Bøger udgivet af The American University in Cairo Press

An authoritative account by preeminent Egyptologist Miroslav Verner covering over 70 of Egypt's and Sudan's pyramids, their historical and political significance, updated in a magnificent new editionA pyramid, as the posthumous residence of a king and the place of his eternal cult, was just a single, if dominant, part of a larger complex of structures with specific religious, economic, and administrative functions. The first royal pyramid in Egypt was built at the beginning of the Third Dynasty (ca. 2592-2544 BC) by Horus Netjerykhet, later called Djoser, while the last pyramid was the work of Ahmose I, the first king of the Eighteenth Dynasty (ca. 1539-1292 BC).Nearly two decades have passed since distinguished Egyptologist Miroslav Verner's seminal The Pyramids was first published. In that time, fresh explorations and new sophisticated technologies have contributed to ever more detailed and compelling discussions around Egypt's enigmatic and most celebrated of ancient monuments. In this newly revised and updated edition, including color photographs for the first time, Verner brings his rich erudition and long years of site experience comes to bear on all the latest discoveries and archaeological and historical aspects of over 70 of Egypt's and Sudan's pyramids in the broader context of their more than one-thousand-year-long development. Lucidly written, with 300 illustrations, and filled with gripping insights, this comprehensive study illuminates an era that is both millennia away and vividly immediate.

An ethnographic study of how doctoral-level research in the social sciences and humanities is produced in EgyptMuch scholarship has been devoted to debates around how global inequalities of knowledge production arise from asymmetric power relations and disparities in access to material resources, as well as values and practices that prioritize certain academic disciplines and research outputs over others. The central role played by universities in producing both knowledge and researchers is similarly acknowledged, with the doctorate increasingly recognized as a crucial phase in establishing both.Bounded Knowledge: Doctoral Studies in Egypt explores these debates from a uniquely Egyptian perspective. It provides a fresh, historical analysis of how doctoral studies evolved in Egypt and an ethnographic inquiry into the actual conditions of knowledge production in the country's public universities, with focus on the humanities and social sciences. Although it is commonplace to speak of international collaborations in knowledge production, institutional settings and material conditions are so uneven as to make the fiction of equality impossible to sustain. The chapters in this book, by social scientists within and outside Egypt, look closely at how such academic hierarchies are reinforced in the context of the internationalization of research. They also look at the ways in which notions of socially responsible research, common the world over, are translated in the particularly Egyptian context: how research topics are discussed, how doctoral studies are organized, and ultimately, how society thinks about research.Contributors Mona Abaza, The American University in Cairo, Egypt Daniele Cantini, Martin-Luther-University of Halle/Wittenberg, Germany Nefissa Dessouqi, Cairo University, Egypt Hala Kamal, Cairo University, Egypt Jonathan Kriener, Ruhr-University Bochum, Germany Ola Kubbara, Cairo University, Egypt Ahmed Mansour, University of Alexandria, Egypt David Mills, University of Oxford, England

An ethnographic study of the Egyptian film industry The enormous influence of the Egyptian film industry on popular culture and collective imagination across the Arab world is widely acknowledged, but little is known about its concrete workings behind the scenes. Making Film in Egypt provides a fascinating glimpse into the lived reality of commercial film production in today's Cairo, with an emphasis on labor hierarchies, production practices, and the recent transition to digital technologies. Drawing on in-depth interviews and participant observation among production workers, on-set technicians, and artistic crew members, Chihab El Khachab sets out to answer a simple question: how do filmmakers deal with the unpredictable future of their films? The answer unfolds through a journey across the industry's political economy, its labor processes, its technological infrastructure, its logistical and artistic work, and its imagined audiences. The result is a complex and nuanced portrait of the Arab world's largest film industry, rich in ethnographic detail and theoretical innovations in media anthropology, media studies, and Middle East anthropology.

