Bøger udgivet af UNIV OF WISCONSIN PR

No nostalgic tale of the good old days, Robert Peters's recollections of his adolescence vividly evoke the Depression on a hardscrabble farm near Eagle River: Dad driving the Vilas County Relief truck, Lars the Swede freezing to death on his porch, the embarassment of graduation in a suit from welfare. The hard efforts to put fish and potatoes and blueberries on the table are punctuated by occasional pleasures: the Memorial Day celebration, swimming at Perch Lake, the county fair with Mother's prizes for jam and the exotic delights of the midway. Peters's clear-eyed memoir reveals a poet's eye for rich and stark detail even as a boy of twelve. "Peters misses nothing, from the details of the town's Fourth of July celebration to the cause and effect of a young cousin's suicide to the calibrations of racism toward Indians that was so acceptable then. It is a fascinating, unsentimental look at a piece of our past."--Margaret E. Guthrie, New York Times Book Review "It's unlikely that any other contemporary poet and scholar as distinguished has risen from quite so humble beginnings as Robert Peters. Born and raised by semiliterate parents on a subsistence farm in northeastern Wisconsin, Peters lived harrowingly close to the eventual stuff of his poetry--the dependency of humans on animal lives, the inexplicable and ordinary heroism and baseness of people facing extreme conditions, the urgency of physical desire. . . . Sterling childhood memoirs."--Booklist "Robert Peters has written a memoir exemplary because he insists on the specific, on the personal and the local. It is also enormously satisfying to read, and it is among the most authentic accounts of childhood and youth I know--a Wisconsin David Copperfield!"--Thom Gunn

This is the first comprehensive study of the constitutionality of the Parliamentary legislation cited by the American Continental Congress as a justification for its rebellion against Great Britain in 1776. The content and purpose of that legislation is well known to historians, but here John Phillip Reid places it in the context of eighteenth-century constitutional doctrine and discusses its legality in terms of the intellectual premises of eighteenth-century Anglo-American legal values. The Authority of Law is the last of a four-volume work, preceded by The Authority to Tax, The Authority of Rights, and The Authority to Legislate. In these previous volumes, Reid argued that there would have been no rebellion had taxation been the only constitutional topic of controversy, that issues of rights actually played a larger role in the drafting of state and federal constitutions than they did in instigating a rebellion, and that the American colonists finally took to the battlefield against the British because of statutes that forced Americans to either concede the authority to legislate or leave the empire. Expanding on the evidence presented in the first three volumes, The Authority of Law determines the constitutional issues dividing American whigs from British imperialists. Reid summarizes these issues as "the supremacy issue", "the Glorious Revolution issue", "the liberty issue", and the "representation issue". He then raises a compelling question: why, with so many outstanding lawyers participating in the debate, did no one devise a constitutionally legal way out of the standoff? Reid makes an original suggestion. No constitutional solution was found because the British were morethreatened by American legal theory than the Americans were by British theory. British lawyers saw the future of liberty in Great Britain endangered by the American version of constitutional law. Considered as a whole, Reid's Constitutional History of the American Revolution contributes to an understanding of the central role of legal and constitutional standards, especially concern for rule by law, in the development of the American nation.

Wisconsin My Home is the story of Thurine Oleson, born in Wisconsin in 1866 to parents who had emigrated from Telemarken, Norway. This much-loved book was first published in 1950 when Thurine was a spry octogenarian. In it she not only vividly recalls the pioneer life of her childhood in a Norwegian American settlement but also tells her parents' stories of their life in Norway and their reasons for emigration. This new edition restores the twenty-nine photographs that appeared in the original 1950 hardcover edition and includes an introduction by emigration historian Odd Lovell.

Land ownership by individual citizens is a cornerstone of American heritage and a centerpiece of the American dream. Thomas Jefferson called it the key to our success as a democracy. Yet the question of who owns America not only remains unanswered but is central to a fundamental conflict that can pit private property rights advocates against government policymakers and environmentalists. Land use authority Harvey M. Jacobs has gathered a provocative collection of perspectives from eighteen contributors in the fields of law, history, anthropology, economics, sociology, forestry, and environmental studies. Who Owns America? begins with the popular view of land ownership as seen though the television show Bonanza! It examines public regulation of private land; public land management; the roles culture and ethnic values play in land use; and concludes with Jacobs' title essay. Who Owns America? is a powerful and illuminating exploration of the very terrain that makes us Americans. Its broad set of theoretical and historical perspectives will fascinate historians, environmental activists, policy makers, and all who care deeply about the land we share.

