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RC Patterson is a St. Louis resident. He attained a master's in Philosophy from the University of Missouri St. Louis. RC Patterson is an Adjunct professor at Harris-Stowe State University. He has six published books including, Black Lives Splatter, Jim CroMagnon Man, and Elegies. He is an artist, a writer and a teacher.
Michael Hathaway lives in St. John, Kansas in his childhood home with his family of felines. By day, he works as Keeper of History for Stafford County, and by night edits and publishes Chiron Review literary journal which he founded in 1982. He's worked many day jobs to enable his poetry habit including newspaper typesetter/compositor, society editor, librarian, janitor, chauffeur, painter, wall-paperer, ladies clothing store clerk, babysitter, pet-sitter, house-sitter, and living assistant to the mentally disabled. He served 12 years on the Goodman Library city board, and currently serves as secretary/treasurer for the Stafford County Central Democratic Party. In 2008, he accidentally became an ordained minister of Spiritual Science (which has its roots in Theosophy and Gnosticism). He's had 12 books of poetry and prose published, as well as 300+ poems in journals and anthologies. He was founding chairman of Poetry Rendezvous that celebrated its 30th anniversary in 2018. For more information about Chiron Review: http://www.chironreview.com.
Antony V. Plocido (Tony) was born in Minneapolis, MN. He's been writing poetry since he was a child. In 2011, he decided to move to Kansas City to further expand his poetry. He published his first book, Sucker Punch Wisdom (Write the Future Press), with two other Kansas City poets, Jeremy O'Neal & William Peck on Halloween, 2012. He has since moved back to the Twin Cities in Minnesota and released his second book, Aging and Other Side Projects, in December 2016. Tony continues to be the webmaster for the Poets & Pints series in Minneapolis (3rd Wed). He has an old cat which is probably a metaphor but he doesn't know for what. You can reach him at www.mentalvalley.com.
[An Idiot's Sonnet by the Sea]With me you walk through brutal daysboth of us confined to our separate minds.While netted, trapped within these crabbed lines,I thought of you and those nights in which you raged.As if you'd seen another world that collapsed & layat your feet in order to be sorted out by time.It wasn't so. The errors we had made were blind,like Homer's catalogue of ships -undone by the ocean's play -the sea it claps against the hull,seawater spits out the bay.I did not want things to pan out like this,the hit of water against another boat,our dreadful, waterlogged days and nights.It was your drenched naming of each and every kiss.You'd lean, and lip-to-lip, touch what you had hoped:and in the drooling night you groped to finda darker sort of bliss.
"In Jacob Johanson's latest book of poetry, Billboards inthe Wasteland, two strong poems reach out from themiddle of the book that illuminate Jacob's reckoningwith the legacies of two late masters he admires, KellRobertson and Lew Welch. Sure, they're formidablepresences but their influence has never overwhelmedJacob's journey as a poet. His tributes to them aresubstantial and passionate. Jacob writes from theburial grounds of the Shawnee, the Kansa, the Osage.In one short powerful poem, a haiku almost, Jacobimagines the Lakota admitting the violated spirit ofTamir Rice to their circle. In another poem, he "sawan oncoming storm/divide the desert/into before andafter/just to learn/the importance of now." There arelong drives across an insensate America he assures uswith vibrant, plain-spoken language, that its wreckedand beautiful mythology is still intact, that wastelands are in the eye of the beholder." -John Macker, author of The Blues Drink Your Dreams Away, Selected Poems 1983-2018 and Atlas of Wolves."There's something in the waters of the Kansas / Missouriborders these days, and Jacob Johanson is drinkingfreely of it, which is to our benefit. He is the man ofearly middle age, realizing regrets, well entrenched indaily routine, with lots of time ahead to contemplate.His poems can be read as, "...old constellations on oldstars," familiar territory explored with new eyes. Thereare the women, just out of understanding, to tangowith in minefields. There are the Shawnee sages, aswell as an exchange with our friend the Moon, no sageat all in these pages. Johanson, writing in, "... an era offorgotten atrocities," expresses the fears, hopes, andmemories of those often without a voice. In Billboards,the signs are there for all to see, and to find a kindredspirit."-Cheryl A. Rice, author of Love's Compass"Jacob Johanson's poems are tiny billboards illuminatingthe consciousness of Americans in the early 21st Centurywith quick hit, short lined, revelatory poems full ofhumor, hope and horror. His poems unite the rationaland the surreal. A man finds god on a small square ofpaper that melts on the tongue another is moved towrite by an angel thankful there's enough change onthe dashboard to make it home. Reading Jacobson Ifind myself angry and laughing sometimes simultaneously.For example, open this book to page 27 and read BlowingOut Headspace, Move Along. Despite the craziness ofour culture, he ends the poem with these tender lines:"close your eyes/and you can feel/I promise/ individualblades of grass/pushing between your toes." That'ssoul brothers and sisters. That's soul."-John Knoll, Black Mesa Blues (Spartan Press, 2020)
