Bøger udgivet af UNIV OF WISCONSIN PR

Electrifying Indonesia tells the story of the entanglement of politics and technology during Indonesia's rapid post-World War II development. As a central part of its nation-building project, the Indonesian state sought to supply electricity to the entire country, bringing transformative socioeconomic benefits across its heterogeneous territories and populations. While this project was driven by nationalistic impulses, it was also motivated by a genuine interest in social justice. The entanglement of these two ideologies--nation-building and equity--shaped how electrification was carried out, including how the state chose the technologies it did. Private companies and electric cooperatives vied with the hegemonic state power company to participate in a monumental undertaking that would transform daily life for all Indonesians, especially rural citizens. In this innovative volume, Anto Mohsin brings Indonesian studies together with science and technology studies to understand a crucial period in modern Indonesian history. He shows that attempts to illuminate the country were inseparable from the effort to maintain the new nation-state, chart its path to independence, and legitimize ruling regimes. In exchange for an often dramatically improved standard of living, people gave their votes, and their acquiescence, to the ruling government.

In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism" the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.

Anton Chekhov is justly famous as an author and a playwright, with his work continuing to appear on stages around the world more than a century after his death. However, he is rarely studied for his intellectual and philosophical theories. His disinterest in developing a "unified idea"--in vogue for Russian intellectuals of his time--and his aversion to the maximalism characteristic of contemporary Russian culture and society set him apart from his fellow writers. As a result, Chekhov's contribution to intellectual and philosophical discourse was obscured both by his contemporaries and by subsequent scholars. Svetlana Evdokimova tackles this gap in Chekhov scholarship, examining the profound connections between his unstated philosophy and his artistic production. Arguing that Chekhov's four major plays (The Cherry Orchard, Three Sisters, The Seagull, and Uncle Vanya) constitute a kind of cycle, Staging Existence offers a major reappraisal of this critical playwright in Russian intellectual history. Evdokimova's deep, careful research into Chekhov's engagement with contemporary philosophy provides insight into both Chekhov's oeuvre and the writer himself.

By the time the Roman poet Valerius Flaccus wrote in the first century CE, the tale of Jason and his famous ship the Argo had been retold so often it was a byword for poetic banality. Why, then, did Valerius construct his epic Argonautica? In this innovative analysis, Jessica Blum-Sorensen argues that it was precisely the myth's overplayed nature that appealed to Valerius, operating in and responding to a period of social and political upheaval. Seeking to comment obliquely on Roman reliance on mythic exempla to guide action and expected outcomes, there was no better vessel for his social and political message than the familiar Argo. Focusing especially on Hercules, Blum-Sorensen explores how Valerius' characters--and, by extension, their Roman audience--misinterpret exemplars of past achievement, or apply them to sad effect in changed circumstances. By reading such models as normative guides to epic triumph, Valerius' Argonauts find themselves enacting tragic outcomes: effectively, the characters impose their nostalgic longing for epic triumph on the events before them, even as Valerius and his audience anticipate the tragedy awaiting his heroes. Valerius thus questions Rome's reliance on the past as a guide to the present, allowing for doubt about the empire's success under the new Flavian regime. It is the literary tradition's exchange between triumphant epic and tragedy that makes the Argo's voyage a perfect vehicle for Valerius' exploration: the tensions between genres both raise and prohibit resolution of anxieties about how the new age--mythological or real--will turn out.

Although understudied in the West, Iurii Trifonov was a canonical Soviet author whose lifetime spanned nearly the whole of the USSR's history and who embodied many of its contradictions. The son of a Bolshevik murdered on Stalin's orders, he wrote his first novel in praise of the dictator's policies. A lifelong Muscovite, he often set his prose in the Central Asian peripheries of the USSR's empire. A subtle critic of the communist regime, he nonetheless benefited from privileges doled out by a censorious state. Scholars have both neglected Trifonov in recent years and focused their limited attention on the author's most famous works, produced in the 1960s through 1980s. Yet almost half of his output was written before then. In Empire of Objects, Benjamin Sutcliffe takes care to consider the author's entire oeuvre. Trifonov's work reflects the paradoxes of a culture that could neither honestly confront the past nor create a viable future, one that alternated between trying to address and attempting to obscure the trauma of Stalinism. He became increasingly incensed by what he perceived as the erosion of sincerity in public and private life, by the impact of technology, and by the state's tacit support of greed and materialism. Trifonov's work, though fictional, offers a compelling window into Soviet culture.

Originally published under the title Jean-Luc Godard: De permanente Revolutionèar, Ã2020 by Paul Zsolnay Verlag Ges.m.b.H., Wien.

Originally published by H. Aschehoug & Co. under the title Fars Krig, copyright Ã2008 by H. Aschehoug & Co. (W. Nygaard), Oslo.