The third volume of reports on the excavations of noblemen's tombs from the Kushite PeriodThis is the third and final volume in the Tombs of the South Asasif Necropolis series dedicated to the ongoing work of the Egyptian-American South Asasif Conservation Project, under the auspices of the Ministry of Antiquities and directed by Elena Pischikova. The project was founded in 2006 to restore and reconstruct the early Kushite tombs of Karabasken (TT 391) and Karakhamun (TT 223) and the Saite tomb of Irtieru (TT 390). Tombs of the South Asasif Necropolis: Art and Archaeology 2015-2018 focuses on the conservation work in the tomb of Karakhamun and new discoveries in the tomb of Karabasken, which include the burial chamber of Karabasken, its monumental granite sarcophagus found in situ, and the Twenty-sixth Dynasty chapel and burial compartment of Padibastet built in the pillared hall of the tomb of Karabasken. Discussion of finds includes canopic jars, stelae, pottery, and animal bones among many others. Ongoing art historical research is reflected in the chapters on the artistry of the decoration of the tomb of Karakhamun and its uniquely preserved twenty-one-square grid. This volume also introduces new research on the name and titles of Irtieru.Contributors: Abdelrazk Mohamed Ali, Ramadan Ahmed Ali, Mariam Ayad, Louise Bertini, John Billman, Marion Brew, Julia Budka, Katherine Blakeney, Dieter Eigner, Hayley Goddard , Erhart Graefe, Kenneth Griffin, Salima Ikram, Fathy Yaseem Abd el Karim, Ezz El Din Kamal El Noby, Elena Pischikova, Manon Shutz

A multi-disciplinary exploration of how masculinity in the MENA region is constructed in film, literature, and nationalist discourseConstructions of masculinity are constantly evolving and being resisted in the Middle East and North Africa. There is no "e;before"e; that was a stable gendered environment. This edited collection examines constructions of both hegemonic and marginalized masculinities in the MENA region, through literary criticism, film studies, discourse analysis, anthropological accounts, and studies of military culture. Bringing together contributors from the disciplines of linguistics, comparative literature, sociology, cultural studies, queer and gender studies, film studies, and history, Constructions of Masculinity in the Middle East and North Africa spans the colonial to the postcolonial eras with emphasis on the late twentieth century to the present day. This collective study is a diverse and exciting addition to the literature on gender and societal organization at a time when masculinities in the Middle East and North Africa are often essentialized and misunderstood.Contributors: Jedidiah Anderson, Furman University, Greenville, South Carolina, USA Amal Amireh, George Mason University, Fairfax, Virginia, USA Kaveh Bassiri, University of Arkansas, Fayetteville, USA Oyman Basran, Bowdoin College, Brunswick, Maine, USA Alessandro Columbu, University of Manchester, EnglandNicole Fares, independent scholar Robert James Farley, UCLA, Los Angeles, CA, USA Andrea Fischer-Tahir, independent scholarNouri Gana, UCLA, Los Angeles, CA, USA Kifah Hanna, Trinity College, Hartford, Connecticut, USA Sarah Hudson, Connors State College, Warner, Oklahoma, USA Mohja Kahf, University of Arkansas, Fayetteville, USA John Tofik Karam, University of Illinois, Urbana-Champaign, USA Kathryn Kalemkerian, McGill University, Montreal, CanadaEbtihal Mahadeen, University of Edinburgh, Scotland Matthew Parnell, American University in Cairo, Egypt Nadine Sinno, Virginia Tech, Blacksburg, Virginia, USA