Doug Washer was born and raised in Southeast Missouri on a farm and attended a one room school house located on that farm for the first eight grades. He graduated from Charleston High School then attended what was then Southwest Missouri State College, graduating with the first B.A. in Philosophy awarded by that institution. He earned a Master's degree in Philosophy from the University of Missouri / Columbia before entering the United States Air force for four years. Upon leaving the USAF he began teaching Philosophy and other disciplines in the greater Kansas City area, including eleven years for Park University and twenty for Longview Community College. At the latter school, he received the Governor's Award for Excellence in Teaching, an award of which he is especially proud because it was voted by his peers. He has written poetry for some thirty years and is now working on a novel. He is married to his true love and has grown children, grandchildren, and great-grandchildren.
April Pameticky moved to Wichita in 2003 and was swept up in the creative Vortex. The mother of two shares time between her high school English classroom and the burgeoning community of artists and writers in Kansas. She facilitated the Wichita Broadside Project 2017 and currently serves as editor of River City Poetry, an online poetry journal. Her own work can be seen in journals like Malpais Review, KONZA, and Turtle Island Quarterly. She is also the author of several chapbooks, Sand River and Other Places I've Been (2013, Finishing Line Press); and Anatomy of a Sea Star (2015, Casa de Cinco Hermanas Press).
Joel E Matthews is a Nebraska-born farm-boy who left the corn fields for the wheat fields of Kansas. His first life was as a psychotherapist, where he learned how to put ego aside and walk for miles in shoes not his own. His second, and current, life is as a university instructor where he gets paid to be a nerd about science, culture, and other cool things. You can frequently find him standing outside talking to birds, bugs, squirrels, and the many rabbits who live in his unkempt backyard. He can also be found in his other natural habitat: the couch; where he reads, writes, watches documentaries, and plays with Lego bricks.
Copyright (c) Paul Koniecki, Nadia Wolnisty, Abigail Beaudelle, Dan Provost 2018First Edition 1 3 5 7 9 10 8 6 4 2ISBN: 978-1-946642-54-7LCCN: 2018943912Design, edits and layout: Jason Ryberg,Cover and title page image: unknown, but believed to have been photographed from the patio outside Frank's North Star Tavern in Lawrence, KS.Author photos: Paul Koniecki, Roselyn Hoang, Jacob Johanson, Brian from Zygote in My CoffeeAll rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying,recording or by info retrieval system, without priorwritten permission from the author.
JUST SHY OF STARS is Annette Billings' eagerly awaited third book. This collection of poetry reads like ajourney across the continuum of human emotion with stops at the most poignant places in life. In thisbook, as with previous ones, Billings writes about sorrow with the same bravado as joy and humor.Annette Hope Billings is an award-winning poet and actress from the Midwest. Her dynamic style of reciting has led fans to dub her "the Maya of the Midwest." Her first book of poetry, A Net Full of Hope (2015), garnered the 2015 ARTSConnect ARTY Award in Literature. Her next book, Descants for a Daughter (2016), was a collection of affirmations. Her poetry can also appears in the following anthologies: Gimme Your Lunch Money: Heart land Poets Respond to Bullying (2016), Twisting Topeka (2016), Our Last Walk: Using Poetry for Grieving and Remembering Our Pets.(2016), and Kansas Time + Place: An Anthology of Heartland Poetry (Balkans Press, 2017). Billings' poetry can also be found in both online and print publications including Coal City Press (2016) and Konza Magazine (2016 and 2017). To view short videos of her poetry performances, visit tinyurl.com/anfohvideos, her website at http://anetfullo ope.com /, her facebook: anetfullo ope, or on Twitter: @AnnetteBilling3
The Gasconade Review is a literary and arts publication based out of the Osage Arts Community (http://osageac.org/), located on the Gasconade River, just outside of Belle, Missouri. It appears twice annually, focusing primarily, but not exclusively, on writers and artists from the region and state, but occasionally also features folks what ain't from around here. All submissions must be hand delivered between the months of April and October and the hours of 3pm to 6pm. A decent bourbon is appreciated. Proper river attire required. Don't worry, the dogs won't bite.
