Bøger udgivet af SCRIBNER BOOKS CO

From one of the world’s most innovative designers comes a fiercely passionate manifesto on why so many places have become miserable and boring and how we can make them better for everyone—featuring hundreds of photographs and illustrations that will change how you see the world around you.We are living through a global catastrophe. Buildings affect how we feel, moment by moment, day by day. They have the power to lift us up and make us feel awestruck, playful, safe, and inspired, just as they can make us feel alienated and sad. But many of the places where we live, work, learn, and heal have become monotonous and disposable. We’re surrounded by cheap, boring buildings that make people stressed, sick, and unhappy. In short, much of our world has been crafted in a way that is hostile to human experience. Now, drawing on his experience of the last thirty years in making bold, beautiful objects and buildings, Thomas Heatherwick offers both an informed critique of the inhumanity in most of today’s contemporary building design, and a rousing call for action. Looking through Heatherwick’s eyes, we see familiar landmarks and cityscapes around the world, from London, Paris, Barcelona, Singapore, New York, Vancouver, and beyond, both old and new, famous and obscure, to learn how places can either sap the life out of us—or nourish our senses and our psyche. The time has come, he says, to put emotion back at the heart of the design process, and the reasons to do so could not be more urgent. Design is not superficial: it has an impact upon economics, climate change, our mental and physical wellbeing—even the peace and cohesion of our societies. As citizens and users, we need a world full of architectural diversity that delights and unites us. And as makers and designers, we can help create a world where cities reconnect with their essential mission: to provide human spaces where people mix, meet, inspire each other, and live out their full potential. Elegantly crafted by Heatherwick’s own studio, and fully illustrated with hundreds of black-and-white photos, Humanize is an urgent call-to-arms for making our world a better place for everyone to live, and provides the vision and tools for us to make it a reality.

A New York Times EDITORS’ CHOICE | MOST ANTICIPATED by The Guardian • Paste Magazine • LitHub • The Millions • Library Journal From the prizewinning author of The Manningtree Witches, a subversive historical novel set during the French Revolution, inspired by a young peasant boy turned showman, said to have been tormented and driven to murder by an all-consuming appetite. “Obscenely beautiful…Every sentence is gorgeous...Powerful and provocative.” —The New York Times Book Review “This year, I found myself seeking one quality above all others from the books I read: escapism. And no book plunged me into another world quite so bracingly as The Glutton.” —Vogue1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite…an appetite they say tortures him still. Born in an impoverished village to a widowed young mother, Tarare was once overflowing with quiet affection: for the Baby Jesus and the many Saints, for his mother, for the plants and little creatures in the woods and fields around their house. He spends his days alone, observing the delicate charms of the countryside. But his world is not a gentle one—and soon, life as he knew it is violently upended. Tarare is pitched down a chaotic path through revolutionary France, left to the mercy of strangers, and increasingly, bottomlessly, ravenous. This exhilarating, disquieting novel paints a richly imagined life for The Great Tarare, The Glutton of Lyon in 18th-century France: a world of desire, hunger and poverty; hope, chaos and survival. As in her cult hit The Manningtree Witches, Blakemore showcases her stunning lyricism and deep compassion for characters pushed to the edge of society in The Glutton, her most unputdownable work yet.

"An introspective young boy, Joseph Coppock is trying to make sense of the world. Living alone in an old house, he spends his time reading comic books, collecting birds' eggs, and playing with marbles. When one day a rag-and-bone man called Treacle Walker appears on a horse and cart, offering a cure-all medicine, a mysterious friendship develops and the young boy is introduced to a world beyond his wildest imagination. Luminous, evocative, and sparely told, Treacle Walker is a stunning fusion of myth, folklore, and the stories we tell ourselves."--

In 1983, The Homewood Trilogy signaled the arrival of a major voice in American literature. Forty years later, this edition of the Trilogy celebrates Wideman's ongoing contribution by offering these masterworks to a new generation of readers.

"This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons. Collectively, these poems, borne of Sax's obsession, offer a varied picture of what it means to be a human being. Delivered in a variety of forms, infused with humor, grace, sadness, and anger, Pig is a wholly unique collection from a virtuosic and original poet"--

Longlisted for the Carnegie Medal for Excellence | Named a Best Book of 2023 by Library Journal and Debutiful An eerie, irresistible debut story collection about the bonds and bounds of community and what it means to call a place home, “perfect for readers of Margaret Atwood and Carmen Maria Machado” (Booklist). “A writer to watch if there ever was one.” —Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars “Kelsey Norris’s carefully and beautifully crafted tales left me laughing, gasping, and completely enthralled.” —Deesha Philyaw, author of The Secret Lives of Church LadiesA group of women contemplate violence after they’re sent into foreign territory to make husbands of the enemy. A support network of traumatized joggers meets to discuss the bodies they’ve found on their runs. And a town replaces its Confederate monument with a rotating cast of local residents. Slippery but muscular, sly but electric, this stunning debut collection moves from horror to magical realism to satire with total authority. In these stories, characters build and remake their sense of home, be it with one another or within themselves. As in the very best collections, each of these stories is a world all its own, with a novel’s emotional heft and a poem’s laser focus on the most achingly resonant details of its characters’ lives. Captivating from start to finish, House Gone Quiet announces the arrival of a thrilling literary talent.