A cultural, social, and economic history of Egyptian cinema of the twentieth century Spanning a century of Egyptian filmmaking, this work weaves together culture, history, politics, and economics to form a narrative of how Egyptian national identity came to be constructed and reconstructed over time on film. It goes beyond the films themselves to explore the processes of filmmaking-the artists that made it possible, the institutional networks, structures, and rules that bound them together, the changing social and political environment in which the films were produced, and the role of the state. In peeling back the curtain to reveal the complexities behind the screen, Magdy El-Shammaa shows cinema as at once both a reflection and a producer of larger cultural imaginings of the nation.The National Imaginarium provides an in-depth description of the films discussed. It explores the construction of a populist consciousness that permeated and transcended class structures at mid-century in Egypt, and how this subsequently came undone in the face of the bewildering social, economic, and political transformations that the country underwent in the decades that followed. More than similar treatments of the topic, this book draws on theoretical ideas from outside the immediate discipline of Film Studies, including investigations into the materiality and colonial foundations of cosmopolitanism, the stakes and aesthetics of realism, policy shifts around women's rights, transnational economic contexts, and the broader history of the country and region, including insightful snapshots of everyday life.

An exploration of how young artists imagine and maintain hope in post-revolutionary Egypt Creating Spaces of Hope explores some of the newest, most dynamic creativity emerging from young artists in Egypt and the way in which these artists engage, contest, and struggle with the social and political landscape of post-revolutionary Egypt. How have different types of artists-studio artists, graffiti artists, musicians and writers-responded personally and artistically to the various stages of political transformation in Egypt since the January 25 revolution? What has the political or social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world? Based on personal interviews with artists over many years of research in Cairo, Caroline Seymour-Jorn moves beyond current understandings of creative work primarily as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. She argues that in more recent years these young artists have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances. She shows how Egyptian artists are constructing "e;spaces of hope"e; that emerge as their art or writing becomes a conduit for broader discussion of social, political, personal, and existential ideas, thereby forging alternative perspectives on Egyptian society, its place in the region and in the larger global context.

Based on 6 years of research in the field (2005-2011)Whereas other books on the MB focus on the organization's institutional structure or electoral strategy, this book shows how the MB operates on a day-to-day basis in society, through everyday social brokering, constituent relations, and youth outreach. Addresses the larger issues of representation and contention under semi-authoritarianism. Updated with post-2011 MB information since the original French publication

The first book to reveal the private life of an Englishwoman whose contribution to the recording of Egypt's ancient past has long been overlooked An Artist in Abydos is the first book to recognize Broome's great contribution to the work done during this golden age of excavation in Upper Egypt. In this remarkable account, Lee Young tells the story of Myrtle Broome, who died in 1978, largely through her letters. An only child and a prolific writer, Broome wanted her parents to know every facet of her life in Egypt. Her frequent letters to them vividly capture life in the villages, the traditions of the local people, the work of artisans, such as weaving and pot-making, and festivals, ceremonies, and music. In fascinating detail, the letters also depict Broome's living conditions providing us with a personal account of what it was like to be an English, working woman living abroad in Egypt in the 1930s. Myrtle Florence Broome was born in 1888 to artistically inclined middle-class parents in the district of Holborn in London. Between 1911 and 1913, she studied at University College London under the legendary Sir William Petrie. In 1927 she was invited to join the excavations at Qau el-Kebir as an artist for the British School of Archaeology in Egypt, later traveling, in 1929, to work at the now famous Seti Temple in Abydos for the Egypt Exploration Society. Broome spent eight seasons there, copying the painted scenes in the Temple. Regarded then as one of the greatest copyists working in Egypt, she left invaluable renditions of some of ancient Egypt's most beautiful monuments.An Artist in Abydos is an important book celebrating the contributions of an under-recognized woman artist during the golden age of excavation in Egypt.

