Antarctica.When disgraced evolutionary biologist Dr. Claire Matthews is asked to accompany a group of leading scientists on a fact-finding expedition to Antarctica to investigate a tragic accident, she is naturally suspicious. Her checkered past and ongoing professional exile are more than enough to convince her that any offer made by the charismatic and scheming Dr. Ethan Hatcher merits serious skepticism.Despite her doubts, Claire cannot turn her back on close friend and colleague, Alan Whitehurst. Killed under mysterious circumstances weeks earlier with the members of the first expedition, Alan deserves better than an anonymous death in Earth's harshest and most unforgiving environment. While the expedition promises Claire an unwelcome reunion with an array of personal demons, it also presents her with a golden opportunity to resurrect a once-promising career. Proving the existence of S. iroquoisii, an ancient microscopic organism critical in the evolution of primitive man, would mean the culmination of her life's work, and a triumphant return for one of the scientific communityÆs brightest prodigies. To earn her keep, Claire must determine the role S. iroquoisii played in the catastrophic accident that decimated the previous expedition, before her crew falls prey to a similar fate. Employing the latest in forensic investigation, Claire and a joint team of military and civilian personnel undertake the gruesome task of piecing together the events that led to the massive explosion that destroyed the previous research station. As a nightmare of unimaginable proportions begins to coalesce, Claire is drawn ever deeper into a maze of deception and savage violence. Pitted against a primordial foe they can scarcely fathom, Claire and her colleagues must battle the cold, each other, and the growing madness within themselves to survive the infinite polar night.

Comic, tragic, colorful, and adventurous, "Stickball on 88th Street" is a sequence of thirty-four narrative poems that follows its speaker from boyhood to college. It's a memory book, bound with vignettes of school, family life, and the streets of New York City, as well as Maine and Mexico, culminating with a swan dive in Colorado. It reads like a novel or memoir, with characters, setting, and plot.

"New and Selected Poems: 1957 - 2011" is culled from Robert Sward's newest and best works, including both previously unpublished poems and selections from his 20+ books of poetry. It is the definitive Sward collection, exhibiting throughout his signature style: outwardly zany and fanciful, but inwardly serious, troubled, and questioning. They cover the territory Sward has tread so well--love, divorce, multiple marriage, aging, loss, and the challenge of bringing up children in a highly unstable world--in his lifelong search for the liberating illumination of "IT."

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

Poet Emily Wall began collecting birth stories after the birth of her third child, Lucy. She realized that women were always quietly sharing their storiesin living rooms with a mug of tea, or whispered at the preschool playground. She saw the intensity with which women listened to each other's stories. They were shared, remembered, retold, but not collected, not treated as the art form they are. Wall began asking for, and collecting birth stories: women sent her emails, handed her their journals, and recorded their own voices. She collected stories from a lesbian couple, a story from an indigenous father who is fighting for his language, and a story from a grandmother. Some of the stories are about difficult and painful births: a woman who had a miscarriage, a woman unable to get pregnant. And some of the stories are beautiful: a birth in water that happened exactly as the mother dreamed it would. Wall has taken these stories and shaped them into poems, and then into this collection, offering the reader a look into the story that women, for centuries, have been quietly sharing with each other.

This anthology brings together one hundred contemporary Indian poets and fiction writers working in English as well as translating from other Indian languages. Located anywhere from Michigan to Mumbai, the sources of their creativity range from the ancient epics to twentieth-century world literature, with themes suggesting a modernist individuality and sense of displacement as well as an ironic, postmodern embracing of multiple disjunctions. The editors present a historical background to the various Englishes apparent in this collection, while also identifying the shared traditions and contexts that hold together their uniquely diverse selection. In aiming at coherence rather than unity, Hasan and Chattarji reveal that the idea of Indianness is as much a means of exploring difference as finding common ground.

The Los Angeles Review is a literary journal of divergent literature with a West Coast emphasis. Established in 2003, LAR publishes both the stories of Los Angeles, endlessly varied, and those that grow outside our world of smog and glitter. LAR seeks voices with something wild in them, voices that know what it means to be alive, to be fallible, to be human.

Sinking Islands continues the story of Bronwyn Artair, a scientist who possesses the power to influence the natural forces of the Earth. After several successful interventions, including one in Siberia, she has gone into hiding, worried about unintended consequences of her actions, as well as about the ethics of operating solo. But circumstances call her to action again, and an idea takes shape: What if she could impart her skill to other people? Gathering a few kindred souls from climate-troubled places around the worldFelipe from So Paulo, where drought conditions are creating strains on day-to-day life; Analu and his daughter Penina from a sinking island in the South Pacific; and Patty from the tornado-ridden plains of Kansasshe takes them to the wilds of Northern New Hampshire where she tries to teach them her skill. The novel, realistic but for the single fantastical element, explores how we might become more attuned to the Earth and act more collaboratively to solve the enormity of our climate problem.

Environmental catastrophe has driven four people inside the dark throat of a cave: Sky, a child coming of age; Tie, pregnant and grieving; Mark, a young man poised to assume primacy; and Teller, an elder, holder of stories. As the devastating heat of summer grows, so does the poison in Teller's injured leg and the danger of Tie's imminent labor, food and water dwindling while the future becomes increasingly dependent on the words Sky gleans from the dead, stories pieced together from recycled knowledge, fragmented histories, and half-buried creation myths. From the Caves presents the past, present, and future in tandem, reshaping ancient and modern ideas of death and motherhood, grief and hope, endings and beginnings.

Jane is a Los Angeles nurse who grew up in a Christian cult that puts celebrities on trial for their sins. Daniel is a has-been actor whose career ended when the cult family members nearly killed him for flirting with her. Eight years after a romantic meet-cute in Battery Park, both search for someone to fill the gap they imagine the other could've filled if given the chance. Jane compulsively goes on dates with every self-professed expert in art, music, and food hoping they will teach her the nuances of the culture she couldn't access in her youth. Daniel looks for a girlfriend who will accept the disabilities left from the cult attack. A loving woman will prove to Daniel's blockbuster star brother, Steve, that he's capable of a supporting role in Steve's upcoming movie and relaunching Daniel's career. When a chance encounter unexpectedly reunites them, Jane and Daniel not only see another chance at the love they lost, but an opportunity to create the lives they've always wanted. The only question is whether their families will let them.

American Bastard is a lyrical inquiry into the experience of being a bastard in America. This memoir travels across literal continentsand continents of desire as Beatty finds her birthfather, a Canadian hockey player who's won three Stanley Cupsand her birthmother, a working-class woman from Pittsburgh. This is not the whitewashed story, but the real story, where Beatty writes through complete erasure: loss of name and history, and a culture based on the currency of gratitude as expected payment from the adoptee. American Bastard sandblasts the exaltation of adoption in Western culture and the myth of the ';chosen baby.' This journey into the relationship of place and body compels and unhinges, with the link between identity and blood history as its driving force. Beatty rescripts the order of things: the horizontal world of the birth table where babies are switched, the complex yard of the body where names and blood shift and revolt, and the actual story into the relationship of place and the insurrection of the body erased. Issues of class and struggle run throughout this book, this narrative river between blood and continents, between work and desire.