The poems in Radium Girl hold dual citizenship in the land of the sick and the kingdom of the well. The point where illusion ends and reality begins is never clear, as Celeste Lipkes evokes saints, magicians, scientists, and caregivers in the process of surviving both medical illness and medical training. Slippery metaphors of rabbits in hats, doves in cages, and elaborate escapes explore the inhabitation of a female body as a kind of powerful and violent performance--where the magician's trick of cutting a woman in half is never as far away as we'd like. With humor ("When the doctor says, 'We found something, ' / I don't say: 'no shit' or 'oh thank God, / I've been looking for that sweater everywhere, '") and heartbreak ("Every evening I count the dwindling brass coins / of my patient's platelets while his wife ices / cups of ginger ale he will never drink"), Lipkes reminds us what it means to feel human, to feel afraid, to feel hopeful, to feel. I am the magician, even, some nights alone, finding inside the darkness a small, trembling thing I won't acknowledge as my own. This is someone else's rabbit, I say, and the silence nods back. --Excerpt from "Rabbit"

Plain tells the story of Mary Alice Hostetter's journey to define an authentic self amid a rigid religious upbringing in a Mennonite farm family. Although endowed with a personality "prone toward questioning and challenging," the young Mary Alice at first wants nothing more than to be a good girl, to do her share, and-alongside her eleven siblings-to work her family's Lancaster County, Pennsylvania, farm. She feels fortunate to have been born into a religion where, as the familiar hymn states, she is "safe in the arms of Jesus." As an adolescent, that keen desire for belonging becomes focused on her worldly peers, even though she knows that Mennonites consider themselves a people apart. Eventually she leaves behind the fields and fences of her youth, thinking she will finally be able to grow beyond the prohibitions of her church. Discovering and accepting her sexuality, she once again finds herself apart, on the outside of family, community, and societal norms. This quietly powerful memoir of longing and acceptance casts a humanizing eye on a little-understood American religious tradition and a woman's striving to grow within and beyond it.

Ripple Effects will be a go-to source for all who love lakes and who advocate for their protection; its driving question is summed up by one of Rulseh's interviewees: We love this lake. What can we do to keep it healthy?

Orville, Illinois, is bucolic, charming, and almost Norman Rockwellesque-if you're white. But like many midwestern cities in the 1960s, it is a "sundown" town-a place where Black Americans are prohibited from entering or remaining after dark. The town's most adventurous woman, Cassie Zeul, is an outcast because she has no husband and takes an occasional lover. Her son, Gus, guided by Sister Damien, aspires to be a priest, but he is increasingly overwhelmed by his infatuation with Pat Lemkey-who is herself drawn to Jenny Biel, considered by many to be the most beautiful girl in town. Gus's best friend, Fenza Ryzchik Jr., a somewhat notorious bully desperate for his father's attention, hates "colored people," doesn't think he knows any, and is certain he can convince Jenny to marry him one day-without realizing that her devout mother has been passing for white her entire life. Events come to a head when a visiting nun from the South brings an African American friend with her to Midnight Mass one Christmas Eve. The dreams and desires of these characters collide and intersect as they navigate life and coming of age in the rural Midwest. In Janko's masterful hands, the darkness-of prejudice, privilege, and power-that they don't even recognize threatens to overwhelm their lives and their plans for the future. This novel forces us, as well as its characters, to acknowledge the cost of hiding our true selves, and of judging others based on the color of their skin or the longing of their hearts.

Snapshot Versions of Life is an important foray into the culture of photography and home life from an anthropologist's perspective. Examining what he calls "Home Mode" photography, Richard Chalfen explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them.

This definitive account of the Chicano movement in 1960s Denver reveals the intolerance and brutality that inspired and accompanied the urban Chicano organization known as the Crusade for Justice. Ernesto Vigil, an expert in the discourse of radical movements of this time, joined the Crusade as a young draft resistor where he met Rodolfo "Corky" Gonzales, the founder of the CFJ. Vigil follows the movement chronologically from Gonzales's early attempts to fight discrimination as a participant in local democratic politics to his radical stance as an organizer outside mainstream politics. Drawing extensively upon FBI documentation that became available under the Freedom of Information Act, Vigil exposes massive surveillance of the Crusade for Justice by federal agents and local police and the damaging effects of such methods on ethnic liberation movements. Vigil complements these documents and the story of Gonzales's development as a radical with the story of his personal involvement in the movement. The Crusade for Justice describes one of the most important Chicano organizations against prejudice.

In the Thirties and Forties, when the stories in this collection were written, adventure fiction filled the pages of pulp magazines month after month. Carl Jacobi's by-line was becoming as well known among devotees of action pulps as it had already become to faithful followers of Weird Tales and other horror and fantasy magazines. Here are twenty-one pulse-pounding tales from the pulp era, most of them set in Borneo.

The purpose of this study is to reconstruct the images of Adolf Hitler and the Third Reich available to the American general magazine reader from the initial references to him in March, 1923, until his attack on Poland in September, 1939. It is not an analysis of the magazines themselves.

This book reproduces ten of the best stories that appeared in Ten Detective Aces. The detectives that appeared during the height of Ten Detective Aces, that period from 1932 to 1936, were Hard-Boiled, Avengers or a mixture of the two.