Of Men and Monsters examines the serial killer as an American cultural icon, one that both attracts and repels. Richard Tithecott suggests that the stories we tell and the images we conjure of serial killers - real and fictional - reveal as much about mainstream culture and its values, desires, and anxieties as they do about the killers themselves. Why, for example, does Hannibal Lecter, though clearly dangerous, seem brilliant, even alluring, while his dark counterpart in Silence of the Lambs, Buffalo Bill, represents pure monstrosity? In a nation where murders occur every day, why do those we name "serial killers" seem so different, meriting a flood of public and media attention? Looking at how Jeffrey Dahmer's story was told - on the Geraldo talk show and CNN specials, in Washington Post editorials and People Weekly pictorials - Tithecott argues that the serial killer we construct for ourselves is a mythical figure in the contemporary world. Transcending boundaries between madness and sanity, civilization and savagery, the idea of the serial killer fulfills dreams of masculinity, purity, and violence.

The history of modern Spain is dominated by the figure of Francisco Franco, who presided over one of the longest authoritarian regimes of the twentieth century. Between 1936 and the end of the regime in 1975, Franco's Spain passed through several distinct phases of political, institutional, and economic development, moving from the original semi-fascist regime of 1936-45 to become the Catholic corporatist "organic democracy" under the monarchy from 1945 to 1957. Distinguished historian Stanley G. Payne offers deep insight into the career of this complex and formidable figure and the enormous changes that shaped Spanish history during his regime.

In the two decades after the turn of the millennium, Vladimir Putin's control over Russian politics and society grew at a steady pace. As the West liberalized its stance on sexuality and gender, Putin's Russia moved in the opposite direction, remolding the performance of Russian citizenship according to a neoconservative agenda characterized by increasingly exaggerated gender roles. By connecting gendered and sexualized citizenship to developments in Russian popular culture, Julie A. Cassiday argues that heteronormativity and homophobia became a kind of politicized style under Putin's leadership. However, while the multiple modes of gender performativity generated in Russian popular culture between 2000 and 2010 supported Putin's neoconservative agenda, they also helped citizens resist and protest the state's mandate of heteronormativity. Examining everything from memes to the Eurovision Song Contest and self-help literature, Cassiday untangles the discourse of gender to argue that drag, or travesti, became the performative trope par excellence in Putin's Russia. Provocatively, Cassiday further argues that the exaggerated expressions of gender demanded by Putin's regime are best understood as a form of cisgender drag. This smart and lively study provides critical, nuanced analysis of the relationship between popular culture and politics in Russia during Putin's first two decades in power.

Originally published under the titles Dictado por la jaurâia (1962), Malos modales (1965), and Las contradicciones sobrenaturales (1967) by Juan Calzadilla, copyright à Ediciones del Techo de la Ballena, Caracas.

Originally published by the University Press of New England under the title Confronting the Nation: Jewish and Western Nationalism, copyright Ã1993 by Trustees of Brandeis University.

English translation of six essays which originally appeared in the Danish journal Tilskueren (The Observer), between August 1889 and May 1890.

Political conflict in many parts of the world has been shaped by notions of who rightfully belongs to a place. The concept of autochthony--that a true, original people are born of a land and belong to it above all others--has animated struggles across postcolonial Africa. But is this sense of rootedness from time immemorial necessary to assertions of original being and thus political supremacy? Belonging, Identity, and Conflict in the Central African Republic examines how political conflict unfolds when the language of autochthony is detached from historical land claims. Focusing on violent struggles in the Central African Republic between 2012 and 2019, Gino Vlavonou explores the social practices, discursive strategies, and government policies that emerged in the relentless project of African state building. Conflict pitted Christian-animist communities, loosely organized as vigilante groups under the name anti-Balaka, against Muslim rebels known as the Séléka. Fighters of the anti-Balaka claimed that they were autochthonous, the "true Central Africans," reframing their Muslim neighbors as foreigners to be expelled. While the country had previously witnessed episodes of violence, both peoples had lived together relatively peacefully and intermarried. The speed and ferocity with which identity was weaponized puzzled many observers. To understand this phenomenon, Vlavonou probes autochthony as a category of identity that differs from ethnicity in important ways. He argues that elites and ordinary citizens alike mobilize the language of original belonging as "identity capital," a resource to be deployed. The value of that capital is lodged in what people say and do every day to give meaning to their identity, and its content changes across time and space.

Originally published under the title Propagandes et persâecutions: La Râesistance et le "probláeme juif" 1940-1944 by Renâee Poznanski, copyright à Librairie Artháeme Fayard, 2008.

