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In this autobiographical drama, a broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (accused of assaulting the offending officer) with the mother's poignant letters in his defense and her remembrances of growing up in the 1940s, when her parents were striving "to make Cleveland a better place for Negroes". They have created a gripping examination of the conflicting realities of the black experience in twentieth-century America.
This dramatic tale of a young Japanese girl's sexual awakening, and ultimate social downfall, in Hawaii's harsh sugar-cane plantation system of the early twentieth century, is based on the life of the author's aunt who died at age nineteen. In this moving elegy, Gotanda juxtaposes the world of traditional Japanese arts, such as pottery and the tea ceremony, with the conflicting social realities of a culture in transition.
This absorbing collection of letters and monologues by Pulitzer Prize-winning playwright and actor Sam Shepard and Obie Award-winning actor and director Joseph Chaikin provides an extraordinary opportunity to view the creative process of two of contemporary American theatre's great innovators. "Insightful and fascinating."--San Francisco Chronicle
"Jon Robin Baitz is the American theatre's most fascinating playwright of conscience. Three Hotels packs an emotional punch that lingers."--Michael Kuchwara, Associated PressDazzling audiences with the linguistic artistry, keen insights and comprehensive vision of Three Hotels, Jon Robin Baitz enhances his reputation as one of America’s most important playwrights. In three dramatic monologues that progress from intellectual cynicism to heartbreaking honesty, he reveals the emotional and physical wounds sustained by the foot soldiers of the conglomerates operating in Third World countries and, by extension, by all Americans adrift in the seas of international commerce and politics.Also included are several shorter works (Four Monologues, Coq au Vin, It Changes Every Year and Recipe for One, or A Handbook for Travelers), each of which, like Three Hotels, is the fervent prayer that there will be something in this wrecked world to salvage.” Jon Robin Baitz is the author of The Film Society, Other Desert Cities, The End of the Day, and The Substance of Fire, which he adapted into a major motion picture. He was the showrunner on ABC’s Brothers & Sisters. He also wrote the screenplay for the upcoming film Stonewall directed by Roland Emmerich. He lives in New York.
One of the best playwrights our country, and our language, has produced.” Tony KushnerQuirky, disturbing, and inexplicably beautiful theatrical poetry.” Cary M. Mazer, Philadelphia City PaperCongdon writes like a woman possessed.” Nels Nelson, New York Daily NewsAn immensely inventive and challenging writer, Constance Congdon is one of America’s finest playwrights, endowed with great compassion, keen insight and an unfailing comic sensibility. Throughout the plays in her first collection, she demonstrates a range rare in writers in any age, from a somber meditation on life in the post-nuclear age (No Mercy) to madcap social satire (Losing Father’s Body), from an epic historical exploration of love and sexual identity (Casanova) to her most popular play to date (Tales of the Lost Formicans), acclaimed by William A. Henry III of Time magazine as A travel guide to Middle America conducted by aliens from outer space If not the best new play of recent years, surely the most imaginative.”Constance Congdon’s plays have been produced throughout the United States and abroad. She has received playwriting fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim foundations, and is the winner of Oppenheimer/Newsday, W. Alton Jones and L/ Arnold Weissberger awards. Congdon, an alumna of New Dramatists, currently teaches playwriting at Amherst College.
Two of Frederico Garcia Lorca's never before published masterpieces are beautifully translated by Langston Hughes and W.S. Merwin.
"Ambitions beyond the imagination of most Broadway musicals. Anyone who cares about the future of the American musical will want to see Jelly's Last Jam."--Frank Rich, The New York Times¶An intensive investigation of the life and work of composer/musician Jelly Roll Morton, Jelly's Last Jam breaks important ground, allowing African-American history to speak from the Broadway stage.
Interviews with twenty-one of America's finest actors about craft, career and the trials of making a life on stage. Includes: James Earl Jones, Olympia Dukakis, Josie de Guzman, Richard Thomas, Anthony Heald, Joan MacIntosh and Joe Morton.
Before writing the plays in prose for which he would be universally acclaimed as the father of modern drama (Hedda Gabler, The Master Builder, etc.), Henrik Ibsen wrote two of the last great verse epics of the nineteenth century, Brand and Peer Gynt. Based in part on the folk traditions of the playwright's native Norway, Peer Gynt remains one of the key challenges—and greatest entertainments—of the international stage.By turns comic, tragic, lyrical and fantastic, Peer Gynt is an allegory of the title character's search for complete fulfillment, from the fjords of Norway to the deserts of Africa and back. Rarely translated in full, or in the verse format of the original, Peer Gynt is here made available in a striking contemporary version which restores the poetry and humor so often lacking in English-language Ibsen.
Never widely available in his lifetime, Ludlam's essays and opinions of theatre reveal a complex mind focused on theatrical invention.
Also includes: Christmas on Mars, The Vampires, Slacks and Tops and Anteroom.
Four plays depicting a Cuban family as they struggle to cope with change over the course of fifty years.
¿Priceless and peerless¿a thrilling work of theatricality.¿ ¿Wayman Wong, San Francisco ExaminerFor over three decades, Stephen Sondheim has been the foremost composer and lyricist writing regularly for Broadway. His substantial body of work now stands as one of the most sustained achievements of the American stage.Pacific Overtures, originally produced in 1976, combines an unsurpassed mastery of the American musical with such arts as Kabuki theatre, haiku, dance, and masks to recount Commander Matthew Perry¿s 1835 opening of Japan and its consequences right up to the present.This new edition of Pacific Overtures incorporates substantial revisions made by the authors for the successful 1984 revival.
"Gutsy, gritty and often very funny...irresistable theatricality."--Michael Kuchwara, Associated Press
Includes: Love & Science, Hotel for Criminals (The American Imagination), Africanus Instructus and Yiddisher Teddy Bears.
Also includes: Don't You Ever Call Me Anything but Mother and The Man in the Moon.
Five new plays from an acclaimed rising star in contemporary American playwriting.
The thoughts and work of the legendary avant-garde director Richard Foreman.
Longtime musical theatre collaborators Stephen Sondheim and George Furth, who together created the landmark musical Company, have joined forces again to create a compellingly original thriller - Mr. Sondheim's first nonmusical play. Getting Away with Murder unfolds on a stormy night on Manhattan's Upper West Side at a group therapy session. The patients arrive only to find that their faithful, Pulitzer Prize-winning psychiatrist is missing. What unfolds is a classic whodunit in the tradition of Sleuth and The Mousetrap that harkens back to Sondheim's screenplay collaboration with Anthony Perkins on the cult film The Last of Sheila.
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