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In the twenty-first century, religious belief is undergoing change, driven in part by new communication technologies. Such technologies have often given rise to notable changes in religion, some of the most revolutionary of them being apocalyptic in character. What, then, is the nature of the changes in religious belief created or enabled by the Internet? In this collection, the first of its kind, nine scholars consider whether the empowerment offered by Internet communication generally encourages the exchange of ideas or whether, rather, it allows individuals to seal themselves off into ideological ghettos of the like-minded. These nine essays explore those possibilities by documenting and analysing the diversity of apocalyptic belief online.Andrew Fergus Wilson looks at those using the Internet to explore the syncretism that lies at the heart of the 'cultic milieu'. William A. Stahl examines the online discourse about climate change to find the apocalyptic structures undergirding it. Dennis Beesley examines End Times discourse on the video-sharing Web site YouTube. J.L. Schatz explores how the apocalyptic imaginings of science fiction set the trajectory of our shared future. Amarnath Amarasingam documents how the Internet is encouraging the belief that President Barack Obama is the Antichrist. Salvador Jimenez Murguia analyses an Internet-based service offered to those wishing to communicate with their loved ones who might be 'left behind' after the anticipated 'Rapture'. David Drissel documents how social networking facilitates connections among Muslims who share a belief in a nearing apocalypse. James Schirmer examines an apocalyptic computer game individuals use to explore personal ethics. Robert Glenn Howard documents the first Internet-based new religious movement-reflected in the beliefs of the suicidal 1997 'Heaven's Gate' group, extant in their archived websites.
It is often said that the inner life of characters in the Hebrew Bible is inaccessible to us, and that we can know little or nothing about how they felt and thought. In this study, original in both its scope and its method, Barbara Leung Lai shows how wrong that assumption is. She directs our attention to the many places where her chosen characters, Daniel, Isaiah, and Yahweh, speak of themselves, using the first-person 'I' voice, and finds those to be a unique point of entry, or window, into the interiority of the characters.To construct an interior profile of these characters, Leung Lai develops an integrated methodology of psychological exegesis, drawing upon psychological perspectives of personality, Bakhtinian views of polyphony and dialogism, current studies of emotion, self and selfhood, and the empirics of reading under the rubric of reader-response literary criticism.From these perspectives, Leung Lai can identify in Daniel two primary realms in his inner identity-seeing and emotive experiencing -- and can characterize Daniel's interior world as a world of paradoxes, of seeing without comprehending, hearing without the capacity to respond. Isaiah, on the other hand, exhibits a broad spectrum of emotions, from love, intimacy, joy and empathy to a sense of being under divine constraint, and to mourning, lament, doubt, distress, helplessness and despair. The prophet exhibits a profound sense of selfhood and subtle inner depths. The character of Yahweh is found to be most striking for its inner conflicts, with its frustrations, disappointments, pain and suffering.
Left Behind - twelve novels that dramatize one evangelical perspective on the end of the world - is now established as the best-selling fictional series in American literary history. But it has been met with a range of critical receptions. This volume gathers essays by new and established critics of the series to interrogate the series' significance and its cultural and commercial success, and includes, for the first time, a response to these criticisms written on behalf of one of the series' authors.Mark S. Sweetnam considers the challenge that the organically theological nature of Left Behind has posed for cultural scholars. Amy Frykholm situates the novels' discussion of gender within wider traditions of sentimental and domestic fiction. Jennie Chapman nuances the general assumption that the series' conspiracy plots have been poached from secular accounts of subversion that emerged from the radical Right. Crawford Gribben contextualizes the treatment of Jews and Muslims in the rapture fiction tradition. Jarlath Killeen identifies a profoundly ambiguous attitude to Catholicism in the novels, accounted for by the emergence of lobbying and campaigning alliances between evangelicals and Catholics on a range of social issues. John Walliss outlines the manner in which rapture films speak to an evangelical audience, and addresses the failure of these films to gain significant crossover appeal. Katie Sturm interrogates the series' ecumenical reflections. Marisa Ronan traces the role of Christian fiction in the shaping of evangelical identity. Thomas Ice addresses the theological background of the novels. Writing on behalf of Jerry B. Jenkins, Kevin Zuber responds to the criticisms provided by the volume's contributors.
In Biblical Curses and the Displacement of Tradition Brian Britt offers an intriguing perspective on curses as the focus of debates over the power, pleasure, and danger of words. Biblical authors transformed ancient Near Eastern curses against rival ethnic groups, disobedient ancestors, and the day of one's own birth with great variety and ingenuity.Transformations of biblical curses proliferated in post-biblical history, even during periods of 'secularization'. This study argues that biblical, early modern, and contemporary transformations of curses constitute displacements rather than replacements of earlier traditions.The crucial notion of displacement draws from Freud's psychoanalytic theory, Nietzsche's critical philosophy, and Benjamin's engagement with textual tradition; it highlights not only manifest shifts but also many hidden continuities between cursing in biblical texts and cursing in such 'secular' domains as literature, law, politics, and philosophy. The tradition of biblical cursing-neither purely 'religious' nor purely 'secular'-travels through these texts and contexts as it redefines verbal, human, and supernatural power.
In this book, Trevaskis argues that holiness in Leviticus always has an ethical dimension, and is not simply a cultic category. Inso doing he departs from the usual view that in Leviticus 1-16 (P) holiness is largely a cultic concept. Biblical scholars have commonly read ritual texts as practical instruction or prescription, inferring the theological significance of the ritualsfrom elsewhere. For example, theological interpretations of the 'burnt offering' have been derived from its use in narrative settings (e.g. Gen. 8.20; 22.13) rather than from its legal prescription in Leviticus 1.Trevaskis, however, argues that an implicit command to be holy exists within some ritual texts in Leviticus, which are more than mere ritual prescriptions. It is in the symbolic dimensions of the rituals that the theological significance lies. In support of this argument, he undertakes exegetical studies of the 'burnt offering' (Leviticus 1), of the 'purity regulations' (Leviticus 11_15) and of the physical appearance of priests and sacrificial animals (Leviticus 21-22). These studies take place within amethodological framework that avoids capricious symbolic interpretations. Trevaskis draws on cognitive linguistic insightsto discern when a text may allude to other texts within the Pentateuch (especially Genesis 1-3), and attends to the legislator's use of various rhetorical devices (e.g. 'rhetorical progression').Since the command to 'be holy' in Leviticus 17-26 (H) only makes explicit what P leaves implicit in Leviticus 1-16, this study has important implications for the compositional history of Leviticus. It becomes much less clear that H's ethical view of holiness developed from a prophetic critique of P (as Milgrom and Knohl, for example, argue).
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