Bøger udgivet af SCRIBNER BOOKS CO

David Lehman, a poet of wit, ingenuity, and formidable skill, draws upon his heritage as a grandson of Holocaust victims and offers a stirring autobiographical collection of poems that is his most ambitious work to date. Yeshiva Boys covers an expansive range of subjects -- from love, sex, and romance to repentance, humility, the meaning of democracy, Existentialism, modern European history, military intelligence, and the rituals associated with faith and prayer. The title poem is a work in twelve parts that blends the elements of espionage fiction, memory, history, and moral philosophy. It reflects David's experience as a student in an orthodox Yeshiva, and it, along with many other poems in the book, explores what it means to be a Jew in America, what is gained and lost in assimilating to secular culture, how to understand the peculiar destiny of the Jewish people, and how to reconcile the existence of God with the knowledge of evil. Beautiful, provocative, and accessible, this is David Lehman's most inspired collection.

A brilliant feat of storytelling, Red Light Run is the radiant and stunning debut from Best New American Voices writer Baird Harper.When two cars collide at an intersection in a leafy Chicago suburb, Hartley Nolan is not the person police expect to find behind the wheel. After all, he barely drinks; everyone knows it’s his wife who’s the alcoholic. But the bigger question on people’s minds is what brought Sonia Senn, dead at the scene, back to her hometown in such a hurry that night? In eleven tightly linked stories, Red Light Run pulls us into the inner lives of Hartley, Sonia, and a host of other characters to untangle the mounting forces that carry them to their fates. Among the ensemble in this prismatic collection are a real estate agent who seeks gossip on the market rather than houses, a trailer park developer whose entire livelihood is laid to waste by a single cigarette, a divorced mother battling her daughter-in-law for hegemony over her kitchen, a widower hell-bent on destroying the invasive species of beetle that’s wiping out his oak trees, and a down-and-out handyman with a desperate plan for revenge. And then there’s Sonia Senn, with a dark secret of her own, and Hartley Nolan, who has risen above his roots to become a commodities trader in Chicago only to end up sentenced to eight years at Grassland State Prison. With infectiously grim humor and wry insight, these characters contemplate their realities in relation to one tragic moment, propelling us toward a startling revelation about the long and sometimes crooked arc of justice.

"Mona is twenty-six and cleans houses for a living in Taos, New Mexico. She moved there mostly because of a bad boyfriend--a junkie named Mr. Disgusting, long story--and her efforts to restart her life since haven't exactly gone as planned. For one thing she's got another bad boyfriend. She calls this one Dark, and he happens to be married to one of Mona's clients. Dark and his wife aren't the only complicated clients on Mona's roster ... there's also the Hungarian artist couple who remind her of troubling aspects of her past and some of the underlying reasons her life had to be restarted in the first place. As Mona tries to get over the heartache of her affair and the pains of her youth, she winds up on an eccentric, moving journey of self-discovery that takes her back to the home she grew up in and that--she hopes--will unlock the key to having a sense of home in the future"--

In her inspiring autobiography, mountain-climbing heroine Blum scales the heights of human aspiration and liberation, chronicling a life of astonishing achievement and courage.

"A richly compelling and deeply moving novel that traces the converging lives of a young boy who witnesses a brutal murder, the doctor who tends to him, and an elderly woman guarding her long buried past. It seems like just another night shift for Lucy, an overworked ER physician in Providence, Rhode Island, until six-year-old Ben is brought in as the sole survivor from a horrifying crime scene. He's traumatized and wordless; everything he knows has been taken from him in an afternoon. It's not clear what he saw, or what he remembers. Lucy, who's grappling with a personal upheaval of her own, feels a profound, unexpected connection to the little boy. She wants to help him ... but will recovering his memory heal him, or damage him further? Across town, Clare will soon be turning one hundred years old. She has long believed that the lifetime of secrets she's been keeping don't matter to anyone anymore, but a surprising encounter makes her realize that the time has come to tell her story. As Ben, Lucy, and Clare struggle to confront the events that shattered their lives, something stronger than fate is working to bring them together."--

"On August 8, 1993, a single bullet to the head killed Freddie Woodruff, the Central Intelligence Agency's station chief in the former Soviet Republic of Georgia. Within hours, police had a suspect--a vodka-soaked village bumpkin named Anzor Sharmaidze. A tidy explanation quickly followed: It was a tragic accident. US diplomats hailed Georgia's swift work, and both countries breathed a sigh of relief. Yet the bullet that killed Woodruff was never found and key witnesses have since retracted their testimony, saying they were beaten and forced to identify Sharmaidze. But if he didn't do it, who did? Those who don't buy the official explanation think the answer lies in the spy games that played out on Russia's frontier following the 1991 collapse of the Soviet Union. Woodruff was an early actor in a dangerous drama. American spies were moving into newborn nations previously dominated by Soviet intelligence. Russia's security apparatus, resentful and demoralized, was in turmoil, its nominal loyalty to a pro-Western course set by President Boris Yeltsin, shredded by hardline spooks and generals who viewed the Americans as a menace. At the time when Woodruff was stationed there, Georgia was a den of intrigue. It had a big Russian military base and was awash with former and not-so-former Soviet agents. Shortly before Woodruff was shot, veteran CIA officer Aldrich Ames--who would soon be unmasked as a KGB mole--visited him on agency business. In short order, Woodruff would be dead and Ames, in prison for life. Buckle up, because The Spy Who Was Left Behind reveals the full-throttle, little-known thrilling tale"--

Bestselling author Buffett and Seah--"the Warren Buffet of Asia"--explain Warren Buffett's techniques of value investing and his proven strategies to ensure long-term success.m success.

“Unflinching and honest…both timely and timeless” (Houston Chronicle), this extraordinary collection of essays by the award-winning writer of The Other Side—rooted in her own experience with sexual assault—pursues questions that strike at the heart of our national conversation about the justness of society.In 2014, Lacy Johnson was giving a reading from The Other Side, her “instant classic” (Kirkus Reviews) memoir of kidnapping and rape, when a woman asked her what she would like to happen to her rapist. This collection “attempts to parcel out several knotted problems and suggests forms of meaningful justice” (Booklist, starred review). Drawing from philosophy, art, literature, mythology, anthropology, film, and her own experience of violence, Johnson considers how our ideas about justice might be expanded beyond vengeance and retribution to include acts of compassion, patience, mercy, and grace. “The Reckonings is not a book about changing the world. It’s philosophy in disguise, equal parts memoir, criticism, and ethics…The twelve essays deserve great consideration, while you read it and long after” (NPR). From “Speak Truth to Power,” about the condition of not being believed about rape and assault; to “Goliath,” about the ways evil is used as a form of social control; to “The Fallout,” about ecological and generational violence, Johnson creates masterful, elaborate, gorgeously written essays that speak incisively about our current era. She grapples with justice and retribution, truth and fairness, and sexual assault and workplace harassment, as well as the broadest societal wrongs: the BP Oil Spill, government malfeasance, police killings. The Reckonings is a powerful and necessary work, ambitious in its scope, which “challenges our culture’s expectations of justice and expose the limits of vengeance and mercy” (Ms. Magazine).