In 1917, Bolshevik revolutionaries overthrew the tsar of Russia and established a new, communist government, one that viewed the Imperial Russia of old as a righteously vanquished enemy. And yet, as Pavel Khazanov shows, after the collapse of Stalinism, a reconfiguration of Imperial Russia slowly began to emerge, recalling the culture of tsarist Russia not as a disgrace but as a glory, a past to not only remember but to recover, and to deploy against what to many seemed like a discredited socialist project. Khazanov's careful untangling of this discourse in the late Soviet period reveals a process that involved figures of all political stripes, from staunch conservatives to avowed intelligentsia liberals. Further, Khazanov shows that this process occurred not outside of or in opposition to Soviet guidance and censorship, but in mainstream Soviet culture that commanded wide audiences, especially among the Soviet middle class. Excavating the cultural logic of this newly foundational, mythic memory of a "lost Russia," Khazanov reveals why, despite the apparently liberal achievement of the collapse of the Soviet Union in 1991, Boris Yeltsin (and later, Vladamir Putin) successfully steered Russia into oligarchy and increasing autocracy. The anti-Soviet memory of the pre-Soviet past, ironically constructed during the late socialist period, became and remains a politically salient narrative, a point of consensus that surprisingly attracts both contemporary regime loyalists and their would-be liberal opposition.

Spanning more than 100 years of Swedish American local history in the Midwest and the West, Jennifer Eastman Attebery's thorough examination of nearly 300 historical legends explores how Swedish Americans employ these narratives in creating, debating, and maintaining group identity. She demonstrates that historical legends can help us better understand how immigrant groups in general, and Swedish Americans in particular, construct and perpetuate a sense of ethnicity as broader notions of nationality, race, and heritage shift over time. The legends Swedish Americans tell about their past are both similar to and distinct from those of others who migrated westward; they participated in settler colonialism while maintaining a sense of their specific, Swedish ethnicity. Unlike racial minority groups, Swedish Americans could claim membership in a majority white community without abandoning their cultural heritage. Their legends and local histories reflect that positioning. Attebery reveals how Swedish American legends are embedded within local history writing, how ostension and rhetoric operate in historical legends, and how vernacular local history writing works in tandem with historical legends to create a common message about a communal past. This impeccably researched study points to ways in which legends about the past possess qualities unique to their subgenre yet can also operate similarly to contemporary legends in their social impact.

The late Russian Empire experienced rapid economic change, social dislocation, and multiple humanitarian crises, enduring two wars, two famines, and three revolutions. A "pastoral activism" took hold as parish clergymen led and organized the response of Russia's Orthodox Christians to these traumatic events. In Russia's Social Gospel, Daniel Scarborough considers the roles played by pastors in the closing decades of the failing tsarist empire and the explosive 1917 revolutions.This volume draws upon extensive archival research to examine the effects of the pastoral movement on Russian society and the Orthodox Church. Scarborough argues that the social work of parish clergymen shifted the focus of Orthodox practice in Russia toward cooperative social activism as a devotional activity. He furthers our understanding of Russian Orthodoxy by illuminating the difficult position of parish priests, who were charged with both spiritual and secular responsibilities but were supported by neither church nor state. His nuanced look at the pastorate shows how social and historical traumas shifted perceptions of what being religious meant, in turn affecting how the Orthodox Church organized itself, and contributed to Russia's modernization.

Transnational solidarity movements often play an important role in reshaping structures of global power. However, there remains a significant gap in the historical literature on collaboration between parties located in the Global South. Facing increasing repression, the Latin American left in the 1960s and 1970s found connection in transnational exchange, organizing with distant activists in Africa, the Middle East, and the Caribbean. By exploring the particularities of South-South solidarity, this volume begins new conversations about what makes these movements unique, how they shaped political identities, and their lasting influence. Jessica Stites Mor looks at four in-depth case studies: the use of legal reform to accomplish the goals of solidarity embedded in Mexico's revolutionary constitution, visual and print media circulated by Cuba and its influence on the agenda of the Afro-Asian block at the United Nations, organizing on behalf of Palestinian nationalism in reshaping Argentina's socialist left, and the role of Latin American Catholic activists in challenging the South African apartheid state. These examples serve as a much-needed road map to navigate our current political climate and show us how solidarity movements might approach future struggles.

