Bøger udgivet af Theatre Communications Group

"After years of running from her dysfunctional past, Sarah returns home to the family farm in Saskatchewan to find her mom Kathleen yelling into the wind, setting off a turbulent new chapter in her life. Instead of finding comfort in "home," Sarah learns nothing is how she remembers it, and with Kathleen's growing dementia, nothing will ever be the same again. Two of Sarah's older siblings, Jolene and Steven, are more focused on the future ownership of the farm and are planning a supper that could help influence that decision. But Sarah turns her attention to Kathleen, who keeps chasing things that aren't there: a fox, a hill, the answers to questions only Sarah's adopted brother Tom holds the key to. When an unexpected outcome shocks the family at the supper, much more than the farm is at stake. Blow Wind is a beautiful portrait--with musical accompaniment--of a family that together must build new paths forward while learning how to love, let go, and forgive."--

"From the glittering high-rise condos to the desperate streets of Vancouver, powerful stories told by women reveal the fraying social fabric among the wealthy and hangers-on in the city's Asian Canadian community. Lady Sunrise introduces us to six women who are risking everything, all motivated by the need for more money and the freedom it could buy, whether it's the allure of expensive items and real estate to substitute what's been lost or the safety of not being in abusive debt to anyone else just to survive. This heartbreaking examination of the effects of today's hyper-consumerist society will challenge perspectives of strength and power, exposing painfully raw consequences."--

"It's time to make every moment count. Sixteen-year-olds Pria and Theo--or as they know each other online, the aspiring opera singer PriaSoprano and outer-space aficionado Eagle19--have decided to have sex. There's just one catch... they both have life-threatening genetic disorders that may cause them to explode from one another's touch. But they won't know what will happen until they try. Sick of being told what to do their whole lives, they rebel against their reality and meet at a motel. But while Pria is more or less accepting of her fate, Theo has hopes for the future, and what was planned as a simple meeting becomes much more intimate as they open up about their experiences. The fate of their lives comes down to one decision... This teen romance space opera explores our willingness to live, what it means to belong, and the necessity of emotional and physical relationships."--

"After the Black Lives Matter protest at the 2016 Toronto Pride Parade, two friends find their racial and queer politics aren't as aligned as they thought, and the playwrights behind them must figure out how to write about the fallout. Cathy Ann, a straight Black woman, and her roommate Mark, a gay white man, came home from the parade with such differing views of what happened and how it affected their own communities. Cathy Ann agrees with the protest that the police presence at the parade doesn't make her feel safe, while Mark felt safer with them there, especially in the wake of the Pulse nightclub shooting in Orlando. Frustrated he can't see the bigger issue, Cathy Ann questions if she can continue living with Mark. Simultaneously, playwrights Andrea and Nick--who share the same identities as their characters--pause throughout the show to figure out how to work together to tell the story of a significant turning point in a friendship. Through both sets of dialogue, Every Day She Rose is a powerful exploration of white supremacy, privilege, and patriarchy in supposed safe spaces."--

"When Lin-Manuel Miranda's groundbreaking musical Hamilton opened in London's West End in December 2017, it was as huge a hit as it had been in its original production off - and on Broadway. Lauded by critics and audiences alike, the show would go on to win a record-equalling seven Olivier Awards -- including Best Actor in a Musical for Giles Terera, for his portrayal of Aaron Burr. For Terera, though, his journey as Burr had begun more than a year earlier, with his first audition in New York, and continuing through extensive research and preparation, intense rehearsals, previews and finally opening night itself. Throughout this time he kept a journal, recording his experiences of the production and his process of creating his award-winning performance. This book, Hamilton and Me, is that journal."--

"From the acclaimed author of Huff & Stitch comes a new dark comedy about the lies we tell each other in order to make the best of a desperate situation. Maria and her kids--Lisa, a pregnant teenager, and Jude, an excitable preteen--are on the run following the murder of Lisa's rapist. As the police close in, Maria is determined to give her kids a last supper that prepares them for everything they're going to need to survive in the world without her."--

"Especially necessary in a historical moment in which many theatre companies have been forced to move their work online, Digital Performance in Canada illuminates the influence and ubiquity of digital technology on performance practices in Canada. This collection of essays explores how digital technology forces us to reimagine our relationships to performance. Looking at the three categories of space, bodies, and relationships, this collection includes contributors Bruce Barton, Beth Kates, Chris Eaket, Alan Filewod, Peter Kuling, Pyrrko Marula-Denison, Kim McLeod, Jennifer Nikolai, Xavia Publius, Andrea Roberts, and Don Sinclair."--

"Nam, a procrastination-prone Vietnamese Canadian university student, sets out with the vague ambition to write a musical about his diaspora as embodied by food, particularly the world-famous noodle soup pho. What follows is pure meta musical, genre-bending through thousands of years of history, featuring rapping ancient kings, communist spies, dancing sharks and refugees, and awkward first dates in suburbia. However, Nam eventually finds himself caught between his different characters as each argues what pho (the food and the show) truly represents, and he struggles to find an answer that will satisfy everyone--in the end, isn't this just a bunch of silly soup songs?"--

There's no such thing as a secret in Stewiacke. Not when the gossips meet for coffee every day at the local diner. Vi, Rita, Mary Ellen, and Janine are all as close as can be, and they know everybody's business. But when Sean, a heartbroken doctor, moves in to take a temporary job at the clinic, he tips the Maritime town that's famous for being halfway between the North Pole and the equator off its axis. While Sean decides to pursue Janine, it only brings her closer together with her friends, who each have their own messy love lives. Vi just turned down her boyfriend's proposal, Mary Ellen is tired of doing everything for her husband and sons, Rita just wants to find a date, and Janine already lives with a man she loves a "little bit. " Can everyone find what they're looking for in Stewiacke? And what happens when someone finds out a secret that managed to be kept hidden?

"e;Zestier and more colloquial than most translations . . . Letts' main achievement here is to make Chekhov more emotional, accessible and active."e;Chicago Tribune"e;I've seen over a dozen Three Sisters, but never has the final scene . . . registered so hard. It's the cumulative effect of . . . searing truth-tellingfrom Letts, who knows family dysfunction as only the author of August: Osage County can, and Chekhov, the good doctor who diagnoses all our weaknesses that are so strong."e;Chicago Theater BeatWhen the champion of modern family drama takes on the genre's patriarch, the result is an energetic and vitalizing adaptation of one of Anton Chekhov's most beloved plays. A cruder, gruffer outline of the plight of the wistful Prozorov sisters serves to emphasize the anguish of their Chekhovian stagnation. This latest work from Letts envisions the revered classic through a fresh lens that revives the passionate characters and redoubles the tragic effect of their stunted dreams. Tracy Letts was awarded the 2008 Pulitzer Prize for Drama and Tony Award for Best Play for August: Osage County. His other plays include Superior Donars; Pulitzer Prize-finalist Man from Nebraska; Killer Joe, which was adapted into a critically acclaimed film; and Bug, which has played in New York, Chicago and London and was adapted into a film. Letts garnered a Tony Award for his performance in the Broadway revival of Who's Afraid of Virginia Woolf?

Norm Foster's quick wit is strong in this lighthearted buddy comedy about living life to the fullest.

In these two plays for young audiences, award-winning playwright Erin Shields presents the challenges of communication and friendship.

This darkly comedic bedtime story by Canadian theatre's indie darling blurs imagination with reality in order to save a family from its own destruction.