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Foremost stage directors describe their working process: JoAnne Akalaitis, Arvin Brown, René Buch, Martha Clarke, Gordon Davidson, Robert Falls, Zelda Fichandler, Richard Foreman, Adrian Hall, John Hirsch, Mark Lamos, Marshall W. Mason, Des McAnuff, Gregory Mosher, Harold S. Prince, Lloyd Richards, Peter Sellars, Andrei Serban, Douglas Turner Ward, Robert Woodruff, and Garland Wright.
Includes: Lee Breuer, Christopher Durang, Richard Foreman, Maria Irene Fornes, Charles Fuller, John Guare, Joan Holden, David Henry Hwang, David Mamet, Emily Mann, Richard Nelson, Marsha Norman, David Rabe, Wallace Shawn, Stephen Sondheim, Megan Terry, Luis Valdez, Michael Weller, August Wilson and Lanford Wilson.
Includes: Jane Alexander, Eileen Atkins, Elisabeth Bergner, Marjorie Brewer, Zoe Caldwell, Ann Casson, Constance Cummings, Judi Dench, Joyce Ebert, Pat Galloway, Ellen Geer, Lee Grant, Uta Hagen, Wendy Hiller, Frances Hyland, Barbara Jefford, Laurie Kennedy, Roberta Maxwell, Siobhan McKenna, Nora McLellan, Sarah Miles, Sian Phillips, Angela Pleasence, Joan Plowright, Lynn Redgrave and Janet Suzman.
In an astonishing blend of cultural idioms, Lee Breuer merges the driving rhythms of rock music, the imagery of hotels and drive-ins, and the language of the street with the lyricism of dreams, of memory, of fairy-tale fantasy. The result is what he terms performance poetry” intensely personal works that have evolved from narrative poems into highly original works for the stage. Here, collected for the first time, are Breuer’s poems into highly original works for the stage. Here, collected for the first time, are Breuer’s poems and their performance scripts, with details of their stagings under his direction.The title work of the volume, Sister Suzie Cinema, is a doo-wop opera” inspired by the author’s coming of age amidst the pop culture of the 50s. Other works include Haji, a multimedia, one-character collage charting a woman’s personal pilgrimage; Red Beads, a Halloween fairy tale turned nightmare; Lies!, a jive satire of sex and money; A Prelude to Death in Venice, the saga of a street-smart puppet named John whose life is always a pay-phone call away; and The Warrior Ant, Breuer’s latest, the Latin/reggae mythical journey of a modern day every ant.” Critical acclaim for the performance works in this volume HajiA haunting poetic monologue.” Stephen Holden, The New York TimesSister Suzie CinemaA fantasy about fantasies about the way movies, music and other cultural artifacts shape what we feel.” Jon Pareles, The New York TimesA Prelude to Death in VeniceA stunning theatre piece.” New StatesmanThe Warrior Ant[Breuer’s] astonishing marriages of disparate elements produce great joy.” Michael Feingold, The Village VoiceLee Breuer is a founding member of the acclaimed avant-garde company Mabou Mines and the creator of the internationally renowned Gospel at Colonus. He has long been considered one of our most gifted theatrical innovators.
Includes: Strictly Dishonorable by Preston Sturges, The Racket by Bartlett Cormack, The Ghost of Yankee Doodle by Sidney Howard and A Slight Case of Murder by Howard Lindsay and Damon Runyon.
Includes: John Lee Beatty, John Conklin, Karl Eigsti, Ralph Funicello, Marjorie Bradley Kellogg, Eugene Lee, Ming Cho Lee, Santo Loquasto, David Mitchell, Douglas Schmidt and Robert Wagner.
"Buy it, borrow it, steal it, but get your hands on it! If you follow Danny's advice on how to sell tickets, you won't have an unsold seat in the house all season long!"--Ralph Black, American Symphony League
A powerful portrayal of individual dissolution in the face of political catastrophe, by the award-winning playwright of Angels in America.
A collection of plays and essays by one of America's premier playwrights. Includes the essays "Possession," "from Elements of Style," and "An Equation for Black People Onstage," and the plays Imperceptible Mutabilities in the Third Kingdom, Betting on Dust Commander, Pickling, The Death of the Last Black Man in the Whole Entire World, Devotees in the Garden of Love, and The America Play.
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