A comprehensive survey of medical knowledge and practice in ancient Egypt, by leading authorities on the topic, new in paperbackAncient Egyptian medicine employed advanced surgical practices, while the prevention and treatment of diseases relied mostly on natural remedies and magical incantations. In the first of three volumes, The Medicine of the Ancient Egyptians explores these two different aspects, using textual sources and physical evidence to cast light on the state of ancient medical knowledge and practice and the hardships of everyday life experienced by the inhabitants of the land on the Nile.The first part of the book focuses on ancient Egyptian surgery, drawing mainly on cases described in the Edwin Smith papyrus, which details a number of injuries listed by type and severity. These demonstrate the rational approach employed by ancient physicians in the treatment of injured patients. Additional surgical cases are drawn from the Ebers papyrus.The chapters that follow cover gynecology, obstetrics, and pediatric cases, with translations from the Kahun gynecological papyrus and other medical texts, illustrating a wide range of ailments that women and young children suffered in antiquity, and how they were treated.Illustrated with more than sixty photographs and line drawings, The Medicine of the Ancient Egyptians is highly recommended reading for scholars of ancient Egyptian medicine and magic, as well as for paleopathologists, medical historians, and physical anthropologists.

Wonder and imagination are at the heart of this story of a friendship between a boy from New York City and the boy king, TutankhamunA boy and his stuffed bunny gaze at a star-lit New York cityscape. The great Sphinx of Egypt sleeps. A child swings joyously across a river. This book offers a tantalizing glimpse of the adventures of Arthur and his imaginary friend, Bun-Bun. Together they travel through the Temple of Dendur at the Metropolitan Museum to another time and place and befriend the lonely boy king, Tutankhamun.

A comprehensive history of the study and understanding of ancient Egypt, filled with intriguing mysteries, great discoveries, and scholarly creativity, the first of three-volumes-new in paperbackThe discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the first of a three-volume survey of the history of Egyptology, follows the fascination with ancient Egypt from antiquity until 1881, tracing the recovery of ancient Egypt and its impact on the human imagination in a saga filled with intriguing mysteries, great discoveries, and scholarly creativity. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.

"A well written, informed, and at times exciting account" (Choice) of the field of Egyptology, part two of Thompson's bestselling monumental history, new in paperbackThe discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the second of a three-volume survey of the history of Egyptology, explores the years 1881-1914, a period marked by the institutionalization of Egyptology amid an ever increasing pace of discovery and the opening of vast new vistas into the Egyptian past.Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand ancient Egypt.

Egypt's sun queen magnificently revealed in a new book by renowned Egyptologist, Aidan DodsonDuring the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the "e;Amarna Revolution"e; occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself. Nefertiti's current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s-1840s, and then took on the world over the next century and beyond. All indications are that her final fate was a tragic one, but although every effort was made to wipe out Nefertiti's memory after her death, modern archaeology has rescued the queen-pharaoh from obscurity and set her on the road to today's international status.

Unparalleled, comprehensive survey of medical knowledge and practice in ancient Egypt, by the leading authorities on the topicCombines the expertise of an anthropologist, paleopathologist and physician with a deep understanding of Egyptologists of ancient Egyptian language, culture, history, society and religious beliefsContains translations of ancient medical texts as well as medical commentaries, which gives the reader an opportunity to see the originals along with the offered interpretationHas appeal to physicians and review copies will go to medical journalsOf interest to anyone interested in ancient medicine and magic

An illustrated cultural guide to the archaeological site of Amarna, the best-preserved pharaonic city in Egypt Around three thousand years ago, the pharaoh Akhenaten turned his back on Amun, and most of the great gods of Egypt. Abandoning Thebes, he quickly built a grand new city in Middle Egypt, Akhetaten-Horizon of the Aten-devoted exclusively to the sun god Aten. Huge open-air temples served the cult of Aten, while palaces were decorated with painted pavements and inlaid wall reliefs. Akhenaten created a new royal burial ground deep in a desert valley, and his officials built elaborate tombs decorated with scenes of the king and his city. As thousands of people moved to Akhetaten, it became the most important city in Egypt. But it was not to last. Akhenaten's death brought the abandonment of his city and an end to one of the most startling episodes in Egyptian history.Today, Akhetaten is known as Amarna, a sprawling archaeological site in the province of Minya, halfway between Cairo and Luxor. With its beautifully decorated tombs and vast mud-brick ruins, it is the best-preserved pharaonic city in Egypt. This informed and richly illustrated guidebook brings the ancient city of Akhetaten alive with a keen insider's eye, drawing on ongoing archaeological research and the knowledge and insight of Amarna's modern-day communities and caretakers to explain key monuments and events, while offering invaluable practical advice for visiting the site. With over 150 illustrations, maps, and plans, Amarna is both an ideal introduction for visitors to Amarna and a window onto the extraordinary reign of Akhenaten.