During World War II, some two million Jewish refugees relocated from the western regions of the USSR to the Soviet interior. Citizens in the Central Asian territories were at best indifferent--and at worst openly hostile--toward these migrants. Unpopular policies dictated that residents house refugees and share their limited food and essentials with these unwelcome strangers. When the local population began targeting the newcomers, Soviet authorities saw the antisemitic violence as discontentment with the political system itself and came down hard against it. Local authorities, however, were less concerned with the discrimination, focusing instead on absorbing large numbers of displaced people while also managing regional resentment during the most difficult years of the war. Despite the lack of harmonious integration, party officials spread the myth that they had successfully assimilated over ten million evacuees. Albert Kaganovitch reconstructs the conditions that gave rise to this upsurge in antisemitic sentiment and provides new statistical data on the number of Jewish refugees who lived in the Urals, Siberia, and Middle Volga areas. The book's insights into the regional distribution and concentration of these émigrés offer a behind-the-scenes look at the largest and most intensive Jewish migration in history.

Tacey M. Atsitty melds inherited forms such as the sonnet with her Diné and religious experiences to boldly and beautifully reveal a love that can last for eternity. Celebrating and examining the depth and range of her relationships with men, Atsitty tenderly shares experiences of being taught to fish by her father, and, in other poems, reveals intimate moments of burgeoning romantic love with vulnerability and honesty. Grounded in a world both old and constantly remade, she reminds us that it is only by risking everything that we can receive more than we ever imagined. All I know is it's the season when wind comes crying, like a baby whose head knocks a pew during the passing of the sacrament, that silence-- her long inhale filling with pain. --Excerpt from "A February Snow"

Charlottengrad examines the Russian émigré and exile community that found itself in Berlin during the first wave of emigration after the 1917 Revolution brought the tsarist government of Russia crashing down. Roman Utkin shows that the idea of a community aligned with Imperial Russia and hostile to the new Soviet government is far too simplistic. By closely studying the intellectual output of some of the hundreds of thousands of Russian émigrés ensconced in Berlin's Charlottenburg neighborhood, Utkin reveals a picture of some of the world's first "stateless" peoples struggling to understand their new identity as emigrants and exiles, balancing their sense of Russianness with their position in a modern, bustling Western city, and navigating their political and personal positionality toward a homeland that was no longer home.

"The American Civil War has been thoroughly researched and documented by historians over many decades, but it is the individual accounts from those who lived it that personalize this tumultuous time in our nation's history. Lucius S. Moseley's letters to his family in Beloit, Wisconsin, during his three years of service in the 22nd Wisconsin Volunteer Regiment, provide a uniquely candid view from an infantry soldier, through periods of waiting and watching, battle, capture, imprisonment and parole. His writings invite us into scenes of camp life, exhausting drilling and marching, the fall of Atlanta and Sherman's March to the Sea, so many "terrible happenings of war." He freely shares his hopes, complaints, fears and frustrations, alternating between attempts to soothe his parents' worries ("Now I beg you, don't feel the least uneasy about me") to admitting his concerns for survival ("I hope I will be spared but young men as anxious to live as I have to fall.") While "Lute" frequently apologizes for his poor letters, they are filled with vivid details and honest reflections. His march of days - many tedious, some terrorizing - becomes a journey toward greater compassion. Through it all, letters to and from family are a lifeline, for writer and recipient alike. Lute speaks of his sympathy for the black soldiers who cannot read or write and have no way to stay in touch with their own families. He cannot imagine enduring the war without that communication. On April 17, 1864, he writes, "I didn't know until I came into the army how precious everything at home is." By the time the battles are over, an estimated 750,000 men have lost their lives in this brutal war. The scale of suffering, by civilians as well as soldiers, is immeasurable. Lucius Moseley is one of the lucky ones. When he is mustered out in June, 1865, he returns to a peaceful life of farming, family and community. At the age of twenty-two, he has seen more loss and tragedy than most people can know in a lifetime. He also carries a sense of pride for having helped to preserve the union and bring an end to chattel slavery. The boy has become a man"--

Grief fractures and scars. In Afterlife Michael Dhyne picks up the shattered remains, examining each shard in the light, attempting to find meaning--or at least understanding--in the death of his father. "If I tell the story in reverse, / it still ends with nothing," he writes. Yet it is in the telling that Dhyne's story--and the world he creates--is filled. The echoes of his childhood loss reverberate through adolescence and adulthood, his body, the bodies of those he loves, and the world around them--from Bourbon Street to dark and lonely bedrooms, from grief support groups to heartachingly beautiful sunsets. How we are shaped by our experiences, and how we refuse to be shaped, is at the heart of the poet's search for memory, meaning, and love--in all its forms and wonders. This bold and tender debut is a rousing reminder that poetry and art can heal. "It's one thing to remember, another to not forget. A girl says, Can I start with my birth? and I ask her if anything happened before that, her eyes bright with wonder." --Excerpt from "95 South"