Sean Arnold is a poet, writer and visual artist residing in South Saint Louis, Missouri. He graduated from Webster University in 2015 with a degree in Creative Writing where he was poetry editor of the Green Fuse literary magazine and studied under David Clewell. Arnold is currently pursuing a Master's in Education from Webster University, and his day job is as a community support provider at a mental health agency. Previous published works include a four-part chap book series called Soliloquy from a Freight Yard, which was based around freight yard romanticisms and the glorious confusion of youth. Previous publications include Big Bridge Magazine out of Berkley, The Green Fuse, and Crossing the Divide (an anthology created by St. Louis' poet laureate Michael Castro to promote unity through poetry). Past music credits include providing spoken word for the bands Barely Free and Holy!Holy!Holy!. For the past three years he has run a reading series out of Foam Coffee and Beer on Cherokee St. entitled Sunday Summer Spoken Word series. Arnold is a lover of dusty trails, back-alleys, freight trains, running, good health and bourbon.
Matthew "Chigger" Haines is a language artist living in the American Midwest. He hosts the collaborative feature Free Chigger Matthews Presents, teaches poetry workshops for all ages, and is an artist- in-residence at Osage Arts Community in Belle, MO. He is the chief editor for The Artifact, Planet Earth's First Global Poetry Newspaper and his work appears at home and abroad.
Joseph Sulier was born and raised in the simple poverty of Fenton Missouri and currently resides in the city of St. Louis. Sulier has been published in several literary journals including 52nd City, The U. City Review, The Curator Magazine and RINE and has had several collections of poetry published including The Ruins of a Rube (Permanent Sleep Press), A House Full of Broken Instruments (Permanent Sleep Press), The Dogs Are Winning (Calico Grounds Press), Only Death is Certain (Get Born Press) and Never Well Again (Get Born Press).
Waco was born in Galveston, TX on December 12, 1974and was raised in the Marines. He met his wife in 1996and has not looked back. She and his daughters havereinvigorated his pen and have been the backbone of hiswriting. ¿ey are the anchor for his wandering mind.Waco uses poetry to get a clear image of what he sees.When he is not writing, Waco likes to swim, bike, run, andride around the city looking for pancakes. ¿oughts onlife? In his own words:youngest of four, only boy, daddy's
Daniel W. Wright is a mid-western son who loves and loathes the red brick town that surrounds him. A poet of the no collar work force, Wright's work has appeared in the Gasconade Review as well as underground zines Bad Jacket, Acid Kat, and Crappy Hour as well as online reviews like The Rye Whiskey Review. His previous works include The Death of the Ladies Man, Small Town Blues: Early Lyrics and Poems, Portrait, Murder City Special, and Working Bohemian's Blues. Wright currently lives in St. Louis where you can usually find him in a bar or a bookstore.
"An old cliche¿ talks about how a reader does not need to leave her/his chair to travel the world. In his collection of poetry Scheherazade Plays the Chestnut Tree Cafe, Boyd Bauman's poems convert the chair into a TARDIS to whisk us away into his examinations of world travels. Alongside these, Bauman shows us his rural Kansas upbringing, too, and the times of unknowing in the midst of organized religion and ranch-talk. He lends a lens to the racism of that childhood world: though we didn't have a clue / who a queer was / and what would a black man / want with a town like ours... rough these complications examined in this work, we get to see the worlds we know, the worlds that need revealed, and the worlds we haven't visited but understand what we do is to survive, just as Bauman shares with us through looking at Iceland's poet Egil: Poets are forged / simply by bearing witness / to the nature of this land, / this land of temper / and skäld (other poets)."-Dennis Etzel, Jr., author of is Removed Utopia
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