The most detailed set of studies ever on all aspects of one of the most beautifully decorated Egyptian non-royal tombs, new in paperbackThis lavishly illustrated book is the culmination of a project to document and conserve the tomb of Menna, one of the most beautiful and complex painted tombs of the ancient Egyptian necropolis at Luxor. Through conservation, the tomb, which previously lay open to environmental influence, was brought back to its former glory.Aided by non-invasive methods of scientific analysis, the historical and cultural importance of Menna's paintings can now be viewed and studied and enjoyed by a worldwide audience. High-definition photography and drawings complement specialist essays by scholars, scientists, and technicians, who discuss the artistic and cultural significance of the paintings, their architectural context, and scientific importance.Directed by Dr. Hartwig and administered by the American Research Center in Egypt (ARCE) as part of its Egyptian Antiquities Conservation Project, the project was funded by a grant from the United States Agency for International Development (USAID), sponsored by Georgia State University, and carried out in collaboration with Egypt's Supreme Council of Antiquities.Contributors: Cristina Beretta is based in Edinburgh, Scotland Pieter Collet lives in the Netherlands Katy Doyle lives in Boston, Massachusetts (USA) Elsa van Elslande, Laboratoire d'Archéologie Moléculaire et Structurale (LAMS), CNRS is based in Paris, France Renata García Moreno, University of Liège, Belgium Melinda Hartwig, Georgia State University, Atlanta (USA) François-Philippe Hocquet, University of Liège, Belgium Gregory Howarth is based in London, England Alexandra Kosinova is based in London, England Kerstin Leterme, University of Liège, Belgium Bianca Madden is based in Oxford, England François Mathis, University of Liège, Belgium Mark Perry is co-director of the Perry Lithgow Partnership Ltd., Chipping Norton, England David Strivay, University of Liège, Belgium Douglas Thorp is based in London, England Peter Vandenabeele, Ghent University, Belgium

The legacies of the Coptic Christian presence in Alexandria and the Egyptian Deserts from the fourth century to the present dayThe great city of Alexandria is undoubtedly the cradle of Egyptian Christianity, where the Catechetical School was established in the second century and became a leading center in the study of biblical exegesis and theology. According to tradition St. Mark the Evangelist brought Christianity to Alexandria in the middle of the first century and was martyred in that city, which was to become the residence of Egypt's Coptic patriarchs for nearly eleven centuries. By the fourth century Egyptian monasticism had begun to flourish in the Egyptian deserts and countryside. The contributors to this volume, international specialists in Coptology from around the world, examine the various aspects of Coptic civilization in Alexandria and its environs and in the Egyptian deserts over the past two millennia. The contributions explore Coptic art, archaeology, architecture, language, and literature. The impact of Alexandrian theology and its cultural heritage as well as the archaeology of its university are highlighted. Christian epigraphy in the Kharga Oasis, the art and architecture of the Bagawat cemetery, and the archaeological site of Kellis (Ismant al-Kharab) with its Manichaean texts are also discussed. Contributors Elizabeth Agaiby, Fr. Anthony, David Brakke, Jan Ciglenecki , Jean-Daniel Dubois, Bishop Epiphanius, Lois M. Farag, Frank Feder, Cäcilia Fluck, Sherin Sadek El Gendi, Mary Ghattas, Gisèle Hadji-Minaglou, Intisar Hazawi, Karel Innemée, Mary Kupelian, Grzegorz Majcherek, Bishop Martyros, Samuel Moawad, Ashraf Nageh, Adel F. Sadek, Ashraf Alexander Sadek, Ibrahim Saweros, Mark Sheridan, Fr. Bigoul al-Suriany, Hany Takla, Gertrud J.M. van Loon, Jacques van der Vliet, Youhanna Nessim Youssef, Ewa D. Zakrzewska, Nader Alfy Zekry

