Bøger udgivet af University of Exeter

This is the first new biography in English for nearly eighty years of Italy's foremost writer and thinker, and weaves into a single thread the whole of Dante's life and works. The aim is to make an account of Dante's life accessible to students and to the curious and intelligent but non-specialist reader. All quotations are fully translated.

A companion to UEP's Grand-Guignol: The French Theatre of Horror (now in its third reprint). London's Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.

';In Comes I' explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, folklore, and local and family history.Mike Pearson, a leading theatre artist and solo-performer, returns to the landscape of his childhood off the beaten track in Lincolnshire and uses it as a mnemonic to reflect widely upon performance theory and practice. Rather than focusing on author, period and genre as is conventional in the study of drama, the book takes region as its optic, acknowledging the affective ties between people and place.Offering new approaches to the study of performance, he integrates intensely personal narrative with analytical reflection, juxtaposing anecdote with theoretical insight, dramatic text with interdisciplinary perception. The performances, ranging from folk drama to contemporary site-specific work, are seen in the light of their relationship to their cultural and physical environment.

Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre is the first in-depth study of perhaps Britain's most influential twentieth-century theatre company. The book sets the company's aims and achievements in their social, political and theatrical contexts, and explores the elements which made its success so important.

The collection draws on the work of scholars and creative producers from all over the world who explore the idea of the nation in a variety of postcolonial contexts.

Winner of the Devon Book of the Year Award 2003, Circled with Stone is the most comprehensive study to date of the fortifications of an early modern English city. The culmination of some twenty years of archaeological and documentary research, it provides a richly detailed portrait of the ancient system of walls, towers and gates which ringed the city of Exeter during the Tudor and early Stuart periods. The book traces the development of the fortifications over time, explores the many purposes which they served, and shows how they were defended against a series of major attacks: most notably during the Prayer Book rebellion of 1549 and the English Civil War.The text is accompanied by a series of extensive transcripts from Exeter's matchless civic archives, including two newly-discovered documents relating to the Prayer Book rebellion. The book includes a wealth of illustrations and brings together, for the very first time, colour reproductions of all the early maps of Exeter, as well as a series of specially commissioned photographs of the city walls today. Designed to be accessible to the general reader, as well as to the specialist, Circled with Stone paints a uniquely vivid picture of the role which urban fortifications played in everyday life in one of early modern England's greatest cities.Richly detailed, fully illustrated and accessible to the general reader as well as of interest to historians and archaeologists.

Exeter Cathedral Library, established in the eleventh century, houses medical and scientific books from all periods. This catalogue is the first comprehensive treatment of the collection to be published, and has over 2700 entries, including material added in the 1990s.

A completely new, revised and enlarged edition of this classic survey of monuments in South-West England associated with the stories of King Arthur and Knights of the Round Table: the castle of Tintagel, the great hill-fort of Cadbury in south Somerset, the ruined abbey at Glastonbury and Castle Dore in south Cornwall.

This book examines the relationships between theatre and the turbulent political and social context of Northern Ireland since 1969. It explores key theatrical performances which deal directly with this context. The book is aimed at a student readership: it is largely play-text-based, and it contains useful contextualising material.

In a scholarly but accessible account founded on contemporary sources, illustrated with testimonies of eye-witnesses and participants, this book sets out to decide the controversial question of whether the Qawasim were in fact pirates after acquiring an enduring reputation as such during the years 1797-1820.

Taken from Africa into slavery by the Portuguese, kidnapped by the British Navy and held captive aboard ship during the French wars of the 1790s before being abandoned in Falmouth, the story of Joseph Emidy deserves telling in its own right. Emidy became a prominent figure in the musical scene in Cornwall for his remaining years.

In this unique and entertaining collection of articles, a noted scholar and compiler of key works of reference reflects on the nature of language, the art of lexicography and the breath-taking developments in communication, the media and information technology in the late twentieth century.

The sixth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation.

This is the first full-length study of John McGrath's work, and illuminates the importance of his role in the development of theatre, film and television in the last four decades of the twentieth century.

Between Totem and Taboo picks its way through a minefield of prejudice, myth and stereotypes. It is the first book to explore the literary representation by authors black and white, male and female, of interracial relations between France and her former territories in West Africa through the special nexus of the white woman and the black man.

This is a study of the nine prose fiction works of Christiane Rochefort written between 1958 and 1988. Despite establishment recognition and a popular mass-market following, Christiane Rochefort has hitherto received little critical attention. Her fiction forms an approachable learning tool for all students of post-war French politics and culture.

This is the first full-length study in English of Camus's life-long fascination with the works of the Russian writer Feodor Dostoevsky. The purpose of the book is to demonstrate the ways in which Dostoevsky's thought and fiction served to stimulate and crystallize Camus's own thinking.

The geology of Cornwall has been the subject of continuing investigation since the end of the seventeenth century. A literature of great historical interest exists, and this is analysed in this book alongside a wide-ranging review of the current position and assessments of the environmental consequences of rock and mineral exploitation.

The first edition of the devotionary composed by Constanza de Castilla. Comprising a variety of prayers and liturgy offices in Spanish and Latin, the book provides evidence of the beliefs, experience, and expression of religious women in Spain of the later Middle Ages.

The book provides an overview of key areas and will serve as a useful introductory text for those following university courses in this field.

Between February 1990 when the South African president F.W. De Klerk, released Nelson Mandela from prison and legalised the ANC, and April 1994 when the first democratic elections were held, South Africa experienced revolutionary changes.

New Arabian Studies is an international journal covering a wide spectrum of topics including geography, archaeology, history, architecture, agriculture, language, dialect, sociology, documents, literature and religion.

Elles is the first bilingual anthology of its kind. It introduces English-speaking readers to some of the best French poetry written by women over the last twenty years. Martin Sorrell has chosen work from seventeen distinctive and diverse poets, and provided lively facing-page verse translations alongside the originals.

This book reprints a wide variety of articles and speeches for the first time since they appeared in Spanish and foreign journals and in clandestine broadsheets from France. Some censored material has been restored.

Central to the Enlightenment is the ideal of the Secular City, in militant reply to the Civitas Dei of St Augustine. The essays in this volume illustrate the elaboration of that vision, both in the planning and depiction of actual cities and in the speculation on social justice to which Voltaire in particular devoted himself.

Describing in detail one of the most inventive periods in the history of English cinema, the volumes in this celebrated series are already established as classics in their field. Each volume details the highlights of a single cinematic year, including details of production, manufacturers of equipment, dealers and exhibitors.

This book sets out to examine why the world regards the Gulf as important. Chapters either treat the way in which individual countries view their vital interest in the Gulf, or deal with specific themes such as the question of militarization and the international arms-trade.

The geology of Cornwall has been the subject of continuing investigation since the end of the seventeenth century. A literature of great historical interest exists, and this is analysed in this book alongside a wide-ranging review of the current position and assessments of the environmental consequences of rock and mineral exploitation.

This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history.

The Theatre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror.Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director.The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.