A charming, highly relatable graphic memoir about one woman's coming out and coming of age that "brims with hope, and the joy that arises when one is finally ready to step out into the world" (OprahMag.com).Ellie always had questions about who she was and how she fit in. As a girl, she wore black, obsessed over Willow in Buffy the Vampire Slayer, and found dating boys much more confusing than many of her friends did. As she grew older, so did her fears and a deep sense of unbelonging. From her first communion to her first girlfriend via a swathe of self-denial, awkward encounters, and everyday courage, Ellie offers a fresh and funny self-portrait of a young woman becoming herself. This "heartwarming, delightful memoir of self-discovery" (Kirkus Reviews, starred review) reminds us that people sometimes come out not just once but again and again; that identity is not necessarily about falling in love with others, but about coming to terms with oneself. Full of vitality and humor, The Times I Knew I Was Gay will ring true for anyone who has taken the time to discover who they truly are.

"From celebrated author Agustina Bazterrica, this collection of nineteen brutal, darkly funny short stories takes into our deepest fears and through our most disturbing fantasies. Through stories about violence, alienation, and dystopia, Bazterrica's vision of the human experience emerges in complex, unexpected ways--often unsettling, sometimes thrilling, and always profound. In "Roberto," a girl claims to have a rabbit between her legs. A woman's neighbor jumps to his death in "A Light, Swift, and Monstrous Sound," and in "Candy Pink," a woman fails to contend with a difficult breakup in five easy steps."--

“Reichs has written her masterpiece—smart, scary, complicated, and engrossing.” —Michael Connelly “This page-turning series never lets the reader down.” —Harlan Coben “The crowning achievement of a master storyteller.” —Nelson DeMille #1 New York Times bestselling thriller writer Kathy Reichs’s twenty-first novel of suspense featuring forensic anthropologist Temperance Brennan who uncovers a series of gruesome killings eerily reenacting the most shocking of her prior cases.Winter has come to North Carolina and, with it, a drop in crime. Freed from a heavy work schedule, Tempe Brennan is content to dote on her daughter Katy, finally returned to civilian life from the army. But when mother and daughter meet at Tempe’s place one night, they find a box on the back porch. Inside: a very fresh human eyeball. GPS coordinates etched into the eyeball lead to a Benedictine monastery where an equally macabre discovery awaits. Soon after, Tempe examines a mummified corpse in a state park, and her anxiety deepens. There seems to be no pattern to the subsequent killings uncovered, except that each mimics in some way a homicide that a younger Tempe had been called in to analyze. Who or what is targeting her, and why? Helping Tempe search for answers is detective Erskine “Skinny” Slidell, retired but still volunteering with the CMPD cold case unit—and still displaying his gallows humor. Also pulled into the mystery: Andrew Ryan, Tempe’s Montreal-based beau, now working as a private detective. Could this elaborately staged skein of mayhem be the prelude to a twist that is even more shocking? Tempe is at a loss to establish the motive for what is going on…and then her daughter disappears. At its core, Cold, Cold Bones is a novel of revenge—one in which revisiting the past may prove the only way to unravel the present.

One of Literary Hub's Favorite Books of the Year "Seethingly assured…like all the best horror, [Follow Me to Ground] is an impressive balancing act between judicious withholding and unnerving reveals." ?The Guardian A "legitimately frightening" (The New York Times Book Review) debut novel about an otherworldly young woman, her father, and her lover that culminates in a shocking moment of betrayal."You've never encountered a father-daughter story like Rainsford's slim debut" (Entertainment Weekly). Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals?or "Cures"?by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson?and they quickly strike up an affair. Soon, Ada is torn between her old way of life and new possibilities with her lover, and eventually she comes to a decision that will forever change Samson, the town, and the Ground itself. "Visceral in its descriptions…this unworldly story is a well-crafted and eerie exploration of desire…beautifully intoxicating" (Shelf Awareness). In Ada, award-winning author Sue Rainsford has created an utterly bewitching heroine, one who challenges conventional ideas of womanhood and the secrets of the body. "A triumph of imagination and myth-bending…equal parts beauty and horror [Follow Me to Ground is] unlike anything you will read this year" (Téa Obreht).