A leading-edge study of Arabic varieties and how they are used, written by distinguished scholars in the field El-Said Badawi's seminal Mustawayat al-'arabiya al-mu'asira fi Misr (Levels of Contemporary Arabic in Egypt) was first published in Arabic in 1973. Its theory of interrelated language levels that are ever-changing along a sociolinguistic continuum inspired a generation of Arabists and Arabic-language educators to re-examine Arabic varieties from a wide range of perspectives, transforming the way scholars carried out research on language variation, lexicography, and teaching Arabic as a foreign language. Since that time, Arabic has witnessed major changes in the way its spoken and written forms are practiced, but informed, scholarly publications on the current reality of the linguistic landscape have been few and far between. This collective study, with contributions from renowned scholars of Arabic applied linguistics, draws on empirical data to bring together original new research on spoken and written language varieties in Egypt today. Thematically, Revisiting Levels of Contemporary Arabic in Egypt explores three broad but interconnected areas: Arabic varieties in context, challenges to Badawi's Levels model, and the pedagogical implications of varying levels in teaching Arabic as a foreign language. It not only discusses the current applicability of Badawi's model to contexts such as contemporary Egyptian newspapers and Facebook, but looks at empirical data related to colloquial varieties in Egypt and elsewhere, the role of context in their current use, and the approaches to documenting and deriving colloquial lexicons. It also examines linguistic styles in different genres and contexts and for different audiences. Contributors: Muhammad Abdel Haleem, University of London, EnglandMona Farrag Attwa, University of Colorado, Boulder, COMichael G. Carter, University of Oslo, NorwayMona Kamel Hassan, The American University in Cairo, EgyptMargaret Larkin, University of California, Berkeley, CAGunvor Mejdell, University of Oslo, NorwayMustafa Mughazy, Western Michigan University, Kalamazoo, MIKarin Christina Ryding, Georgetown University, Washington, DCWaheed Samy, The American University in Cairo, Egypt; University of Michigan, Ann Arbor, MIDevin J. Stewart, Emory University, Atlanta, GAWillem Stoetzer, Leiden University, NetherlandsZeinab A. Taha, The American University in Cairo, EgyptHanady Tawwakol, The American University in Cairo, EgyptKees Versteegh, Radboud University, Nijmegen, NetherlandsLisa J. White, The American University in Cairo, EgyptManfred Woidich, University of Amsterdam, NetherlandsShahira Yacout, The American University in Cairo, Egypt Munther Younes, Cornell University, Ithaca, NY

An indispensable companion and guide to one of the world's great archaeological sites The three-thousand-year-old rock-cut temples at Abu Simbel and the story of their rescue from the rising waters of Lake Nasser in the 1960s are almost as familiar worldwide as the tale of the gold funerary mask and brief life of the boy king Tutankhamun. Yet although they are among the most celebrated, visited, and photographed archaeological sites in the world, the two temples are among the least understood by the visitor. In this lucidly written, beautifully illustrated guide, Nigel Fletcher-Jones explains the main features of both temples, discusses what they teach us about ancient Egypt during the reign of Rameses II (1265-1200 BC), and illustrates which gods and goddesses were worshipped here. With over 50 new photographs, drawings, and diagrams, and packed with fascinating insights, Abu Simbel: A Short Guide to the Temples is an indispensable companion and souvenir to one of the world's great archaeological sites.