Bøger udgivet af SEVEN STORIES

The Motorcycle Diaries is Che Guevara's diary of his journey to discover the continent of Latin America while still a medical student, setting out in 1952 on a vintage Norton motorcycle together with his friend Alberto Granado, a biochemist.

From the award-winning author and screenplay writer, a trio of one-act plays depicting the spooky, strange, and tragic passage of guests through the same New York City hotel room (number 603).“The dialogue has the evocative spareness of Pinter, and [the] control of mood [is] menacing, mesmerizing.” —TIMEThe tangible mystery of these stories is grounded in the peculiar relationships that unfold slowly, producing an unrelenting uncanny atmosphere. In each play, a family member has recently died and the survivors are left to deal with the consequences.In "Tricks" Gifford approaches the psychological territory of Kafka. We meet two men looking for something more than just sex from a prostitute. Are the men two halves of a severed personality?  In "Blackout" Danny and Diane, an Oklahoma couple of the 1930s, cannot move beyond the grief of a personal tragedy. Refusing to accept the death of her son, Diane seeks refuge in low-level deliriums. In "Mrs. Kashfi" a young boy experiences a spooky visitation while his mother voyages into the sea of clairvoyance with a fortune teller.Written for David Lynch's 1993 drama Hotel Room for HBO, two of these stories, "Tricks" and "Blackout" were nominated for the Cable Ace Award.“Gifford’s night people are a strange mix of utter weirdness and bedrock humanity, rampant eccentricity, and absolute individuality. Some things in life are beyond analysis, and Barry Gifford is one of them. —Booklist

This anthology of the writing of José Martí’s features bilingual poetry, political essays, writings on Latin American culture, and his letters.José Martí organized and unified the movement for Cuban independence and died on the battlefield. His dedication to the goal of Cuban freedom made his name a synonym for liberty throughout Latin America.This collection of the writing of José Martí’s features bilingual poetry, his political essays and writings on culture, and his letters. Readers will discover a literary genius and an insightful political commentator on the troubled relationship between the United States and Latin America.“Martí was the guide of his time but also stands as the anticipator of ours,” wrote Cuban revolutionary leader Carlos Rafael Rodríguez. Martí was an outstanding teacher, journalist, poet and revolutionary of his time, able to interweave the threads of Latin American culture and history.

"Out of the Rain takes us into the growing world of the homeless in the United States, particularly in San Francisco. Here we read their powerful stories, which examine not just poverty but bottom-of-the-barrel destitution, and in many cases self-destruction. Tom, who runs a social services agency, doesn't play by a book of rules as much as try to bring some humanity to his work. Then there is Walter, a homeless man who can't save himself from booze but is ready to help others. Throughout this novel told from various perspectives, the reader is introduced in intimate detail to the lives of social services workers trying to find open shelter beds and simultaneously navigating federal programs. Homeless men and women are battling sobriety and addiction and simply trying to find sustainable work and decent housing. Based on the author's experience working with homeless people in San Francisco as a social services worker in the 1980s and 1990s, this novel vividly takes the reader into the heads of combat veterans, junkies, prostitutes and the unemployed. J. Malcolm Garcia left social services to pursue journalism so he could write about the people he worked with and share their stories-and humanity-with the broader public"--

"California is on fire. Everyone has the virus. Sinister patrols of SWAT teams seem to materialize out of thin air, and if you're not careful, you'll end up exiled down in Bakersfield. In the middle of it all, the fourteen-year-old narrator in Night of the Short Eyes must take care of his mess of a family--Dad is in jail for stealing guns with his partner, Ronnie, and Mom is shacking up with the social worker assigned to the family's case--and he only has one thing to his advantage: he speaks perfect English. Refugees from Russia stream into San Francisco as our narrator approaches his next birthday. His younger brother (nicknamed Putin, "on account of his broken English and heavy accent.") seems determined to make trouble if he cannot find it himself. Which shouldn't be hard when even crossing the street is a walk on the dangerous side. In this world of worsening climate disasters, and set against the backdrop of a cold war that never ended, Night of the Short Eyes may be former San Francisco Literary Laureate Peter Plate's most outrageous novel yet. Written with lyrical grace and propulsive momentum, Plate's latest vision of California is so warped that it just might come to pass"--

A biography of Karl Marx and Friedrich Engels by Che Guevara, revealing Che’s fervent interest in studying their lives and writing.Che Guevara wrote this biographical introduction to Marx and Engels after his 1965 mission to Africa. He studied the writing of the German revolutionaries intensively, and in his travels he immersed himself in the classic works of Marxism. He sought to draw lessons and inspiration from Marx and Engels, and noted: “The Cuban Revolution takes up Marx at the point where he put aside science to pick up his revolutionary rifle.” Many of Che’s comments about Marx might also refer to Che himself, such as his observation: “Such a humane man whose capacity for affection extended to all those suffering throughout the world, offering a message of committed struggle and indomitable optimism, has been distorted by history and turned into a stone idol.” With his tremendous grasp of theory and his own practical experience, Che observes Marx’s evolution through his own view of radical change in Cuba, considering how it might apply to other countries after they achieve their definitive liberation from colonialism.

"Emily Wells, a former ballerina, spent her childhood dancing through intense, whole-body pain she assumed was normal for someone used to pushing her body to its limits. For years, no doctor could tell Wells what was wrong with her, or they told her it was "all in her head." It was only in college that she learned the name for the illness she had been suffering from all her life: Behcet's Disease, a rare congenital disorder causing blood vessel inflammation throughout the body, arthritis, and swelling of the brain. In A Matter of Appearance, Wells, who now teaches creative writing at UC Irvine, traces her journey as she tries to understand and define this specific and personal pain, internally and externally. She draws on the critical works of Freud, Sontag, and others to explore the intersection between gender, pain, and language, tracing a line from the "hysteria patients" documented at the Salpãetriáere Hospital in nineteenth-century Paris through to the contemporary New Age healers of Los Angeles and beyond. At the crux of this is the dilemma of how to express in words an experience that is both private and public, subjective, and quantifiable. A work of crystalline beauty and razorlike insight, A Matter of Appearance introduces a much needed millennial voice to the literature of illness"--

"A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award. Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability-and responsibility-to save humanity from itself? Like all of Octavia Butler's best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature's strongest voices"--

"No one knows more than strippers about being looked at: as objects of desire, objects of curiosity, as angels or Jezebels or hookers with hearts of gold. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels-or decided they never will-these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear. Their unfiltered perspectives on their lives, onstage and off, are a powerful counternarrative to the whorephobia that shrouds the conventional portrayals of strippers in crime movies, TV shows, music videos, newspaper articles, and legislative debates. Each of these illuminating essays and interviews peels away tired myths and salacious speculation and presents the naked truth: that sex work is real work and strippers are real people"--